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          <title xml:lang="en" type="main">The Complete Stories</title>
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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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          <name>C. V. Radhakrishnan</name>
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        <sponsor>Sayahna Foundation</sponsor>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
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          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
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            <author>Guy de Maupassant</author>
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            <edition>Vol. 9</edition>
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            <measure unit="pages" quantity="173">173 pages of source material</measure>
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            <date>2004 Jan 1</date>
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          <figDesc>Two Women in the Forest, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
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      <div next="9.2" type="chapter" n="9.1" xml:id="chp.9.1">
        <head type="chaphead">Toine</head>
        <div type="lsection">
          <p style="noindent">He was known for thirty miles round was father Toine–fat
Toine, Toine- my-extra, Antoine Macheble, nicknamed Burnt-Brandy–the innkeeper
of Tournevent.
</p>
          <p style="indent">It was he who had made famous this hamlet buried in a niche
in the valley that led down to the sea, a poor little peasants’ hamlet consisting of
ten Norman cottages surrounded by ditches and trees.
</p>
          <p style="indent">The houses were hidden behind a curve which had given the
place the name of Tournevent. It seemed to have sought shelter in this ravine
overgrown with grass and rushes, from the keen, salt sea wind–the ocean wind that
devours and burns like fire, that drys up and withers like the sharpest frost of
winter, just as birds seek shelter in the furrows of the fields in time of storm.
</p>
          <p style="indent">But the whole hamlet seemed to be the property of Antoine
Macheble, nicknamed Burnt-Brandy, who was called also Toine, or Toine-My-Extra-
Special, the latter in consequence of a phrase current in his mouth:
</p>
          <p style="indent">“My Extra-Special is the best in France:”
</p>
          <p style="indent">His “Extra-Special” was, of course, his cognac.
</p>
          <p style="indent">For the last twenty years he had served the whole countryside
with his Extra-Special and his “Burnt-Brandy,” for whenever he was asked: “What
shall I drink, Toine?” he invariably answered: “A burnt-brandy, my son- in-law;
that warms the inside and clears the head–there’s nothing better for your body.”
</p>
          <p style="indent">He called everyone his son-in-law, though he had no daughter,
either married or to be married.
</p>
          <p style="indent">Well known indeed was Toine Burnt-Brandy, the stoutest man
in all Normandy. His little house seemed ridiculously small, far too small and too
low to hold him; and when people saw him standing at his door, as he did all day
long, they asked one another how he could possibly get through the door. But he
went in whenever a customer appeared, for it was only right that Toine should be
invited to take his thimbleful of whatever was drunk in his wine shop.
</p>
          <p style="indent">His inn bore the sign: “The Friends’ Meeting-Place”–and old
Toine was, indeed, the friend of all. His customers came from Fecamp and
Montvilliers, just for the fun of seeing him and hearing him talk; for fat Toine would
have made a tombstone laugh. He had a way of chaffing people without offending
them, or of winking to express what he didn’t say, of slapping his thighs when he
was merry in such a way as to make you hold your sides, laughing. And then,
merely to see him drink was a curiosity. He drank everything that was offered him,
his roguish eyes twinkling, both with the enjoyment of drinking and at the thought
of the money he was taking in. His was a double pleasure: first, that of drinking;
and second, that of piling up the cash.
</p>
          <p style="indent">You should have heard him quarrelling with his wife! It was
worth paying for to see them together. They had wrangled all the thirty years they
had been married; but Toine was good-humored, while his better-half grew angry.
She was a tall peasant woman, who walked with long steps like a stork, and had a
head resembling that of an angry screech-owl. She spent her time rearing chickens
in a little poultry-yard behind the inn, and she was noted for her success in
fattening them for the table.
</p>
          <p style="indent">Whenever the gentry of Fecamp gave a dinner they always had
at least one of Madame Toine’s chickens to be in the fashion.
</p>
          <p style="indent">But she was born ill-tempered, and she went through life in a
mood of perpetual discontent. Annoyed at everyone, she seemed to be particularly
annoyed at her husband. She disliked his gaiety, his reputation, his rude health, his
embonpoint. She treated him as a good-for-nothing creature because he earned his
money without working, and as a glutton because he ate and drank as much as ten
ordinary men; and not a day went by without her declaring spitefully:
</p>
          <p style="indent">“You’d be better in the stye along with the pigs! You’re so fat
it makes me sick to look at you!”
</p>
          <p style="indent">And she would shout in his face:
</p>
          <p style="indent">“Wait! Wait a bit! We’ll see! You’ll burst one of these fine
days like a sack of corn-you old bloat, you!”
</p>
          <p style="indent">Toine would laugh heartily, patting his corpulent person, and
replying:
</p>
          <p style="indent">“Well, well, old hen, why don’t you fatten up your chickens
like that? just try!”
</p>
          <p style="indent">And, rolling his sleeves back from his enormous arm, he said:
</p>
          <p style="indent">“That would make a fine wing now, wouldn’t it?”
</p>
          <p style="indent">And the customers, doubled up with laughter, would thump
the table with their fists and stamp their feet on the floor.
</p>
          <p style="indent">The old woman, mad with rage, would repeat:
</p>
          <p style="indent">“Wait a bit! Wait a bit! You’ll see what’ll happen. He’ll burst
like a sack of grain!”
</p>
          <p style="indent">And off she would go, amid the jeers and laughter of the
drinkers.
</p>
          <p style="indent">Toine was, in fact, an astonishing sight, he was so fat, so
heavy, so red. He was one of those enormous beings with whom Death seems to be
amusing himself–playing perfidious tricks and pranks, investing with an irresistibly
comic air his slow work of destruction. Instead of manifesting his approach, as with
others, in white hairs, in emaciation, in wrinkles, in the gradual collapse which
makes the onlookers say: “Gad! how he has changed!” he took a malicious pleasure
in fattening Toine, in making him monstrous and absurd, in tingeing his face with a
deep crimson, in giving him the appearance of superhuman health, and the changes
he inflicts on all were in the case of Toine laughable, comic, amusing, instead of
being painful and distressing to witness.
</p>
          <p style="indent">“Wait a bit! Wait a bit!” said his wife. “You’ll see.”
</p>
          <p style="indent">At last Toine had an apoplectic fit, and was paralyzed in
consequence. The giant was put to bed in the little room behind the partition of the
drinking-room that he might hear what was said and talk to his friends, for his head
was quite clear although his enormous body was helplessly inert. It was hoped at
first that his immense legs would regain some degree of power; but this hope soon
disappeared, and Toine spent his days and nights in the bed, which was only made
up once a week, with the help of four neighbors who lifted the innkeeper, each
holding a limb, while his mattress was turned.
</p>
          <p style="indent">He kept his spirits, nevertheless; but his gaiety was of a
different kind–more timid, more humble; and he lived in a constant, childlike fear of
his wife, who grumbled from morning till night:
</p>
          <p style="indent">“Look at him there–the great glutton! the good-for-nothing
creature, the old boozer! Serve him right, serve him right!”
</p>
          <p style="indent">He no longer answered her. He contented himself with winking
behind the old woman’s back, and turning over on his other side–the only movement
of which he was now capable. He called this exercise a “tack to the north” or a
“tack to the south.”
</p>
          <p style="indent">His great distraction nowadays was to listen to the
conversations in the bar, and to shout through the wall when he recognized a
friend’s voice:
</p>
          <p style="indent">“Hallo, my son-in-law! Is that you, Celestin?”
</p>
          <p style="indent">And Celestin Maloisel answered:
</p>
          <p style="indent">“Yes, it’s me, Toine. Are you getting about again yet, old
fellow?”
</p>
          <p style="indent">“Not exactly getting about,” answered Toine. “But I haven’t
grown thin; my carcass is still good.”
</p>
          <p style="indent">Soon he got into the way of asking his intimates into his room
to keep him company, although it grieved him to see that they had to drink without
him. It pained him to the quick that his customers should be drinking without him.
</p>
          <p style="indent">“That’s what hurts worst of all,” he would say: “that I cannot
drink my Extra-Special any more. I can put up with everything else, but going
without drink is the very deuce.”
</p>
          <p style="indent">Then his wife’s screech-owl face would appear at the window,
and she would break in with the words:
</p>
          <p style="indent">“Look at him! Look at him now, the good-for-nothing wretch!
I’ve got to feed him and wash him just as if he were a pig!”
</p>
          <p style="indent">And when the old woman had gone, a cock with red feathers
would sometimes fly up to the window sill and looking into the room with his round
inquisitive eye, would begin to crow loudly. Occasionally, too, a few hens would
flutter as far as the foot of the bed, seeking crumbs on the floor. Toine’s friends
soon deserted the drinking room to come and chat every afternoon beside the
invalid’s bed. Helpless though he was, the jovial Toine still provided them with
amusement. He would have made the devil himself laugh. Three men were regular
in their attendance at the bedside: Celestin Maloisel, a tall, thin fellow, somewhat
gnarled, like the trunk of an apple-tree; Prosper Horslaville, a withered little man
with a ferret nose, cunning as a fox; and Cesaire Paumelle, who never spoke, but
who enjoyed Toine’s society all the same.
</p>
          <p style="indent">They brought a plank from the yard, propped it upon the
edge of the bed, and played dominoes from two till six.
</p>
          <p style="indent">But Toine’s wife soon became insufferable. She could not
endure that her fat, lazy husband should amuse himself at games while lying in his
bed; and whenever she caught him beginning a game she pounced furiously on the
dominoes, overturned the plank, and carried all away into the bar, declaring that it
was quite enough to have to feed that fat, lazy pig without seeing him amusing
himself, as if to annoy poor people who had to work hard all day long.
</p>
          <p style="indent">Celestin Maloisel and Cesaire Paumelle bent their heads to the
storm, but Prosper Horslaville egged on the old woman, and was only amused at her
wrath.
</p>
          <p style="indent">One day, when she was more angry than usual, he said:
</p>
          <p style="indent">“Do you know what I’d do if I were you?”
</p>
          <p style="indent">She fixed her owl’s eyes on him, and waited for his next words.
</p>
          <p style="indent">Prosper went on:
</p>
          <p style="indent">“Your man is as hot as an oven, and he never leaves his
bed–well, I’d make him hatch some eggs.”
</p>
          <p style="indent">She was struck dumb at the suggestion, thinking that Prosper
could not possibly be in earnest. But he continued:
</p>
          <p style="indent">“I’d put five under one arm, and five under the other, the
same day that I set a hen. They’d all come out at the same time; then I’d take your
husband’s chickens to the hen to bring up with her own. You’d rear a fine lot that
way.”
</p>
          <p style="indent">“Could it be done?” asked the astonished old woman.
</p>
          <p style="indent">“Could it be done?” echoed the man. “Why not? Since eggs
can be hatched in a warm box why shouldn’t they be hatched in a warm bed?”
</p>
          <p style="indent">She was struck by this reasoning, and went away soothed and
reflective.
</p>
          <p style="indent">A week later she entered Toine’s room with her apron full of
eggs, and said:
</p>
          <p style="indent">“I’ve just put the yellow hen on ten eggs. Here are ten for you;
try not to break them.”
</p>
          <p style="indent">“What do you want?” asked the amazed Toine.
</p>
          <p style="indent">“I want you to hatch them, you lazy creature!” she answered.
</p>
          <p style="indent">He laughed at first; then, finding she was serious, he got angry,
and refused absolutely to have the eggs put under his great arms, that the warmth
of his body might hatch them.
</p>
          <p style="indent">But the old woman declared wrathfully:
</p>
          <p style="indent">“You’ll get no dinner as long as you won’t have them. You’ll
see what’ll happen.”
</p>
          <p style="indent">Tome was uneasy, but answered nothing.
</p>
          <p style="indent">When twelve o’clock struck, he called out:
</p>
          <p style="indent">“Hullo, mother, is the soup ready?”
</p>
          <p style="indent">“There’s no soup for you, lazy-bones,” cried the old woman
from her kitchen.
</p>
          <p style="indent">He thought she must be joking, and waited a while. Then he
begged, implored, swore, “tacked to the north” and “tacked to the south,” and beat
on the wall with his fists, but had to consent at last to five eggs being placed
against his left side; after which he had his soup.
</p>
          <p style="indent">When his friends arrived that afternoon they thought he must
be ill, he seemed so constrained and queer.
</p>
          <p style="indent">They started the daily game of dominoes. But Tome appeared
to take no pleasure in it, and reached forth his hand very slowly, and with great
precaution.
</p>
          <p style="indent">“What’s wrong with your arm?” asked Horslaville.
</p>
          <p style="indent">“I have a sort of stiffness in the shoulder,” answered Toine.
</p>
          <p style="indent">Suddenly they heard people come into the inn. The players
were silent.
</p>
          <p style="indent">It was the mayor with the deputy. They ordered two glasses of
Extra- Special, and began to discuss local affairs. As they were talking in somewhat
low tones Toine wanted to put his ear to the wall, and, forgetting all about his eggs,
he made a sudden “tack to the north,” which had the effect of plunging him into the
midst of an omelette.
</p>
          <p style="indent">At the loud oath he swore his wife came hurrying into the
room, and, guessing what had happened, stripped the bedclothes from him with
lightning rapidity. She stood at first without moving or uttering a syllable,
speechless with indignation at sight of the yellow poultice sticking to her husband’s
side.
</p>
          <p style="indent">Then, trembling with fury, she threw herself on the paralytic,
showering on him blows such as those with which she cleaned her linen on the
seashore. Tome’s three friends were choking with laughter, coughing, spluttering
and shouting, and the fat innkeeper himself warded his wife’s attacks with all the
prudence of which he was capable, that he might not also break the five eggs at his
other side.
</p>
          <p style="indent">Tome was conquered. He had to hatch eggs, he had to give up
his games of dominoes and renounce movement of any sort, for the old woman
angrily deprived him of food whenever he broke an egg.
</p>
          <p style="indent">He lay on his back, with eyes fixed on the ceiling, motionless,
his arms raised like wings, warming against his body the rudimentary chickens
enclosed in their white shells.
</p>
          <p style="indent">He spoke now only in hushed tones; as if he feared a noise as
much as motion, and he took a feverish interest in the yellow hen who was
accomplishing in the poultry-yard the same task as he.
</p>
          <p style="indent">“Has the yellow hen eaten her food all right?” he would ask
his wife.
</p>
          <p style="indent">And the old woman went from her fowls to her husband and
from her husband to her fowls, devoured by anxiety as to the welfare of the little
chickens who were maturing in the bed and in the nest.
</p>
          <p style="indent">The country people who knew the story came, agog with
curiosity, to ask news of Toine. They entered his room on tiptoe, as one enters a
sick- chamber, and asked:
</p>
          <p style="indent">“Well! how goes it?”
</p>
          <p style="indent">“All right,” said Toine; “only it keeps me fearfully hot.”
</p>
          <p style="indent">One morning his wife entered in a state of great excitement,
and declared:
</p>
          <p style="indent">“The yellow hen has seven chickens! Three of the eggs were
addled.”
</p>
          <p style="indent">Toine’s heart beat painfully. How many would he have?
</p>
          <p style="indent">“Will it soon be over?” he asked, with the anguish of a woman
who is about to become a mother.
</p>
          <p style="indent">“It’s to be hoped so!” answered the old woman crossly,
haunted by fear of failure.
</p>
          <p style="indent">They waited. Friends of Toine who had got wind that his time
was drawing near arrived, and filled the little room.
</p>
          <p style="indent">Nothing else was talked about in the neighboring cottages.
Inquirers asked one another for news as they stood at their doors.
</p>
          <p style="indent">About three o’clock Toine fell asleep. He slumbered half his
time nowadays. He was suddenly awakened by an unaccustomed tickling under his
right arm. He put his left hand on the spot, and seized a little creature covered with
yellow down, which fluttered in his hand.
</p>
          <p style="indent">His emotion was so great that he cried out, and let go his hold
of the chicken, which ran over his chest. The bar was full of people at the time. The
customers rushed to Toine’s room, and made a circle round him as they would
round a travelling showman; while Madame Toine picked up the chicken, which had
taken refuge under her husband’s beard.
</p>
          <p style="indent">No one spoke, so great was the tension. It was a warm April
day. Outside the window the yellow hen could be heard calling to her newly- fledged
brood.
</p>
          <p style="indent">Toine, who was perspiring with emotion and anxiety,
murmured:
</p>
          <p style="indent">“I have another now–under the left arm.”
</p>
          <p style="indent">His’ wife plunged her great bony hand into the bed, and
pulled out a second chicken with all the care of a midwife.
</p>
          <p style="indent">The neighbors wanted to see it. It was passed from one to
another, and examined as if it were a phenomenon.
</p>
          <p style="indent">For twenty minutes no more hatched out, then four emerged
at the same moment from their shells.
</p>
          <p style="indent">There was a great commotion among the lookers-on. And
Toine smiled with satisfaction, beginning to take pride in this unusual sort of
paternity. There were not many like him! Truly, he was a remarkable specimen of
humanity!
</p>
          <p style="indent">“That makes six!” he declared. “Great heavens, what a
christening we’ll have!”
</p>
          <p style="indent">And a loud laugh rose from all present. Newcomers filled the
bar. They asked one another:
</p>
          <p style="indent">“How many are there?”
</p>
          <p style="indent">“Six.”
</p>
          <p style="indent">Toine’s wife took this new family to the hen, who clucked
loudly, bristled her feathers, and spread her wings wide to shelter her growing brood
of little ones.
</p>
          <p style="indent">“There’s one more!” cried Toine.
</p>
          <p style="indent">He was mistaken. There were three! It was an unalloyed
triumph! The last chicken broke through its shell at seven o’clock in the evening.
All the eggs were good! And Toine, beside himself with joy, his brood hatched out,
exultant, kissed the tiny creature on the back, almost suffocating it. He wanted to
keep it in his bed until morning, moved by a mother’s tenderness toward the tiny
being which he had brought to life, but the old woman carried it away like the
others, turning a deaf ear to her husband’s entreaties.
</p>
          <p style="indent">The delighted spectators went off to spread the news of the
event, and Horslaville, who was the last to go, asked:
</p>
          <p style="indent">“You’ll invite me when the first is cooked, won’t you, Toine?”
</p>
          <p style="indent">At this idea a smile overspread the fat man’s face, and he
answered:
</p>
          <p style="indent">“Certainly I’ll invite you, my son-in-law.”
</p>
        </div>
        <!--end of "section 1.0/.1"-->
      </div>
      <!--end of "chapter 9.1/0"-->
      <!--END OF CHAPTER 9.1/0-->
      <div prev="9.1" next="9.3" type="chapter" n="9.2" xml:id="chp.9.2">
        <head type="chaphead">Madame Husson’s “Rosier”</head>
        <div type="lsection">
          <p style="noindent">We had just left Gisors, where I was awakened to hearing
the name of the town called out by the guards, and I was dozing off again when a
terrific shock threw me forward on top of a large lady who sat opposite me.
</p>
          <p style="indent">One of the wheels of the engine had broken, and the engine
itself lay across the track. The tender and the baggage car were also derailed, and
lay beside this mutilated engine, which rattled, groaned, hissed, puffed, sputtered,
and resembled those horses that fall in the street with their flanks heaving, their
breast palpitating, their nostrils steaming and their whole body trembling, but
incapable of the slightest effort to rise and start off again.
</p>
          <p style="indent">There were no dead or wounded; only a few with bruises, for
the train was not going at full speed. And we looked with sorrow at the great
crippled iron creature that could not draw us along any more, and that blocked the
track, perhaps for some time, for no doubt they would have to send to Paris for a
special train to come to our aid.
</p>
          <p style="indent">It was then ten o’clock in the morning, and I at once decided
to go back to Gisors for breakfast.
</p>
          <p style="indent">As I was walking along I said to myself:
</p>
          <p style="indent">“Gisors, Gisors–why, I know someone there!
</p>
          <p style="indent">Who is it? Gisors? Let me see, I have a friend in this town.”
A name suddenly came to my mind, “Albert Marambot.” He was an old school
friend whom I had not seen for at least twelve years, and who was practicing
medicine in Gisors. He had often written, inviting me to come and see him, and I
had always promised to do so, without keeping my word. But at last I would take
advantage of this opportunity.
</p>
          <p style="indent">I asked the first passer-by:
</p>
          <p style="indent">“Do you know where Dr. Marambot lives?”
</p>
          <p style="indent">He replied, without hesitation, and with the drawling accent
of the Normans:
</p>
          <p style="indent">“Rue Dauphine.”
</p>
          <p style="indent">I presently saw, on the door of the house he pointed out, a
large brass plate on which was engraved the name of my old chum. I rang the bell,
but the servant, a yellow-haired girl who moved slowly, said with a Stupid air:
</p>
          <p style="indent">“He isn’t here, he isn’t here.”
</p>
          <p style="indent">I heard a sound of forks and of glasses and I cried:
</p>
          <p style="indent">“Hallo, Marambot!”
</p>
          <p style="indent">A door opened and a large man, with whiskers and a cross
look on his face, appeared, carrying a dinner napkin in his hand.
</p>
          <p style="indent">I certainly should not have recognized him. One would have
said he was forty-five at least, and, in a second, all the provincial life which makes
one grow heavy, dull and old came before me. In a single flash of thought, quicker
than the act of extending my hand to him, I could see his life, his manner of
existence, his line of thought and his theories of things in general. I guessed at the
prolonged meals that had rounded out his stomach, his after-dinner naps from the
torpor of a slow indigestion aided by cognac, and his vague glances cast on the
patient while he thought of the chicken that was roasting before the fire. His
conversations about cooking, about cider, brandy and wine, the way of preparing
certain dishes and of blending certain sauces were revealed to me at sight of his
puffy red cheeks, his heavy lips and his lustreless eyes.
</p>
          <p style="indent">“You do not recognize me. I am Raoul Aubertin,” I said.
</p>
          <p style="indent">He opened his arms and gave me such a hug that I thought he
would choke me.
</p>
          <p style="indent">“You have not breakfasted, have you?”
</p>
          <p style="indent">“No.”
</p>
          <p style="indent">“How fortunate! I was just sitting down to table and I have an
excellent trout.”
</p>
          <p style="indent">Five minutes later I was sitting opposite him at breakfast. I
said:
</p>
          <p style="indent">“Are you a bachelor?”
</p>
          <p style="indent">“Yes, indeed.”
</p>
          <p style="indent">“And do you like it here?”
</p>
          <p style="indent">“Time does not hang heavy; I am busy. I have patients and
friends. I eat well, have good health, enjoy laughing and shooting. I get along.”
</p>
          <p style="indent">“Is not life very monotonous in this little town?”
</p>
          <p style="indent">“No, my dear boy, not when one knows how to fill in the time.
A little town, in fact, is like a large one. The incidents and amusements are less
varied, but one makes more of them; one has fewer acquaintances, but one meets
them more frequently. When you know all the windows in a street, each one of them
interests you and puzzles you more than a whole street in Paris.
</p>
          <p style="indent">“A little town is very amusing, you know, very amusing, very
amusing. Why, take Gisors. I know it at the tips of my fingers, from its beginning
up to the present time. You have no idea what queer history it has.”
</p>
          <p style="indent">“Do you belong to Gisors?”
</p>
          <p style="indent">“I? No. I come from Gournay, its neighbor and rival. Gournay
is to Gisors what Lucullus was to Cicero. Here, everything is for glory; they say ‘the
proud people of Gisors.’ At Gournay, everything is for the stomach; they say ‘the
chewers of Gournay.’ Gisors despises Gournay, but Gournay laughs at Gisors. It is a
very comical country, this.”
</p>
          <p style="indent">I perceived that I was eating something very delicious,
hard-boiled eggs wrapped in a covering of meat jelly flavored with herbs and put on
ice for a few moments. I said as I smacked my lips to compliment Marambot:
</p>
          <p style="indent">“That is good.”
</p>
          <p style="indent">He smiled.
</p>
          <p style="indent">“Two things are necessary, good jelly, which is hard to get,
and good eggs. Oh, how rare good eggs are, with the yolks slightly reddish, and
with a good flavor! I have two poultry yards, one for eggs and the other for
chickens. I feed my laying hens in a special manner. I have my own ideas on the
subject. In an egg, as in the meat of a chicken, in beef, or in mutton, in milk, in
everything, one perceives, and ought to taste, the juice, the quintessence of all the
food on which the animal has fed. How much better food we could have if more
attention were paid to this!”
</p>
          <p style="indent">I laughed as I said:
</p>
          <p style="indent">“You are a gourmand?”
</p>
          <p style="indent">“Parbleu. It is only imbeciles who are not. One is a gourmand
as one is an artist, as one is learned, as one is a poet. The sense of taste, my friend,
is very delicate, capable of perfection, and quite as worthy of respect as the eye and
the ear. A person who lacks this sense is deprived of an exquisite faculty, the faculty
of discerning the quality of food, just as one may lack the faculty of discerning the
beauties of a book or of a work of art; it means to be deprived of an essential organ,
of something that belongs to higher humanity; it means to belong to one of those
innumerable classes of the infirm, the unfortunate, and the fools of which our race is
composed; it means to have the mouth of an animal, in a word, just like the mind of
an animal. A man who cannot distinguish one kind of lobster from another; a
herring–that admirable fish that has all the flavors, all the odors of the sea–from a
mackerel or a whiting; and a Cresane from a Duchess pear, may be compared to a
man who should mistake Balzac for Eugene Sue; a symphony of Beethoven for a
military march composed by the bandmaster of a regiment; and the Apollo
Belvidere for the statue of General de Blaumont.
</p>
          <p style="indent">“Who is General de Blaumont?”
</p>
          <p style="indent">“Oh, that’s true, you do not know. It is easy to tell that you
do not belong to Gisors. I told you just now, my dear boy, that they called the
inhabitants of this town ‘the proud people of Gisors,’ and never was an epithet
better deserved. But let us finish breakfast first, and then I will tell you about our
town and take you to see it.”
</p>
          <p style="indent">He stopped talking every now and then while he slowly drank
a glass of wine which he gazed at affectionately as he replaced the glass on the table.
</p>
          <p style="indent">It was amusing to see him, with a napkin tied around his neck,
his cheeks flushed, his eyes eager, and his whiskers spreading round his mouth as it
kept working.
</p>
          <p style="indent">He made me eat until I was almost choking. Then, as I was
about to return to the railway station, he seized me by the arm and took me
through the streets. The town, of a pretty, provincial type, commanded by its
citadel, the most curious monument of military architecture of the seventh century
to be found in France, overlooks, in its turn, a long, green valley, where the large
Norman cows graze and ruminate in the pastures.
</p>
          <p style="indent">The doctor quoted:
</p>
          <p style="indent">“‘Gisors, a town of 4,000 inhabitants in the department of
Eure, mentioned in Caesar’s Commentaries: Caesaris ostium, then Caesartium,
Caesortium, Gisortium, Gisors.’ I shall not take you to visit the old Roman
encampment, the remains of which are still in existence.”
</p>
          <p style="indent">I laughed and replied:
</p>
          <p style="indent">“My dear friend, it seems to me that you are affected with a
special malady that, as a doctor, you ought to study; it is called the spirit of
provincialism.”
</p>
          <p style="indent">He stopped abruptly.
</p>
          <p style="indent">“The spirit of provincialism, my friend, is nothing but natural
patriotism,” he said. “I love my house, my town and my province because I discover
in them the customs of my own village; but if I love my country, if I become angry
when a neighbor sets foot in it, it is because I feel that my home is in danger,
because the frontier that I do not know is the high road to my province. For
instance, I am a Norman, a true Norman; well, in spite of my hatred of the German
and my desire for revenge, I do not detest them, I do not hate them by instinct as I
hate the English, the real, hereditary natural enemy of the Normans; for the English
traversed this soil inhabited by my ancestors, plundered and ravaged it twenty
times, and my aversion to this perfidious people was transmitted to me at birth by
my father. See, here is the statue of the general.”
</p>
          <p style="indent">“What general?”
</p>
          <p style="indent">“General Blaumont! We had to have a statue. We are not ‘the
proud people of Gisors’ for nothing! So we discovered General de Blaumont. Look
in this bookseller’s window.”
</p>
          <p style="indent">He drew me towards the bookstore, where about fifteen red,
yellow and blue volumes attracted the eye. As I read the titles, I began to laugh
idiotically. They read:
</p>
          <p style="indent">Gisors, its origin, its future, by M. X. . . ., member of several
learned societies; History of Gisors, by the Abbe A . . . .; Gasors from the time of
Caesar to the present day, by M. B. . . ., Landowner; Gisors and its environs, by
Doctor C. D. . . ; The Glories of Gisors, by a Discoverer.
</p>
          <p style="indent">“My friend,” resumed Marambot, “not a year, not a single
year, you understand, passes without a fresh history of Gisors being published here;
we now have twenty-three.”
</p>
          <p style="indent">“And the glories of Gisors?” I asked.
</p>
          <p style="indent">“Oh, I will not mention them all, only the principal ones. We
had first General de Blaumont, then Baron Davillier, the celebrated ceramist who
explored Spain and the Balearic Isles, and brought to the notice of collectors the
wonderful Hispano-Arabic china. In literature we have a very clever journalist, now
dead, Charles Brainne, and among those who are living, the very eminent editor of
the Nouvelliste de Rouen, Charles Lapierre . . . and many others, many others.”
</p>
          <p style="indent">We were traversing along street with a gentle incline, with a
June sun beating down on it and driving the residents into their houses.
</p>
          <p style="indent">Suddenly there appeared at the farther end of the street a
drunken man who was staggering along, with his head forward his arms and legs
limp. He would walk forward rapidly three, six, or ten steps and then stop. When
these energetic movements landed him in the middle of the road he stopped short
and swayed on his feet, hesitating between falling and a fresh start. Then he would
dart off in any direction, sometimes falling against the wall of a house, against
which he seemed to be fastened, as though he were trying to get in through the
wall. Then he would suddenly turn round and look ahead of him, his mouth open
and his eyes blinking in the sunlight, and getting away from the wall by a movement
of the hips, he started off once more.
</p>
          <p style="indent">A little yellow dog, a half-starved cur, followed him, barking;
stopping when he stopped, and starting off when he started.
</p>
          <p style="indent">“Hallo,” said Marambot, “there is Madame Husson’s ‘Rosier’.
</p>
          <p style="indent">“Madame Husson’s ‘Rosier’,” I exclaimed in astonishment.
“What do you mean?”
</p>
          <p style="indent">The doctor began to laugh.
</p>
          <p style="indent">“Oh, that is what we call drunkards round here. The name
comes from an old story which has now become a legend, although it is true in all
respects.”
</p>
          <p style="indent">“Is it an amusing story?”
</p>
          <p style="indent">“Very amusing.”
</p>
          <p style="indent">“Well, then, tell it to me.”
</p>
          <p style="indent">“I will.”
</p>
          <p style="indent">There lived formerly in this town a very upright old lady who
was a great guardian of morals and was called Mme. Husson. You know, I am
telling you the real names and not imaginary ones. Mme. Husson took a special
interest in good works, in helping the poor and encouraging the deserving. She was
a little woman with a quick walk and wore a black wig. She was ceremonious,
polite, on very good terms with the Almighty in the person of Abby Malon, and had
a profound horror, an inborn horror of vice, and, in particular, of the vice the
Church calls lasciviousness. Any irregularity before marriage made her furious,
exasperated her till she was beside herself.
</p>
          <p style="indent">Now, this was the period when they presented a prize as a
reward of virtue to any girl in the environs of Paris who was found to be chaste. She
was called a Rosiere, and Mme. Husson got the idea that she would institute a
similar ceremony at Gisors. She spoke about it to Abbe Malon, who at once made
out a list of candidates.
</p>
          <p style="indent">However, Mme. Husson had a servant, an old woman called
Francoise, as upright as her mistress. As soon as the priest had left, madame called
the servant and said:
</p>
          <p style="indent">“Here, Francoise, here are the girls whose names M. le cure
has submitted to me for the prize of virtue; try and find out what reputation they
bear in the district.”
</p>
          <p style="indent">And Francoise set out. She collected all the scandal, all the
stories, all the tattle, all the suspicions. That she might omit nothing, she wrote it
all down together with her memoranda in her housekeeping book, and handed it
each morning to Mme. Husson, who, after adjusting her spectacles on her thin nose,
read as follows:
</p>
          <p style="indent">Bread...........................four sous Milk............................two
sous Butter .........................eight sous Malvina Levesque got into trouble last year
with Mathurin Poilu. Leg of mutton...................twenty-five sous
Salt............................one sou Rosalie Vatinel was seen in the Riboudet woods with
Cesaire Pienoir, by Mme. Onesime, the ironer, on July the 20th about dusk.
Radishes........................one sou Vinegar.........................two sous Oxalic
acid.....................two sous
</p>
          <p style="indent">Josephine Durdent, who is not believed to have committed a
fault, although she corresponds with young Oportun, who is in service in Rouen,
and who sent her a present of a cap by diligence.
</p>
          <p style="indent">Not one came out unscathed in this rigorous inquisition.
Francoise inquired of everyone, neighbors, drapers, the principal, the teaching sisters
at school, and gathered the slightest details.
</p>
          <p style="indent">As there is not a girl in the world about whom gossips have
not found something to say, there was not found in all the countryside one young
girl whose name was free from some scandal.
</p>
          <p style="indent">But Mme. Husson desired that the “Rosiere” of Gisors, like
Caesar’s wife, should be above suspicion, and she was horrified, saddened and in
despair at the record in her servant’s housekeeping account-book.
</p>
          <p style="indent">They then extended their circle of inquiries to the neighboring
villages; but with no satisfaction.
</p>
          <p style="indent">They consulted the mayor. His candidates failed. Those of Dr.
Barbesol were equally unlucky, in spite of the exactness of his scientific vouchers.
