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          <title xml:lang="en" type="main">The Complete Stories</title>
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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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        </respStmt>
        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
        <address>
          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
        </address>
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          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
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              <title xml:lang="en" type="main">The Complete Stories</title>
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            <title type="short">maupassant-stories</title>
            <author>Guy de Maupassant</author>
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            <edition>Vol. 9</edition>
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            <publisher>Project Gutenberg</publisher>
            <pubPlace>London, United Kingdom</pubPlace>
            <date>2004 Jan 1</date>
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          <figDesc>Two Women in the Forest, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
Gogh</ref>  (1853–1890). </figDesc>
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      <div prev="9.4" next="9.6" type="chapter" n="9.5" xml:id="chp.9.5">
        <head type="chaphead">Old Mongilet</head>
        <div type="lsection">
          <p style="noindent">In the office old Mongilet was considered a type. He was a
good old employee, who had never been outside Paris but once in his life.
</p>
          <p style="indent">It was the end of July, and each of us, every Sunday, went to
roll in the grass, or soak in the water in the country near by. Asnieres, Argenteuil,
Chatou, Borgival, Maisons, Poissy, had their habitues and their ardent admirers.
We argued about the merits and advantages of all these places, celebrated and
delightful to all Parsian employees.
</p>
          <p style="indent">Daddy Mongilet declared:
</p>
          <p style="indent">“You are like a lot of sheep! It must be pretty, this country
you talk of!”
</p>
          <p style="indent">“Well, how about you, Mongilet? Don’t you ever go on an
excursion?”
</p>
          <p style="indent">“Yes, indeed. I go in an omnibus. When I have had a good
luncheon, without any hurry, at the wine shop down there, I look up my route with
a plan of Paris, and the time table of the lines and connections. And then I climb
up on the box, open my umbrella and off we go. Oh, I see lots of things, more than
you, I bet! I change my surroundings. It is as though I were taking a journey across
the world, the people are so different in one street and another. I know my Paris
better than anyone. And then, there is nothing more amusing than the entresols.
You would not believe