</p>
          <p style="indent">But one morning Francoise, on returning from one of her
expeditions, said to her mistress:
</p>
          <p style="indent">“You see, madame, that if you wish to give a prize to anyone,
there is only Isidore in all the country round.”
</p>
          <p style="indent">Mme. Husson remained thoughtful. She knew him well, this
Isidore, the son of Virginie the greengrocer. His proverbial virtue had been the
delight of Gisors for several years, and served as an entertaining theme of
conversation in the town, and of amusement to the young girls who loved to tease
him. He was past twenty-one, was tall, awkward, slow and timid; helped his mother
in the business, and spent his days picking over fruit and vegetables, seated on a
chair outside the door.
</p>
          <p style="indent">He had an abnormal dread of a petticoat and cast down his
eyes whenever a female customer looked at him smilingly, and this well-known
timidity made him the butt of all the wags in the country.
</p>
          <p style="indent">Bold words, coarse expressions, indecent allusions, brought the
color to his cheeks so quickly that Dr. Barbesol had nicknamed him “the
thermometer of modesty.” Was he as innocent as he looked? ill-natured people
asked themselves. Was it the mere presentiment of unknown and shameful mysteries
or else indignation at the relations ordained as the concomitant of love that so
strongly affected the son of Virginie the greengrocer? The urchins of the
neighborhood as they ran past the shop would fling disgusting remarks at him just
to see him cast down his eyes. The girls amused themselves by walking up and
down before him, cracking jokes that made him go into the store. The boldest
among them teased him to his face just to have a laugh, to amuse themselves, made
appointments with him and proposed all sorts of things.
</p>
          <p style="indent">So Madame Husson had become thoughtful.
</p>
          <p style="indent">Certainly, Isidore was an exceptional case of notorious,
unassailable virtue. No one, among the most sceptical, most incredulous, would have
been able, would have dared, to suspect Isidore of the slightest infraction of any law
of morality. He had never been seen in a cafe, never been seen at night on the street.
He went to bed at eight o’clock and rose at four. He was a perfection, a pearl.
</p>
          <p style="indent">But Mme. Husson still hesitated. The idea of substituting a
boy for a girl, a “rosier” for a rosiere,” troubled her, worried her a little, and she
resolved to consult Abbe Malon.
</p>
          <p style="indent">The abbe responded:
</p>
          <p style="indent">“What do you desire to reward, madame? It is virtue, is it not,
and nothing but virtue? What does it matter to you, therefore, if it is masculine or
feminine? Virtue is eternal; it has neither sex nor country; it is ‘Virtue.’”
</p>
          <p style="indent">Thus encouraged, Mme. Husson went to see the mayor.
</p>
          <p style="indent">He approved heartily.
</p>
          <p style="indent">“We will have a fine ceremony,” he said. “And another year if
we can find a girl as worthy as Isidore we will give the reward to her. It will even be
a good example that we shall set to Nanterre. Let us not be exclusive; let us
welcome all merit.”
</p>
          <p style="indent">Isidore, who had been told about this, blushed deeply and
seemed happy.
</p>
          <p style="indent">The ceremony was fixed for the 15th of August, the festival of
the Virgin Mary and of the Emperor Napoleon. The municipality had decided to
make an imposing ceremony and had built the platform on the couronneaux, a
delightful extension of the ramparts of the old citadel where I will take you presently.
</p>
          <p style="indent">With the natural revulsion of public feeling, the virtue of
Isidore, ridiculed hitherto, had suddenly become respected and envied, as it would
bring him in five hundred francs besides a savings bank book, a mountain of
consideration, and glory enough and to spare. The girls now regretted their frivolity,
their ridicule, their bold manners; and Isidore, although still modest and timid, had
now a little contented air that bespoke his internal satisfaction.
</p>
          <p style="indent">The evening before the 15th of August the entire Rue
Dauphine was decorated with flags. Oh, I forgot to tell you why this street had
been called Rue Dauphine.
</p>
          <p style="indent">It seems that the wife or mother of the dauphin, I do not
remember which one, while visiting Gisors had been feted so much by the
authorities that during a triumphal procession through the town she stopped before
one of the houses in this street, halting the procession, and exclaimed:
</p>
          <p style="indent">“Oh, the pretty house! How I should like to go through it! To
whom does it belong?”
</p>
          <p style="indent">They told her the name of the owner, who was sent for and
brought, proud and embarrassed, before the princess. She alighted from her
carriage, went into the house, wishing to go over it from top to bottom, and even
shut herself in one of the rooms alone for a few seconds.
</p>
          <p style="indent">When she came out, the people, flattered at this honor paid to
a citizen of Gisors, shouted “Long live the dauphine!” But a rhymester wrote some
words to a refrain, and the street retained the title of her royal highness, for
</p>
          <p style="indent">“The princess, in a hurry, Without bell, priest, or beadle, But
with some water only, Had baptized it.”
</p>
          <p style="indent">But to come back to Isidore.
</p>
          <p style="indent">They had scattered flowers all along the road as they do for
processions at the Fete-Dieu, and the National Guard was present, acting on the
orders of their chief, Commandant Desbarres, an old soldier of the Grand Army,
who pointed with pride to the beard of a Cossack cut with a single sword stroke
from the chin of its owner by the commandant during the retreat in Russia, and
which hung beside the frame containing the cross of the Legion of Honor presented
to him by the emperor himself.
</p>
          <p style="indent">The regiment that he commanded was, besides, a picked
regiment celebrated all through the province, and the company of grenadiers of
Gisors was called on to attend all important ceremonies for a distance of fifteen to
twenty leagues. The story goes that Louis Philippe, while reviewing the militia of
Eure, stopped in astonishment before the company from Gisors, exclaiming:
</p>
          <p style="indent">“Oh, who are those splendid grenadiers?”
</p>
          <p style="indent">“The grenadiers of Gisors,”replied the general.
</p>
          <p style="indent">“I might have known it,” murmured the king.
</p>
          <p style="indent">So Commandant Desbarres came at the head of his men,
preceded by the band, to get Isidore in his mother’s store.
</p>
          <p style="indent">After a little air had been played by the band beneath the
windows, the “Rosier” himself appeared–on the threshold. He was dressed in white
duck from head to foot and wore a straw hat with a little bunch of orange blossoms
as a cockade.
</p>
          <p style="indent">The question of his clothes had bothered Mme. Husson a good
deal, and she hesitated some time between the black coat of those who make their
first communion and an entire white suit. But Francoise, her counsellor, induced her
to decide on the white suit, pointing out that the Rosier would look like a swan.
</p>
          <p style="indent">Behind him came his guardian, his godmother, Mme. Husson,
in triumph. She took his arm to go out of the store, and the mayor placed himself
on the other side of the Rosier. The drums beat. Commandant Desbarres gave the
order “Present arms!” The procession resumed its march towards the church amid
an immense crowd of people who has gathered from the neighboring districts.
</p>
          <p style="indent">After a short mass and an affecting discourse by Abbe Malon,
they continued on their way to the couronneaux, where the banquet was served in a
tent.
</p>
          <p style="indent">Before taking their seats at table, the mayor gave an address.
This is it, word for word. I learned it by heart:
</p>
          <p style="indent">“Young man, a woman of means, beloved by the poor and
respected by the rich, Mme. Husson, whom the whole country is thanking here,
through me, had the idea, the happy and benevolent idea, of founding in this town a
prize for, virtue, which should serve as a valuable encouragement to the inhabitants
of this beautiful country.
</p>
          <p style="indent">“You, young man, are the first to be rewarded in this dynasty
of goodness and chastity. Your name will remain at the head of this list of the most
deserving, and your life, understand me, your whole life, must correspond to this
happy commencement. To-day, in presence of this noble woman, of these
soldier-citizens who have taken up their arms in your honor, in presence of this
populace, affected, assembled to applaud you, or, rather, to applaud virtue, in your
person, you make a solemn contract with the town, with all of us, to continue until
your death the excellent example of your youth.
</p>
          <p style="indent">“Do not forget, young man, that you are the first seed cast
into this field of hope; give us the fruits that we expect of you.”
</p>
          <p style="indent">The mayor advanced three steps, opened his arms and pressed
Isidore to his heart.
</p>
          <p style="indent">The “Rosier” was sobbing without knowing why, from a
confused emotion, from pride and a vague and happy feeling of tenderness.
</p>
          <p style="indent">Then the mayor placed in one hand a silk purse in which gold
tingled– five hundred francs in gold!–and in his other hand a savings bank book.
And he said in a solemn tone:
</p>
          <p style="indent">“Homage, glory and riches to virtue.”
</p>
          <p style="indent">Commandant Desbarres shouted “Bravo!” the grenadiers
vociferated, and the crowd applauded.
</p>
          <p style="indent">Mme. Husson wiped her eyes, in her turn. Then they all sat
down at the table where the banquet was served.
</p>
          <p style="indent">The repast was magnificent and seemed interminable. One
course followed another; yellow cider and red wine in fraternal contact blended in
the stomach of the guests. The rattle of plates, the sound of voices, and of music
softly played, made an incessant deep hum, and was dispersed abroad in the clear
sky where the swallows were flying. Mme. Husson occasionally readjusted her black
wig, which would slip over on one side, and chatted with Abbe Malon. The mayor,
who was excited, talked politics with Commandant Desbarres, and Isidore ate,
drank, as if he had never eaten or drunk before. He helped himself repeatedly to all
the dishes, becoming aware for the first time of the pleasure of having one’s belly
full of good things which tickle the palate in the first place. He had let out a reef in
his belt and, without speaking, and although he was a little uneasy at a wine stain
on his white waistcoat, he ceased eating in order to take up his glass and hold it to
his mouth as long as possible, to enjoy the taste slowly.
</p>
          <p style="indent">It was time for the toasts. They were many and loudly
applauded. Evening was approaching and they had been at the table since noon.
Fine, milky vapors were already floating in the air in the valley, the light night-robe
of streams and meadows; the sun neared the horizon; the cows were lowing in the
distance amid the mists of the pasture. The feast was over. They returned to
Gisors. The procession, now disbanded, walked in detachments. Mme. Husson had
taken Isidore’s arm and was giving him a quantity of urgent, excellent advice.
</p>
          <p style="indent">They stopped at the door of the fruit store, and the “Rosier”
was left at his mother’s house. She had not come home yet. Having been invited by
her family to celebrate her son’s triumph, she had taken luncheon with her sister
after having followed the procession as far as the banqueting tent.
</p>
          <p style="indent">So Isidore remained alone in the store, which was growing
dark. He sat down on a chair, excited by the wine and by pride, and looked about
him. Carrots, cabbages, and onions gave out their strong odor of vegetables in the
closed room, that coarse smell of the garden blended with the sweet, penetrating
odor of strawberries and the delicate, slight, evanescent fragrance of a basket of
peaches.
</p>
          <p style="indent">The “Rosier” took one of these and ate it, although he was as
full as an egg. Then, all at once, wild with joy, he began to dance about the store,
and something rattled in his waistcoat.
</p>
          <p style="indent">He was surprised, and put his hand in his pocket and brought
out the purse containing the five hundred francs, which he had forgotten in his
agitation. Five hundred francs! What a fortune! He poured the gold pieces out on
the counter and spread them out with his big hand with a slow, caressing touch so
as to see them all at the same time. There were twenty-five, twenty-five round gold
pieces, all gold! They glistened on the wood in the dim light and he counted them
over and over, one by one. Then he put them back in the purse, which he replaced
in his pocket.
</p>
          <p style="indent">Who will ever know or who can tell what a terrible conflict
took place in the soul of the “Rosier” between good and evil, the tumultuous attack
of Satan, his artifices, the temptations which he offered to this timid virgin heart?
What suggestions, what imaginations, what desires were not invented by the evil
one to excite and destroy this chosen one? He seized his hat, Mme. Husson’s saint,
his hat, which still bore the little bunch of orange blossoms, and going out through
the alley at the back of the house, he disappeared in the darkness.
</p>
          <p style="indent">Virginie, the fruiterer, on learning that her son had returned,
went home at once, and found the house empty. She waited, without thinking
anything about it at first; but at the end of a quarter of an hour she made inquiries.
The neighbors had seen Isidore come home and had not seen him go out again.
They began to look for him, but could not find him. His mother, in alarm, went to
the mayor. The mayor knew nothing, except that he had left him at the door of his
home. Mme. Husson had just retired when they informed her that her protege had
disappeared. She immediately put on her wig, dressed herself and went to Virginie’s
house. Virginie, whose plebeian soul was readily moved, was weeping copiously
amid her cabbages, carrots and onions.
</p>
          <p style="indent">They feared some accident had befallen him. What could it
be? Commandant Desbarres notified the police, who made a circuit of the town,
and on the high road to Pontoise they found the little bunch of orange blossoms. It
was placed on a table around which the authorities were deliberating. The “Rosier”
must have been the victim of some stratagem, some trick, some jealousy; but in
what way? What means had been employed to kidnap this innocent creature, and
with what object?
</p>
          <p style="indent">Weary of looking for him without any result, Virginie, alone,
remained watching and weeping.
</p>
          <p style="indent">The following evening, when the coach passed by on its return
from Paris, Gisors learned with astonishment that its “Rosier” had stopped the
vehicle at a distance of about two hundred metres from the town, had climbed up
on it and paid his fare, handing over a gold piece and receiving the change, and that
he had quietly alighted in the centre of the great city.
</p>
          <p style="indent">There was great excitement all through the countryside.
Letters passed between the mayor and the chief of police in Paris, but brought no
result.
</p>
          <p style="indent">The days followed one another, a week passed.
</p>
          <p style="indent">Now, one morning, Dr. Barbesol, who had gone out early,
perceived, sitting on a doorstep, a man dressed in a grimy linen suit, who was
sleeping with his head leaning against the wall. He approached him and recognized
Isidore. He tried to rouse him, but did not succeed in doing so. The ex-”Rosier” was
in that profound, invincible sleep that is alarming, and the doctor, in surprise, went
to seek assistance to help him in carrying the young man to Boncheval’s drugstore.
When they lifted him up they found an empty bottle under him, and when the
doctor sniffed at it, he declared that it had contained brandy. That gave a
suggestion as to what treatment he would require. They succeeded in rousing him.
</p>
          <p style="indent">Isidore was drunk, drunk and degraded by a week of guzzling,
drunk and so disgusting that a ragman would not have touched him. His beautiful
white duck suit was a gray rag, greasy, muddy, torn, and destroyed, and he smelt of
the gutter and of vice.
</p>
          <p style="indent">He was washed, sermonized, shut up, and did not leave the
house for four days. He seemed ashamed and repentant. They could not find on him
either his purse, containing the five hundred francs, or the bankbook, or even his
silver watch, a sacred heirloom left by his father, the fruiterer.
</p>
          <p style="indent">On the fifth day he ventured into the Rue Dauphine, Curious
glances followed him and he walked along with a furtive expression in his eyes and
his head bent down. As he got outside the town towards the valley they lost sight of
him; but two hours later he returned laughing and rolling against the walls. He was
drunk, absolutely drunk.
</p>
          <p style="indent">Nothing could cure him.
</p>
          <p style="indent">Driven from home by his mother, he became a wagon driver,
and drove the charcoal wagons for the Pougrisel firm, which is still in existence.
</p>
          <p style="indent">His reputation as a drunkard became so well known and
spread so far that even at Evreux they talked of Mme. Husson’s “Rosier,” and the
sots of the countryside have been given that nickname.
</p>
          <p style="indent">A good deed is never lost.
</p>
          <p style="indent">Dr. Marambot rubbed his hands as he finished his story. I
asked:
</p>
          <p style="indent">“Did you know the ‘Rosier’?”
</p>
          <p style="indent">“Yes. I had the honor of closing his eyes.”
</p>
          <p style="indent">“What did he die of?”
</p>
          <p style="indent">“An attack of delirium tremens, of course.”
</p>
          <p style="indent">We had arrived at the old citadel, a pile of ruined walls
dominated by the enormous tower of St. Thomas of Canterbury and the one called
the Prisoner’s Tower.
</p>
          <p style="indent">Marambot told me the story of this prisoner, who, with the
aid of a nail, covered the walls of his dungeon with sculptures, tracing the reflections
of the sun as it glanced through the narrow slit of a loophole.
</p>
          <p style="indent">I also learned that Clothaire II had given the patrimony of
Gisors to his cousin, Saint Romain, bishop of Rouen; that Gisors ceased to be the
capital of the whole of Vexin after the treaty of Saint-Clair-sur-Epte; that the town
is the chief strategic centre of all that portion of France, and that in consequence of
this advantage she was taken and retaken over and over again. At the command of
William the Red, the eminent engineer, Robert de Bellesme, constructed there a
powerful fortress that was attacked later by Louis le Gros, then by the Norman
barons, was defended by Robert de Candos, was finally ceded to Louis le Gros by
Geoffry Plantagenet, was retaken by the English in consequence of the treachery of
the Knights-Templars, was contested by Philippe-Augustus and Richard the
Lionhearted, was set on fire by Edward III of England, who could not take the
castle, was again taken by the English in 1419, restored later to Charles VIII by
Richard de Marbury, was taken by the Duke of Calabria occupied by the League,
inhabited by Henry IV, etc., etc.
</p>
          <p style="indent">And Marambot, eager and almost eloquent, continued:
</p>
          <p style="indent">“What beggars, those English! And what sots, my boy; they
are all ‘Rosiers,’ those hypocrites!”
</p>
          <p style="indent">Then, after a silence, stretching out his arm towards the tiny
river that glistened in the meadows, he said:
</p>
          <p style="indent">“Did you know that Henry Monnier was one of the most
untiring fishermen on the banks of the Epte?”
</p>
          <p style="indent">“No, I did not know it.”
</p>
          <p style="indent">“And Bouffe, my boy, Bouffe was a painter on glass.”
</p>
          <p style="indent">“You are joking!”
</p>
          <p style="indent">“No, indeed. How is it you do not know these things?”
</p>
        </div>
        <!--end of "section 2.0/.2"-->
      </div>
      <!--end of "chapter 9.2/0"-->
      <!--END OF CHAPTER 9.2/0-->
      <div prev="9.2" next="9.4" type="chapter" n="9.3" xml:id="chp.9.3">
        <head type="chaphead">The Adopted Son</head>
        <div type="lsection">
          <p style="noindent">The two cottages stood beside each other at the foot of a
hill near a little seashore resort. The two peasants labored hard on the
unproductive soil to rear their little ones, and each family had four.
</p>
          <p style="indent">Before the adjoining doors a whole troop of urchins played
and tumbled about from morning till night. The two eldest were six years old, and
the youngest were about fifteen months; the marriages, and afterward the births,
having taken place nearly simultaneously in both families.
</p>
          <p style="indent">The two mothers could hardly distinguish their own offspring
among the lot, and as for the fathers, they were altogether at sea. The eight names
danced in their heads; they were always getting them mixed up; and when they
wished to call one child, the men often called three names before getting the right
one.
</p>
          <p style="indent">The first of the two cottages, as you came up from the bathing
beach, Rolleport, was occupied by the Tuvaches, who had three girls and one boy;
the other house sheltered the Vallins, who had one girl and three boys.
</p>
          <p style="indent">They all subsisted frugally on soup, potatoes and fresh air. At
seven o’clock in the morning, then at noon, then at six o’clock in the evening, the
housewives got their broods together to give them their food, as the gooseherds
collect their charges. The children were seated, according to age, before the wooden
table, varnished by fifty years of use; the mouths of the youngest hardly reaching
the level of the table. Before them was placed a bowl filled with bread, soaked in
the water in which the potatoes had been boiled, half a cabbage and three onions;
and the whole line ate until their hunger was appeased. The mother herself fed the
smallest.
</p>
          <p style="indent">A small pot roast on Sunday was a feast for all; and the father
on this day sat longer over the meal, repeating: “I wish we could have this every
day.”
</p>
          <p style="indent">One afternoon, in the month of August, a phaeton stopped
suddenly in front of the cottages, and a young woman, who was driving the horses,
said to the gentleman sitting at her side:
</p>
          <p style="indent">“Oh, look at all those children, Henri! How pretty they are,
tumbling about in the dust, like that!”
</p>
          <p style="indent">The man did not answer, accustomed to these outbursts of
admiration, which were a pain and almost a reproach to him. The young woman
continued:
</p>
          <p style="indent">“I must hug them! Oh, how I should like to have one of
them–that one there–the little tiny one!”
</p>
          <p style="indent">Springing down from the carriage, she ran toward the children,
took one of the two youngest–a Tuvache child–and lifting it up in her arms, she
kissed him passionately on his dirty cheeks, on his tousled hair daubed with earth,
and on his little hands, with which he fought vigorously, to get away from the
caresses which displeased him.
</p>
          <p style="indent">Then she got into the carriage again, and drove off at a lively
trot. But she returned the following week, and seating herself on the ground, took
the youngster in her arms, stuffed him with cakes; gave candies to all the others,
and played with them like a young girl, while the husband waited patiently in the
carriage.
</p>
          <p style="indent">She returned again; made the acquaintance of the parents, and
reappeared every day with her pockets full of dainties and pennies.
</p>
          <p style="indent">Her name was Madame Henri d’Hubieres.
</p>
          <p style="indent">One morning, on arriving, her husband alighted with her, and
without stopping to talk to the children, who now knew her well, she entered the
farmer’s cottage.
</p>
          <p style="indent">They were busy chopping wood for the fire. They rose to their
feet in surprise, brought forward chairs, and waited expectantly.
</p>
          <p style="indent">Then the woman, in a broken, trembling voice, began:
</p>
          <p style="indent">“My good people, I have come to see you, because I should
like–I should like to take–your little boy with me–”
</p>
          <p style="indent">The country people, too bewildered to think, did not answer.
</p>
          <p style="indent">She recovered her breath, and continued: “We are alone, my
husband and I. We would keep it. Are you willing?”
</p>
          <p style="indent">The peasant woman began to understand. She asked:
</p>
          <p style="indent">“You want to take Charlot from us? Oh, no, indeed!”
</p>
          <p style="indent">Then M. d’Hubieres intervened:
</p>
          <p style="indent">“My wife has not made her meaning clear. We wish to adopt
him, but he will come back to see you. If he turns out well, as there is every reason
to expect, he will be our heir. If we, perchance, should have children, he will share
equally with them; but if he should not reward our care, we should give him, when
he comes of age, a sum of twenty thousand francs, which shall be deposited
immediately in his name, with a lawyer. As we have thought also of you, we should
pay you, until your death, a pension of one hundred francs a month. Do you
understand me?”
</p>
          <p style="indent">The woman had arisen, furious.
</p>
          <p style="indent">“You want me to sell you Charlot? Oh, no, that’s not the sort
of thing to ask of a mother! Oh, no! That would be an abomination!”
</p>
          <p style="indent">The man, grave and deliberate, said nothing; but approved of
what his wife said by a continued nodding of his head.
</p>
          <p style="indent">Madame d’Hubieres, in dismay, began to weep; turning to her
husband, with a voice full of tears, the voice of a child used to having all its wishes
gratified, she stammered:
</p>
          <p style="indent">“They will not do it, Henri, they will not do it.”
</p>
          <p style="indent">Then he made a last attempt: “But, my friends, think of the
child’s future, of his happiness, of–”
</p>
          <p style="indent">The peasant woman, however, exasperated, cut him short:
</p>
          <p style="indent">“It’s all considered! It’s all understood! Get out of here, and
don’t let me see you again–the idea of wanting to take away a child like that!”
</p>
          <p style="indent">Madame d’Hubieres remembered that there were two children,
quite little, and she asked, through her tears, with the tenacity of a wilful and
spoiled woman:
</p>
          <p style="indent">“But is the other little one not yours?”
</p>
          <p style="indent">Father Tuvache answered: “No, it is our neighbors’. You can
go to them if you wish.” And he went back into his house, whence resounded the
indignant voice of his wife.
</p>
          <p style="indent">The Vallins were at table, slowly eating slices of bread which
they parsimoniously spread with a little rancid butter on a plate between the two.
</p>
          <p style="indent">M. d’Hubieres recommenced his proposals, but with more
insinuations, more oratorical precautions, more shrewdness.
</p>
          <p style="indent">The two country people shook their heads, in sign of refusal,
but when they learned that they were to have a hundred francs a month, they
considered the matter, consulting one another by glances, much disturbed. They
kept silent for a long time, tortured, hesitating. At last the woman asked: “What do
you say to it, man?” In a weighty tone he said: “I say that it’s not to be despised.”
</p>
          <p style="indent">Madame d’Hubieres, trembling with anguish, spoke of the
future of their child, of his happiness, and of the money which he could give them
later.
</p>
          <p style="indent">The peasant asked: “This pension of twelve hundred francs,
will it be promised before a lawyer?”
</p>
          <p style="indent">M. d’Hubieres responded: “Why, certainly, beginning with
to-morrow.”
</p>
          <p style="indent">The woman, who was thinking it over, continued:
</p>
          <p style="indent">“A hundred francs a month is not enough to pay for depriving
us of the child. That child would be working in a few years; we must have a
hundred and twenty francs.”
</p>
          <p style="indent">Tapping her foot with impatience, Madame d’Hubieres
granted it at once, and, as she wished to carry off the child with her, she gave a
hundred francs extra, as a present, while her husband drew up a paper. And the
young woman, radiant, carried off the howling brat, as one carries away a wished-for
knick-knack from a shop.
</p>
          <p style="indent">The Tuvaches, from their door, watched her departure, silent,
serious, perhaps regretting their refusal.
</p>
          <p style="indent">Nothing more was heard of little Jean Vallin. The parents
went to the lawyer every month to collect their hundred and twenty francs. They
had quarrelled with their neighbors, because Mother Tuvache grossly insulted them,
continually, repeating from door to door that one must be unnatural to sell one’s
child; that it was horrible, disgusting, bribery. Sometimes she would take her
Charlot in her arms, ostentatiously exclaiming, as if he understood:
</p>
          <p style="indent">“I didn’t sell you, I didn’t! I didn’t sell you, my little one! I’m
not rich, but I don’t sell my children!”
</p>
          <p style="indent">The Vallins lived comfortably, thanks to the pension. That
was the cause of the unappeasable fury of the Tuvaches, who had remained
miserably poor. Their eldest went away to serve his time in the army; Charlot alone
remained to labor with his old father, to support the mother and two younger
sisters.
</p>
          <p style="indent">He had reached twenty-one years when, one morning, a
brilliant carriage stopped before the two cottages. A young gentleman, with a gold
watch- chain, got out, giving his hand to an aged, white-haired lady. The old lady
said to him: “It is there, my child, at the second house.” And he entered the house
of the Vallins as though at home.
</p>
          <p style="indent">The old mother was washing her aprons; the infirm father
slumbered at the chimney-corner. Both raised their heads, and the young man said:
</p>
          <p style="indent">“Good-morning, papa; good-morning, mamma!”
</p>
          <p style="indent">They both stood up, frightened! In a flutter, the peasant
woman dropped her soap into the water, and stammered:
</p>
          <p style="indent">“Is it you, my child? Is it you, my child?”
</p>
          <p style="indent">He took her in his arms and hugged her, repeating:
“Good-morning, mamma,” while the old man, all a-tremble, said, in his calm tone
which he never lost: “Here you are, back again, Jean,” as if he had just seen him a
month ago.
</p>
          <p style="indent">When they had got to know one another again, the parents
wished to take their boy out in the neighborhood, and show him. They took him to
the mayor, to the deputy, to the cure, and to the schoolmaster.
</p>
          <p style="indent">Charlot, standing on the threshold of his cottage, watched him
pass. In the evening, at supper, he said to the old people: “You must have been
stupid to let the Vallins’ boy be taken.”
</p>
          <p style="indent">The mother answered, obstinately: “I wouldn’t sell my child.”
</p>
          <p style="indent">The father remained silent. The son continued:
</p>
          <p style="indent">“It is unfortunate to be sacrificed like that.”
</p>
          <p style="indent">Then Father Tuvache, in an angry tone, said:
</p>
          <p style="indent">“Are you going to reproach us for having kept you?” And the
young man said, brutally:
</p>
          <p style="indent">“Yes, I reproach you for having been such fools. Parents like
you make the misfortune of their children. You deserve that I should leave you.”
The old woman wept over her plate. She moaned, as she swallowed the spoonfuls of
soup, half of which she spilled: “One may kill one’s self to bring up children!”
</p>
          <p style="indent">Then the boy said, roughly: “I’d rather not have been born
than be what I am. When I saw the other, my heart stood still. I said to myself:
‘See what I should have been now!’” He got up: “See here, I feel that I would do
better not to stay here, because I would throw it up to you from morning till night,
and I would make your life miserable. I’ll never forgive you for that!”
</p>
          <p style="indent">The two old people were silent, downcast, in tears.
</p>
          <p style="indent">He continued: “No, the thought of that would be too much.
I’d rather look for a living somewhere else.”
</p>
          <p style="indent">He opened the door. A sound of voices came in at the door.
The Vallins were celebrating the return of their child.
</p>
        </div>
        <!--end of "section 3.0/.3"-->
      </div>
      <!--end of "chapter 9.3/0"-->
      <!--END OF CHAPTER 9.3/0-->
      <div prev="9.3" next="9.5" type="chapter" n="9.4" xml:id="chp.9.4">
        <head type="chaphead">Coward</head>
        <div type="lsection">
          <p style="noindent">In society he was called “Handsome Signoles.” His name
was Vicomte Gontran-Joseph de Signoles.
</p>
          <p style="indent">An orphan, and possessed of an ample fortune, he cut quite a
dash, as it is called. He had an attractive appearance and manner, could talk well,
had a certain inborn elegance, an air of pride and nobility, a good mustache, and a
tender eye, that always finds favor with women.
</p>
          <p style="indent">He was in great request at receptions, waltzed to perfection,
and was regarded by his own sex with that smiling hostility accorded to the popular
society man. He had been suspected of more than one love affair, calculated to
enhance the reputation of a bachelor. He lived a happy, peaceful life–a life of
physical and mental well-being. He had won considerable fame as a swordsman, and
still more as a marksman.
</p>
          <p style="indent">“When the time comes for me to fight a duel,” he said, “I shall
choose pistols. With such a weapon I am sure to kill my man.”
</p>
          <p style="indent">One evening, having accompanied two women friends of his
with their husbands to the theatre, he invited them to take some ice cream at
Tortoni’s after the performance. They had been seated a few minutes in the
restaurant when Signoles noticed that a man was staring persistently at one of the
ladies. She seemed annoyed, and lowered her eyes. At last she said to her husband:
</p>
          <p style="indent">“There’s a man over there looking at me. I don’t know him;
do you?”
</p>
          <p style="indent">The husband, who had noticed nothing, glanced across at the
offender, and said:
</p>
          <p style="indent">“No; not in the least.”
</p>
          <p style="indent">His wife continued, half smiling, half angry:
</p>
          <p style="indent">“It’s very tiresome! He quite spoils my ice cream.”
</p>
          <p style="indent">The husband shrugged his shoulders.
</p>
          <p style="indent">“Nonsense! Don’t take any notice of him. If we were to bother
our heads about all the ill-mannered people we should have no time for anything
else.”
</p>
          <p style="indent">But the vicomte abruptly left his seat. He could not allow this
insolent fellow to spoil an ice for a guest of his. It was for him to take cognizance of
the offence, since it was through him that his friends had come to the restaurant.
He went across to the man and said:
</p>
          <p style="indent">“Sir, you are staring at those ladies in a manner I cannot
permit. I must ask you to desist from your rudeness.”
</p>
          <p style="indent">The other replied:
</p>
          <p style="indent">“Let me alone, will you!”
</p>
          <p style="indent">“Take care, sir,” said the vicomte between his teeth, “or you
will force me to extreme measures.”
</p>
          <p style="indent">The man replied with a single word–a foul word, which could
be heard from one end of the restaurant to the other, and which startled every one
there. All those whose backs were toward the two disputants turned round; all the
others raised their heads; three waiters spun round on their heels like tops; the two
lady cashiers jumped, as if shot, then turned their bodies simultaneously, like two
automata worked by the same spring.
</p>
          <p style="indent">There was dead silence. Then suddenly a sharp, crisp sound.
The vicomte had slapped his adversary’s face. Every one rose to interfere. Cards
were exchanged.
</p>
          <p style="indent">When the vicomte reached home he walked rapidly up and
down his room for some minutes. He was in a state of too great agitation to think
connectedly. One idea alone possessed him: a duel. But this idea aroused in him as
yet no emotion of any kind. He had done what he was bound to do; he had proved
himself to be what he ought to be. He would be talked about, approved,
congratulated. He repeated aloud, speaking as one does when under the stress of
great mental disturbance:
</p>
          <p style="indent">“What a brute of a man!” Then he sat down, and began to
reflect. He would have to find seconds as soon as morning came. Whom should he
choose? He bethought himself of the most influential and best-known men of his
acquaintance. His choice fell at last on the Marquis de la Tour- Noire and Colonel
Bourdin-a nobleman and a soldier. That would be just the thing. Their names
would carry weight in the newspapers. He was thirsty, and drank three glasses of
water, one after another; then he walked up and down again. If he showed himself
brave, deter mined, prepared to face a duel in deadly earnest, his adversary would
probably draw back and proffer excuses. He picked up the card he had taken from
his pocket and thrown on a table. He read it again, as he had already read it, first
at a glance in the restaurant, and afterward on the way home in the light of each
gas lamp: “Georges Lamil, 51 Rue Moncey.” That was all.
</p>
          <p style="indent">He examined closely this collection of letters, which seemed to
him mysterious, fraught with many meanings. Georges Lamil! Who was the man?
What was his profession? Why had he stared so at the woman? Was it not
monstrous that a stranger, an unknown, should thus all at once upset one’s whole
life, simply because it had pleased him to stare rudely at a woman? And the
vicomte once more repeated aloud:
</p>
          <p style="indent">“What a brute!”
</p>
          <p style="indent">Then he stood motionless, thinking, his eyes still fixed on the
card. Anger rose in his heart against this scrap of paper–a resentful anger, mingled
with a strange sense of uneasiness. It was a stupid business altogether! He took up
a penknife which lay open within reach, and deliberately stuck it into the middle of
the printed name, as if he were stabbing some one.
</p>
          <p style="indent">So he would have to fight! Should he choose swords or
pistols?–for he considered himself as the insulted party. With the sword he would
risk less, but with the pistol there was some chance of his adversary backing out. A
duel with swords is rarely fatal, since mutual prudence prevents the combatants
from fighting close enough to each other for a point to enter very deep. With pistols
he would seriously risk his life; but, on the other hand, he might come out of the
affair with flying colors, and without a duel, after all.
</p>
          <p style="indent">“I must be firm,” he said. “The fellow will be afraid.”
</p>
          <p style="indent">The sound of his own voice startled him, and he looked
nervously round the room. He felt unstrung. He drank another glass of water, and
then began undressing, preparatory to going to bed.
</p>
          <p style="indent">As soon as he was in bed he blew out the light and shut his
eyes.
</p>
          <p style="indent">“I have all day to-morrow,” he reflected, “for setting my affairs
in order. I must sleep now, in order to be calm when the time comes.”
</p>
          <p style="indent">He was very warm in bed, but he could not succeed in losing
consciousness. He tossed and turned, remained for five minutes lying on his back,
then changed to his left side, then rolled over to his right. He was thirsty again, and
rose to drink. Then a qualm seized him:
</p>
          <p style="indent">“Can it be possible that I am afraid?”
</p>
          <p style="indent">Why did his heart beat so uncontrollably at every well-known
sound in his room? When the clock was about to strike, the prefatory grating of its
spring made him start, and for several seconds he panted for breath, so unnerved
was he.
</p>
          <p style="indent">He began to reason with himself on the possibility of such a
thing: “Could I by any chance be afraid?”
</p>
          <p style="indent">No, indeed; he could not be afraid, since he was resolved to
proceed to the last extremity, since he was irrevocably determined to fight without
flinching. And yet he was so perturbed in mind and body that he asked himself:
</p>
          <p style="indent">“Is it possible to be afraid in spite of one’s self?”
</p>
          <p style="indent">And this doubt, this fearful question, took possession of him.
If an irresistible power, stronger than his own will, were to quell his courage, what
would happen? He would certainly go to the place appointed; his will would force
him that far. But supposing, when there, he were to tremble or faint? And he
thought of his social standing, his reputation, his name.
</p>
          <p style="indent">And he suddenly determined to get up and look at himself in
the glass. He lighted his candle. When he saw his face reflected in the mirror he
scarcely recognized it. He seemed to see before him a man whom he did not know.
His eyes looked disproportionately large, and he was very pale.
</p>
          <p style="indent">He remained standing before the mirror. He put out his
tongue, as if to examine the state of his health, and all at once the thought flashed
into his mind:
</p>
          <p style="indent">“At this time the day after to-morrow I may be dead.”
</p>
          <p style="indent">And his heart throbbed painfully.
</p>
          <p style="indent">“At this time the day after to-morrow I may be dead. This
person in front of me, this ‘I’ whom I see in the glass, will perhaps be no more.
What! Here I am, I look at myself, I feel myself to be alive–and yet in twenty-four
hours I may be lying on that bed, with closed eyes, dead, cold, inanimate.”
</p>
          <p style="indent">He turned round, and could see himself distinctly lying on his
back on the couch he had just quitted. He had the hollow face and the limp hands
of death.
</p>
          <p style="indent">Then he became afraid of his bed, and to avoid seeing it went
to his smoking-room. He mechanically took a cigar, lighted it, and began walking
back and forth. He was cold; he took a step toward the bell, to wake his valet, but
stopped with hand raised toward the bell rope.
</p>
          <p style="indent">“He would see that I am afraid!”
</p>
          <p style="indent">And, instead of ringing, he made a fire himself. His hands
quivered nervously as they touched various objects. His head grew dizzy, his
thoughts confused, disjointed, painful; a numbness seized his spirit, as if he had
been drinking.
</p>
          <p style="indent">And all the time he kept on saying:
</p>
          <p style="indent">“What shall I do? What will become of me?”
</p>
          <p style="indent">His whole body trembled spasmodically; he rose, and, going to
the window, drew back the curtains.
</p>
          <p style="indent">The day–a summer day-was breaking. The pink sky cast a
glow on the city, its roofs, and its walls. A flush of light enveloped the awakened
world, like a caress from the rising sun, and the glimmer of dawn kindled new hope
in the breast of the vicomte. What a fool he was to let himself succumb to fear
before anything was decided–before his seconds had interviewed those of Georges
Lamil, before he even knew whether he would have to fight or not!
</p>
          <p style="indent">He bathed, dressed, and left the house with a firm step.
</p>
          <p style="indent">He repeated as he went:
</p>
          <p style="indent">“I must be firm–very firm. I must show that I am not afraid.”
</p>
          <p style="indent">His seconds, the marquis and the colonel, placed themselves at
his disposal, and, having shaken him warmly by the hand, began to discuss details.
</p>
          <p style="indent">“You want a serious duel?” asked the colonel.
</p>
          <p style="indent">“Yes–quite serious,” replied the vicomte.
</p>
          <p style="indent">“You insist on pistols?” put in the marquis.
</p>
          <p style="indent">“Yes.”
</p>
          <p style="indent">“Do you leave all the other arrangements in our hands?”
</p>
          <p style="indent">With a dry, jerky voice the vicomte answered:
</p>
          <p style="indent">“Twenty paces–at a given signal–the arm to be raised, not
lowered– shots to be exchanged until one or other is seriously wounded.”
</p>
          <p style="indent">“Excellent conditions,” declared the colonel in a satisfied tone.
“You are a good shot; all the chances are in your favor.”
</p>
          <p style="indent">And they parted. The vicomte returned home to, wait for
them. His agitation, only temporarily allayed, now increased momentarily. He felt,
in arms, legs and chest, a sort of trembling–a continuous vibration; he could not
stay still, either sitting or standing. His mouth was parched, and he made every
now and then a clicking movement of the tongue, as if to detach it from his palate.
</p>
          <p style="indent">He attempted, to take luncheon, but could not eat. Then it
occurred to him to seek courage in drink, and he sent for a decanter of rum, of
which he swallowed, one after another, six small glasses.
</p>
          <p style="indent">A burning warmth, followed by a deadening of the mental
faculties, ensued. He said to himself:
</p>
          <p style="indent">“I know how to manage. Now it will be all right!”
</p>
          <p style="indent">But at the end of an hour he had emptied the decanter, and
his agitation was worse than ever. A mad longing possessed him to throw himself on
the ground, to bite, to scream. Night fell.
</p>
          <p style="indent">A ring at the bell so unnerved him that he had not the
strength to rise to receive his seconds.
</p>
          <p style="indent">He dared not even to speak to them, wish them good-day,
utter a single word, lest his changed voice should betray him.
</p>
          <p style="indent">“All is arranged as you wished,” said the colonel. “Your
adversary claimed at first the privilege of the offended part; but he yielded almost
at once, and accepted your conditions. His seconds are two military men.”
</p>
          <p style="indent">“Thank you,” said the vicomte.
</p>
          <p style="indent">The marquis added:
</p>
          <p style="indent">“Please excuse us if we do not stay now, for we have a good
deal to see to yet. We shall want a reliable doctor, since the duel is not to end until
a serious wound has been inflicted; and you know that bullets are not to be trifled
with. We must select a spot near some house to which the wounded party can be
carried if necessary. In fact, the arrangements will take us another two or three
hours at least.”
</p>
          <p style="indent">The vicomte articulated for the second time:
</p>
          <p style="indent">“Thank you.”
</p>
          <p style="indent">“You’re all right?” asked the colonel. “Quite calm?”
</p>
          <p style="indent">“Perfectly calm, thank you.”
</p>
          <p style="indent">The two men withdrew.
</p>
          <p style="indent">When he was once more alone he felt as though he should go
mad. His servant having lighted the lamps, he sat down at his table to write some
letters. When he had traced at the top of a sheet of paper the words: “This is my
last will and testament,” he started from his seat, feeling himself incapable of
connected thought, of decision in regard to anything.
</p>
          <p style="indent">So he was going to fight! He could no longer avoid it. What,
then, possessed him? He wished to fight, he was fully determined to fight, and yet,
in spite of all his mental effort, in spite of the exertion of all his will power, he felt
that he could not even preserve the strength necessary to carry him through the
ordeal. He tried to conjure up a picture of the duel, his own attitude, and that of
his enemy.
</p>
          <p style="indent">Every now and then his teeth chattered audibly. He thought
he would read, and took down Chateauvillard’s Rules of Dueling. Then he said:
</p>
          <p style="indent">“Is the other man practiced in the use of the pistol? Is he well
known? How can I find out?”
</p>
          <p style="indent">He remembered Baron de Vaux’s book on marksmen, and
searched it from end to end. Georges Lamil was not mentioned. And yet, if he were
not an adept, would he have accepted without demur such a dangerous weapon and
such deadly conditions?
</p>
          <p style="indent">He opened a case of Gastinne Renettes which stood on a small
table, and took from it a pistol. Next he stood in the correct attitude for firing, and
raised his arm. But he was trembling from head to foot, and the weapon shook in
his grasp.
</p>
          <p style="indent">Then he said to himself:
</p>
          <p style="indent">“It is impossible. I cannot fight like this.”
</p>
          <p style="indent">He looked at the little black, death-spitting hole at the end of
the pistol; he thought of dishonor, of the whispers at the clubs, the smiles in his
friends’ drawing-rooms, the contempt of women, the veiled sneers of the
newspapers, the insults that would be hurled at him by cowards.
</p>
          <p style="indent">He still looked at the weapon, and raising the hammer, saw
the glitter of the priming below it. The pistol had been left loaded by some chance,
some oversight. And the discovery rejoiced him, he knew not why.
</p>
          <p style="indent">If he did not maintain, in presence of his opponent, the
steadfast bearing which was so necessary to his honor, he would be ruined forever.
He would be branded, stigmatized as a coward, hounded out of society! And he felt,
he knew, that he could not maintain that calm, unmoved demeanor. And yet he was
brave, since the thought that followed was not even rounded to a finish in his mind;
but, opening his mouth wide, he suddenly plunged the barrel of the pistol as far
back as his throat, and pressed the trigger.
</p>
          <p style="indent">When the valet, alarmed at the report, rushed into the room
he found his master lying dead upon his back. A spurt of blood had splashed the
white paper on the table, and had made a great crimson stain beneath the words:
</p>
          <p style="indent">“This is my last will and testament.”
</p>
        </div>
        <!--end of "section 4.0/.4"-->
      </div>
      <!--end of "chapter 9.4/0"-->
      <!--END OF CHAPTER 9.4/0-->
      <div prev="9.4" next="9.6" type="chapter" n="9.5" xml:id="chp.9.5">
        <head type="chaphead">Old Mongilet</head>
        <div type="lsection">
          <p style="noindent">In the office old Mongilet was considered a type. He was a
good old employee, who had never been outside Paris but once in his life.
</p>
          <p style="indent">It was the end of July, and each of us, every Sunday, went to
roll in the grass, or soak in the water in the country near by. Asnieres, Argenteuil,
Chatou, Borgival, Maisons, Poissy, had their habitues and their ardent admirers.
We argued about the merits and advantages of all these places, celebrated and
delightful to all Parsian employees.
</p>
          <p style="indent">Daddy Mongilet declared:
</p>
          <p style="indent">“You are like a lot of sheep! It must be pretty, this country
you talk of!”
</p>
          <p style="indent">“Well, how about you, Mongilet? Don’t you ever go on an
excursion?”
</p>
          <p style="indent">“Yes, indeed. I go in an omnibus. When I have had a good
luncheon, without any hurry, at the wine shop down there, I look up my route with
a plan of Paris, and the time table of the lines and connections. And then I climb
up on the box, open my umbrella and off we go. Oh, I see lots of things, more than
you, I bet! I change my surroundings. It is as though I were taking a journey across
the world, the people are so different in one street and another. I know my Paris
better than anyone. And then, there is nothing more amusing than the entresols.
You would not believe what one sees in there at a glance. One guesses at domestic
scenes simply at sight of the face of a man who is roaring; one is amused on passing
by a barber’s shop, to see the barber leave his customer whose face is covered with
lather to look out in the street. One exchanges heartfelt glances with the milliners
just for fun, as one has no time to alight. Ah, how many things one sees!
</p>
          <p style="indent">“It is the drama, the real, the true, the drama of nature, seen
as the horses trot by. Heavens! I would not give my excursions in the omnibus for
all your stupid excursions in the woods.”
</p>
          <p style="indent">“Come and try it, Mongilet, come to the country once just to
see.”
</p>
          <p style="indent">“I was there once,” he replied, “twenty years ago, and you will
never catch me there again.”
</p>
          <p style="indent">“Tell us about it, Mongilet.”
</p>
          <p style="indent">“If you wish to hear it. This is how it was:
</p>
          <p style="indent">You knew Boivin, the old editorial clerk, whom we called
Boileau?”
</p>
          <p style="indent">“Yes, perfectly.”
</p>
          <p style="indent">“He was my office chum. The rascal had a house at Colombes
and always invited me to spend Sunday with him. He would say:
</p>
          <p style="indent">“‘Come along, Maculotte [he called me Maculotte for fun].
You will see what a nice excursion we will take.’
</p>
          <p style="indent">“I let myself be entrapped like an animal, and set out, one
morning by the 8 o’clock train. I arrived at a kind of town, a country town where
there is nothing to see, and I at length found my way to an old wooden door with
an iron bell, at the end of an alley between two walls.
</p>
          <p style="indent">“I rang, and waited a long time, and at last the door was
opened. What was it that opened it? I could not tell at the first glance. A woman
or an ape? The creature was old, ugly, covered with old clothes that looked dirty
and wicked. It had chicken’s feathers in its hair and looked as though it would
devour me.
</p>
          <p style="indent">“‘What do you want?’ she said.
</p>
          <p style="indent">“‘Mr. Boivin.’
</p>
          <p style="indent">“‘What do you want of him, of Mr. Boivin?’
</p>
          <p style="indent">“I felt ill at ease on being questioned by this fury. I
stammered: ‘Why-he expects me.’
</p>
          <p style="indent">“‘Ah, it is you who have come to luncheon?’
</p>
          <p style="indent">“‘Yes,’ I stammered, trembling.
</p>
          <p style="indent">“Then, turning toward the house, she cried in an angry tone:
</p>
          <p style="indent">“‘Boivin, here is your man!’
</p>
          <p style="indent">“It was my friend’s wife. Little Boivin appeared immediately
on the threshold of a sort of barrack of plaster covered with zinc, that looked like a
foot stove. He wore white duck trousers covered with stains and a dirty Panama hat.
</p>
          <p style="indent">“After shaking my hands warmly, he took me into what he
called his garden. It was at the end of another alleyway enclosed by high walls and
was a little square the size of a pocket handkerchief, surrounded by houses that were
so high that the sun, could reach it only two or three hours in the day. Pansies,
pinks, wallflowers and a few rose bushes were languishing in this well without air,
and hot as an oven from the refraction of heat from the roofs.
</p>
          <p style="indent">“‘I have no trees,’ said Boivin, ‘but the neighbors’ walls take
their place. I have as much shade as in a wood.’
</p>
          <p style="indent">“Then he took hold of a button of my coat and said in a low
tone:
</p>
          <p style="indent">“‘You can do me a service. You saw the wife. She is not
agreeable, eh? To-day, as I had invited you, she gave me clean clothes; but if I spot
them all is lost. I counted on you to water my plants.’
</p>
          <p style="indent">“I agreed. I took off my coat, rolled up my sleeves, and began
to work the handle of a kind of pump that wheezed, puffed and rattled like a
consumptive as it emitted a thread of water like a Wallace drinking fountain. It took
me ten minutes to water it and I was in a bath of perspiration. Boivin directed me:
</p>
          <p style="indent">“‘Here–this plant–a little more; enough–now this one.’
</p>
          <p style="indent">“The watering pot leaked and my feet got more water than
the flowers. The bottoms of my trousers were soaking and covered with mud. And
twenty times running I kept it up, soaking my feet afresh each time, and perspiring
anew as I worked the handle of the pump. And when I was tired out and wanted to
stop, Boivin, in a tone of entreaty, said as he put his hand on my arm:
</p>
          <p style="indent">“Just one more watering pot full–just one, and that will be all.’
</p>
          <p style="indent">“To thank me he gave me a rose, a big rose, but hardly had it
touched my button-hole than it fell to pieces, leaving only a hard little green knot as
a decoration. I was surprised, but said nothing.
</p>
          <p style="indent">“Mme. Boivin’s voice was heard in the distance:
</p>
          <p style="indent">‘Are you ever coming? When you know that luncheon is
ready!’
</p>
          <p style="indent">“We went toward the foot stove. If the garden was in the
shade, the house, on the other hand, was in the blazing sun, and the sweating room
in the Turkish bath is not as hot as was my friend’s dining room.
</p>
          <p style="indent">“Three plates at the side of which were some half-washed
forks, were placed on a table of yellow wood in the middle of which stood an
earthenware dish containing boiled beef and potatoes. We began to eat.
</p>
          <p style="indent">“A large water bottle full of water lightly colored with wine
attracted my attention. Boivin, embarrassed, said to his wife:
</p>
          <p style="indent">“‘See here, my dear, just on a special occasion, are you not
going to give us some plain wine?’
</p>
          <p style="indent">“She looked at him furiously.
</p>
          <p style="indent">“‘So that you may both get tipsy, is that it, and stay here
gabbing all day? A fig for your special occasion!’
</p>
          <p style="indent">“He said no more. After the stew she brought in another dish
of potatoes cooked with bacon. When this dish was finished, still in silence, she
announced:
</p>
          <p style="indent">“‘That is all! Now get out!’
</p>
          <p style="indent">“Boivin looked at her in astonishment.
</p>
          <p style="indent">“‘But the pigeon–the pigeon you plucked this morning?’
</p>
          <p style="indent">“She put her hands on her hips:
</p>
          <p style="indent">“‘Perhaps you have not had enough? Because you bring
people here is no reason why we should devour all that there is in the house. What
is there for me to eat this evening?’
</p>
          <p style="indent">“We rose. Solvin whispered
</p>
          <p style="indent">“‘Wait for me a second, and we will skip.’
</p>
          <p style="indent">“He went into the kitchen where his wife had gone, and I
overheard him say:
</p>
          <p style="indent">“‘Give me twenty sous, my dear.’
</p>
          <p style="indent">“‘What do you want with twenty sons?’
</p>
          <p style="indent">“‘Why, one does not know what may happen. It is always
better to have some money.’
</p>
          <p style="indent">“She yelled so that I should hear:
</p>
          <p style="indent">“‘No, I will not give it to you! As the man has had luncheon
here, the least he can do is to pay your expenses for the day.’
</p>
          <p style="indent">“Boivin came back to fetch me. As I wished to be polite I
bowed to the mistress of the house, stammering:
</p>
          <p style="indent">“‘Madame–many thanks–kind welcome.’
</p>
          <p style="indent">“‘That’s all right,’ she replied. ‘But do not bring him back
drunk, for you will have to answer to me, you know!’
</p>
          <p style="indent">“We set out. We had to cross a perfectly bare plain under the
burning sun. I attempted to gather a flower along the road and gave a cry of pain.
It had hurt my hand frightfully. They call these plants nettles. And, everywhere,
there was a smell of manure, enough to turn your stomach.
</p>
          <p style="indent">“Boivin said, ‘Have a little patience and we will reach the river
bank.’
</p>
          <p style="indent">“We reached the river. Here there was an odor of mud and
dirty water, and the sun blazed down on the water so that it burned my eyes. I
begged Boivin to go under cover somewhere. He took me into a kind of shanty filled
with men, a river boatmen’s tavern.
</p>
          <p style="indent">“He said:
</p>
          <p style="indent">“‘This does not look very grand, but it is very comfortable.’
</p>
          <p style="indent">“I was hungry. I ordered an omelet. But to and behold, at the
second glass of wine, that beggar, Boivin, lost his head, and I understand why his
wife gave him water diluted.
</p>
          <p style="indent">“He got up, declaimed, wanted to show his strength, interfered
in a quarrel between two drunken men who were fighting, and, but for the landlord,
who came to the rescue, we should both have been killed.
</p>
          <p style="indent">“I dragged him away, holding him up until we reached the first
bush where I deposited him. I lay down beside him and, it seems, I fell asleep. We
must certainly have slept a long time, for it was dark when I awoke. Boivin was
snoring at my side. I shook him; he rose but he was still drunk, though a little less
so.
</p>
          <p style="indent">“We set out through the darkness across the plain. Boivin said
he knew the way. He made me turn to the left, then to the right, then to the left.
We could see neither sky nor earth, and found ourselves lost in the midst of a kind
of forest of wooden stakes, that came as high as our noses. It was a vineyard and
these were the supports. There was not a single light on the horizon. We wandered
about in this vineyard for about an hour or two, hesitating, reaching out our arms
without finding any limit, for we kept retracing our steps.
</p>
          <p style="indent">“At length Boivin fell against a stake that tore his cheek and
he remained in a sitting posture on the ground, uttering with all his might long and
resounding hallos, while I screamed ‘Help! Help!’ as loud as I could, lighting
candle-matches to show the way to our rescuers, and also to keep up my courage.
</p>
          <p style="indent">“At last a belated peasant heard us and put us on our right
road. I took Boivin to his home, but as I was leaving him on the threshold of his
garden, the door opened suddenly and his wife appeared, a candle in her hand. She
frightened me horribly.
</p>
          <p style="indent">“As soon as she saw her husband, whom she must have been
waiting for since dark, she screamed, as she darted toward me:
</p>
          <p style="indent">“‘Ah, scoundrel, I knew you would bring him back drunk!’
</p>
          <p style="indent">“My, how I made my escape, running all the way to the
station, and as I thought the fury was pursuing me I shut myself in an inner room
as the train was not due for half an hour.
</p>
          <p style="indent">“That is why I never married, and why I never go out of Paris.”
</p>
        </div>
        <!--end of "section 5.0/.5"-->
      </div>
      <!--end of "chapter 9.5/0"-->
      <!--END OF CHAPTER 9.5/0-->
      <div prev="9.5" next="9.7" type="chapter" n="9.6" xml:id="chp.9.6">
        <head type="chaphead">Moonlight</head>
        <div type="lsection">
          <p style="noindent">Madame julie roubere was expecting her elder sister,
Madame Henriette Letore, who had just returned from a trip to Switzerland.
</p>
          <p style="indent">The Letore household had left nearly five weeks before.
Madame Henriette had allowed her husband to return alone to their estate in
Calvados, where some business required his attention, and had come to spend a few
days in Paris with her sister. Night came on. In the quiet parlor Madame Roubere
was reading in the twilight in an absent-minded way, raising her, eyes whenever she
heard a sound.
</p>
          <p style="indent">At last, she heard a ring at the door, and her sister appeared,
wrapped in a travelling cloak. And without any formal greeting, they clasped each
other in an affectionate embrace, only desisting for a moment to give each other
another hug. Then they talked about their health, about their respective families,
and a thousand other things, gossiping, jerking out hurried, broken sentences as they
followed each other about, while Madame Henriette was removing her hat and veil.
</p>
          <p style="indent">It was now quite dark. Madame Roubere rang for a lamp, and
as soon as it was brought in, she scanned her sister’s face, and was on the point of
embracing her once more. But she held back, scared and astonished at the other’s
appearance.
</p>
          <p style="indent">On her temples Madame Letore had two large locks of white
hair. All the rest of her hair was of a glossy, raven-black hue; but there alone, at
each side of her head, ran, as it were, two silvery streams which were immediately
lost in the black mass surrounding them. She was, nevertheless, only twenty-four
years old, and this change had come on suddenly since her departure for
Switzerland.
</p>
          <p style="indent">Without moving, Madame Roubere gazed at her in
amazement, tears rising to her eyes, as she thought that some mysterious and
terrible calamity must have befallen her sister. She asked:
</p>
          <p style="indent">“What is the matter with you, Henriette?”
</p>
          <p style="indent">Smiling with a sad face, the smile of one who is heartsick, the
other replied:
</p>
          <p style="indent">“Why, nothing, I assure you. Were you noticing my white
hair?”
</p>
          <p style="indent">But Madame Roubere impetuously seized her by the
shoulders, and with a searching glance at her, repeated:
</p>
          <p style="indent">“What is the matter with you? Tell me what is the matter
with you. And if you tell me a falsehood, I’ll soon find it out.”
</p>
          <p style="indent">They remained face to face, and Madame Henriette, who
looked as if she were about to faint, had two pearly tears in the corners of her
drooping eyes.
</p>
          <p style="indent">Her sister continued:
</p>
          <p style="indent">“What has happened to you? What is the matter with you?
Answer me!”
</p>
          <p style="indent">Then, in a subdued voice, the other murmured:
</p>
          <p style="indent">“I have–I have a lover.”
</p>
          <p style="indent">And, hiding her forehead on the shoulder of her younger sister,
she sobbed.
</p>
          <p style="indent">Then, when she had grown a little calmer, when the heaving
of her breast had subsided, she commenced to unbosom herself, as if to cast forth
this secret from herself, to empty this sorrow of hers into a sympathetic heart.
</p>
          <p style="indent">Thereupon, holding each other’s hands tightly clasped, the
two women went over to a sofa in a dark corner of the room, into which they sank,
and the younger sister, passing her arm over the elder one’s neck, and drawing her
close to her heart, listened.
</p>
          <p style="indent">“Oh! I know that there was no excuse for me; I do not
understand myself, and since that day I feel as if I were mad. Be careful, my child,
about yourself–be careful! If you only knew how weak we are, how quickly we yield,
and fall. It takes so little, so little, so little, a moment of tenderness, one of those
sudden fits of melancholy which come over you, one of those longings to open, your
arms, to love, to cherish something, which we all have at certain moments.
</p>
          <p style="indent">“You know my husband, and you know how fond I am of him;
but he is mature and sensible, and cannot even comprehend the tender vibrations of
a woman’s heart. He is always the same, always good, always smiling, always kind,
always perfect. Oh! how I sometimes have wished that he would clasp me roughly in
his arms, that he would embrace me with those slow, sweet kisses which make two
beings intermingle, which are like mute confidences! How I have wished that he were
foolish, even weak, so that he should have need of me, of my caresses, of my tears!
</p>
          <p style="indent">“This all seems very silly; but we women are made like that.
How can we help it?
</p>
          <p style="indent">“And yet the thought of deceiving him never entered my
mind. Now it has happened, without love, without reason, without anything, simply
because the moon shone one night on the Lake of Lucerne.
</p>
          <p style="indent">“During the month when we were travelling together, my
husband, with his calm indifference, paralyzed my enthusiasm, extinguished my
poetic ardor. When we were descending the mountain paths at sunrise, when as the
four horses galloped along with the diligence, we saw, in the transparent morning
haze, valleys, woods, streams, and villages, I clasped my hands with delight, and
said to him: ‘How beautiful it is, dear! Give me a kiss! Kiss me now!’ He only
answered, with a smile of chilling kindliness: ‘There is no reason why we should kiss
each other because you like the landscape.’
</p>
          <p style="indent">“And his words froze me to the heart. It seems to me that
when people love each other, they ought to feel more moved by love than ever, in
the presence of beautiful scenes.
</p>
          <p style="indent">“In fact, I was brimming over with poetry which he kept me
from expressing. I was almost like a boiler filled with steam and hermetically sealed.
</p>
          <p style="indent">“One evening (we had for four days been staying in a hotel at
Fluelen) Robert, having one of his sick headaches, went to bed immediately after
dinner, and I went to take a walk all alone along the edge of the lake.
</p>
          <p style="indent">“It was a night such as one reads of in fairy tales. The full
moon showed itself in the middle of the sky; the tall mountains, with their snowy
crests, seemed to wear silver crowns; the waters of the lake glittered with tiny
shining ripples. The air was mild, with that kind of penetrating warmth which
enervates us till we are ready to faint, to be deeply affected without any apparent
cause. But how sensitive, how vibrating the heart is at such moments! how quickly
it beats, and how intense is its emotion!
</p>
          <p style="indent">“I sat down on the grass, and gazed at that vast, melancholy,
and fascinating lake, and a strange feeling arose in me; I was seized with an
insatiable need of love, a revolt against the gloomy dullness of my life. What! would
it never be my fate to wander, arm in arm, with a man I loved, along a moon-kissed
bank like this? Was I never to feel on my lips those kisses so deep, delicious, and
intoxicating which lovers exchange on nights that seem to have been made by God
for tenderness? Was I never to know ardent, feverish love in the moonlit shadows of
a summer’s night?
</p>
          <p style="indent">“And I burst out weeping like a crazy woman. I heard
something stirring behind me. A man stood there, gazing at me. When I turned my
head round, he recognized me, and, advancing, said:
</p>
          <p style="indent">“‘You are weeping, madame?’
</p>
          <p style="indent">“It was a young barrister who was travelling with his mother,
and whom we had often met. His eyes had frequently followed me.
</p>
          <p style="indent">“I was so confused that I did not know what answer to give or
what to think of the situation. I told him I felt ill.
</p>
          <p style="indent">“He walked on by my side in a natural and respectful manner,
and began talking to me about what we had seen during our trip. All that I had felt
he translated into words; everything that made me thrill he understood perfectly,
better than I did myself. And all of a sudden he repeated some verses of Alfred de
Musset. I felt myself choking, seized with indescribable emotion. It seemed to me
that the mountains themselves, the lake, the moonlight, were singing to me about
things ineffably sweet.
</p>
          <p style="indent">“And it happened, I don’t know how, I don’t know why, in a
sort of hallucination.
</p>
          <p style="indent">“As for him, I did not see him again till the morning of his
departure.
</p>
          <p style="indent">“He gave me his card!”
</p>
          <p style="indent">And, sinking into her sister’s arms, Madame Letore broke into
groans– almost into shrieks.
</p>
          <p style="indent">Then, Madame Roubere, with a self-contained and serious air,
said very gently:
</p>
          <p style="indent">“You see, sister, very often it is not a man that we love, but
love itself. And your real lover that night was the moonlight.”
</p>
        </div>
        <!--end of "section 6.0/.6"-->
      </div>
      <!--end of "chapter 9.6/0"-->
      <!--END OF CHAPTER 9.6/0-->
      <div prev="9.6" next="9.8" type="chapter" n="9.7" xml:id="chp.9.7">
        <head type="chaphead">The First Snowfall</head>
        <div type="lsection">
          <p style="noindent">The long promenade of La Croisette winds in a curve along
the edge of the blue water. Yonder, to the right, Esterel juts out into the sea in the
distance, obstructing the view and shutting out the horizon with its pretty southern
outline of pointed summits, numerous and fantastic.
</p>
          <p style="indent">To the left, the isles of Sainte Marguerite and Saint Honorat,
almost level with the water, display their surface, covered with pine trees.
</p>
          <p style="indent">And all along the great gulf, all along the tall mountains that
encircle Cannes, the white villa residences seem to be sleeping in the sunlight. You
can see them from a distance, the white houses, scattered from the top to the
bottom of the mountains, dotting the dark greenery with specks like snow.
</p>
          <p style="indent">Those near the water have gates opening on the wide
promenade which is washed by the quiet waves. The air is soft and balmy. It is one
of those warm winter days when there is scarcely a breath of cool air. Above the
walls of the gardens may be seen orange trees and lemon trees full of golden fruit.
Ladies are walking slowly across the sand of the avenue, followed by children rolling
hoops, or chatting with gentlemen.
</p>
          <p style="indent">A young woman has just passed out through the door of her
coquettish little house facing La Croisette. She stops for a moment to gaze at the
promenaders, smiles, and with an exhausted air makes her way toward an empty
bench facing the sea. Fatigued after having gone twenty paces, she sits down out of
breath. Her pale face seems that of a dead woman. She coughs, and raises to her
lips her transparent fingers as if to stop those paroxysms that exhaust her.
</p>
          <p style="indent">She gazes at the sky full of sunshine and swallows, at the
zigzag summits of the Esterel over yonder, and at the sea, the blue, calm, beautiful
sea, close beside her.
</p>
          <p style="indent">She smiles again, and murmurs:
</p>
          <p style="indent">“Oh! how happy I am!”
</p>
          <p style="indent">She knows, however, that she is going to die, that she will
never see the springtime, that in a year, along the same promenade, these same
people who pass before her now will come again to breathe the warm air of this
charming spot, with their children a little bigger, with their hearts all filled with
hopes, with tenderness, with happiness, while at the bottom of an oak coffin, the
poor flesh which is still left to her to-day will have decomposed, leaving only her
bones lying in the silk robe which she has selected for a shroud.
</p>
          <p style="indent">She will be no more. Everything in life will go on as before for
others. For her, life will be over, over forever. She will be no more. She smiles, and
inhales as well as she can, with her diseased lungs, the perfumed air of the gardens.
</p>
          <p style="indent">And she sinks into a reverie.
</p>
          <p style="indent">She recalls the past. She had been married, four years ago, to
a Norman gentleman. He was a strong young man, bearded, healthy-looking, with
wide shoulders, narrow mind, and joyous disposition.
</p>
          <p style="indent">They had been united through financial motives which she
knew nothing about. She would willingly have said No. She said Yes, with a
movement of the head, in order not to thwart her father and mother. She was a
Parisian, gay, and full of the joy of living.
</p>
          <p style="indent">Her husband brought her home to his Norman chateau. It was
a huge stone building surrounded by tall trees of great age. A high clump of pine
trees shut out the view in front. On the right, an opening in the trees presented a
view of the plain, which stretched out in an unbroken level as far as the distant,
farmsteads. A cross-road passed before the gate and led to the high road three
kilometres away.
</p>
          <p style="indent">Oh! she recalls everything, her arrival, her first day in her new
abode, and her isolated life afterward.
</p>
          <p style="indent">When she stepped out of the carriage, she glanced at the old
building, and laughingly exclaimed:
</p>
          <p style="indent">“It does not look cheerful!”
</p>
          <p style="indent">Her husband began to laugh in his turn, and replied:
</p>
          <p style="indent">“Pooh! we get used to it! You’ll see. I never feel bored in it,
for my part.”
</p>
          <p style="indent">That day they passed their time in embracing each other, and
she did not find it too long. This lasted fully a month. The days passed one after
the other in insignificant yet absorbing occupations. She learned the value and the
importance of the little things of life. She knew that people can interest themselves
in the price of eggs, which cost a few centimes more or less according to the seasons.
</p>
          <p style="indent">It was summer. She went to the fields to see the men
harvesting. The brightness of the sunshine found an echo in her heart.
</p>
          <p style="indent">The autumn came. Her husband went out shooting. He
started in the morning with his two dogs Medor and Mirza. She remained alone,
without grieving, moreover, at Henry’s absence. She was very fond of him, but she
did not miss him. When he returned home, her affection was especially bestowed on
the dogs. She took care of them every evening with a mother’s tenderness, caressed
them incessantly, gave them a thousand charming little names which she had no
idea of applying to her husband.
</p>
          <p style="indent">He invariably told her all about his sport. He described the
places where he found partridges, expressed his astonishment at not having caught
any hares in Joseph Ledentu’s clever, or else appeared indignant at the conduct of
M. Lechapelier, of Havre, who always went along the edge of his property to shoot
the game that he, Henry de Parville, had started.
</p>
          <p style="indent">She replied: “Yes, indeed! it is not right,” thinking of
something else all the while.
</p>
          <p style="indent">The winter came, the Norman winter, cold and rainy. The
endless floods of rain came down tin the slates of the great gabled roof, rising like a
knife blade toward the sky. The roads seemed like rivers of mud, the country a plain
of mud, and no sound could be heard save that of water falling; no movement could
be seen save the whirling flight of crows that settled down like a cloud on a field and
then hurried off again.
</p>
          <p style="indent">About four o’clock, the army of dark, flying creatures came
and perched in the tall beeches at the left of the chateau, emitting deafening cries.
During nearly an hour, they flew from tree top to tree top, seemed to be fighting,
croaked, and made a black disturbance in the gray branches. She gazed at them
each evening with a weight at her heart, so deeply was she impressed by the
lugubrious melancholy of the darkness falling on the deserted country.
</p>
          <p style="indent">Then she rang for the lamp, and drew near the fire. She
burned heaps of wood without succeeding in warming the spacious apartments
reeking with humidity. She was cold all day long, everywhere, in the drawing-room,
at meals, in her own apartment. It seemed to her she was cold to the marrow of her
bones. Her husband only came in to dinner; he was always out shooting, or else he
was superintending sowing the seed, tilling the soil, and all the work of the country.
</p>
          <p style="indent">He would come back jovial, and covered with mud, rubbing his
hands as he exclaimed:
</p>
          <p style="indent">“What wretched weather!”
</p>
          <p style="indent">Or else:
</p>
          <p style="indent">“A fire looks comfortable!”
</p>
          <p style="indent">Or sometimes:
</p>
          <p style="indent">“Well, how are you to-day? Are you in good spirits?”
</p>
          <p style="indent">He was happy, in good health, without desires, thinking of
nothing save this simple, healthy, and quiet life.
</p>
          <p style="indent">About December, when the snow had come, she suffered so
much from the icy-cold air of the chateau which seemed to have become chilled in
passing through the centuries just as human beings become chilled with years, that
she asked her husband one evening:
</p>
          <p style="indent">“Look here, Henry! You ought to have a furnace put into the
house; it would dry the walls. I assure you that I cannot keep warm from morning
till night.”
</p>
          <p style="indent">At first he was stunned at this extravagant idea of introducing
a furnace into his manor-house. It would have seemed more natural to him to have
his dogs fed out of silver dishes. He gave a tremendous laugh from the bottom of his
chest as he exclaimed:
</p>
          <p style="indent">“A furnace here! A furnace here! Ha! ha! ha! what a good
joke!”
</p>
          <p style="indent">She persisted:
</p>
          <p style="indent">“I assure you, dear, I feel frozen; you don’t feel it because you
are always moving about; but all the same, I feel frozen.”
</p>
          <p style="indent">He replied, still laughing:
</p>
          <p style="indent">“Pooh! you’ll get used to it, and besides it is excellent for the
health. You will only be all the better for it. We are not Parisians, damn it! to live
in hot-houses. And, besides, the spring is quite near.”
</p>
          <p style="indent">About the beginning of January, a great misfortune befell her.
Her father and mother died in a carriage accident. She came to Paris for the
funeral. And her sorrow took entire possession of her mind for about six months.
</p>
          <p style="indent">The mildness of the beautiful summer days finally roused her,
and she lived along in a state of sad languor until autumn.
</p>
          <p style="indent">When the cold weather returned, she was brought face to face,
for the first time, with the gloomy future. What was she to do? Nothing. What was
going to happen to her henceforth? Nothing. What expectation, what hope, could
revive her heart? None. A doctor who was consulted declared that she would never
have children.
</p>
          <p style="indent">Sharper, more penetrating still than the year before, the cold
made her suffer continually.
</p>
          <p style="indent">She stretched out her shivering hands to the big flames. The
glaring fire burned her face; but icy whiffs seemed to glide down her back and to
penetrate between her skin and her underclothing. And she shivered from head to
foot. Innumerable draughts of air appeared to have taken up their abode in the
apartment, living, crafty currents of air as cruel as enemies. She encountered them
at every moment; they blew on her incessantly their perfidious and frozen hatred,
now on her face, now on her hands, and now on her back.
</p>
          <p style="indent">Once more she spoke of a furnace; but her husband listened to
her request as if she were asking for the moon. The introduction of such an
apparatus at Parville appeared to him as impossible as the discovery of the
Philosopher’s Stone.
</p>
          <p style="indent">Having been at Rouen on business one day, he brought back to
his wife a dainty foot warmer made of copper, which he laughingly called a
“portable furnace”; and he considered that this would prevent her henceforth from
ever being cold.
</p>
          <p style="indent">Toward the end of December she understood that she could
not always live like this, and she said timidly one evening at dinner:
</p>
          <p style="indent">“Listen, dear! Are we, not going to spend a week or two in
Paris before spring:”
</p>
          <p style="indent">He was stupefied.
</p>
          <p style="indent">“In Paris? In Paris? But what are we to do there? Ah! no by
Jove! We are better off here. What odd ideas come into your head sometimes.”
</p>
          <p style="indent">She faltered:
</p>
          <p style="indent">“It might distract us a little.”
</p>
          <p style="indent">He did not understand.
</p>
          <p style="indent">“What is it you want to distract you? Theatres, evening
parties, dinners in town? You knew, however, when you came here, that you ought
not to expect any distractions of this kind!”
</p>
          <p style="indent">She saw a reproach in these words, and in the tone in which
they were uttered. She relapsed into silence. She was timid and gentle, without
resisting power and without strength of will.
</p>
          <p style="indent">In January the cold weather returned with violence. Then the
snow covered the earth.
</p>
          <p style="indent">One evening, as she watched the great black cloud of crows
dispersing among the trees, she began to weep, in spite of herself.
</p>
          <p style="indent">Her husband came in. He asked in great surprise:
</p>
          <p style="indent">“What is the matter with you?”
</p>
          <p style="indent">He was happy, quite happy, never having dreamed of another
life or other pleasures. He had been born and had grown up in this melancholy
district. He felt contented in his own house, at ease in body and mind.
</p>
          <p style="indent">He did not understand that one might desire incidents, have a
longing for changing pleasures; he did not understand that it does not seem natural
to certain beings to remain in the same place during the four seasons; he seemed not
to know that spring, summer, autumn, and winter have, for multitudes of persons,
fresh amusements in new places.
</p>
          <p style="indent">She could say nothing in reply, and she quickly dried her eyes.
At last she murmured in a despairing tone:
</p>
          <p style="indent">“I am–I–I am a little sad–I am a little bored.”
</p>
          <p style="indent">But she was terrified at having even said so much, and added
very quickly:
</p>
          <p style="indent">“And, besides–I am–I am a little cold.”
</p>
          <p style="indent">This last plea made him angry.
</p>
          <p style="indent">“Ah! yes, still your idea of the furnace. But look here, deuce
take it! you have not had one cold since you came here.”
</p>
          <p style="indent">Night came on. She went up to her room, for she had insisted
on having a separate apartment. She went to bed. Even in bed she felt cold. She
thought:
</p>
          <p style="indent">“It will be always like this, always, until I die.”
</p>
          <p style="indent">And she thought of her husband. How could he have said:
</p>
          <p style="indent">“You–have not had one cold since you came here”?
</p>
          <p style="indent">She would have to be ill, to cough before he could understand
what she suffered!
</p>
          <p style="indent">And she was filled with indignation, the angry indignation of a
weak, timid being.
</p>
          <p style="indent">She must cough. Then, perhaps, he would take pity on her.
Well, she would cough; he should hear her coughing; the doctor should be called in;
he should see, her husband, he should see.
</p>
          <p style="indent">She got out of bed, her legs and her feet bare, and a childish
idea made her smile:
</p>
          <p style="indent">“I want a furnace, and I must have it. I shall cough so much
that he’ll have to put one in the house.”
</p>
          <p style="indent">And she sat down in a chair in her nightdress. She waited an
hour, two hours. She shivered, but she did not catch cold. Then she resolved on a
bold expedient.
</p>
          <p style="indent">She noiselessly left her room, descended the stairs, and opened
the gate into the garden.
</p>
          <p style="indent">The earth, covered with snows seemed dead. She abruptly
thrust forward her bare foot, and plunged it into the icy, fleecy snow. A sensation of
cold, painful as a wound, mounted to her heart. However, she stretched out the
other leg, and began to descend the steps slowly.
</p>
          <p style="indent">Then she advanced through the grass saying to herself:
</p>
          <p style="indent">“I’ll go as far as the pine trees.”
</p>
          <p style="indent">She walked with quick steps, out of breath, gasping every time
she plunged her foot into the snow.
</p>
          <p style="indent">She touched the first pine tree with her hand, as if to assure
herself that she had carried out her plan to the end; then she went back into the
house. She thought two or three times that she was going to fall, so numbed and
weak did she feel. Before going in, however, she sat down in that icy fleece, and
even took up several handfuls to rub on her chest.
</p>
          <p style="indent">Then she went in and got into bed. It seemed to her at the
end of an hour that she had a swarm of ants in her throat, and that other ants were
running all over her limbs. She slept, however.
</p>
          <p style="indent">Next day she was coughing and could not get up.
</p>
          <p style="indent">She had inflammation of the lungs. She became delirious, and
in her delirium she asked for a furnace. The doctor insisted on having one put in.
Henry yielded, but with visible annoyance.
</p>
          <p style="indent">She was incurable. Her lungs were seriously affected, and
those about her feared for her life.
</p>
          <p style="indent">“If she remains here, she will not last until the winter,” said
the doctor.
</p>
          <p style="indent">She was sent south. She came to Cannes, made the
acquaintance of the sun, loved the sea, and breathed the perfume of orange
blossoms.
</p>
          <p style="indent">Then, in the spring, she returned north.
</p>
          <p style="indent">But she now lived with the fear of being cured, with the fear
of the long winters of Normandy; and as soon as she was better she opened her
window by night and recalled the sweet shores of the Mediterranean.
</p>
          <p style="indent">And now she is going to die. She knows it and she is happy.
</p>
          <p style="indent">She unfolds a newspaper which she has not already opened,
and reads this heading:
</p>
          <p style="indent">“The first snow in Paris.”
</p>
          <p style="indent">She shivers and then smiles. She looks across at the Esterel,
which is becoming rosy in the rays of the setting sun. She looks at the vast blue sky,
so blue, so very blue, and the vast blue sea, so very blue also, and she rises from her
seat.
</p>
          <p style="indent">And then she returned to the house with slow steps, only
stopping to cough, for she had remained out too long and she was cold, a little cold.
</p>
          <p style="indent">She finds a letter from her husband. She opens it, still smiling,
and she reads:
</p>
          <p style="indent">“MY DEAR LOVE: I hope you are well, and that you do not
regret too much our beautiful country. For some days last we have had a good frost,
which presages snow. For my part, I adore this weather, and you my believe that I
do not light your damned furnace.”
</p>
          <p style="indent">She ceases reading, quite happy at the thought that she had
her furnace put in. Her right hand, which holds the letter, falls slowly on her lap,
while she raises her left hand to her mouth, as if to calm the obstinate cough which
is racking her chest.
</p>
        </div>
        <!--end of "section 7.0/.7"-->
      </div>
      <!--end of "chapter 9.7/0"-->
      <!--END OF CHAPTER 9.7/0-->
      <div prev="9.7" next="9.9" type="chapter" n="9.8" xml:id="chp.9.8">
        <head type="chaphead">Sundays of a Bourgeois</head>
        <div type="lsection" xml:id="lsec.8">
          <head type="lsechead">PREPARATIONS FOR THE EXCURSION</head>
          <p style="noindent">M. Patissot, born in Paris, after having failed in his
examinations at the College Henri IV., like many others, had entered the
government service through the influence of one of his aunts, who kept a tobacco
store where the head of one of the departments bought his provisions.
</p>
          <p style="indent">He advanced very slowly, and would, perhaps, have died a
fourth-class clerk without the aid of a kindly Providence, which sometimes watches
over our destiny. He is today fifty-two years old, and it is only at this age that he is
beginning to explore, as a tourist, all that part of France which lies between the
fortifications and the provinces.
</p>
          <p style="indent">The story of his advance might be useful to many employees,
just as the tale of his excursions may be of value to many Parisians who will take
them as a model for their own outings, and will thus, through his example, avoid
certain mishaps which occurred to him.
</p>
          <p style="indent">In 1854 he only enjoyed a salary of 1,800 francs. Through a
peculiar trait of his character he was unpopular with all his superiors, who let him
languish in the eternal and hopeless expectation of the clerk’s ideal, an increase of
salary. Nevertheless he worked; but he did not know how to make himself
appreciated. He had too much self-respect, he claimed. His self-respect consisted in
never bowing to his superiors in a low and servile manner, as did, according to him,
certain of his colleagues, whom he would not mention. He added that his frankness
embarrassed many people, for, like all the rest, he protested against injustice and
the favoritism shown to persons entirely foreign to the bureaucracy. But his
indignant voice never passed beyond the little cage where he worked.
</p>
          <p style="indent">First as a government clerk, then as a Frenchman and finally
as a man who believed in order he would adhere to whatever government was
established, having an unbounded reverence for authority, except for that of his
chiefs.
</p>
          <p style="indent">Each time that he got the chance he would place himself
where he could see the emperor pass, in order to have the honor of taking his hat off
to him; and he would go away puffed up with pride at having bowed to the head of
the state.
</p>
          <p style="indent">From his habit of observing the sovereign he did as many
others do; he imitated the way he trimmed his beard or arranged his hair, the cut of
his clothes, his walk, his mannerisms. Indeed, how many men in each country
seemed to be the living images of the head of the government! Perhaps he vaguely
resembled Napoleon III., but his hair was black; therefore he dyed it, and then the
likeness was complete; and when he met another gentleman in the street also
imitating the imperial countenance he was jealous and looked at him disdainfully.
This need of imitation soon became his hobby, and, having heard an usher at the
Tuilleries imitate the voice of the emperor, he also acquired the same intonations
and studied slowness.
</p>
          <p style="indent">He thus became so much like his model that they might easily
have been mistaken for each other, and certain high dignitaries were heard to
remark that they found it unseemly and even vulgar; the matter was mentioned to
the prime minister, who ordered that the employee should appear before him. But
at the sight of him he began to laugh and repeated two or three times: “That’s
funny, really funny!” This was repeated, and the following day Patissot’s immediate
superior recommended that his subordinate receive an increase of salary of three
hundred francs. He received it immediately.
</p>
          <p style="indent">From that time on his promotions came regularly, thanks to
his ape-like faculty of imitation. The presentiment that some high honor might
come to him some day caused his chiefs to speak to him with deference.
</p>
          <p style="indent">When the Republic was proclaimed it was a disaster for him.
He felt lost, done for, and, losing his head, he stopped dyeing his hair, shaved his
face clean and had his hair cut short, thus acquiring a paternal and benevolent
expression which could not compromise him in any way.
</p>
          <p style="indent">Then his chiefs took revenge for the long time during which he
had imposed upon them, and, having all turned Republican through an instinct of
self preservation, they cut down his salary and delayed his promotion. He, too,
changed his opinions. But the Republic not being a palpable and living person
whom one can resemble, and the presidents succeeding each other with rapidity, he
found himself plunged in the greatest embarrassment, in terrible distress, and, after
an unsuccessful imitation of his last ideal, M. Thiers, he felt a check put on all his
attempts at imitation. He needed a new manifestation of his personality. He
searched for a long time; then, one morning, he arrived at the office wearing a new
hat which had on the side a small red, white and blue rosette. His colleagues were
astounded; they laughed all that day, the next day, all the week, all the month. But
the seriousness of his demeanor at last disconcerted them, and once more his
superiors became anxious. What mystery could be hidden under this sign? Was it a
simple manifestation of patriotism, or an affirmation of his allegiance to the
Republic, or perhaps the badge of some powerful association? But to wear it so
persistently he must surely have some powerful and hidden protection. It would be
well to be on one’s guard, especially as he received all pleasantries with unruffled
calmness. After that he was treated with respect, and his sham courage saved him;
he was appointed head clerk on the first of January, 1880. His whole life had been
spent indoors. He hated noise and bustle, and because of this love of rest and quiet
he had remained a bachelor. He spent his Sundays reading tales of adventure and
ruling guide lines which he afterward offered to his colleagues. In his whole
existence he had only taken three vacations of a week each, when he was changing
his quarters. But sometimes, on a holiday, he would leave by an excursion train for
Dieppe or Havre in order to elevate his mind by the inspiring sight of the sea.
</p>
          <p style="indent">He was full of that common sense which borders on stupidity.
For a long time he had been living quietly, with economy, temperate through
prudence, chaste by temperament, when suddenly he was assailed by a terrible
apprehension. One evening in the street he suddenly felt an attack of dizziness
which made him fear a stroke of apoplexy. He hastened to a physician and for five
francs obtained the following prescription:
</p>
          <p style="indent">M. X-, fifty-five years old, bachelor, clerk. Full-blooded,
danger of apoplexy. Cold-water applications, moderate nourishment, plenty of
exercise. MONTELLIER, M.D.
</p>
          <p style="indent">Patissot was greatly distressed, and for a whole month, in his
office, he kept a wet towel wrapped around his head like a turban while the water
continually dripped on his work, which he would have to do over again. Every once
in a while he would read the prescription over, probably in the hope of finding some
hidden meaning, of penetrating into the secret thought of the physician, and also of
discovering some forms of exercise which, might perhaps make him immune from
apoplexy.
</p>
          <p style="indent">Then he consulted his friends, showing them the fateful paper.
One advised boxing. He immediately hunted up an instructor, and, on the first day,
he received a punch in the nose which immediately took away all his ambition in
this direction. Single-stick made him gasp for breath, and he grew so stiff from
fencing that for two days and two nights he could not get sleep. Then a bright idea
struck him. It was to walk, every Sunday, to some suburb of Paris and even to
certain places in the capital which he did not know.
</p>
          <p style="indent">For a whole week his mind was occupied with thoughts of the
equipment which you need for these excursions; and on Sunday, the 30th of May, he
began his preparations. After reading all the extraordinary advertisements which
poor, blind and halt beggars distribute on the street corners, he began to visit the
stores with the intention of looking about him only and of buying later on. First of
all, he visited a so-called American shoe store, where heavy travelling shoes were
shown him. The clerk brought out a kind of ironclad contrivance, studded with
spikes like a harrow, which he claimed to be made from Rocky Mountain bison skin.
He was so carried away with them that he would willingly have bought two pair,
but one was sufficient. He carried them away under his arm, which soon be came
numb from the weight. He next invested in a pair of corduroy trousers, such as
carpenters wear, and a pair of oiled canvas leggings. Then he needed a knapsack for
his provisions, a telescope so as to recognize villages perched on the slope of distant
hills, and finally, a government survey map to enable him to find his way about
without asking the peasants toiling in the fields. Lastly, in order more comfortably
to stand the heat, he decided to purchase a light alpaca jacket offered by the famous
firm of Raminau, according to their advertisement, for the modest sum of six francs
and fifty centimes. He went to this store and was welcomed by a
distinguished-looking young man with a marvellous head of hair, nails as pink as
those of a lady and a pleasant smile. He showed him the garment. It did not
correspond with the glowing style of the advertisement. Then Patissot hesitatingly
asked, “Well, monsieur, will it wear well?” The young man turned his eyes away in
well-feigned embarrassment, like an honest man who does not wish to deceive a
customer, and, lowering his eyes, he said in a hesitating manner: “Dear me,
monsieur, you understand that for six francs fifty we cannot turn out an article like
this for instance.” And he showed him a much finer jacket than the first one.
Patissot examined it and asked the price. “Twelve francs fifty.” It was very
tempting, but before deciding, he once more questioned the big young man, who
was observing him attentively. “And–is that good? Do you guarantee it?” “Oh!
certainly, monsieur, it is quite goad! But, of course, you must not get it wet! Yes,
it’s really quite good, but you understand that there are goods and goods. It’s
excellent for the price. Twelve francs fifty, just think. Why, that’s nothing at all.
Naturally a twenty-five-franc coat is much better. For twenty-five francs you get a
superior quality, as strong as linen, and which wears even better. If it gets wet a
little ironing will fix it right up. The color never fades, and it does not turn red in
the sunlight. It is the warmest and lightest material out.” He unfolded his wares,
holding them up, shaking them, crumpling and stretching them in order to show the
excellent quality of the cloth. He talked on convincingly, dispelling all hesitation by
words and gesture. Patissot was convinced; he bought the coat. The pleasant
salesman, still talking, tied up the bundle and continued praising the value of the
purchase. When it was paid for he was suddenly silent. He bowed with a superior
air, and, holding the door open, he watched his customer disappear, both arms filled
with bundles and vainly trying to reach his hat to bow.
</p>
          <p style="indent">M. Patissot returned home and carefully studied the map. He
wished to try on his shoes, which were more like skates than shoes, owing to the
spikes. He slipped and fell, promising himself to be more careful in the future. Then
he spread out all his purchases on a chair and looked at them for a long time. He
went to sleep with this thought: “Isn’t it strange that I didn’t think before of taking
an excursion to the country?”
</p>
          <p style="indent">During the whole week Patissot worked without ambition. He
was dreaming of the outing which he had planned for the following Sunday, and he
was seized by a sudden longing for the country, a desire of growing tender over
nature, this thirst for rustic scenes which overwhelms the Parisians in spring time.
</p>
          <p style="indent">Only one person gave him any attention; it was a silent old
copying clerk named Boivin, nicknamed Boileau. He himself lived in the country
and had a little garden which he cultivated carefully; his needs were small, and he
was perfectly happy, so they said. Patissot was now able to understand his tastes
and the similarity of their ideals made them immediately fast friends. Old man
Boivin said to him:
</p>
          <p style="indent">“Do I like fishing, monsieur? Why, it’s the delight of my life!”
</p>
          <p style="indent">Then Patissot questioned him with deep interest. Boivin
named all the fish who frolicked under this dirty water–and Patissot thought he
could see them. Boivin told about the different hooks, baits, spots and times
suitable for each kind. And Patissot felt himself more like a fisherman than Boivin
himself. They decided that the following Sunday they would meet for the opening of
the season for the edification of Patissot, who was delighted to have found such an
experienced instructor.
</p>
        </div>
        <!--end of "section 8.0/.8"-->
        <div type="lsection" xml:id="lsec.9">
          <head type="lsechead">FISHING EXCURSION</head>
          <p style="noindent">The day before the one when he was, for the first time in
his life, to throw a hook into a river, Monsieur Patissot bought, for eighty centimes,
“How to Become a Perfect Fisherman.” In this work he learned many useful things,
but he was especially impressed by the style, and he retained the following passage:
</p>
          <p style="indent">“In a word, if you wish, without books, without rules, to fish
successfully, to the left or to the right, up or down stream, in the masterly manner
that halts at no difficulty, then fish before, during and after a storm, when the
clouds break and the sky is streaked with lightning, when the earth shakes with the
grumbling thunder; it is then that, either through hunger or terror, all the fish
forget their habits in a turbulent flight.
</p>
          <p style="indent">“In this confusion follow or neglect all favorable signs, and just
go on fishing; you will march to victory!”
</p>
          <p style="indent">In order to catch fish of all sizes, he bought three
well-perfected poles, made to be used as a cane in the city, which, on the river,
could be transformed into a fishing rod by a simple jerk. He bought some number
fifteen hooks for gudgeon, number twelve for bream, and with his number seven he
expected to fill his basket with carp. He bought no earth worms because he was
sure of finding them everywhere; but he laid in a provision of sand worms. He had a
jar full of them, and in the evening he watched them with interest. The hideous
creatures swarmed in their bath of bran as they do in putrid meat. Patissot wished
to practice baiting his hook. He took up one with disgust, but he had hardly placed
the curved steel point against it when it split open. Twenty times he repeated this
without success, and he might have continued all night had he not feared to exhaust
his supply of vermin.
</p>
          <p style="indent">He left by the first train. The station was full of people
equipped with fishing lines. Some, like Patissot’s, looked like simple bamboo canes;
others, in one piece, pointed their slender ends to the skies. They looked like a
forest of slender sticks, which mingled and clashed like swords or swayed like masts
over an ocean of broad-brimmed straw hats.
</p>
          <p style="indent">When the train started fishing rods could be seen sticking out
of all the windows and doors, giving to the train the appearance of a huge, bristly
caterpillar winding through the fields.
</p>
          <p style="indent">Everybody got off at Courbevoie and rushed for the stage for
Bezons. A crowd of fishermen crowded on top of the coach, holding their rods in
their hands, giving the vehicle the appearance of a porcupine.
</p>
          <p style="indent">All along the road men were travelling in the same direction as
though on a pilgrimage to an unknown Jerusalem. They were carrying those long,
slender sticks resembling those carried by the faithful returning from Palestine. A
tin box on a strap was fastened to their backs. They were in a hurry.
</p>
          <p style="indent">At Bezons the river appeared. People were lined along bath
banks, men in frock coats, others in duck suits, others in blouses, women, children
and even young girls of marriageable age; all were fishing.
</p>
          <p style="indent">Patissot started for the dam where his friend Boivin was
waiting for him. The latter greeted him rather coolly. He had just made the
acquaintance of a big, fat man of about fifty, who seemed very strong and whose
skin was tanned. All three hired a big boat and lay off almost under the fall of the
dam, where the fish are most plentiful.
</p>
          <p style="indent">Boivin was immediately ready. He baited his line and threw it
out, and then sat motionless, watching the little float with extraordinary
concentration. From time to time he would jerk his line out of the water and cast it
farther out. The fat gentleman threw out his well-baited hooks, put his line down
beside him, filled his pipe, lit it, crossed his arms, and, without another glance at
the cork, he watched the water flow by. Patissot once more began trying to stick
sand worms on his hooks. After about five minutes of this occupation he called to
Boivin; “Monsieur Boivin, would you be so kind as to help me put these creatures
on my hook? Try as I will, I can’t seem to succeed.” Boivin raised his head: “Please
don’t disturb me, Monsieur Patissot; we are not here for pleasure!” However, he
baited the line, which Patissot then threw out, carefully imitating all the motions of
his friend.
</p>
          <p style="indent">The boat was tossing wildly, shaken by the waves, and spun
round like a top by the current, although anchored at both ends. Patissot, absorbed
in the sport, felt a vague kind of uneasiness; he was uncomfortably heavy and
somewhat dizzy.
</p>
          <p style="indent">They caught nothing. Little Boivin, very nervous, was
gesticulating and shaking his head in despair. Patissot was as sad as though some
disaster had overtaken him. The fat gentleman alone, still motionless, was quietly
smoking without paying any attention to his line. At last Patissot, disgusted,
turned toward him and said in a mournful voice:
</p>
          <p style="indent">“they are not biting, are they?”
</p>
          <p style="indent">He quietly replied:
</p>
          <p style="indent">“Of course not!”
</p>
          <p style="indent">Patissot surprised, looked at him.
</p>
          <p style="indent">“Do you ever catch many?”
</p>
          <p style="indent">“Never!”
</p>
          <p style="indent">“What! Never?”
</p>
          <p style="indent">The fat man, still smoking like a factory chimney, let out the
following words, which completely upset his neighbor:
</p>
          <p style="indent">“It would bother me a lot if they did bite. I don’t come here
to fish; I come because I’m very comfortable here; I get shaken up as though I were
at sea. If I take a line along, it’s only to do as others do.”
</p>
          <p style="indent">Monsieur Patissot, on the other hand, did not feel at all well.
His discomfort, at first vague, kept increasing, and finally took on a definite form.
He felt, indeed, as though he were being tossed by the sea, and he was suffering
from seasickness. After the first attack had calmed down, he proposed leaving, but
Boivin grew so furious that they almost came to blows. The fat man, moved by
pity, rowed the boat back, and, as soon as Patissot had recovered from his
seasickness, they bethought themselves of luncheon.
</p>
          <p style="indent">Two restaurants presented themselves. One of them, very
small, looked like a beer garden, and was patronized by the poorer fishermen. The
other one, which bore the imposing name of “Linden Cottage,” looked like a
middle-class residence and was frequented by the aristocracy of the rod. The two
owners, born enemies, watched each other with hatred across a large field, which
separated them, and where the white house of the dam keeper and of the inspector
of the life-saving department stood out against the green grass. Moreover, these two
officials disagreed, one of them upholding the beer garden and the other one
defending the Elms, and the internal feuds which arose in these three houses
reproduced the whole history of mankind.
</p>
          <p style="indent">Boivin, who knew the beer garden, wished to go there,
exclaiming: “The food is very good, and it isn’t expensive; you’ll see. Anyhow,
Monsieur Patissot, you needn’t expect to get me tipsy the way you did last Sunday.
My wife was furious, you know; and she has sworn never to forgive you!”
</p>
          <p style="indent">The fat gentleman declared that he would only eat at the
Elms, because it was an excellent place and the cooking was as good as in the best
restaurants in Paris.
</p>
          <p style="indent">“Do as you wish,” declared Boivin ; “I am going where I am
accustomed to go.” He left. Patissot, displeased at his friend’s actions, followed the
fat gentleman.
</p>
          <p style="indent">They ate together, exchanged ideas, discussed opinions and
found that they were made for each other.
</p>
          <p style="indent">After the meal everyone started to fish again, but the two new
friends left together. Following along the banks, they stopped near the railroad
bridge and, still talking, they threw their lines in the water. The fish still refused to
bite, but Patissot was now making the best of it.
</p>
          <p style="indent">A family was approaching. The father, whose whiskers
stamped him as a judge, was holding an extraordinarily long rod; three boys of
different sizes were carrying poles of different lengths, according to age; and the
mother, who was very stout, gracefully manoeuvred a charming rod with a ribbon
tied to the handle. The father bowed and asked:
</p>
          <p style="indent">“Is this spot good, gentlemen?” Patissot was going to speak,
when his friend answered: “Fine!” The whole family smiled and settled down beside
the fishermen. The Patissot was seized with a wild desire to catch a fish, just one,
any kind, any size, in order to win the consideration of these people; so he began to
handle his rod as he had seen Boivin do in the morning. He would let the cork
follow the current to the end of the line, jerk the hooks out of the water, make them
describe a large circle in the air and throw them out again a little higher up. He
had even, as he thought, caught the knack of doing this movement gracefully. He
had just jerked his line out rapidly when he felt it caught in something behind him.
He tugged, and a scream burst from behind him. He perceived, caught on one of his
hooks, and describing in the air a curve like a meteor, a magnificent hat which he
placed right in the middle of the river.
</p>
          <p style="indent">He turned around, bewildered, dropping his pole, which
followed the hat down the stream, while the fat gentleman, his new friend, lay on
his back and roared with laughter. The lady, hatless and astounded, choked with
anger; her husband was outraged and demanded the price of the hat, and Patissot
paid about three times its value.
</p>
          <p style="indent">Then the family departed in a very dignified manner.
</p>
          <p style="indent">Patissot took another rod, and, until nightfall, he gave baths
to sand worms. His neighbor was sleeping peacefully on the grass. Toward seven in
the evening he awoke.
</p>
          <p style="indent">“Let’s go away from here!” he said.
</p>
          <p style="indent">Then Patissot withdrew his line, gave a cry and sat down hard
from astonishment. At the end of the string was a tiny little fish. When they looked
at him more closely they found that he had been hooked through the stomach; the
hook had caught him as it was being drawn out of the water.
</p>
          <p style="indent">Patissot was filled with a boundless, triumphant joy; he
wished to have the fish fried for himself alone.
</p>
          <p style="indent">During the dinner the friends grew still more intimate. He
learned that the fat gentleman lived at Argenteuil and had been sailing boats for
thirty years without losing interest in the sport. He accepted to take luncheon with
him the following Sunday and to take a sail in his friend’s clipper, Plongeon. He
became so interested in the conversation that he forgot all about his catch. He did
not remember it until after the coffee, and he demanded that it be brought him. It
was alone in the middle of a platter, and looked like a yellow, twisted match, But he
ate it with pride and relish, and at night, on the omnibus, he told his neighbors that
he had caught fourteen pounds of fish during the day.
</p>
        </div>
        <!--end of "section 8.0/.9"-->
        <div type="lsection" xml:id="lsec.10">
          <head type="lsechead">TWO CELEBRITIES</head>
          <p style="noindent">Monsieur Patissot had promised his friend, the boating
man, that he would spend the following Sunday with him. An unforeseen
occurrence changed his plan. One evening, on the boulevard, he met one of his
cousins whom he saw but very seldom. He was a pleasant journalist, well received in
all classes of society, who offered to show Patissot many interesting things.
</p>
          <p style="indent">“What are you going to do next Sunday?”
</p>
          <p style="indent">“I’m going boating at Argenteuil.”
</p>
          <p style="indent">“Come on! Boating is an awful bore; there is no variety to it.
Listen- I’ll take you along with me. I’ll introduce you to two celebrities. We will
visit the homes of two artists.”
</p>
          <p style="indent">“But I have been ordered to go to the country!”
</p>
          <p style="indent">“That’s just where we’ll go. On the way we’ll call on
Meissonier, at his place in Poissy; then we’ll walk over to Medan, where Zola lives. I
have been commissioned to obtain his next novel for our newspaper.”
</p>
          <p style="indent">Patissot, wild with joy, accepted the invitation. He even
bought a new frock coat, as his own was too much worn to make a good appearance.
He was terribly afraid of saying something foolish either to the artist or to the man
of letters, as do people who speak of an art which they have never professed.
</p>
          <p style="indent">He mentioned his fears to his cousin, who laughed and
answered: “Pshaw! Just pay them compliments, nothing but compliments, always
compliments; in that way, if you say anything foolish it will be overlooked. Do you
know Meissonier’s paintings?”
</p>
          <p style="indent">“I should say I do.”
</p>
          <p style="indent">“Have you read the Rougon-Macquart series?”
</p>
          <p style="indent">“From first to last.”
</p>
          <p style="indent">“That’s enough. Mention a painting from time to time, speak
of a novel here and there and add:
</p>
          <p style="indent">‘Superb! Extraordinary! Delightful technique! Wonderfully
powerful!’ In that way you can always get along. I know that those two are very
blase about everything, but admiration always pleases an artist.”
</p>
          <p style="indent">Sunday morning they left for Poissy.
</p>
          <p style="indent">Just a few steps from the station, at the end of the church
square, they found Meissonier’s property. After passing through a low door, painted
red, which led into a beautiful alley of vines, the journalist stopped and, turning
toward his companion, asked:
</p>
          <p style="indent">“What is your idea of Meissonier?”
</p>
          <p style="indent">Patissot hesitated. At last he decided: “A little man, well
groomed, clean shaven, a soldierly appearance.” The other smiled: “All right, come
along.” A quaint building in the form of a chalet appeared to the left; and to the
right side, almost opposite, was the main house. It was a strange-looking building,
where there was a mixture of everything, a mingling of Gothic fortress, manor, villa,
hut, residence, cathedral, mosque, pyramid, a, weird combination of Eastern and
Western architecture. The style was complicated enough to set a classical architect
crazy, and yet there was something whimsical and pretty about it. It had been
invented and built under the direction of the artist.
</p>
          <p style="indent">They went in; a collection of trunks encumbered a little
parlor. A little man appeared, dressed in a jumper. The striking thing about him
was his beard. He bowed to the journalist, and said: “My dear sir, I hope that you
will excuse me; I only returned yesterday, and everything is all upset here. Please be
seated.” The other refused, excusing himself: “My dear master, I only dropped in to
pay my respects while passing by.” Patissot, very much embarrassed, was bowing at
every word of his friend’s, as though moving automatically, and he murmured,
stammering: “What a su–su–superb property!” The artist, flattered, smiled, and
suggested visiting it.
</p>
          <p style="indent">He led them first to a little pavilion of feudal aspect, where his
former studio was. Then they crossed a parlor, a dining-room, a vestibule full of
beautiful works of art, of beautiful Beauvais, Gobelin and Flanders tapestries. But
the strange external luxury of ornamentation became, inside, a revel of immense
stairways. A magnificent grand stairway, a secret stairway in one tower, a servants’
stairway in another, stairways everywhere! Patissot, by chance, opened a door and
stepped back astonished. It was a veritable temple, this place of which respectable
people only mention the name in English, an original and charming sanctuary in
exquisite taste, fitted up like a pagoda, and the decoration of which must certainly
have caused a great effort.
</p>
          <p style="indent">They next visited the park, which was complex, varied, with
winding paths and full of old trees. But the journalist insisted on leaving; and, with
many thanks, he took leave of the master: As they left they met a gardener;
Patissot asked him: “Has Monsieur Meissonier owned this place for a long time?”
The man answered: “Oh, monsieur! that needs explaining. I guess he bought the
grounds in 1846. But, as for the house! he has already torn down and rebuilt that
five or six times. It must have cost him at least two millions!” As Patissot left he
was seized with an immense respect for this man, not on account of his success,
glory or talent, but for putting so much money into a whim, because the bourgeois
deprive themselves of all pleasure in order to hoard money.
</p>
          <p style="indent">After crossing Poissy, they struck out on foot along the road
to Medan. The road first followed the Seine, which is dotted with charming islands
at this place. Then they went up a hill and crossed the pretty village of Villaines,
went down a little; and finally reached the neighborhood inhabited by the author of
the Rougon-Macquart series.
</p>
          <p style="indent">A pretty old church with two towers appeared on the left.
They walked along a short distance, and a passing farmer directed them to the
writer’s dwelling.
</p>
          <p style="indent">Before entering, they examined the house. A large building,
square and new, very high, seemed, as in the fable of the mountain and the mouse,
to have given birth to a tiny little white house, which nestled near it. This little
house was the original dwelling, and had been built by the former owner. The tower
had been erected by Zola.
</p>
          <p style="indent">They rang the bell. An enormous dog, a cross between a Saint
Bernard and a Newfoundland, began to howl so terribly that Patissot felt a vague
desire to retrace his steps. But a servant ran forward, calmed “Bertrand,” opened
the door, and took the journalist’s card in order to carry it to his master.
</p>
          <p style="indent">“I hope that he will receive us!” murmured Patissot. “It would
be too bad if we had come all this distance not to see him.”
</p>
          <p style="indent">His companion smiled and answered: “Never fear, I have a
plan for getting in.”
</p>
          <p style="indent">But the servant, who had returned, simply asked them to
follow him.
</p>
          <p style="indent">They entered the new building, and Patissot, who was quite
enthusiastic, was panting as he climbed a stairway of ancient style which led to the
second story.
</p>
          <p style="indent">At the same time he was trying to picture to himself this man
whose glorious name echoes at present in all corners of the earth, amid the
exasperated hatred of some, the real or feigned indignation of society, the envious
scorn of several of his colleagues, the respect of a mass of readers, and the frenzied
admiration of a great number. He expected to see a kind of bearded giant, of
awe-inspiring aspect, with a thundering voice and an appearance little prepossessing
at first.
</p>
          <p style="indent">The door opened on a room of uncommonly large dimensions,
broad and high, lighted by an enormous window looking out over the valley. Old
tapestries covered the walls; on the left, a monumental fireplace, flanked by two
stone men, could have burned a century-old oak in one day. An immense table
littered with books, papers and magazines stood in the middle of this apartment so
vast and grand that it first engrossed the eye, and the attention was only afterward
drawn to the man, stretched out when they entered on an Oriental divan where
twenty persons could have slept. He took a few steps toward them, bowed,
motioned to two seats, and turned back to his divan, where he sat with one leg
drawn under him. A book lay open beside him, and in his right hand he held an
ivory paper- cutter, the end of which he observed from time to time with one eye,
closing the other with the persistency of a near-sighted person.
</p>
          <p style="indent">While the journalist explained the purpose of the visit, and
the writer listened to him without yet answering, at times staring at him fixedly,
Patissot, more and more embarrassed, was observing this celebrity.
</p>
          <p style="indent">Hardly forty, he was of medium height, fairly stout, and with
a good- natured look. His head (very similar to those found in many Italian
paintings of the sixteenth century), without being beautiful in the plastic sense of
the word, gave an impression of great strength of character, power and intelligence.
Short hair stood up straight on the high, well-developed forehead. A straight nose
stopped short, as if cut off suddenly above the upper lip which was covered with a
black mustache; over the whole chin was a closely-cropped beard. The dark, often
ironical look was piercing, one felt that behind it there was a mind always actively
at work observing people, interpreting words, analyzing gestures, uncovering the
heart. This strong, round head was appropriate to his name, quick and short, with
the bounding resonance of the two vowels.
</p>
          <p style="indent">When the journalist had fully explained his proposition, the
writer answered him that he did not wish to make any definite arrangement, that he
would, however, think the matter over, that his plans were not yet sufficiently
defined. Then he stopped. It was a dismissal, and the two men, a little confused,
arose. A desire seized Patissot ; he wished this well-known person to say something
to him, anything, some word which he could repeat to his colleagues; and, growing
bold, he stammered: “Oh, monsieur! If you knew how I appreciate your works!”
The other bowed, but answered nothing. Patissot became very bold and continued:
“It is a great honor for me to speak to you to-day.” The writer once more bowed,
but with a stiff and impatient look. Patissot noticed it, and, completely losing his
head, he added as he retreated: “What a su–su –superb property!”
</p>
          <p style="indent">Then, in the heart of the man of letters, the landowner awoke,
and, smiling, he opened the window to show them the immense stretch of view. An
endless horizon broadened out on all sides, giving a view of Triel, Pisse-Fontaine,
Chanteloup, all the heights of Hautrie, and the Seine as far as the eye could see.
The two visitors, delighted, congratulated him, and the house was opened to them.
They saw everything, down to the dainty kitchen, whose walls and even ceilings
were covered with porcelain tiles ornamented with blue designs, which excited the
wonder of the farmers.
</p>
          <p style="indent">“How did you happen to buy this place?” asked the journalist.
</p>
          <p style="indent">The novelist explained that, while looking for a cottage to hire
for the summer, he had found the little house, which was for sale for several
thousand francs, a song, almost nothing. He immediately bought it.
</p>
          <p style="indent">“But everything that you have added must have cost you a
good deal!”
</p>
          <p style="indent">The writer smiled, and answered: “Yes, quite a little.”
</p>
          <p style="indent">The two men left. The journalist, taking Patissot by the arm,
was philosophizing in a low voice:
</p>
          <p style="indent">“Every general has his Waterloo,” he said; “every Balzac has
his Jardies, and every artist living in the country feels like a landed proprietor.”
</p>
          <p style="indent">They took the train at the station of Villaines, and, on the
way home, Patissot loudly mentioned the names of the famous painter and of the
great novelist as though they were his friends. He even allowed people to think that
he had taken luncheon with one and dinner with the other.
</p>
        </div>
        <!--end of "section 8.0/.10"-->
        <div type="lsection" xml:id="lsec.11">
          <head type="lsechead">BEFORE THE CELEBRATION</head>
          <p style="noindent">The celebration is approaching and preliminary quivers are
already running through the streets, just as the ripples disturb the water
preparatory to a storm. The shops, draped with flags, display a variety of
gay-colored bunting materials, and the dry-goods people deceive one about the three
colors as grocers do about the weight of candles. Little by little, hearts warm up to
the matter; people speak about it in the street after dinner; ideas are exchanged:
</p>
          <p style="indent">“What a celebration it will be, my friend; what a celebration!”
</p>
          <p style="indent">“Have you heard the news? All the rulers are coming
incognito, as bourgeois, in order to see it.”
</p>
          <p style="indent">“I hear that the Emperor of Russia has arrived; he expects to
go about everywhere with the Prince of Wales.”
</p>
          <p style="indent">“It certainly will be a fine celebration!”
</p>
          <p style="indent">It is going to a celebration; what Monsieur Patissot, Parisian
bourgeois, calls a celebration; one of these nameless tumults which, for fifteen hours,
roll from one end of the city to the other, every ugly specimen togged out in its
finest, a mob of perspiring bodies, where side by side are tossed about the stout
gossip bedecked in red, white and blue ribbons, grown fat behind her counter and
panting from lack of breath, the rickety clerk with his wife and brat in tow, the
laborer carrying his youngster astride his neck, the bewildered provincial with his
foolish, dazed expression, the groom, barely shaved and still spreading the perfume
of the stable. And the foreigners dressed like monkeys, English women like giraffes,
the water-carrier, cleaned up for the occasion, and the innumerable phalanx of little
bourgeois, inoffensive little people, amused at everything. All this crowding and
pressing, the sweat and dust, and the turmoil, all these eddies of human flesh,
trampling of corns beneath the feet of your neighbors, this city all topsy-turvy,
these vile odors, these frantic efforts toward nothing, the breath of millions of
people, all redolent of garlic, give to Monsieur Patissot all the joy which it is
possible for his heart to hold.
</p>
          <p style="indent">After reading the proclamation of the mayor on the walls of
his district he had made his preparations.
</p>
          <p style="indent">This bit of prose said:
</p>
          <quote>
            <p style="indent"> I wish to call your attention particularly to the part of
individuals in this celebration. Decorate your homes, illuminate your windows. Get
together, open up a subscription in order to give to your houses and to your street a
more brilliant and more artistic appearance than the neighboring houses and
streets.</p>
          </quote>
          <!--end of "quotation"-->
          <p style="indent">Then Monsieur Patissot tried to imagine how he could give to
his home an artistic appearance.
</p>
          <p style="indent">One serious obstacle stood in the way. His only window looked
out on a courtyard, a narrow, dark shaft, where only the rats could have seen his
three Japanese lanterns.
</p>
          <p style="indent">He needed a public opening. He found it. On the first floor of
his house lived a rich man, a nobleman and a royalist, whose coachman, also a
reactionary, occupied a garret-room on the sixth floor, facing the street. Monsieur
Patissot supposed that by paying (every conscience can be bought) he could obtain
the use of the room for the day. He proposed five francs to this citizen of the whip
for the use of his room from noon till midnight. The offer was immediately accepted.
</p>
          <p style="indent">Then he began to busy himself with the decorations. Three
flags, four lanterns, was that enough to give to this box an artistic appearance–to
express all the noble feelings of his soul? No; assuredly not! But, notwithstanding
diligent search and nightly meditation, Monsieur Patissot could think of nothing
else. He consulted his neighbors, who were surprised at the question; he questioned
his colleagues–every one had bought lanterns and flags, some adding, for the
occasion, red, white and blue bunting.
</p>
          <p style="indent">Then he began to rack his brains for some original idea. He
frequented the cafes, questioning the patrons; they lacked imagination. Then one
morning he went out on top of an omnibus. A respectable-looking gentleman was
smoking a cigar beside him, a little farther away a laborer was smoking his pipe
upside down, near the driver two rough fellows were joking, and clerks of every
description were going to business for three cents.
</p>
          <p style="indent">Before the stores stacks of flags were resplendent under the
rising sun. Patissot turned to his neighbor.
</p>
          <p style="indent">“It is going to be a fine celebration,” he said. The gentleman
looked at him sideways and answered in a haughty manner:
</p>
          <p style="indent">“That makes no difference to me!”
</p>
          <p style="indent">“You are not going to take part in it?” asked the surprised
clerk. The other shook his head disdainfully and declared:
</p>
          <p style="indent">“They make me tired with their celebrations! Whose
celebration is it? The government’s? I do not recognize this government, monsieur!”
</p>
          <p style="indent">But Patissot, as government employee, took on his superior
manner, and answered in a stern voice:
</p>
          <p style="indent">“Monsieur, the Republic is the government.”
</p>
          <p style="indent">His neighbor was not in the least disturbed, and, pushing his
hands down in his pockets, he exclaimed:
</p>
          <p style="indent">“Well, and what then? It makes no difference to me. Whether
it’s for the Republic or something else, I don’t care! What I want, monsieur, is to
know my government. I saw Charles X. and adhered to him, monsieur; I saw
Louis-Philippe and adhered to him, monsieur; I saw Napoleon and adhered to him;
but I have never seen the Republic.”
</p>
          <p style="indent">Patissot, still serious, answered:
</p>
          <p style="indent">“The Republic, monsieur, is represented by its president!”
</p>
          <p style="indent">The other grumbled:
</p>
          <p style="indent">“Well, them, show him to me!”
</p>
          <p style="indent">Patissot shrugged his shoulders.
</p>
          <p style="indent">“Every one can see him; he’s not shut up in a closet!”
</p>
          <p style="indent">Suddenly the fat man grew angry.
</p>
          <p style="indent">“Excuse me, monsieur, he cannot be seen. I have personally
tried more than a hundred times, monsieur. I have posted myself near the Elysee;
he did not come out. A passer-by informed me that he was playing billiards in the
cafe opposite; I went to the cafe opposite; he was not there. I had been promised
that he would go to Melun for the convention; I went to Melun, I did not see him.
At last I became weary. I did not even see Monsieur Gambetta, and I do not know a
single deputy.”
</p>
          <p style="indent">He was, growing excited:
</p>
          <p style="indent">“A government, monsieur, is made to be seen; that’s what it’s
there for, and for nothing else. One must be able to know that on such and such a
day at such an hour the government will pass through such and such a street. Then
one goes there and is satisfied.”
</p>
          <p style="indent">Patissot, now calm, was enjoying his arguments.
</p>
          <p style="indent">“It is true,” he said, “that it is agreeable to know the people
by whom one is governed.”
</p>
          <p style="indent">The gentleman continued more gently:
</p>
          <p style="indent">“Do you know how I would manage the celebration? Well,
monsieur, I would have a procession of gilded cars, like the chariots used at the
crowning of kings; in them I would parade all the members of the government, from
the president to the deputies, throughout Paris all day long. In that manner, at
least, every one would know by sight the personnel of the state.”
</p>
          <p style="indent">But one of the toughs near the coachman turned around,
exclaiming:
</p>
          <p style="indent">“And the fatted ox, where would you put him?”
</p>
          <p style="indent">A laugh ran round the two benches. Patissot understood the
objection, and murmured:
</p>
          <p style="indent">“It might not perhaps be very dignified.”
</p>
          <p style="indent">The gentleman thought the matter over and admitted it.
</p>
          <p style="indent">“Then,” he said, “I would place them in view some place, so
that every one could see them without going out of his way; on the Triumphal Arch
at the Place de l’Etoile, for instance; and I would have the whole population pass
before them. That would be very imposing.”
</p>
          <p style="indent">Once more the tough turned round and said:
</p>
          <p style="indent">“You’d have to take telescopes to see their faces.”
</p>
          <p style="indent">The gentleman did not answer; he continued:
</p>
          <p style="indent">“It’s just like the presentation of the flags! There ought, to be
some pretext, a mimic war ought to be organized, and the banners would be
awarded to the troops as a reward. I had an idea about which I wrote to the
minister; but he has not deigned to answer me. As the taking of the Bastille has
been chosen for the date of the national celebration, a reproduction of this event
might be made; there would be a pasteboard Bastille, fixed up by a scene-painter
and concealing within its walls the whole Column of July. Then, monsieur, the
troop would attack. That would be a magnificent spectacle as well as a lesson, to
see the army itself overthrow the ramparts of tyranny. Then this Bastille would be
set fire to and from the midst of the flames would appear the Column with the
genius of Liberty, symbol of a new order and of the freedom of the people.”
</p>
          <p style="indent">This time every one was listening to him and finding his idea
excellent. An old gentleman exclaimed:
</p>
          <p style="indent">“That is a great idea, monsieur, which does you honor. It is to
be regretted that the government did not adopt it.”
</p>
          <p style="indent">A young man declared that actors ought to recite the
“Iambes” of Barbier through the streets in order to teach the people art and liberty
simultaneously.
</p>
          <p style="indent">These propositions excited general enthusiasm. Each one
wished to have his word; all were wrought up. From a passing hand-organ a few
strains of the Marseillaise were heard; the laborer started the song, and everybody
joined in, roaring the chorus. The exalted nature of the song and its wild rhythm
fired the driver, who lashed his horses to a gallop. Monsieur Patissot was bawling at
the top of his lungs, and the passengers inside, frightened, were wondering what
hurricane had struck them.
</p>
          <p style="indent">At last they stopped, and Monsieur Patissot, judging his
neighbor to be a man of initiative, consulted him about the preparations which he
expected to make:
</p>
          <p style="indent">“Lanterns and flags are all right,”’ said Patissot ; “but I prefer
something better.”
</p>
          <p style="indent">The other thought for a long time, but found nothing. Then,
in despair, the clerk bought three flags and four lanterns.
</p>
        </div>
        <!--end of "section 8.0/.11"-->
        <div type="lsection" xml:id="lsec.12">
          <head type="lsechead">AN EXPERIMENT IN LOVE</head>
          <p style="noindent">Many poets think that nature is incomplete without
women, and hence, doubtless, come all the flowery comparisons which, in their
songs, make our natural companion in turn a rose, a violet, a tulip, or something of
that order. The need of tenderness which seizes us at dusk, when the evening mist
begins to roll in from the hills, and when all the perfumes of the earth intoxicate us,
is but imperfectly satisfied by lyric invocations. Monsieur Patissot, like all others,
was seized with a wild desire for tenderness, for sweet kisses exchanged along a path
where sunshine steals in at times, for the pressure of a pair of small hands, for a
supple waist bending under his embrace.
</p>
          <p style="indent">He began to look at love as an unbounded pleasure, and, in his
hours of reverie, he thanked the Great Unknown for having put so much charm into
the caresses of human beings. But he needed a companion, and he did not know
where to find one. On the advice of a friend, he went to the Folies-Bergere. There
he saw a complete assortment. He was greatly perplexed to choose between them,
for the desires of his heart were chiefly composed of poetic impulses, and poetry did
not seem to be the strong point of these young ladies with penciled eyebrows who
smiled at him in such a disturbing manner, showing the enamel of their false teeth.
At last his choice fell on a young beginner who seemed poor and timid and whose
sad look seemed to announce a nature easily influenced-by poetry.
</p>
          <p style="indent">He made an appointment with her for the following day at
nine o’clock at the Saint-Lazare station. She did not come, but she was kind enough
to send a friend in her stead.
</p>
          <p style="indent">She was a tall, red-haired girl, patriotically dressed in three
colors, and covered by an immense tunnel hat, of which her head occupied the
centre. Monsieur Patissot, a little disappointed, nevertheless accepted this
substitute. They left for Maisons-Laffite, where regattas and a grand Venetian
festival had been announced.
</p>
          <p style="indent">As soon as they were in the car, which was already occupied
by two gentlemen who wore the red ribbon and three ladies who must at least have
been duchesses, they were so dignified, the big red-haired girl, who answered the
name of Octavie, announced to Patissot, in a screeching voice, that she was a fine
girl fond of a good time and loving the country because there she could pick flowers
and eat fried fish. She laughed with a shrillness which almost shattered the
windows, familiarly calling her companion “My big darling.”
</p>
          <p style="indent">Shame overwhelmed Patissot, who as a government employee,
had to observe a certain amount of decorum. But Octavie stopped talking, glancing
at her neighbors, seized with the overpowering desire which haunts all women of a
certain class to make the acquaintance of respectable women. After about five
minutes she thought she had found an opening, and, drawing from her pocket a
Gil-Blas, she politely offered it to one of the amazed ladies, who declined, shaking
her head. Then the big, red-haired girl began saying things with a double meaning,
speaking of women who are stuck up without being any better than the others;
sometimes she would let out a vulgar word which acted like a bomb exploding amid
the icy dignity of the passengers.
</p>
          <p style="indent">At last they arrived. Patissot immediately wished to gain the
shady nooks of the park, hoping that the melancholy of the forest would quiet the
ruffled temper of his companion. But an entirely different effect resulted. As soon as
she was amid the leaves and grass she began to sing at the top of her lungs snatches
from operas which had stuck in her frivolous mind, warbling and trilling, passing
from “Robert le Diable” to the “Muette,” lingering especially on a sentimental
love-song, whose last verses she sang in a voice as piercing as a gimlet.
</p>
          <p style="indent">Then suddenly she grew hungry. Patissot, who was still
awaiting the hoped-for tenderness, tried in vain to retain her. Then she grew angry,
exclaiming:
</p>
          <p style="indent">“I am not here for a dull time, am I?”
</p>
          <p style="indent">He had to take her to the Petit-Havre restaurant, which was
near the place where the regatta was to be held.
</p>
          <p style="indent">She ordered an endless luncheon, a succession of dishes
substantial enough to feed a regiment. Then, unable to wait, she called for relishes.
A box of sardines was brought; she started in on it as though she intended to
swallow the box itself. But when she had eaten two or three of the little oily fish she
declared that she was no longer hungry and that she wished to see the preparations
for the race.
</p>
          <p style="indent">Patissot, in despair and in his turn seized with hunger,
absolutely refused to move. She started off alone, promising to return in time for
the dessert. He began to eat in lonely silence, not knowing how to lead this
rebellious nature to the realization of his dreams.
</p>
          <p style="indent">As she did not return he set out in search of her. She had
found some friends, a troop of boatmen, in scanty garb, sunburned to the tips of
their ears, and gesticulating, who were loudly arranging the details of the race in
front of the house of Fourmaise, the builder.
</p>
          <p style="indent">Two respectable-looking gentlemen, probably the judges, were
listening attentively. As soon as she saw Patissot, Octavie, who was leaning on the
tanned arm of a strapping fellow who probably had more muscle than brains,
whispered a few words in his ears. He answered:
</p>
          <p style="indent">“That’s an agreement.”
</p>
          <p style="indent">She returned to the clerk full of joy, her eyes sparkling, almost
caressing.
</p>
          <p style="indent">“Let’s go for a row,” said she.
</p>
          <p style="indent">Pleased to see her so charming, he gave in to this new whim
and procured a boat. But she obstinately refused to go to the races,
notwithstanding Patissot’s wishes.
</p>
          <p style="indent">“I had rather be alone with you, darling.”
</p>
          <p style="indent">His heart thrilled. At last!
</p>
          <p style="indent">He took off his coat and began to row madly.
</p>
          <p style="indent">An old dilapidated mill, whose worm-eaten wheels hung over
the water, stood with its two arches across a little arm of the river. Slowly they
passed beneath it, and, when they were on the other side, they noticed before them
a delightful little stretch of river, shaded by great trees which formed an arch over
their heads. The little stream flowed along, winding first to the right and then to
the left, continually revealing new scenes, broad fields on one side and on the other
side a hill covered with cottages. They passed before a bathing establishment
almost entirely hidden by the foliage, a charming country spot where gentlemen in
clean gloves and beribboned ladies displayed all the ridiculous awkwardness of
elegant people in the country. She cried joyously:
</p>
          <p style="indent">“Later on we will take a dip there.”
</p>
          <p style="indent">Farther on, in a kind of bay, she wished to stop, coaxing:
</p>
          <p style="indent">“Come here, honey, right close to me.”
</p>
          <p style="indent">She put her arm around his neck and, leaning her head on his
shoulder, she murmured:
</p>
          <p style="indent">“How nice it is! How delightful it is on the water!”
</p>
          <p style="indent">Patissot was reveling in happiness. He was thinking of those
foolish boatmen who, without ever feeling the penetrating charm of the river banks
and the delicate grace of the reeds, row along out of breath, perspiring and tired
out, from the tavern where they take luncheon to the tavern where they take dinner.
</p>
          <p style="indent">He was so comfortable that he fell asleep. When he awoke, he
was alone. He called, but no one answered. Anxious, he climbed up on the side of
the river, fearing that some accident might have happened.
</p>
          <p style="indent">Then, in the distance, coming in his direction, he saw a long,
slender gig which four oarsmen as black as negroes were driving through the water
like an arrow. It came nearer, skimming over the water; a woman was holding the
tiller. Heavens! It looked–it was she! In order to regulate the rhythm of the stroke,
she was singing in her shrill voice a boating song, which she interrupted for a
minute as she got in front of Patissot. Then, throwing him a kiss, she cried:
</p>
          <p style="indent">“You big goose!”
</p>
        </div>
        <!--end of "section 8.0/.12"-->
        <div type="lsection" xml:id="lsec.13">
          <head type="lsechead">A DINNER AND SOME OPINIONS</head>
          <p style="noindent">On the occasion of the national celebration Monsieur
Antoine Perdrix, chief of Monsieur Patissot’s department, was made a knight of the
Legion of Honor. He had been in service for thirty years under preceding
governments, and for ten years under the present one. His employees, although
grumbling a little at being thus rewarded in the person of their chief, thought it
wise, nevertheless, to offer him a cross studded with paste diamonds. The new
knight, in turn, not wishing to be outdone, invited them all to dinner for the
following Sunday, at his place at Asnieres.
</p>
          <p style="indent">The house, decorated with Moorish ornaments, looked like a
cafe concert, but its location gave it value, as the railroad cut through the whole
garden, passing within a hundred and fifty feet of the porch. On the regulation plot
of grass stood a basin of Roman cement, containing goldfish and a stream of water
the size of that which comes from a syringe, which occasionally made microscopic
rainbows at which the guests marvelled.
</p>
          <p style="indent">The feeding of this irrigator was the constant preoccupation of
Monsieur Perdrix, who would sometimes get up at five o’clock in the morning in
order to fill the tank. Then, in his shirt sleeves, his big stomach almost bursting
from his trousers, he would pump wildly, so that on returning from the office he
could have the satisfaction of letting the fountain play and of imagining that it was
cooling off the garden.
</p>
          <p style="indent">On the night of the official dinner all the guests, one after the
other, went into ecstasies over the surroundings, and each time they heard a train in
the distance, Monsieur Perdrix would announce to them its destination:
Saint-Germain, Le Havre, Cherbourg, or Dieppe, and they would playfully wave to
the passengers leaning from the windows.
</p>
          <p style="indent">The whole office force was there. First came Monsieur
Capitaine, the assistant chief; Monsieur Patissot, chief clerk; then Messieurs de
Sombreterre and Vallin, elegant young employees who only came to the office when
they had to; lastly Monsieur Rade, known throughout the ministry for the absurd
doctrines which he upheld, and the copying clerk, Monsieur Boivin.
</p>
          <p style="indent">Monsieur Rade passed for a character. Some called him a
dreamer or an idealist, others a revolutionary; every one agreed that he was very
clumsy. Old, thin and small, with bright eyes and long, white hair, he had all his
life professed a profound contempt for administrative work. A book rummager and
a great reader, with a nature continually in revolt against everything, a seeker of
truth and a despiser of popular prejudices, he had a clear and paradoxical manner
of expressing his opinions which closed the mouths of self-satisfied fools and of those
that were discontented without knowing why. People said: “That old fool of a
Rade,” or else: “That harebrained Rade”; and the slowness, of his promotion
seemed to indicate the reason, according to commonplace minds. His freedom of
speech often made–his colleagues tremble; they asked themselves with terror how he
had been able to keep his place as long as he had. As soon as they had seated
themselves, Monsieur Perdrix thanked his “collaborators” in a neat little speech,
promising them his protection, the more valuable as his power grew, and he ended
with a stirring peroration in which he thanked and glorified a government so liberal
and just that it knows how to seek out the worthy from among the humble.
</p>
          <p style="indent">Monsieur Capitaine, the assistant chief, answered in the name
of the office, congratulated, greeted, exalted, sang the praises of all; frantic applause
greeted these two bits of eloquence. After that they settled down seriously to the
business of eating.
</p>
          <p style="indent">Everything went well up to the dessert; lack of conversation
went unnoticed. But after the coffee a discussion arose, and Monsieur Rade let
himself loose and soon began to overstep the bounds of discretion.
</p>
          <p style="indent">They naturally discussed love, and a breath of chivalry
intoxicated this room full of bureaucrats; they praised and exalted the superior
beauty of woman, the delicacy of hex soul, her aptitude for exquisite things, the
correctness of her judgment, and the refinement of her sentiments. Monsieur Rade
began to protest, energetically refusing to credit the so- called “fair” sex with all the
qualities they ascribed to it; then, amidst the general indignation, he quoted some
authors:
</p>
          <p style="indent">“Schopenhauer, gentlemen, Schopenhauer, the great
philosopher, revered by all Germany, says: ‘Man’s intelligence must have been
terribly deadened by love in order to call this sex with the small waist, narrow
shoulders, large hips and crooked legs, the fair sex. All its beauty lies in the instinct
of love. Instead of calling it the fair, it would have been better to call it the
unaesthetic sex. Women have neither the appreciation nor the knowledge of music,
any more than they have of poetry or of the plastic arts; with them it is merely an
apelike imitation, pure pretence, affectation cultivated from their desire to please.’”
</p>
          <p style="indent">“The man who said that is an idiot,” exclaimed Monsieur de
Sombreterre.
</p>
          <p style="indent">Monsieur Rade smilingly continued:
</p>
          <p style="indent">“And how about Rousseau, gentlemen? Here is his opinion:
‘Women, as a rule, love no art, are skilled in none, and have no talent.’”
</p>
          <p style="indent">Monsieur de Sombreterre disdainfully shrugged his shoulders:
</p>
          <p style="indent">“Then Rousseau is as much of a fool as the other, that’s all.”
</p>
          <p style="indent">Monsieur Rade, still smiling, went on:
</p>
          <p style="indent">“And this is what Lord Byron said, who, nevertheless, loved
women: ‘They should be well fed and well dressed, but not allowed to mingle with
society. They should also be taught religion, but they should ignore poetry and
politics, only being allowed to read religious works or cook- books.’”
</p>
          <p style="indent">Monsieur Rade continued:
</p>
          <p style="indent">“You see, gentlemen, all of them study painting and music.
But not a single one of them has ever painted a remarkable picture or composed a
great opera! Why, gentlemen? Because they are the ‘sexes sequior’, the secondary
sex in every sense of the word, made to be kept apart, in the background.”
</p>
          <p style="indent">Monsieur Patissot was growing angry, and exclaimed:
</p>
          <p style="indent">“And how about Madame Sand, monsieur?”
</p>
          <p style="indent">“She is the one exception, monsieur, the one exception. I will
quote to you another passage from another great philosopher, this one an
Englishman, Herbert Spencer. Here is what he says: ‘Each sex is capable, under the
influence of abnormal stimulation, of manifesting faculties ordinarily reserved for
the other one. Thus, for instance, in extreme cases a special excitement may cause
the breasts of men to give milk; children deprived of their mothers have often thus
been saved in time of famine. Nevertheless, we do not place this faculty of giving
milk among the male attributes. It is the same with female intelligence, which, in
certain cases, will give superior products, but which is not to be considered in an
estimate of the feminine nature as a social factor.’”
</p>
          <p style="indent">All Monsieur Patissot’s chivalric instincts were wounded and
he declared:
</p>
          <p style="indent">“You are not a Frenchman, monsieur. French gallantry is a
form of patriotism.”
</p>
          <p style="indent">Monsieur Rade retorted:
</p>
          <p style="indent">“I have very little patriotism, monsieur, as little as I can get
along with.”
</p>
          <p style="indent">A coolness settled over the company, but he continued quietly:
</p>
          <p style="indent">“Do you admit with me that war is a barbarous thing; that
this custom of killing off people constitutes a condition of savagery; that it is odious,
when life is the only real good, to see governments, whose duty is to protect the
lives of their subjects, persistently looking for means of destruction? Am I not
right? Well, if war is a terrible thing, what about patriotism, which is the idea at
the base of it? When a murderer kills he has a fixed idea; it is to steal. When a
good man sticks his bayonet through another good man, father of a family, or,
perhaps, a great artist, what idea is he following out?”
</p>
          <p style="indent">Everybody was shocked.
</p>
          <p style="indent">“When one has such thoughts, one should not express them in
public.”
</p>
          <p style="indent">M. Patissot continued:
</p>
          <p style="indent">“There are, however, monsieur, principles which all good
people recognize.”
</p>
          <p style="indent">M. Rade asked: “Which ones?”
</p>
          <p style="indent">Then very solemnly, M. Patissot pronounced: “Morality,
monsieur.”
</p>
          <p style="indent">M. Rade was beaming; he exclaimed:
</p>
          <p style="indent">“Just let me give you one example, gentlemen, one little
example. What is your opinion of the gentlemen with the silk caps who thrive along
the boulevard’s on the delightful traffic which you know, and who make a living out
of it?”
</p>
          <p style="indent">A look of disgust ran round the table:
</p>
          <p style="indent">“Well, gentlemen! only a century ago, when an elegant
gentleman, very ticklish about his honor, had for–friend–a beautiful and rich lady, it
was considered perfectly proper to live at her expense and even to squander her
whole fortune. This game was considered delightful. This only goes to show that
the principles of morality are by no means settled–and that–”
</p>
          <p style="indent">M. Perdrix, visibly embarrassed, stopped him:
</p>
          <p style="indent">“M. Rade, you are sapping the very foundations of society.
One must always have principles. Thus, in politics, here is M. de Sombreterre, who
is a Legitimist; M. Vallin, an Orleanist; M. Patissot and myself, Republicans; we all
have very different principles, and yet we agree very well because we have them.”
</p>
          <p style="indent">But M. Rade exclaimed:
</p>
          <p style="indent">“I also have principles, gentlemen, very distinct ones.”
</p>
          <p style="indent">M. Patissot raised his head and coldly asked:
</p>
          <p style="indent">“It would please me greatly to know them, monsieur.”
</p>
          <p style="indent">M. Rade did not need to be coaxed.
</p>
          <p style="indent">“Here they are, monsieur:
</p>
          <p style="indent">“First principle–Government by one person is a monstrosity.
</p>
          <p style="indent">“Second principle–Restricted suffrage is an injustice.
</p>
          <p style="indent">“Third principle–Universal suffrage is idiotic.
</p>
          <p style="indent">“To deliver up millions of men, superior minds, scientists, even
geniuses, to the caprice and will of a being who, in an instant of gaiety, madness,
intoxication or love, would not hesitate to sacrifice everything for his exalted fancy,
would spend the wealth of the country amassed by others with difficulty, would have
thousands of men slaughtered on the battle-fields, all this appears to me–a simple
logician–a monstrous aberration.
</p>
          <p style="indent">“But, admitting that a country must govern itself, to exclude,
on some always debatable pretext, a part of the citizens from the administration of
affairs is such an injustice that it seems to me unworthy of a further discussion.
</p>
          <p style="indent">“There remains universal suffrage. I suppose that you will
agree with me that geniuses are a rarity. Let us be liberal and say that there are at
present five in France. Now, let us add, perhaps, two hundred men with a decided
talent, one thousand others possessing various talents, and ten thousand superior
intellects. This is a staff of eleven thousand two hundred and five minds. After that
you have the army of mediocrities followed by the multitude of fools. As the
mediocrities and the fools always form the immense majority, it is impossible for
them to elect an intelligent government.
</p>
          <p style="indent">“In order to be fair I admit that logically universal suffrage
seems to me the only admissible principle, but it is impracticable. Here are the
reasons why:
</p>
          <p style="indent">“To make all the living forces of the country cooperate in the
government, to represent all the interests, to take into account all the rights, is an
ideal dream, but hardly practicable, because the only force which can be measured
is that very one which should be neglected, the stupid strength of numbers,
According to your method, unintelligent numbers equal genius, knowledge, learning,
wealth and industry. When you are able to give to a member of the Institute ten
thousand votes to a ragman’s one, one hundred votes for a great land-owner as
against his farmer’s ten, then you will have approached an equilibrium of forces and
obtained a national representation which will really represent the strength of the
nation. But I challenge you to do it.
</p>
          <p style="indent">“Here are my conclusions:
</p>
          <p style="indent">“Formerly, when a man was a failure at every other profession
he turned photographer; now he has himself elected a deputy. A government thus
composed will always be sadly lacking, incapable of evil as well as of good. On the
other hand, a despot, if he be stupid, can do a lot of harm, and, if he be intelligent
(a thing which is very scarce), he may do good.
</p>
          <p style="indent">“I cannot decide between these two forms of government; I
declare myself to be an anarchist, that is to say, a partisan of that power which is
the most unassuming, the least felt, the most liberal, in the broadest sense of the
word, and revolutionary at the same time; by that I mean the everlasting enemy of
this same power, which can in no way be anything but defective. That’s all!”
</p>
          <p style="indent">Cries of indignation rose about the table, and all, whether
Legitimist, Orleanist or Republican through force of circumstances, grew red with
anger. M. Patissot especially was choking with rage, and, turning toward M. Rade,
he cried:
</p>
          <p style="indent">“Then, monsieur, you believe in nothing?”
</p>
          <p style="indent">The other answered quietly:
</p>
          <p style="indent">“You’re absolutely correct, monsieur.”
</p>
          <p style="indent">The anger felt by all the guests prevented M. Rade from
continuing, and M. Perdrix, as chief, closed the discussion.
</p>
          <p style="indent">“Enough, gentlemen! We each have our opinion, and we have
no intention of changing it.”
</p>
          <p style="indent">All agreed with the wise words. But M. Rade, never satisfied,
wished to have the last word.
</p>
          <p style="indent">“I have, however, one moral,” said he. “It is simple and always
applicable. One sentence embraces the whole thought; here it is: ‘Never do unto
another that which you would not have him do unto you.’ I defy you to pick any
flaw in it, while I will undertake to demolish your most sacred principles with three
arguments.”
</p>
          <p style="indent">This time there was no answer. But as they were going home
at night, by couples, each one was saying to his companion: “Really, M. Rade goes
much too far. His mind must surely be unbalanced. He ought to be appointed
assistant chief at the Charenton Asylum.”
</p>
        </div>
        <!--end of "section 8.0/.13"-->
      </div>
      <!--end of "chapter 9.8/0"-->
      <!--END OF CHAPTER 9.8/0-->
      <div prev="9.8" next="9.10" type="chapter" n="9.9" xml:id="chp.9.9">
        <head type="chaphead">A Recollection</head>
        <div type="lsection">
          <p style="noindent">How many recollections of youth come to me in the soft
sunlight of early spring! It was an age when all was pleasant, cheerful, charming,
intoxicating. How exquisite are the remembrances of those old springtimes!
</p>
          <p style="indent">Do you recall, old friends and brothers, those happy years
when life was nothing but a triumph and an occasion for mirth? Do you recall the
days of wanderings around Paris, our jolly poverty, our walks in the fresh, green
woods, our drinks in the wine-shops on the banks of the Seine and our commonplace
and delightful little flirtations?
</p>
          <p style="indent">I will tell you about one of these. It was twelve years ago and
already appears to me so old, so old that it seems now as if it belonged to the other
end of life, before middle age, this dreadful middle age from which I suddenly
perceived the end of the journey.
</p>
          <p style="indent">I was then twenty-five. I had just come to Paris. I was in a
government office, and Sundays were to me like unusual festivals, full of exuberant
happiness, although nothing remarkable occurred.
</p>
          <p style="indent">Now it is Sunday every day, but I regret the time when I had
only one Sunday in the week. How enjoyable it was! I had six francs to spend!
</p>
          <p style="indent">On this particular morning I awoke with that sense of freedom
that all clerks know so well–the sense of emancipation, of rest, of quiet and of
independence.
</p>
          <p style="indent">I opened my window. The weather was charming. A blue sky
full of sunlight and swallows spread above the town.
</p>
          <p style="indent">I dressed quickly and set out, intending to spend the day in
the woods breathing the air of the green trees, for I am originally a rustic, having
been brought up amid the grass and the trees.
</p>
          <p style="indent">Paris was astir and happy in the warmth and the light. The
front of the houses was bathed in sunlight, the janitress’ canaries were singing in
their cages and there was an air of gaiety in the streets, in the faces of the
inhabitants, lighting them up with a smile as if all beings and all things experienced
a secret satisfaction at the rising of the brilliant sun.
</p>
          <p style="indent">I walked towards the Seine to take the Swallow, which would
land me at Saint-Cloud.
</p>
          <p style="indent">How I loved waiting for the boat on the wharf:
</p>
          <p style="indent">It seemed to me that I was about to set out for the ends of the
world, for new and wonderful lands. I saw the boat approaching yonder, yonder
under the second bridge, looking quite small with its plume of smoke, then growing
larger and ever larger, as it drew near, until it looked to me like a mail steamer.
</p>
          <p style="indent">It came up to the wharf and I went on board. People were
there already in their Sunday clothes, startling toilettes, gaudy ribbons and bright
scarlet designs. I took up a position in the bows, standing up and looking at the
quays, the trees, the houses and the bridges disappearing behind us. And suddenly I
perceived the great viaduct of Point du Jour which blocked the river. It was the end
of Paris, the beginning of the country, and behind the double row of arches the
Seine, suddenly spreading out as though it had regained space and liberty, became
all at once the peaceful river which flows through the plains, alongside the wooded
hills, amid the meadows, along the edge of the forests.
</p>
          <p style="indent">After passing between two islands the Swallow went round a
curved verdant slope dotted with white houses. A voice called out: “Bas Meudon”
and a little further on, “Sevres,” and still further, “Saint-Cloud.”
</p>
          <p style="indent">I went on shore and walked hurriedly through the little town
to the road leading to the wood.
</p>
          <p style="indent">I had brought with me a map of the environs of Paris, so that
I might not lose my way amid the paths which cross in every direction these little
forests where Parisians take their outings.
</p>
          <p style="indent">As soon as I was unperceived I began to study my guide,
which seemed to be perfectly clear. I was to turn to the right, then to the left, then
again to the left and I should reach Versailles by evening in time for dinner.
</p>
          <p style="indent">I walked slowly beneath the young leaves, drinking in the air,
fragrant with the odor of young buds and sap. I sauntered along, forgetful of musty
papers, of the offices, of my chief, my colleagues, my documents, and thinking of the
good things that were sure to come to me, of all the veiled unknown contained in
the future. A thousand recollections of childhood came over me, awakened by these
country odors, and I walked along, permeated with the fragrant, living
enchantment, the emotional enchantment of the woods warmed by the sun of June.
</p>
          <p style="indent">At times I sat down to look at all sorts of little flowers growing
on a bank, with the names of which I was familiar. I recognized them all just as if
they were the ones I had seen long ago in the country. They were yellow, red, violet,
delicate, dainty, perched on long stems or close to the ground. Insects of all colors
and shapes, short, long, of peculiar form, frightful, and microscopic monsters,
climbed quietly up the stalks of grass which bent beneath their weight.
</p>
          <p style="indent">Then I went to sleep for some hours in a hollow and started off
again, refreshed by my doze.
</p>
          <p style="indent">In front of me lay an enchanting pathway and through its
somewhat scanty foliage the sun poured down drops of light on the marguerites
which grew there. It stretched out interminably, quiet and deserted, save for an
occasional big wasp, who would stop buzzing now and then to sip from a flower, and
then continue his way.
</p>
          <p style="indent">All at once I perceived at the end of the path two persons, a
man and a woman, coming towards me. Annoyed at being disturbed in my quiet
walk, I was about to dive into the thicket, when I thought I heard someone calling
me. The woman was, in fact, shaking her parasol, and the man, in his shirt sleeves,
his coat over one arm, was waving the other as a signal of distress.
</p>
          <p style="indent">I went towards them. They were walking hurriedly, their faces
very red, she with short, quick steps and he with long strides. They both looked
annoyed and fatigued.
</p>
          <p style="indent">The woman asked:
</p>
          <p style="indent">“Can you tell me, monsieur, where we are? My fool of a
husband made us lose our way, although he pretended he knew the country
perfectly.”
</p>
          <p style="indent">I replied confidently:
</p>
          <p style="indent">“Madame, you are going towards Saint-Cloud and turning
your back on Versailles.”
</p>
          <p style="indent">With a look of annoyed pity for her husband, she exclaimed:
</p>
          <p style="indent">“What, we are turning our back on Versailles? Why, that is
just where we want to dine!”
</p>
          <p style="indent">“I am going there also, madame.”
</p>
          <p style="indent">“Mon Dieu, mon Dieu, mon Dieu!” she repeated, shrugging
her shoulders, and in that tone of sovereign contempt assumed by women to express
their exasperation.
</p>
          <p style="indent">She was quite young, pretty, a brunette with a slight shadow
on her upper lip.
</p>
          <p style="indent">As for him, he was perspiring and wiping his forehead. It was
assuredly a little Parisian bourgeois couple. The man seemed cast down, exhausted
and distressed.
</p>
          <p style="indent">“But, my dear friend, it was you–” he murmured.
</p>
          <p style="indent">She did not allow him to finish his sentence.
</p>
          <p style="indent">“It was I!, Ah, it is my fault now! Was it I who wanted to go
out without getting any information, pretending that I knew how to find my way?
Was it I who wanted to take the road to the right on top of the hill, insisting that I
recognized the road? Was it I who undertook to take charge of Cachou–”
</p>
          <p style="indent">She had not finished speaking when her husband, as if he had
suddenly gone crazy, gave a piercing scream, a long, wild cry that could not be
described in any language, but which sounded like ‘tuituit’.
</p>
          <p style="indent">The young woman did not appear to be surprised or moved
and resumed:
</p>
          <p style="indent">“No, really, some people are so stupid and they pretend they
know everything. Was it I who took the train to Dieppe last year instead of the
train to Havre–tell me, was it I? Was it I who bet that M. Letourneur lived in Rue
des Martyres? Was it I who would not believe that Celeste was a thief?”
</p>
          <p style="indent">She went on, furious, with a surprising flow of language,
accumulating the most varied, the most unexpected and the most overwhelming
accusations drawn from the intimate relations of their daily life, reproaching her
husband for all his actions, all his ideas, all his habits, all his enterprises, all his
efforts, for his life from the time of their marriage up to the present time.
</p>
          <p style="indent">He strove to check her, to calm her and stammered:
</p>
          <p style="indent">“But, my dear, it is useless–before monsieur. We are making
ourselves ridiculous. This does not interest monsieur.”
</p>
          <p style="indent">And he cast mournful glances into the thicket as though he
sought to sound its peaceful and mysterious depths, in order to flee thither, to
escape and hide from all eyes, and from time to time he uttered a fresh scream, a
prolonged and shrill “tuituit.” I took this to be a nervous affection.
</p>
          <p style="indent">The young woman, suddenly turning towards me: and
changing her tone with singular rapidity, said:
</p>
          <p style="indent">“If monsieur will kindly allow us, we will accompany him on
the road, so as not to lose our way again, and be obliged, possibly, to sleep in the
wood.”
</p>
          <p style="indent">I bowed. She took my arm and began to talk about a
thousand things– about herself, her life, her family, her business. They were glovers
in the Rue, Saint-Lazare.
</p>
          <p style="indent">Her husband walked beside her, casting wild glances into the
thick wood and screaming “tuituit” every few moments.
</p>
          <p style="indent">At last I inquired:
</p>
          <p style="indent">“Why do you scream like that?”
</p>
          <p style="indent">“I have lost my poor dog,” he replied in a tone of
discouragement and despair.
</p>
          <p style="indent">“How is that–you have lost your dog?”
</p>
          <p style="indent">“Yes. He was just a year old. He had never been outside the
shop. I wanted to take him to have a run in the woods. He had never seen the grass
nor the leaves and he was almost wild. He began to run about and bark and he
disappeared in the wood. I must also add that he was greatly afraid of the train.
That may have driven him mad. I kept on calling him, but he has not come back.
He will die of hunger in there.”
</p>
          <p style="indent">Without turning towards her husband, the young woman said:
</p>
          <p style="indent">“If you had left his chain on, it would not have happened.
When people are as stupid as you are they do not keep a dog.”
</p>
          <p style="indent">“But, my dear, it was you–” he murmured timidly.
</p>
          <p style="indent">She stopped short, and looking into his eyes as if she were
going to tear them out, she began again to cast in his face innumerable reproaches.
</p>
          <p style="indent">It was growing dark. The cloud of vapor that covers the
country at dusk was slowly rising and there was a poetry in the air, induced by the
peculiar and enchanting freshness of the atmosphere that one feels in the woods at
nightfall.
</p>
          <p style="indent">Suddenly the young man stopped, and feeling his body
feverishly, exclaimed:
</p>
          <p style="indent">“Oh, I think that I–”
</p>
          <p style="indent">She looked at him.
</p>
          <p style="indent">“Well, what?”
</p>
          <p style="indent">“I did not notice that I had my coat on my arm.”
</p>
          <p style="indent">“Well–?”
</p>
          <p style="indent">“I have lost my pocketbook–my money was in it.”
</p>
          <p style="indent">She shook with anger and choked with indignation.
</p>
          <p style="indent">“That was all that was lacking. How stupid you are! how
stupid you are! Is it possible that I could have married such an idiot! Well, go and
look for it, and see that you find it. I am going on to Versailles with monsieur. I do
not want to sleep in the wood.”
</p>
          <p style="indent">“Yes, my dear,” he replied gently. “Where shall I find you?”
</p>
          <p style="indent">A restaurant had been recommended to me. I gave him the
address.
</p>
          <p style="indent">He turned back and, stooping down as he searched the ground
with anxious eyes, he moved away, screaming “tuituit” every few moments.
</p>
          <p style="indent">We could see him for some time until the growing darkness
concealed all but his outline, but we heard his mournful “tuituit,” shriller and
shriller as the night grew darker.
</p>
          <p style="indent">As for me, I stepped along quickly and happily in the soft
twilight, with this little unknown woman leaning on my arm. I tried to say pretty
things to her, but could think of nothing. I remained silent, disturbed, enchanted.
</p>
          <p style="indent">Our path was suddenly crossed by a high road. To the right I
perceived a town lying in a valley.
</p>
          <p style="indent">What was this place? A man was passing. I asked him. He
replied:
</p>
          <p style="indent">“Bougival.”
</p>
          <p style="indent">I was dumfounded.
</p>
          <p style="indent">“What, Bougival? Are you sure?”
</p>
          <p style="indent">“Parbleu, I belong there!”
</p>
          <p style="indent">The little woman burst into an idiotic laugh.
</p>
          <p style="indent">I proposed that we should take a carriage and drive to
Versailles. She replied:
</p>
          <p style="indent">“No, indeed. This is very funny and I am very hungry. I am
really quite calm. My husband will find his way all right. It is a treat to me to be
rid of him for a few hours.”
</p>
          <p style="indent">We went into a restaurant beside the water and I ventured to
ask for a private compartment. We had some supper. She sang, drank champagne,
committed all sorts of follies.
</p>
          <p style="indent">That was my first serious flirtation.
</p>
        </div>
        <!--end of "section 9.0/.14"-->
      </div>
      <!--end of "chapter 9.9/0"-->
      <!--END OF CHAPTER 9.9/0-->
      <div prev="9.9" next="9.11" type="chapter" n="9.10" xml:id="chp.9.10">
        <head type="chaphead">Our Letters</head>
        <div type="lsection">
          <p style="noindent">Eight hours of railway travel induce sleep for some persons
and insomnia for others with me, any journey prevents my sleeping on the following
night.
</p>
          <p style="indent">At about five o’clock I arrived at the estate of Abelle, which
belongs to my friends, the Murets d’Artus, to spend three weeks there. It is a pretty
house, built by one of their grandfathers in the style of the latter half of the last
century. Therefore it has that intimate character of dwellings that have always been
inhabited, furnished and enlivened by the same people. Nothing changes; nothing
alters the soul of the dwelling, from which the furniture has never been taken out,
the tapestries never unnailed, thus becoming worn out, faded, discolored, on the
same walls. None of the old furniture leaves the place; only from time to time it is
moved a little to make room for a new piece, which enters there like a new-born
infant in the midst of brothers and sisters.
</p>
          <p style="indent">The house is on a hill in the center of a park which slopes
down to the river, where there is a little stone bridge. Beyond the water the fields
stretch out in the distance, and here one can see the cows wandering around,
pasturing on the moist grass; their eyes seem full of the dew, mist and freshness of
the pasture. I love this dwelling, just as one loves a thing which one ardently desires
to possess. I return here every autumn with infinite delight; I leave with regret.
</p>
          <p style="indent">After I had dined with this friendly family, by whom I was
received like a relative, I asked my friend, Paul Muret: “Which room did you give
me this year?”
</p>
          <p style="indent">“Aunt Rose’s room.”
</p>
          <p style="indent">An hour later, followed by her three children, two little girls
and a boy, Madame Muret d’Artus installed me in Aunt Rose’s room, where I had
not yet slept.
</p>
          <p style="indent">When I was alone I examined the walls, the furniture, the
general aspect of the room, in order to attune my mind to it. I knew it but little, as
I had entered it only once or twice, and I looked indifferently at a pastel portrait of
Aunt Rose, who gave her name to the room.
</p>
          <p style="indent">This old Aunt Rose, with her curls, looking at me from behind
the glass, made very little impression on my mind. She looked to me like a woman
of former days, with principles and precepts as strong on the maxims of morality as
on cooking recipes, one of these old aunts who are the bugbear of gaiety and the
stern and wrinkled angel of provincial families.
</p>
          <p style="indent">I never had heard her spoken of; I knew nothing of her life or
of her death. Did she belong to this century or to the preceding one? Had she left
this earth after a calm or a stormy existence? Had she given up to heaven the pure
soul of an old maid, the calm soul of a spouse, the tender one of a mother, or one
moved by love? What difference did it make? The name alone, “Aunt Rose,”
seemed ridiculous, common, ugly.
</p>
          <p style="indent">I picked up a candle and looked at her severe face, hanging far
up in an old gilt frame. Then, as I found it insignificant, disagreeable, even
unsympathetic, I began to examine the furniture. It dated from the period of Louis
XVI, the Revolution and the Directorate. Not a chair, not a curtain had entered
this room since then, and it gave out the subtle odor of memories, which is the
combined odor of wood, cloth, chairs, hangings, peculiar to places wherein have
lived hearts that have loved and suffered.
</p>
          <p style="indent">I retired but did not sleep. After I had tossed about for an
hour or two, I decided to get up and write some letters.
</p>
          <p style="indent">I opened a little mahogany desk with brass trimmings, which
was placed between the two windows, in hope of finding some ink and paper; but all
I found was a quill-pen, very much worn, and chewed at the end. I was about to
close this piece of furniture, when a shining spot attracted my attention it looked
like the yellow head of a nail. I scratched it with my finger, and it seemed to move.
I seized it between two finger-nails, and pulled as hard as I could. It came toward
me gently. It was a long gold pin which had been slipped into a hole in the wood
and remained hidden there.
</p>
          <p style="indent">Why? I immediately thought that it must have served to work
some spring which hid a secret, and I looked. It took a long time. After about two
hours of investigation, I discovered another hole opposite the first one, but at the
bottom of a groove. Into this I stuck my pin: a little shelf sprang. toward my face,
and I saw two packages of yellow letters, tied with a blue ribbon.
</p>
          <p style="indent">I read them. Here are two of them:
</p>
          <p style="indent">So you wish me to return to you your letters, my dearest
friend. Here they are, but it pains me to obey. Of what are you afraid? That I
might lose them? But they are under lock and key. Do you fear that they might be
stolen? I guard against that, for they are my dearest treasure.
</p>
          <p style="indent">Yes, it pains me deeply. I wondered whether, perhaps you
might not be feeling some regret! Not regret at having loved me, for I know that
you still do, but the regret of having expressed on white paper this living love in
hours when your heart did not confide in me, but in the pen that you held in your
hand. When we love, we have need of confession, need of talking or writing, and we
either talk or write. Words fly away, those sweet words made of music, air and
tenderness, warm and light, which escape as soon as they are uttered, which remain
in the memory alone, but which one can neither see, touch nor kiss, as one can with
the words written by your hand.
</p>
          <p style="indent">Your letters? Yes, I am returning them to you! But with what
sorrow!
</p>
          <p style="indent">Undoubtedly, you must have had an after thought of delicate
shame at expressions that are ineffaceable. In your sensitive and timid soul you
must have regretted having written to a man that you loved him. You remembered
sentences that called up recollections, and you said to yourself: “I will make ashes of
those words.”
</p>
          <p style="indent">Be satisfied, be calm. Here are your letters. I love you.
</p>
          <p style="indent">MY FRIEND:
</p>
          <p style="indent">No, you have not understood me, you have not guessed. I do
not regret, and I never shall, that I told you of my affection.
</p>
          <p style="indent">I will always write to you, but you must return my letters to
me as soon as you have read them.
</p>
          <p style="indent">I shall shock you, my friend, when I tell you the reason for this
demand. It is not poetic, as you imagined, but practical. I am afraid, not of you, but
of some mischance. I am guilty. I do not wish my fault to affect others than myself.
</p>
          <p style="indent">Understand me well. You and I may both die. You might fall
off your horse, since you ride every day; you might die from a sudden attack, from a
duel, from heart disease, from a carriage accident, in a thousand ways. For, if there
is only one death, there are more ways of its reaching us than there are days or us
to live.
</p>
          <p style="indent">Then your sisters, your brother, or your sister-in-law might
find my letters! Do you think that they love me? I doubt it. And then, even if they
adored me, is it possible for two women and one man to know a secret–such a
secret!–and not to tell of it?
</p>
          <p style="indent">I seem to be saying very disagreeable things, speaking first of
your death, and then suspecting the discreetness of your relatives.
</p>
          <p style="indent">But don’t all of us die sooner or later? And it is almost
certain that one of us will precede the other under the ground. We must therefore
foresee all dangers, even that one.
</p>
          <p style="indent">As for me, I will keep your letters beside mine, in the secret of
my little desk. I will show them to you there, sleeping side by side in their silken
hiding place, full of our love, like lovers in a tomb.
</p>
          <p style="indent">You will say to me: “But if you should die first, my dear, your
husband will find these letters.”
</p>
          <p style="indent">Oh! I fear nothing. First of all, he does not know the secret of
my desk, and then he will not look for it. And even if he finds it after my death, I
fear nothing.
</p>
          <p style="indent">Did you ever stop to think of all the love letters that have
been found after death? I have been thinking of this for a long time, and that is the
reason I decided to ask you for my letters.
</p>
          <p style="indent">Think that never, do you understand, never, does a woman
burn, tear or destroy the letters in which it is told her that she is loved. That is our
whole life, our whole hope, expectation and dream. These little papers which bear
our name in caressing terms are relics which we adore; they are chapels in which we
are the saints. Our love letters are our titles to beauty, grace, seduction, the
intimate vanity of our womanhood; they are the treasures of our heart. No, a
woman does not destroy these secret and delicious archives of her life.
</p>
          <p style="indent">But, like everybody else, we die, and then–then these letters
are found! Who finds them? The husband. Then what does he do? Nothing. He
burns them.
</p>
          <p style="indent">Oh, I have thought a great deal about that! Just think that
every day women are dying who have been loved; every day the traces and proofs of
their fault fall into the hands of their husbands, and that there is never a scandal,
never a duel.
</p>
          <p style="indent">Think, my dear, of what a man’s heart is. He avenges himself
on a living woman; he fights with the man who has dishonored her, kills him while
she lives, because, well, why? I do not know exactly why. But, if, after her death, he
finds similar proofs, he burns them and no one is the wiser, and he continues to
shake hands with the friend of the dead woman, and feels quite at ease that these
letters should not have fallen into strange hands, and that they are destroyed.
</p>
          <p style="indent">Oh, how many men I know among my friends who must have
burned such proofs, and who pretend to know nothing, and yet who would have
fought madly had they found them when she was still alive! But she is dead. Honor
has changed. The tomb is the boundary of conjugal sinning.
</p>
          <p style="indent">Therefore, I can safely keep our letters, which, in your hands,
would be a menace to both of us. Do you dare to say that I am not right?
</p>
          <p style="indent">I love you and kiss you.
</p>
          <p style="indent">I raised my eyes to the portrait of Aunt Rose, and as I looked
at her severe, wrinkled face, I thought of all those women’s souls which we do not
know, and which we suppose to be so different from what they really are, whose
inborn and ingenuous craftiness we never can penetrate, their quiet duplicity; and a
verse of De Vigny returned to my memory:
</p>
          <p style="indent">“Always this comrade whose heart is uncertain.”
</p>
        </div>
        <!--end of "section 10.0/.15"-->
      </div>
      <!--end of "chapter 9.10/0"-->
      <!--END OF CHAPTER 9.10/0-->
      <div prev="9.10" next="9.12" type="chapter" n="9.11" xml:id="chp.9.11">
        <head type="chaphead">The Love of Long Ago</head>
        <div type="lsection">
          <p style="noindent">The old-fashioned chateau was built on a wooded knoll in
the midst of tall trees with dark-green foliage; the park extended to a great
distance, in one direction to the edge of the forest, in another to the distant country.
A few yards from the front of the house was a huge stone basin with marble ladies
taking a bath; other, basins were seen at intervals down to the foot of the slope, and
a stream of water fell in cascades from one basin to another.
</p>
          <p style="indent">From the manor house, which preserved the grace of a
superannuated coquette, down to the grottos incrusted with shell-work, where
slumbered the loves of a bygone age, everything in this antique demesne had
retained the physiognomy of former days. Everything seemed to speak still of
ancient customs, of the manners of long ago, of former gallantries, and of the
elegant trivialities so dear to our grandmothers.
</p>
          <p style="indent">In a parlor in the style of Louis XV, whose walls were covered
with shepherds paying court to shepherdesses, beautiful ladies in hoop-skirts, and
gallant gentlemen in wigs, a very old woman, who seemed dead as soon as she
ceased to move, was almost lying down in a large easy-chair, at each side of which
hung a thin, mummy-like hand.
</p>
          <p style="indent">Her dim eyes were gazing dreamily toward the distant horizon
as if they sought to follow through the park the visions of her youth. Through the
open window every now and then came a breath of air laden with the odor of grass
and the perfume of flowers. It made her white locks flutter around her wrinkled
forehead and old memories float through her brain.
</p>
          <p style="indent">Beside her, on a tapestried stool, a young girl, with long fair
hair hanging in braids down her back, was embroidering an altar-cloth. There was a
pensive expression in her eyes, and it was easy to see that she was dreaming, while
her agile fingers flew over her work.
</p>
          <p style="indent">But the old lady turned round her head, and said:
</p>
          <p style="indent">“Berthe, read me something out of the newspapers, that I may
still know sometimes what is going on in the world.”
</p>
          <p style="indent">The young girl took up a newspaper, and cast a rapid glance
over it.
</p>
          <p style="indent">“There is a great deal about politics, grandmamma; shall I
pass that over?”
</p>
          <p style="indent">“Yes, yes, darling. Are there no love stories? Is gallantry,
then, dead in France, that they no longer talk about abductions or adventures as
they did formerly?”
</p>
          <p style="indent">The girl made a long search through the columns of the
newspaper.
</p>
          <p style="indent">“Here is one,” she said. “It is entitled ‘A Love Drama!’”
</p>
          <p style="indent">The old woman smiled through her wrinkles. “Read that for
me,” she said.
</p>
          <p style="indent">And Berthe commenced. It was a case of vitriol throwing. A
wife, in order to avenge herself on her husband’s mistress, had burned her face and
eyes. She had left the Court of Assizes acquitted, declared to be innocent, amid the
applause of the crowd.
</p>
          <p style="indent">The grandmother moved about excitedly in her chair, and
exclaimed:
</p>
          <p style="indent">“This is horrible–why, it is perfectly horrible!
</p>
          <p style="indent">See whether you can find anything else to read to me, darling.”
</p>
          <p style="indent">Berthe again made a search; and farther down among the
reports of criminal cases, she read:
</p>
          <p style="indent">“‘Gloomy Drama. A shop girl, no longer young, allowed
herself to be led astray by a young man. Then, to avenge herself on her lover, whose
heart proved fickle, she shot him with a revolver. The unhappy man is maimed for
life. The jury, all men of moral character, condoning the illicit love of the
murderess, honorably acquitted her.’”
</p>
          <p style="indent">This time the old grandmother appeared quite shocked, and,
in a trembling voice, she said:
</p>
          <p style="indent">“Why, you people are mad nowadays. You are mad! The good
God has given you love, the only enchantment in life. Man has added to this
gallantry the only distraction of our dull hours, and here you are mixing up with it
vitriol and revolvers, as if one were to put mud into a flagon of Spanish wine.”
</p>
          <p style="indent">Berthe did not seem to understand her grandmother’s
indignation.
</p>
          <p style="indent">“But, grandmamma, this woman avenged herself. Remember
she was married, and her husband deceived her.”
</p>
          <p style="indent">The grandmother gave a start.
</p>
          <p style="indent">“What ideas have they been filling your head with, you young
girls of today?”
</p>
          <p style="indent">Berthe replied:
</p>
          <p style="indent">“But marriage is sacred, grandmamma.”
</p>
          <p style="indent">The grandmother’s heart, which had its birth in the great age
of gallantry, gave a sudden leap.
</p>
          <p style="indent">“It is love that is sacred,” she said. “Listen, child, to an old
woman who has seen three generations, and who has had a long, long experience of
men and women. Marriage and love have nothing in common. We marry to found a
family, and we form families in order to constitute society. Society cannot dispense
with marriage. If society is a chain, each family is a link in that chain. In order to
weld those links, we always seek metals of the same order. When we marry, we must
bring together suitable conditions; we must combine fortunes, unite similar races
and aim at the common interest, which is riches and children. We marry only once
my child, because the world requires us to do so, but we may love twenty times in
one lifetime because nature has made us like this. Marriage, you see, is law, and
love is an instinct which impels us, sometimes along a straight, and sometimes along
a devious path. The world has made laws to combat our instincts–it was necessary
to make them; but our instincts are always stronger, and we ought not to resist
them too much, because they come from God; while the laws only come from men.
If we did not perfume life with love, as much love as possible, darling, as we put
sugar into drugs for children, nobody would care to take it just as it is.”
</p>
          <p style="indent">Berthe opened her eyes wide in astonishment. She murmured:
</p>
          <p style="indent">“Oh! grandmamma, we can only love once.”
</p>
          <p style="indent">The grandmother raised her trembling hands toward Heaven,
as if again to invoke the defunct god of gallantries. She exclaimed indignantly:
</p>
          <p style="indent">“You have become a race of serfs, a race of common people.
Since the Revolution, it is impossible any longer to recognize society. You have
attached big words to every action, and wearisome duties to every corner of
existence; you believe in equality and eternal passion. People have written poetry
telling you that people have died of love. In my time poetry was written to teach
men to love every woman. And we! when we liked a gentleman, my child, we sent
him a page. And when a fresh caprice came into our hearts, we were not slow in
getting rid of the last Lover–unless we kept both of them.”
</p>
          <p style="indent">The old woman smiled a keen smile, and a gleam of roguery
twinkled in her gray eye, the intellectual, skeptical roguery of those people who did
not believe that they were made of the same clay as the rest, and who lived as
masters for whom common beliefs were not intended.
</p>
          <p style="indent">The young girl, turning very pale, faltered out:
</p>
          <p style="indent">“So, then, women have no honor?”
</p>
          <p style="indent">The grandmother ceased to smile. If she had kept in her soul
some of Voltaire’s irony, she had also a little of Jean Jacques’s glowing philosophy:
“No honor! because we loved, and dared to say so, and even boasted of it? But, my
child, if one of us, among the greatest ladies in France, had lived without a lover,
she would have had the entire court laughing at her. Those who wished to live
differently had only to enter a convent. And you imagine, perhaps, that your
husbands will love but you alone, all their lives. As if, indeed, this could be the case.
I tell you that marriage is a thing necessary in order that society should exist, but it
is not in the nature of our race, do you understand? There is only one good thing in
life, and that is love. And how you misunderstand it! how you spoil it! You treat it
as something solemn like a sacrament, or something to be bought, like a dress.”
</p>
          <p style="indent">The young girl caught the old woman’s trembling hands in her
own.
</p>
          <p style="indent">“Hold your tongue, I beg of you, grandmamma!”
</p>
          <p style="indent">And, on her knees, with tears in her eyes, she prayed to
Heaven to bestow on her a great passion, one sole, eternal passion in accordance
with the dream of modern poets, while the grandmother, kissing her on the
forehead, quite imbued still with that charming, healthy reason with which gallant
philosophers tinctured the thought of the eighteenth century, murmured:
</p>
          <p style="indent">“Take care, my poor darling! If you believe in such folly as
that, you will be very unhappy.”
</p>
        </div>
        <!--end of "section 11.0/.16"-->
      </div>
      <!--end of "chapter 9.11/0"-->
      <!--END OF CHAPTER 9.11/0-->
      <div prev="9.11" next="9.13" type="chapter" n="9.12" xml:id="chp.9.12">
        <head type="chaphead">Friend Joseph</head>
        <div type="lsection">
          <p style="noindent">They had been great friends all winter in Paris. As is
always the case, they had lost sight of each other after leaving school, and had met
again when they were old and gray-haired. One of them had married, but the other
had remained in single blessedness.
</p>
          <p style="indent">M. de Meroul lived for six months in Paris and for six months
in his little chateau at Tourbeville. Having married the daughter of a neighboring,
squire, he had lived a good and peaceful life in the indolence of a man who has
nothing to do. Of a calm and quiet disposition, and not over-intelligent he used to
spend his time quietly regretting the past, grieving over the customs and
institutions of the day and continually repeating to his wife, who would lift her eyes,
and sometimes her hands, to heaven, as a sign of energetic assent: “Good gracious!
What a government!”
</p>
          <p style="indent">Madame de Meroul resembled her husband intellectually as
though she had been his sister. She knew, by tradition, that one should above all
respect the Pope and the King!
</p>
          <p style="indent">And she loved and respected them from the bottom of her
heart, without knowing them, with a poetic fervor, with an hereditary devotion,
with the tenderness of a wellborn woman. She was good to, the marrow of her
bones. She had had no children, and never ceased mourning the fact.
</p>
          <p style="indent">On meeting his old friend, Joseph Mouradour, at a ball, M. de
Meroul was filled with a deep and simple joy, for in their youth they had been
intimate friends.
</p>
          <p style="indent">After the first exclamations of surprise at the changes which
time had wrought in their bodies and countenances, they told each other about
their lives since they had last met.
</p>
          <p style="indent">Joseph Mouradour, who was from the south of France, had
become a government official. His manner was frank; he spoke rapidly and without
restraint, giving his opinions without any tact. He was a Republican, one of those
good fellows who do not believe in standing on ceremony, and who exercise an
almost brutal freedom of speech.
</p>
          <p style="indent">He came to his friend’s house and was immediately liked for
his easy cordiality, in spite of his radical ideas. Madame de Meroul would exclaim:
</p>
          <p style="indent">“What a shame! Such a charming man!”
</p>
          <p style="indent">Monsieur de Meroul would say to his friend in a serious and
confidential tone of voice; “You have no idea the harm that you are doing your
country.” He loved him all the same, for nothing is stronger than the ties of
childhood taken up again at a riper age. Joseph Mouradour bantered the wife and
the husband, calling them “my amiable snails,” and sometimes he would solemnly
declaim against people who were behind the times, against old prejudices and
traditions.
</p>
          <p style="indent">When he was once started on his democratic eloquence, the
couple, somewhat ill at ease, would keep silent from politeness and good- breeding;
then the husband would try to turn the conversation into some other channel in
order to avoid a clash. Joseph Mouradour was only seen in the intimacy of the
family.
</p>
          <p style="indent">Summer came. The Merouls had no greater pleasure than to
receive their friends at their country home at Tourbeville. It was a good, healthy
pleasure, the enjoyments of good people and of country proprietors. They would
meet their friends at the neighboring railroad station and would bring them back in
their carriage, always on the lookout for compliments on the country, on its natural
features, on the condition of the roads, on the cleanliness of the farm-houses, on the
size of the cattle grazing in the fields, on everything within sight.
</p>
          <p style="indent">They would call attention to the remarkable speed with which
their horse trotted, surprising for an animal that did heavy work part of the year
behind a plow; and they would anxiously await the opinion of the newcomer on
their family domain, sensitive to the least word, and thankful for the slightest good
intention.
</p>
          <p style="indent">Joseph Mouradour was invited, and he accepted the invitation.
</p>
          <p style="indent">Husband and wife had come to the train, delighted to welcome
him to their home. As soon as he saw them, Joseph Mouradour jumped from the
train with a briskness which increased their satisfaction. He shook their hands,
congratulated them, overwhelmed them with compliments.
</p>
          <p style="indent">All the way home he was charming, remarking on the height of
the trees, the goodness of the crops and the speed of the horse.
</p>
          <p style="indent">When he stepped on the porch of the house, Monsieur de
Meroul said, with a certain friendly solemnity:
</p>
          <p style="indent">“Consider yourself at home now.”
</p>
          <p style="indent">Joseph Mouradour answered:
</p>
          <p style="indent">“Thanks, my friend; I expected as much. Anyhow, I never
stand on ceremony with my friends. That’s how I understand hospitality.”
</p>
          <p style="indent">Then he went upstairs to dress as a farmer, he said, and he
came back all togged out in blue linen, with a little straw hat and yellow shoes, a
regular Parisian dressed for an outing. He also seemed to become more vulgar, more
jovial, more familiar; having put on with his country clothes a free and easy manner
which he judged suitable to the surroundings. His new manners shocked Monsieur
and Madame de Meroul a little, for they always remained serious and dignified, even
in the country, as though compelled by the two letters preceding their name to keep
up a certain formality even in the closest intimacy.
</p>
          <p style="indent">After lunch they all went out to visit the farms, and the
Parisian astounded the respectful peasants by his tone of comradeship.
</p>
          <p style="indent">In the evening the priest came to dinner, an old, fat priest,
accustomed to dining there on Sundays, but who had been especially invited this
day in honor of the new guest.
</p>
          <p style="indent">Joseph, on seeing him, made a wry face. Then he observed
him with surprise, as though he were a creature of some peculiar race, which he had
never been able to observe at close quarters. During the meal he told some rather
free stories, allowable in the intimacy of the family, but which seemed to the
Merouls a little out of place in the presence of a minister of the Church. He did not
say, “Monsieur l’abbe,” but simply, “Monsieur.” He embarrassed the priest greatly
by philosophical discussions about diverse superstitions current all over the world.
He said: “Your God, monsieur, is of those who should be respected, but also one of
those who should be discussed. Mine is called Reason; he has always been the
enemy of yours.”
</p>
          <p style="indent">The Merouls, distressed, tried to turn the trend of the
conversation. The priest left very early.
</p>
          <p style="indent">Then the husband said, very quietly:
</p>
          <p style="indent">“Perhaps you went a little bit too far with the priest.”
</p>
          <p style="indent">But Joseph immediately exclaimed:
</p>
          <p style="indent">“Well, that’s pretty good! As if I would be on my guard with
a shaveling! And say, do me the pleasure of not imposing him on me any more at
meals. You can both make use of him as much as you wish, but don’t serve him up
to your friends, hang it!”
</p>
          <p style="indent">“But, my friends, think of his holy–”
</p>
          <p style="indent">Joseph Mouradour interrupted him:
</p>
          <p style="indent">“Yes, I know; they have to be treated like ‘rosieres.’ But let
them respect my convictions, and I will respect theirs!”
</p>
          <p style="indent">That was all for that day.
</p>
          <p style="indent">As soon as Madame de Meroul entered the parlor, the next
morning, she noticed in the middle of the table three newspapers which made her
start the Voltaire, the Republique-Francaise and the Justice. Immediately Joseph
Mouradour, still in blue, appeared on the threshold, attentively reading the
Intransigeant. He cried:
</p>
          <p style="indent">“There’s a great article in this by Rochefort. That fellow is a
wonder!”
</p>
          <p style="indent">He read it aloud, emphasizing the parts which especially
pleased him, so carried away by enthusiasm that he did not notice his friend’s
entrance. Monsieur de Meroul was holding in his hand the Gaulois for himself, the
Clarion for his wife.
</p>
          <p style="indent">The fiery prose of the master writer who overthrew the
empire, spouted with violence, sung in the southern accent, rang throughout the
peaceful parsons seemed to spatter the walls and century-old furniture with a hail of
bold, ironical and destructive words.
</p>
          <p style="indent">The man and the woman, one standing, the other sitting, were
listening with astonishment, so shocked that they could not move.
</p>
          <p style="indent">In a burst of eloquence Mouradour finished the last paragraph,
then exclaimed triumphantly:
</p>
          <p style="indent">“Well! that’s pretty strong!”
</p>
          <p style="indent">Then, suddenly, he noticed the two sheets which his friend was
carrying, and he, in turn, stood speechless from surprise. Quickly walking toward
him he demanded angrily:
</p>
          <p style="indent">“What are you doing with those papers?”
</p>
          <p style="indent">Monsieur de Meroul answered hesitatingly:
</p>
          <p style="indent">“Why–those–those are my papers!”
</p>
          <p style="indent">“Your papers! What are you doing–making fun of me? You
will do me the pleasure of reading mine; they will limber up your ideas, and as for
yours–there! that’s what I do with them.”
</p>
          <p style="indent">And before his astonished host could stop him, he had seized
the two newspapers and thrown them out of the window. Then he solemnly handed
the Justice to Madame de Meroul, the Voltaire to her husband, while he sank down
into an arm-chair to finish reading the Intransigeant.
</p>
          <p style="indent">The couple, through delicacy, made a pretense of reading a
little, they then handed him back the Republican sheets, which they handled
gingerly, as though they might be poisoned.
</p>
          <p style="indent">He laughed and declared:
</p>
          <p style="indent">“One week of this regime and I will have you converted to my
ideas.”
</p>
          <p style="indent">In truth, at the end of a week he ruled the house. He had
closed the door against the priest, whom Madame de Meroul had to visit secretly;
he had forbidden the Gaulois and the Clarion to be brought into the house, so that
a servant had to go mysteriously to the post-office to get them, and as soon as he
entered they would be hidden under sofa cushions; he arranged everything to suit
himself–always charming, always good- natured, a jovial and all-powerful tyrant.
</p>
          <p style="indent">Other friends were expected, pious and conservative friends.
The unhappy couple saw the impossibility of having them there then, and, not
knowing what to do, one evening they announced to Joseph Mouradour that they
would be obliged to absent themselves for a few days, on business, and they begged
him to stay on alone. He did not appear disturbed, and answered:
</p>
          <p style="indent">“Very well, I don’t mind! I will wait here as long as you wish.
I have already said that there should be no formality between friends. You are
perfectly right-go ahead and attend to your business. It will not offend me in the
least; quite the contrary, it will make me feel much more completely one of the
family. Go ahead, my friends, I will wait for you!”
</p>
          <p style="indent">Monsieur and Madame de Meroul left the following day.
</p>
          <p style="indent">He is still waiting for them.
</p>
        </div>
        <!--end of "section 12.0/.17"-->
      </div>
      <!--end of "chapter 9.12/0"-->
      <!--END OF CHAPTER 9.12/0-->
      <div prev="9.12" next="9.14" type="chapter" n="9.13" xml:id="chp.9.13">
        <head type="chaphead">The Effeminates</head>
        <div type="lsection">
          <p style="noindent">How often we hear people say, “He is charming, that man,
but he is a girl, a regular girl.” They are alluding to the effeminates, the bane of our
land.
</p>
          <p style="indent">For we are all girl-like men in France–that is, fickle, fanciful,
innocently treacherous, without consistency in our convictions or our will, violent
and weak as women are.
</p>
          <p style="indent">But the most irritating of girl–men is assuredly the Parisian
and the boulevardier, in whom the appearance of intelligence is more marked and
who combines in himself all the attractions and all the faults of those charming
creatures in an exaggerated degree in virtue of his masculine temperament.
</p>
          <p style="indent">Our Chamber of Deputies is full of girl-men. They form the
greater number of the amiable opportunists whom one might call “The Charmers.”
These are they who control by soft words and deceitful promises, who know how to
shake hands in such a manner as to win hearts, how to say “My dear friend” in a
certain tactful way to people he knows the least, to change his mind without
suspecting it, to be carried away by each new idea, to be sincere in their
weathercock convictions, to let themselves be deceived as they deceive others, to
forget the next morning what he affirmed the day before.
</p>
          <p style="indent">The newspapers are full of these effeminate men. That is
probably where one finds the most, but it is also where they are most needed. The
Journal des Debats and the Gazette de France are exceptions.
</p>
          <p style="indent">Assuredly, every good journalist must be somewhat
effeminate–that is, at the command of the public, supple in following unconsciously
the shades of public opinion, wavering and varying, sceptical and credulous, wicked
and devout, a braggart and a true man, enthusiastic and ironical, and always
convinced while believing in nothing.
</p>
          <p style="indent">Foreigners, our anti-types, as Mme. Abel called them, the
stubborn English and the heavy Germans, regard us with a certain amazement
mingled with contempt, and will continue to so regard us till the end of time. They
consider us frivolous. It is not that, it is that we are girls. And that is why people
love us in spite of our faults, why they come back to us despite the evil spoken of us;
these are lovers’ quarrels! The effeminate man, as one meets him in this world, is so
charming that he captivates you after five minutes’ chat. His smile seems made for
you; one cannot believe that his voice does not assume specially tender intonations
on their account. When he leaves you it seems as if one had known him for twenty
years. One is quite ready to lend him money if he asks for it. He has enchanted you,
like a woman.
</p>
          <p style="indent">If he commits any breach of manners towards you, you cannot
bear any malice, he is so pleasant when you next meet him. If he asks your pardon
you long to ask pardon of him. Does he tell lies? You cannot believe it. Does he put
you off indefinitely with promises that he does not keep? One lays as much store by
his promises as though he had moved heaven and earth to render them a service.
</p>
          <p style="indent">When he admires anything he goes into such raptures that he
convinces you. He once adored Victor Hugo, whom he now treats as a back number.
He would have fought for Zola, whom he has abandoned for Barbey and d’Aurevilly.
And when he admires, he permits no limitation, he would slap your face for a word.
But when he becomes scornful, his contempt is unbounded and allows of no protest.
</p>
          <p style="indent">In fact, he understands nothing.
</p>
          <p style="indent">Listen to two girls talking.
</p>
          <p style="indent">“Then you are angry with Julia?” “I slapped her face.” “What
had she done?” “She told Pauline that I had no money thirteen months out of
twelve, and Pauline told Gontran–you understand.” “You were living together in the
Rue Clanzel?” “We lived together four years in the Rue Breda; we quarrelled about
a pair of stockings that she said I had worn– it wasn’t true–silk stockings that she
had bought at Mother Martin’s. Then I gave her a pounding and she left me at
once. I met her six months ago and she asked me to come and live with her, as she
has rented a flat that is twice too large.”
</p>
          <p style="indent">One goes on one’s way and hears no more. But on the
following Sunday as one is on the way to Saint Germain two young women get into
the same railway carriage. One recognizes one of them at once; it is Julia’s enemy.
The other is Julia!
</p>
          <p style="indent">And there are endearments, caresses, plans. “Say, Julia–listen,
Julia,” etc.
</p>
          <p style="indent">The girl-man has his friendships of this kind. For three
months he cannot bear to leave his old Jack, his dear Jack. There is no one but
Jack in the world. He is the only one who has any intelligence, any sense, any
talent. He alone amounts to anything in Paris. One meets them everywhere
together, they dine together, walk about in company, and every evening walk home
with each other back and forth without being able to part with one another.
</p>
          <p style="indent">Three months later, if Jack is mentioned:
</p>
          <p style="indent">“There is a drinker, a sorry fellow, a scoundrel for you. I know
him well, you may be sure. And he is not even honest, and ill-bred,” etc., etc.
</p>
          <p style="indent">Three months later, and they are living together.
</p>
          <p style="indent">But one morning one hears that they have fought a duel, then
embraced each other, amid tears, on the duelling ground.
</p>
          <p style="indent">Just now they are the dearest friends in the world, furious
with each other half the year, abusing and loving each other by turns, squeezing
each other’s hands till they almost crush the bones, and ready to run each other
through the body for a misunderstanding.
</p>
          <p style="indent">For the relations of these effeminate men are uncertain. Their
temper is by fits and starts, their delight unexpected, their affection turn-about-
face, their enthusiasm subject to eclipse. One day they love you, the next day they
will hardly look at you, for they have in fact a girl’s nature, a girl’s charm, a girl’s
temperament, and all their sentiments are like the affections of girls.
</p>
          <p style="indent">They treat their friends as women treat their pet dogs.
</p>
          <p style="indent">It is the dear little Toutou whom they hug, feed with sugar,
allow to sleep on the pillow, but whom they would be just as likely to throw out of a
window in a moment of impatience, whom they turn round like a sling, holding it by
the tail, squeeze in their arms till they almost strangle it, and plunge, without any
reason, in a pail of cold water.
</p>
          <p style="indent">Then, what a strange thing it is when one of these beings falls
in love with a real girl! He beats her, she scratches him, they execrate each other,
cannot bear the sight of each other and yet cannot part, linked together by no one
knows what mysterious psychic bonds. She deceives him, he knows it, sobs and
forgives her. He despises and adores her without seeing that she would be justified
in despising him. They are both atrociously unhappy and yet cannot separate.
They cast invectives, reproaches and abominable accusations at each other from
morning till night, and when they have reached the climax and are vibrating with
rage and hatred, they fall into each other’s arms and kiss each other ardently.
</p>
          <p style="indent">The girl-man is brave and a coward at the same time. He has,
more than another, the exalted sentiment of honor, but is lacking in the sense of
simple honesty, and, circumstances favoring him, would defalcate and commit
infamies which do not trouble his conscience, for he obeys without questioning the
oscillations of his ideas, which are always impulsive.
</p>
          <p style="indent">To him it seems permissible and almost right to cheat a
haberdasher. He considers it honorable not to pay his debts, unless they are
gambling debts–that is, somewhat shady. He dupes people whenever the laws of
society admit of his doing so. When he is short of money he borrows in all ways,
not always being scrupulous as to tricking the lenders, but he would, with sincere
indignation, run his sword through anyone who should suspect him of only lacking
in politeness.
</p>
        </div>
        <!--end of "section 13.0/.18"-->
      </div>
      <!--end of "chapter 9.13/0"-->
      <!--END OF CHAPTER 9.13/0-->
      <div prev="9.13" type="chapter" n="9.14" xml:id="chp.9.14">
        <head type="chaphead">Old Amable</head>
        <div type="lsection" xml:id="lsec.19">
          <head type="lsechead">PART I</head>
          <p style="noindent">The humid gray sky seemed to weigh down on the vast
brown plain. The odor of autumn, the sad odor of bare, moist lands, of fallen leaves,
of dead grass made the stagnant evening air more thick and heavy. The peasants
were still at work, scattered through the fields, waiting for the stroke of the Angelus
to call them back to the farmhouses, whose thatched roofs were visible here and
there through the branches of the leafless trees which protected the apple-gardens
against the wind.
</p>
          <p style="indent">At the side of the road, on a heap of clothes, a very small boy
seated with his legs apart was playing with a potato, which he now and then let fall
on his dress, whilst five women were bending down planting slips of colza in the
adjoining plain. With a slow, continuous movement, all along the mounds of earth
which the plough had just turned up, they drove in sharp wooden stakes and in the
hole thus formed placed the plant, already a little withered, which sank on one side;
then they patted down the earth and went on with their work.
</p>
          <p style="indent">A man who was passing, with a whip in his hand, and wearing
wooden shoes, stopped near the child, took it up and kissed it. Then one of the
women rose up and came across to him. She was a big, red haired girl, with large
hips, waist and shoulders, a tall Norman woman, with yellow hair in which there
was a blood-red tint.
</p>
          <p style="indent">She said in a resolute voice:
</p>
          <p style="indent">“Why, here you are, Cesaire–well?”
</p>
          <p style="indent">The man, a thin young fellow with a melancholy air,
murmured:
</p>
          <p style="indent">“Well, nothing at all–always the same thing.”
</p>
          <p style="indent">“He won’t have it?”
</p>
          <p style="indent">“He won’t have it.”
</p>
          <p style="indent">“What are you going to do?”
</p>
          <p style="indent">“What do you say I ought to do?”
</p>
          <p style="indent">“Go see the cure.”
</p>
          <p style="indent">“I will.”
</p>
          <p style="indent">“Go at once!”
</p>
          <p style="indent">“I will.”
</p>
          <p style="indent">And they stared at each other. He held the child in his arms
all the time. He kissed it once more and then put it down again on the woman’s
clothes.
</p>
          <p style="indent">In the distance, between two farm-houses, could be seen a
plough drawn by a horse and driven by a man. They moved on very gently, the
horse, the plough and the laborer, in the dim evening twilight.
</p>
          <p style="indent">The woman went on:
</p>
          <p style="indent">“What did your father say?”
</p>
          <p style="indent">“He said he would not have it.”
</p>
          <p style="indent">“Why wouldn’t he have it?”
</p>
          <p style="indent">The young man pointed toward the child whom he had just
put back on the ground, then with a glance he drew her attention to the man
drawing the plough yonder there.
</p>
          <p style="indent">And he said emphatically:
</p>
          <p style="indent">“Because ‘tis his–this child of yours.”
</p>
          <p style="indent">The girl shrugged her shoulders and in an angry tone said:
</p>
          <p style="indent">“Faith, every one knows it well–that it is Victor’s. And what
about it after all? I made a slip. Am I the only woman that did? My mother also
made a slip before me, and then yours did the same before she married your dad!
Who is it that hasn’t made a slip in the country? I made a slip with Victor because
he took advantage of me while I was asleep in the barn, it’s true, and afterward it
happened between us when I wasn’t asleep. I certainly would have married him if
he weren’t a servant man. Am I a worse woman for that?”
</p>
          <p style="indent">The man said simply:
</p>
          <p style="indent">“As for me, I like you just as you are, with or without the
child. It’s only my father that opposes me. All the same, I’ll see about settling the
business.”
</p>
          <p style="indent">She answered:
</p>
          <p style="indent">“Go to the cure at once.”
</p>
          <p style="indent">“I’m going to him.”
</p>
          <p style="indent">And he set forth with his heavy peasant’s tread, while the girl,
with her hands on her hips, turned round to plant her colza.
</p>
          <p style="indent">In fact, the man who thus went off, Cesaire Houlbreque, the
son of deaf old Amable Houlbreque, wanted to marry, in spite of his father, Celeste
Levesque, who had a child by Victor Lecoq, a mere laborer on her parents’ farm,
who had been turned out of doors for this act.
</p>
          <p style="indent">The hierarchy of caste, however, does not exist in the country,
and if the laborer is thrifty, he becomes, by taking a farm in his turn, the equal of
his former master.
</p>
          <p style="indent">So Cesaire Houlbieque went off, his whip under his arm,
brooding over his own thoughts and lifting up one after the other his heavy wooden
shoes daubed with clay. Certainly he desired to marry Celeste Levesque. He wanted
her with her child because she was the wife he wanted. He could not say why, but
he knew it, he was sure of it. He had only to look at her to be convinced of it, to
feel quite queer, quite stirred up, simply stupid with happiness. He even found a
pleasure in kissing the little boy, Victor’s little boy, because he belonged to her.
</p>
          <p style="indent">And he gazed, without hate, at the distant outline of the man
who was driving his plough along the horizon.
</p>
          <p style="indent">But old Amable did not want this marriage. He opposed it
with the obstinacy of a deaf man, with a violent obstinacy.
</p>
          <p style="indent">Cesaire in vain shouted in his ear, in that ear which still heard
a few sounds:
</p>
          <p style="indent">“I’ll take good care of you, daddy. I tell you she’s a good girl
and strong, too, and also thrifty.”
</p>
          <p style="indent">The old man repeated:
</p>
          <p style="indent">“As long as I live I won’t see her your wife.”
</p>
          <p style="indent">And nothing could get the better of him, nothing could make
him waver. One hope only was left to Cesaire. Old Amable was afraid of the cure
through the apprehension of death which he felt drawing nigh; he had not much fear
of God, nor of the Devil, nor of Hell, nor of Purgatory, of which he had no
conception, but he dreaded the priest, who represented to him burial, as one might
fear the doctors through horror of diseases. For the last tight days Celeste, who
knew this weakness of the old man, had been urging Cesaire to go and find the cure,
but Cesaire always hesitated, because he had not much liking for the black robe,
which represented to him hands always stretched out for collections or for blessed
bread.
</p>
          <p style="indent">However, he had made up his mind, and he proceeded toward
the presbytery, thinking in what manner he would speak about his case.
</p>
          <p style="indent">The Abbe Raffin, a lively little priest, thin and never shaved,
was awaiting his dinner-hour while warming his feet at his kitchen fire.
</p>
          <p style="indent">As soon as he saw the peasant entering he asked, merely
turning his head:
</p>
          <p style="indent">“Well, Cesaire, what do you want?”
</p>
          <p style="indent">“I’d like to have a talk with you, M. le Cure.”
</p>
          <p style="indent">The man remained standing, intimidated, holding his cap in
one hand and his whip in the other.
</p>
          <p style="indent">“Well, talk.”
</p>
          <p style="indent">Cesaire looked at the housekeeper, an old woman who dragged
her feet while putting on the cover for her master’s dinner at the corner of the table
in front of the window.
</p>
          <p style="indent">He stammered:
</p>
          <p style="indent">“‘Tis–’tis a sort of confession.”
</p>
          <p style="indent">Thereupon the Abbe Raffin carefully surveyed his peasant. He
saw his confused countenance, his air of constraint, his wandering eyes, and he gave
orders to the housekeeper in these words:
</p>
          <p style="indent">“Marie, go away for five minutes to your room, while I talk to
Cesaire.”
</p>
          <p style="indent">The servant cast on the man an angry glance and went away
grumbling.
</p>
          <p style="indent">The clergyman went on:
</p>
          <p style="indent">“Come, now, tell your story.”
</p>
          <p style="indent">The young fellow still hesitated, looked down at his wooden
shoes, moved about his cap, then, all of a sudden, he made up his mind:
</p>
          <p style="indent">“Here it is: I want to marry Celeste Levesque.”
</p>
          <p style="indent">“Well, my boy, what’s there to prevent you?”
</p>
          <p style="indent">“The father won’t have it.”
</p>
          <p style="indent">“Your father?”
</p>
          <p style="indent">“Yes, my father.”
</p>
          <p style="indent">“What does your father say?”
</p>
          <p style="indent">“He says she has a child.”
</p>
          <p style="indent">“She’s not the first to whom that happened, since our Mother
Eve.”
</p>
          <p style="indent">“A child by Victor Lecoq, Anthime Loisel’s servant man.”
</p>
          <p style="indent">“Ha! ha! So he won’t have it?”
</p>
          <p style="indent">“He won’t have it.”
</p>
          <p style="indent">“What! not at all?”
</p>
          <p style="indent">“No, no more than an ass that won’t budge an inch, saving
your presence.”
</p>
          <p style="indent">“What do you say to him yourself in order to make him
decide?”
</p>
          <p style="indent">“I say to him that she’s a good girl, and strong, too, and
thrifty also.”
</p>
          <p style="indent">“And this does not make him agree to it. So you want me to
speak to him?”
</p>
          <p style="indent">“Exactly. You speak to him.”
</p>
          <p style="indent">“And what am I to tell your father?”
</p>
          <p style="indent">“Why, what you tell people in your sermons to make them
give you sous.”
</p>
          <p style="indent">In the peasant’s mind every effort of religion consisted in
loosening the purse strings, in emptying the pockets of men in order to fill the
heavenly coffer. It was a kind of huge commercial establishment, of which the cures
were the clerks; sly, crafty clerks, sharp as any one must be who does business for
the good God at the expense of the country people.
</p>
          <p style="indent">He knew full well that the priests rendered services, great
services to the poorest, to the sick and dying, that they assisted, consoled,
counselled, sustained, but all this by means of money, in exchange for white pieces,
for beautiful glittering coins, with which they paid for sacraments and masses,
advice and protection, pardon of sins and indulgences, purgatory and paradise
according to the yearly income and the generosity of the sinner.
</p>
          <p style="indent">The Abbe Raffin, who knew his man and who never lost his
temper, burst out laughing.
</p>
          <p style="indent">“Well, yes, I’ll tell your father my little story; but you, my lad,
you’ll come to church.”
</p>
          <p style="indent">Houlbreque extended his hand in order to give a solemn
assurance:
</p>
          <p style="indent">“On the word of a poor man, if you do this for me, I promise
that I will.”
</p>
          <p style="indent">“Come, that’s all right. When do you wish me to go and find
your father?”
</p>
          <p style="indent">“Why, the sooner the better-to-night, if you can.”
</p>
          <p style="indent">“In half an hour, then, after supper.”
</p>
          <p style="indent">“In half an hour.”
</p>
          <p style="indent">“That’s understood. So long, my lad.”
</p>
          <p style="indent">“Good-by till we meet again, Monsieur le Cure; many thanks.”
</p>
          <p style="indent">“Not at all, my lad.”
</p>
          <p style="indent">And Cesaire Houlbreque returned home, his heart relieved of a
great weight.
</p>
          <p style="indent">He held on lease a little farm, quite small, for they were not
rich, his father and he. Alone with a female servant, a little girl of fifteen, who made
the soup, looked after the fowls, milked the cows and churned the butter, they lived
frugally, though Cesaire was a good cultivator. But they did not possess either
sufficient lands or sufficient cattle to earn more than the indispensable.
</p>
          <p style="indent">The old man no longer worked. Sad, like all deaf people,
crippled with pains, bent double, twisted, he went through the fields leaning on his
stick, watching the animals and the men with a hard, distrustful eye. Sometimes he
sat down on the side of the road and remained there without moving for hours,
vaguely pondering over the things that had engrossed his whole life, the price of
eggs, and corn, the sun and the rain which spoil the crops or make them grow. And,
worn out with rheumatism, his old limbs still drank in the humidity of the soul, as
they had drunk in for the past sixty years, the moisture of the walls of his low house
thatched with damp straw.
</p>
          <p style="indent">He came back at the close of the day, took his place at the end
of the table in the kitchen and when the earthen bowl containing the soup had been
placed before him he placed round it his crooked fingers, which seemed to have kept
the round form of the bowl and, winter and summer, he warmed his hands, before
commencing to eat, so as to lose nothing, not even a particle of the heat that came
from the fire, which costs a great deal, neither one drop of soup into which fat and
salt have to be put, nor one morsel of bread, which comes from the wheat.
</p>
          <p style="indent">Then he climbed up a ladder into a loft, where he had his
straw-bed, while his son slept below stairs at the end of a kind of niche near the
chimneypiece and the servant shut herself up in a kind of cellar, a black hole which
was formerly used to store the potatoes.
</p>
          <p style="indent">Cesaire and his father scarcely ever talked to each other. From
time to time only, when there was a question of selling a crop or buying a calf, the
young man would ask his father’s advice, and, making a speaking- trumpet of his
two hands, he would bawl out his views into his ear, and old Amable either
approved of them or opposed them in a slow, hollow voice that came from the
depths of his stomach.
</p>
          <p style="indent">So one evening Cesaire, approaching him as if about to discuss
the purchase of a horse or a heifer, communicated to him at the top of his voice his
intention to marry Celeste Levesque.
</p>
          <p style="indent">Then the father got angry. Why? On the score of morality?
No, certainly. The virtue of a girl is of slight importance in the country. But his
avarice, his deep, fierce instinct for saving, revolted at the idea that his son should
bring up a child which he had not begotten himself. He had thought suddenly, in
one second, of the soup the little fellow would swallow before becoming useful on
the farm. He had calculated all the pounds of bread, all the pints of cider that this
brat would consume up to his fourteenth year, and a mad anger broke loose from
him against Cesaire, who had not bestowed a thought on all this.
</p>
          <p style="indent">He replied in an unusually strong voice:
</p>
          <p style="indent">“Have you lost your senses?”
</p>
          <p style="indent">Thereupon Cesaire began to enumerate his reasons, to speak
about Celeste’s good qualities, to prove that she would be worth a thousand times
what the child would cost. But the old man doubted these advantages, while he
could have no doubts as to the child’s existence; and he replied with emphatic
repetition, without giving any further explanation:
</p>
          <p style="indent">“I will not have it! I will not have it! As long as I live, this
won’t be done!” And at this point they had remained for the last three months
without one or the other giving in, resuming at least once a week the same
discussion, with the same arguments, the same words, the same gestures and the
same fruitlessness.
</p>
          <p style="indent">It was then that Celeste had advised Cesaire to go and ask for
the cure’s assistance.
</p>
          <p style="indent">On arriving home the peasant found his father already seated
at table, for he came late through his visit to the presbytery.
</p>
          <p style="indent">They dined in silence, face to face, ate a little bread and
butter after the soup and drank a glass of cider. Then they remained motionless in
their chairs, with scarcely a glimmer of light, the little servant girl having carried off
the candle in order to wash the spoons, wipe the glasses and cut the crusts of bread
to be ready for next morning’s breakfast.
</p>
          <p style="indent">There was a knock, at the door, which was immediately
opened, and the priest appeared. The old man raised toward him an anxious eye
full of suspicion, and, foreseeing danger, he was getting ready to climb up his ladder
when the Abbe Raffin laid his hand on his shoulder and shouted close to his temple:
</p>
          <p style="indent">“I want to have a talk with you, Father Amable.”
</p>
          <p style="indent">Cesaire had disappeared, taking advantage of the door being
open. He did not want to listen, for he was afraid and did not want his hopes to
crumble slowly with each obstinate refusal of his father. He preferred to learn the
truth at once, good or bad, later on; and he went out into the night. It was a
moonless, starless night, one of those misty nights when the air seems thick with
humidity. A vague odor of apples floated through the farmyard, for it was the
season when the earliest applies were gathered, the “early ripe,” as they are called
in the cider country. As Cesaire passed along by the cattlesheds the warm smell of
living beasts asleep on manure was exhaled through the narrow windows, and he
heard the stamping of the horses, who were standing at the end of the stable, and
the sound of their jaws tearing and munching the hay on the racks.
</p>
          <p style="indent">He went straight ahead, thinking about Celeste. In this simple
nature, whose ideas were scarcely more than images generated directly by objects,
thoughts of love only formulated themselves by calling up before the mind the
picture of a big red-haired girl standing in a hollow road and laughing, with her
hands on her hips.
</p>
          <p style="indent">It was thus he saw her on the day when he first took a fancy
for her. He had, however, known her from infancy, but never had he been so struck
by her as on that morning. They had stopped to talk for a few minutes and then he
went away, and as he walked along he kept repeating:
</p>
          <p style="indent">“Faith, she’s a fine girl, all the same. ‘Tis a pity she made a
slip with Victor.”
</p>
          <p style="indent">Till evening he kept thinking of her and also on the following
morning.
</p>
          <p style="indent">When he saw her again he felt something tickling the end of
his throat, as if a cock’s feather had been driven through his mouth into his chest,
and since then, every time he found himself near her, he was astonished at this
nervous tickling which always commenced again.
</p>
          <p style="indent">In three months he made up his mind to marry her, so much
did she please him. He could not have said whence came this power over him, but
he explained it in these words:
</p>
          <p style="indent">“I am possessed by her,” as if the desire for this girl within
him were as dominating as one of the powers of hell. He scarcely bothered himself
about her transgression. It was a pity, but, after all, it did her no harm, and he bore
no grudge against Victor Lecoq.
</p>
          <p style="indent">But if the cure should not succeed, what was he to do? He did
not dare to think of it, the anxiety was such a torture to him.
</p>
          <p style="indent">He reached the presbytery and seated himself near the little
gateway to wait for the priest’s return.
</p>
          <p style="indent">He was there perhaps half an hour when he heard steps on the
road, and although the night was very dark, he presently distinguished the still
darker shadow of the cassock.
</p>
          <p style="indent">He rose up, his legs giving way under him, not even venturing
to speak, not daring to ask a question.
</p>
          <p style="indent">The clergyman perceived him and said gaily:
</p>
          <p style="indent">“Well, my lad, it’s all right.”
</p>
          <p style="indent">Cesaire stammered:
</p>
          <p style="indent">“All right, ‘tisn’t possible.”
</p>
          <p style="indent">“Yes, my lad, but not without trouble. What an old ass your
father is!”
</p>
          <p style="indent">The peasant repeated:
</p>
          <p style="indent">“‘Tisn’t possible!”
</p>
          <p style="indent">“Why, yes. Come and look me up to-morrow at midday in
order to settle about the publication of the banns.”
</p>
          <p style="indent">The young man seized the cure’s hand. He pressed it, shook
it, bruised it as he stammered:
</p>
          <p style="indent">“True-true-true, Monsieur le Cure, on the word of an honest
man, you’ll see me to-morrow-at your sermon.”
</p>
        </div>
        <!--end of "section 14.0/.19"-->
        <div type="lsection" xml:id="lsec.20">
          <head type="lsechead">PART II</head>
          <p style="noindent">The wedding took place in the middle of December. It was
simple, the bridal pair not being rich. Cesaire, attired in new clothes, was ready
since eight o’clock in the morning to go and fetch his betrothed and bring her to the
mayor’s office, but it was too early. He seated himself before the kitchen table and
waited for the members of the family and the friends who were to accompany him.
</p>
          <p style="indent">For the last eight days it had been snowing, and the brown
earth, the earth already fertilized by the autumn sowing, had become a dead white,
sleeping under a great sheet of ice.
</p>
          <p style="indent">It was cold in the thatched houses adorned with white caps,
and the round apples in the trees of the enclosures seemed to be flowering, covered
with white as they had been in the pleasant month of their blossoming.
</p>
          <p style="indent">This day the big clouds to the north, the big great snow
clouds, had disappeared and the blue sky showed itself above the white earth on
which the rising sun cast silvery reflections.
</p>
          <p style="indent">Cesaire looked straight before him through the window,
thinking of nothing, quite happy.
</p>
          <p style="indent">The door opened, two women entered, peasant women in their
Sunday clothes, the aunt and the cousin of the bridegroom; then three men, his
cousins; then a woman who was a neighbor. They sat down on chairs and remained,
motionless and silent, the women on one side of the kitchen, the men on the other,
suddenly seized with timidity, with that embarrassed sadness which takes possession
of people assembled for a ceremony. One of the cousins soon asked:
</p>
          <p style="indent">“Is it not the hour?”
</p>
          <p style="indent">Cesaire replied:
</p>
          <p style="indent">“I am much afraid it is.”
</p>
          <p style="indent">“Come on! Let us start,” said another.
</p>
          <p style="indent">Those rose up. Then Cesaire, whom a feeling of uneasiness
had taken possession of, climbed up the ladder of the loft to see whether his father
was ready. The old man, always as a rule an early riser, had not yet made his
appearance. His son found him on his bed of straw, wrapped up in his blanket, with
his eyes open and a malicious gleam in them.
</p>
          <p style="indent">He bawled into his ear: “Come, daddy, get up. It’s time for
the wedding.”
</p>
          <p style="indent">The deaf man murmured-in a doleful tone:
</p>
          <p style="indent">“I can’t get up. I have a sort of chill over me that freezes my
back. I can’t stir.”
</p>
          <p style="indent">The young man, dumbfounded, stared at him, guessing that
this was a dodge.
</p>
          <p style="indent">“Come, daddy; you must make an effort.”
</p>
          <p style="indent">“I can’t do it.”
</p>
          <p style="indent">“Look here! I’ll help you.”
</p>
          <p style="indent">And he stooped toward the old man, pulled off his blanket,
caught him by the arm and lifted him up. But old Amable began to whine, “Ooh!
ooh! ooh! What suffering! Ooh! I can’t. My back is stiffened up. The cold wind
must have rushed in through this cursed roof.”
</p>
          <p style="indent">“Well, you’ll get no dinner, as I’m having a spread at Polyte’s
inn. This will teach you what comes of acting mulishly.”
</p>
          <p style="indent">And he hurried down the ladder and started out, accompanied
by his relatives and guests.
</p>
          <p style="indent">The men had turned up the bottoms of their trousers so as
not to get them wet in the snow. The women held up their petticoats and showed
their lean ankles with gray woollen stockings and their bony shanks resembling
broomsticks. And they all moved forward with a swinging gait, one behind the
other, without uttering a word, moving cautiously, for fear of losing the road which
was-hidden beneath the flat, uniform, uninterrupted stretch of snow.
</p>
          <p style="indent">As they approached the farmhouses they saw one or two
persons waiting to join them, and the procession went on without stopping and
wound its way forward, following the invisible outlines of the road, so that it
resembled a living chaplet of black beads undulating through the white countryside.
</p>
          <p style="indent">In front of the bride’s door a large group was stamping up and
down the open space awaiting the bridegroom. When he appeared they gave him a
loud greeting, and presently Celeste came forth from her room, clad in a blue dress,
her shoulders covered with a small red shawl and her head adorned with orange
flowers.
</p>
          <p style="indent">But every one asked Cesaire:
</p>
          <p style="indent">“Where’s your father?”
</p>
          <p style="indent">He replied with embarrassment:
</p>
          <p style="indent">“He couldn’t move on account of the pains.”
</p>
          <p style="indent">And the farmers tossed their heads with a sly, incredulous air.
</p>
          <p style="indent">They directed their steps toward the mayor’s office. Behind
the pair about to be wedded a peasant woman carried Victor’s child, as if it were
going to be baptized; and the risen, in pairs now, with arms linked, walked through
the snow with the movements of a sloop at sea.
</p>
          <p style="indent">After having been united by the mayor in the little municipal
house the pair were made one by the cure, in his turn, in the modest house of God.
He blessed their union by promising them fruitfulness, then he preached to them on
the matrimonial virtues, the simple and healthful virtues of the country, work,
concord and fidelity, while the child, who was cold, began to fret behind the bride.
</p>
          <p style="indent">As soon as the couple reappeared on the threshold of the
church shots were discharged from the ditch of the cemetery. Only the barrels of the
guns could be seen whence came forth rapid jets of smoke; then a head could be
seen gazing at the procession. It was Victor Lecoq celebrating the marriage of his
old sweetheart, wishing her happiness and sending her his good wishes with
explosions of powder. He had employed some friends of his, five or six laboring men,
for these salvos of musketry. It was considered a nice attention.
</p>
          <p style="indent">The repast was given in Polyte Cacheprune’s inn. Twenty
covers were laid in the great hall where people dined on market days, and the big
leg of mutton turning before the spit, the fowls browned under their own gravy, the
chitterlings sputtering over the bright, clear fire filled the house with a thick odor of
live coal sprinkled with fat–the powerful, heavy odor of rustic fare.
</p>
          <p style="indent">They sat down to table at midday and the soup was poured at
once into the plates. All faces had already brightened up; mouths opened to utter
loud jokes and eyes were laughing with knowing winks. They were going to amuse
themselves and no mistake.
</p>
          <p style="indent">The door opened, and old Amable appeared. He seemed in a
bad humor and his face wore a scowl as he dragged himself forward on his sticks,
whining at every step to indicate his suffering. As soon as they saw him they
stopped talking, but suddenly his neighbor, Daddy Malivoire, a big joker, who knew
all the little tricks and ways of people, began to yell, just as Cesaire used to do, by
making a speaking-trumpet of his hands.
</p>
          <p style="indent">“Hallo, my cute old boy, you have a good nose on you to be
able to smell Polyte’s cookery from your own house!”
</p>
          <p style="indent">A roar of laughter burst forth from the throats of those
present. Malivoire, excited by his success, went on:
</p>
          <p style="indent">“There’s nothing for the rheumatics like a chitterling poultice!
It keeps your belly warm, along with a glass of three-six!”
</p>
          <p style="indent">The men uttered shouts, banged the table with their fists,
laughed, bending on one side and raising up their bodies again as if they were
working a pump. The women clucked like hens, while the servants wriggled,
standing against the walls. Old Amable was the only one that did not laugh, and,
without making any reply, waited till they made room for him.
</p>
          <p style="indent">They found a place for him in the middle of the table, facing
his daughter-in-law, and, as soon as he was seated, he began to eat. It was his son
who was paying, after all; it was right he should take his share. With each ladleful
of soup that went into his stomach, with each mouthful of bread or meat crushed
between his gums, with each glass of cider or wine that flowed through his gullet he
thought he was regaining something of his own property, getting back a little of his
money which all those gluttons were devouring, saving in fact a portion of his own
means. And he ate in silence with the obstinacy of a miser who hides his coppers,
with the same gloomy persistence with which he formerly performed his daily labors.
</p>
          <p style="indent">But all of a sudden he noticed at the end of the table Celeste’s
child on a woman’s lap, and his eye remained fixed on the little boy. He went on
eating, with his glance riveted on the youngster, into whose mouth the woman who
minded him every now and then put a little morsel which he nibbled at. And the
old man suffered more from the few mouthfuls sucked by this little chap than from
all that the others swallowed.
</p>
          <p style="indent">The meal lasted till evening. Then every one went back home.
</p>
          <p style="indent">Cesaire raised up old Amable.
</p>
          <p style="indent">“Come, daddy, we must go home,” said he.
</p>
          <p style="indent">And he put the old man’s two sticks in his hands.
</p>
          <p style="indent">Celeste took her child in her arms, and they went on slowly
through the pale night whitened by the snow. The deaf old man, three-fourths
tipsy, and even more malicious under the influence of drink, refused to go forward.
Several times he even sat down with the object of making his daughter-in-law catch
cold, and he kept whining, without uttering a word, giving vent to a sort of
continuous groaning as if he were in pain.
</p>
          <p style="indent">When they reached home he at once climbed up to his loft,
while Cesaire made a bed for the child near the deep niche where he was going to lie
down with his wife. But as the newly wedded pair could not sleep immediately, they
heard the old man for a long time moving about on his bed of straw, and he even
talked aloud several times, whether it was that he was dreaming or that he let his
thoughts escape through his mouth, in spite of himself, not being able to keep them
back, under the obsession of a fixed idea.
</p>
          <p style="indent">When he came down his ladder next morning he saw his
daughter-in-law looking after the housekeeping.
</p>
          <p style="indent">She cried out to him:
</p>
          <p style="indent">“Come, daddy, hurry on! Here’s some good soup.”
</p>
          <p style="indent">And she placed at the end of the table the round black earthen
bowl filled with steaming liquid. He sat down without giving any answer, seized the
hot bowl, warmed his hands with it in his customary fashion, and, as it was very
cold, even pressed it against his breast to try to make a little of the living heat of
the boiling liquid enter into him, into his old body stiffened by so many winters.
</p>
          <p style="indent">Then he took his sticks and went out into the fields, covered
with ice, till it was time for dinner, for he had seen Celeste’s youngster still asleep in
a big soap-box.
</p>
          <p style="indent">He did not take his place in the household. He lived in the
thatched house, as in bygone days, but he seemed not to belong to it any longer, to
be no longer interested in anything, to look upon those people, his son, the wife and
the child as strangers whom he did not know, to whom he never spoke.
</p>
          <p style="indent">The winter glided by. It was long and severe.
</p>
          <p style="indent">Then the early spring made the seeds sprout forth again, and
the peasants once more, like laborious ants, passed their days in the fields, toiling
from morning till night, under the wind and under the rain, along the furrows of
brown earth which brought forth the bread of men.
</p>
          <p style="indent">The year promised well for the newly married pair. The crops
grew thick and strong. There were no late frosts, and the apples bursting into
bloom scattered on the grass their rosy white snow which promised a hail of fruit
for the autumn.
</p>
          <p style="indent">Cesaire toiled hard, rose early and left off work late, in order
to save the expense of a hired man.
</p>
          <p style="indent">His wife said to him sometimes:
</p>
          <p style="indent">“You’ll make yourself ill in the long run.”
</p>
          <p style="indent">He replied:
</p>
          <p style="indent">“Certainly not. I’m a good judge.”
</p>
          <p style="indent">Nevertheless one evening he came home so fatigued that he
had to get to bed without supper. He rose up next morning at the usual hour, but
he could not eat, in spite of his fast on the previous night, and he had to come back
to the house in the middle of the afternoon in order to go to bed again. In the course
of the night he began to cough; he turned round on his straw couch, feverish, with
his forehead burning, his tongue dry and his throat parched by a burning thirst.
</p>
          <p style="indent">However, at daybreak he went toward his grounds, but next
morning the doctor had to be sent for and pronounced him very ill with
inflammation of the lungs.
</p>
          <p style="indent">And he no longer left the dark recess in which he slept. He
could be heard coughing, gasping and tossing about in this hole. In order to see
him, to give his medicine and to apply cupping-glasses they had to-bring a candle to
the entrance. Then one could see his narrow head with his long matted beard
underneath a thick lacework of spiders’ webs, which hung and floated when stirred
by the air. And the hands of the sick man seemed dead under the dingy sheets.
</p>
          <p style="indent">Celeste watched him with restless activity, made him take
physic, applied blisters to him, went back and forth in the house, while old Amable
remained at the edge of his loft, watching at a distance the gloomy cavern where his
son lay dying. He did not come near him, through hatred of the wife, sulking like an
ill-tempered dog.
</p>
          <p style="indent">Six more days passed, then one morning, as Celeste, who now
slept on the ground on two loose bundles of straw, was going to see whether her
man was better, she no longer heard his rapid breathing from the interior of his
recess. Terror stricken, she asked:
</p>
          <p style="indent">“Well Cesaire, what sort of a night had you?”
</p>
          <p style="indent">He did not answer. She put out her hand to touch him, and
the flesh on his face felt cold as ice. She uttered a great cry, the long cry of a
woman overpowered with fright. He was dead.
</p>
          <p style="indent">At this cry the deaf old man appeared at the top of his ladder,
and when he saw Celeste rushing to call for help, he quickly descended, placed his
hand on his son’s face, and suddenly realizing what had happened, went to shut the
door from the inside, to prevent the wife from re-entering and resuming possession
of the dwelling, since his son was no longer living.
</p>
          <p style="indent">Then he sat down on a chair by the dead man’s side.
</p>
          <p style="indent">Some of the neighbors arrived, called out and knocked. He did
not hear them. One of them broke the glass of the window and jumped into the
room. Others followed. The door was opened again and Celeste reappeared, all in
tears, with swollen face and bloodshot eyes. Then old Amable, vanquished, without
uttering a word, climbed back to his loft.
</p>
          <p style="indent">The funeral took place next morning. Then, after the
ceremony, the father-in-law and the daughter-in-law found themselves alone in the
farmhouse with the child.
</p>
          <p style="indent">It was the usual dinner hour. She lighted the fire, made some
soup and placed the plates on the table, while the old man sat on the chair waiting
without appearing to look at her. When the meal was ready she bawled in his ear
</p>
          <p style="indent">“Come, daddy, you must eat.” He rose up, took his seat at the
end of the table, emptied his soup bowl, masticated his bread and butter, drank his
two glasses of cider and then took himself off.
</p>
          <p style="indent">It was one of those warm days, one of those enjoyable days
when life ferments, pulsates, blooms all over the surface of the soil.
</p>
          <p style="indent">Old Amable pursued a little path across the fields. He looked
at the young wheat and the young oats, thinking that his son was now under the
earth, his poor boy! He walked along wearily, dragging his legs after him in a
limping fashion. And, as he was all alone in the plain, all alone under the blue sky,
in the midst of the growing crops, all alone with the larks which he saw hovering
above his head, without hearing their light song, he began to weep as he proceeded
on his way.
</p>
          <p style="indent">Then he sat down beside a pond and remained there till
evening, gazing at the little birds that came there to drink. Then, as the night was
falling, he returned to the house, supped without saying a word and climbed up to
his loft. And his life went on as in the past. Nothing was changed, except that his
son Cesaire slept in the cemetery.
</p>
          <p style="indent">What could he, an old man, do? He could work no longer; he
was now good for nothing except to swallow the soup prepared by his
daughter-in-law. And he ate it in silence, morning and evening, watching with an
eye of rage the little boy also taking soup, right opposite him, at the other side of
the table. Then he would go out, prowl about the fields after the fashion of a
vagabond, hiding behind the barns where he would sleep for an hour or two as if he
were afraid of being seen and then come back at the approach of night.
</p>
          <p style="indent">But Celeste’s mind began to be occupied by graver anxieties.
The farm needed a man to look after it and cultivate it. Somebody should be there
always to go through the fields, not a mere hired laborer, but a regular farmer, a
master who understood the business and would take an interest in the farm. A lone
woman could not manage the farming, watch the price of corn and direct the sale
and purchase of cattle. Then ideas came into her head, simple practical ideas, which
she had turned over in her head at night. She could not marry again before the end
of the year, and it was necessary at once to take care of pressing interests,
immediate interests.
</p>
          <p style="indent">Only one man could help her out of her difficulties, Victor
Lecoq, the father of her child. He was strong and understood farming; with a little
money in his pocket he would make an excellent cultivator. She was aware of his
skill, having known him while he was working on her parents’ farm.
</p>
          <p style="indent">So one morning, seeing him passing along the road with a cart
of manure, she went out to meet him. When he perceived her, he drew up his horses
and she said to him as if she had met him the night before:
</p>
          <p style="indent">“Good-morrow, Victor–are you quite well, the same as ever?”
</p>
          <p style="indent">He replied:
</p>
          <p style="indent">“I’m quite well, the same as ever–and how are you?”
</p>
          <p style="indent">“Oh, I’d be all right, only that I’m alone in the house, which
bothers me on account of the farm.”
</p>
          <p style="indent">Then they remained chatting for a long time, leaning against
the wheel of the heavy cart. The man every now and then lifted up his cap to
scratch his forehead and began thinking, while she, with flushed cheeks, went on
talking warmly, told him about her views, her plans; her projects for the future. At
last he said in a low tone:
</p>
          <p style="indent">“Yes, it can be done.”
</p>
          <p style="indent">She opened her hand like a countryman clinching a bargain
and asked:
</p>
          <p style="indent">“Is it agreed?”
</p>
          <p style="indent">He pressed her outstretched hand.
</p>
          <p style="indent">“‘Tis agreed.”
</p>
          <p style="indent">“It’s settled, then, for next Sunday?”
</p>
          <p style="indent">“It’s settled for next Sunday”
</p>
          <p style="indent">“Well, good-morning, Victor.”
</p>
          <p style="indent">“Good-morning, Madame Houlbreque.”
</p>
        </div>
        <!--end of "section 14.0/.20"-->
        <div type="lsection" xml:id="lsec.21">
          <head type="lsechead">PART III</head>
          <p style="noindent">This particular Sunday was the day of the village festival,
the annual festival in honor of the patron saint, which in Normandy is called the
assembly.
</p>
          <p style="indent">For the last eight days quaint-looking vehicles in which live
the families of strolling fair exhibitors, lottery managers, keepers of shooting
galleries and other forms of amusement or exhibitors of curiosities whom the
peasants call “wonder-makers” could be seen coming along the roads drawn slowly
by gray or sorrel horses.
</p>
          <p style="indent">The dirty wagons with their floating curtains, accompanied by
a melancholy-looking dog, who trotted, with his head down, between the wheels,
drew up one after the other on the green in front of the town hall. Then a tent was
erected in front of each ambulant abode, and inside this tent could be seen, through
the holes in the canvas, glittering things which excited the envy or the curiosity of
the village youngsters.
</p>
          <p style="indent">As soon as the morning of the fete arrived all the booths were
opened, displaying their splendors of glass or porcelain, and the peasants on their
way to mass looked with genuine satisfaction at these modest shops which they saw
again, nevertheless, each succeeding year.
</p>
          <p style="indent">Early in the afternoon there was a crowd on the green. From
every neighboring village the farmers arrived, shaken along with their wives and
children in the two-wheeled open chars-a-bancs, which rattled along, swaying like
cradles. They unharnessed at their friends’ houses and the farmyards were filled
with strange-looking traps, gray, high, lean, crooked, like long-clawed creatures from
the depths of the sea. And each family, with the youngsters in front and the
grown-up ones behind, came to the assembly with tranquil steps, smiling
countenances and open hands, big hands, red and bony, accustomed to work and
apparently tired of their temporary rest.
</p>
          <p style="indent">A clown was blowing a trumpet. The barrel-organ
accompanying the carrousel sent through the air its shrill jerky notes. The
lottery-wheel made a whirring sound like that of cloth tearing, and every moment
the crack of the rifle could be heard. And the slow-moving throng passed on quietly
in front of the booths resembling paste in a fluid condition, with the motions of a
flock of sheep and the awkwardness of heavy animals who had escaped by chance.
</p>
          <p style="indent">The girls, holding one another’s arms in groups of six or eight,
were singing; the youths followed them, making jokes, with their caps over their ears
and their blouses stiffened with starch, swollen out like blue balloons.
</p>
          <p style="indent">The whole countryside was there–masters, laboring men and
women servants.
</p>
          <p style="indent">Old Amable himself, wearing his old-fashioned green frock
coat, had wished to see the assembly, for he never failed to attend on such an
occasion.
</p>
          <p style="indent">He looked at the lotteries, stopped in front of the shooting
galleries to criticize the shots and interested himself specially in a very simple game
which consisted in throwing a big wooden ball into the open mouth of a mannikin
carved and painted on a board.
</p>
          <p style="indent">Suddenly he felt a tap on his shoulder. It was Daddy
Malivoire, who exclaimed:
</p>
          <p style="indent">“Ha, daddy! Come and have a glass of brandy.”
</p>
          <p style="indent">And they sat down at the table of an open-air restaurant.
</p>
          <p style="indent">They drank one glass of brandy, then two, then three, and old
Amable once more began wandering through the assembly. His thoughts became
slightly confused, he smiled without knowing why, he smiled in front of the lotteries,
in front of the wooden horses and especially in front of the killing game. He
remained there a long time, filled with delight, when he saw a holiday-maker
knocking down the gendarme or the cure, two authorities whom he instinctively
distrusted. Then he went back to the inn and drank a glass of cider to cool himself.
It was late, night came on. A neighbor came to warn him:
</p>
          <p style="indent">“You’ll get back home late for the stew, daddy.”
</p>
          <p style="indent">Then he set out on his way to the farmhouse. A soft shadow,
the warm shadow of a spring night, was slowly descending on the earth.
</p>
          <p style="indent">When he reached the front door he thought he saw through
the window which was lighted up two persons in the house. He stopped, much
surprised, then he went in, and he saw Victor Lecoq seated at the table, with a
plate filled with potatoes before him, taking his supper in the very same place
where his son had sat.
</p>
          <p style="indent">And he turned round suddenly as if he wanted to go away.
The night was very dark now. Celeste started up and shouted at him:
</p>
          <p style="indent">“Come quick, daddy! Here’s some good stew to finish off the
assembly with.”
</p>
          <p style="indent">He complied through inertia and sat down, watching in turn
the man, the woman and the child. Then he began to eat quietly as on ordinary
days.
</p>
          <p style="indent">Victor Lecoq seemed quite at home, talked from time to time
to Celeste, took up the child in his lap and kissed him. And Celeste again served
him with food, poured out drink for him and appeared happy while speaking to
him. Old Amable’s eyes followed them attentively, though he could not hear what
they were saying.
</p>
          <p style="indent">When he had finished supper (and he had scarcely eaten
anything, there was such a weight at his heart) he rose up, and instead of ascending
to his loft as he did every night he opened the gate of the yard and went out into
the open air.
</p>
          <p style="indent">When he had gone, Celeste, a little uneasy, asked:
</p>
          <p style="indent">“What is he going to do?”
</p>
          <p style="indent">Victor replied in an indifferent tone:
</p>
          <p style="indent">“Don’t bother yourself. He’ll come back when he’s tired.”
</p>
          <p style="indent">Then she saw after the house, washed the plates and wiped
the table, while the man quietly took off his clothes. Then he slipped into the dark
and hollow bed in which she had slept with Cesaire.
</p>
          <p style="indent">The yard gate opened and old Amable again appeared. As
soon as he entered the house he looked round on every side with the air of an old
dog on the scent. He was in search of Victor Lecoq. As he did not see him, he took
the candle off the table and approached the dark niche in which his son had died. In
the interior of it he perceived the man lying under the bed clothes and already
asleep. Then the deaf man noiselessly turned round, put back the candle and went
out into the yard.
</p>
          <p style="indent">Celeste had finished her work. She put her son into his bed,
arranged everything and waited for her father-in-law’s return before lying down
herself.
</p>
          <p style="indent">She remained sitting on a chair, without moving her hands
and with her eyes fixed on vacancy.
</p>
          <p style="indent">As he did not come back, she murmured in a tone of
impatience and annoyance:
</p>
          <p style="indent">“This good-for-nothing old man will make us burn four sous’
worth of candles.”
</p>
          <p style="indent">Victor answered from under the bed clothes:
</p>
          <p style="indent">“It’s over an hour since he went out. We ought to see whether
he fell asleep on the bench outside the door.”
</p>
          <p style="indent">“I’ll go and see,” she said.
</p>
          <p style="indent">She rose up, took the light and went out, shading the light
with her hand in order to see through the darkness.
</p>
          <p style="indent">She saw nothing in front of the door, nothing on the bench,
nothing on the dung heap, where the old man used sometimes to sit in hot weather.
</p>
          <p style="indent">But, just as she was on the point of going in again, she
chanced to raise her eyes toward the big apple tree, which sheltered the entrance to
the farmyard, and suddenly she saw two feet–two feet at the height of her face
belonging to a man who was hanging.
</p>
          <p style="indent">She uttered terrible cries:
</p>
          <p style="indent">“Victor! Victor! Victor!”
</p>
          <p style="indent">He ran out in his shirt. She could not utter another word, and
turning aside her head so as not to see, she pointed toward the tree with her
outstretched arm.
</p>
          <p style="indent">Not understanding what she meant, he took the candle in
order to find out, and in the midst of the foliage lit up from below he saw old
Amable hanging high up with a stable-halter round his neck.
</p>
          <p style="indent">A ladder was leaning against the trunk of the apple tree.
</p>
          <p style="indent">Victor ran to fetch a bill-hook, climbed up the tree and cut
the halter. But the old man was already cold and his tongue protruded horribly
with a frightful grimace.
</p>
        </div>
        <!--end of "section 14.0/.21"-->
      </div>
      <!--end of "chapter 9.14/0"-->
      <!--END OF CHAPTER 9.14/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 9; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Two Women in the
Forest, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
Gogh</ref>  (1853–1890). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
Garamond</ref>  developed by
<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
headings are with
<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
<hi rend="sc">sc</hi> </ref>; the catchline and the footer make use of
<ref target="https://fonts.google.com/specimen/Cormorant+Upright#about">Cormorant
Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-9.xml">Download
document sources in <hi rend="sc">tei</hi> encoded <hi rend="sc">xml</hi>
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standard <hi rend="sc">pdf</hi> document</ref>.</p>
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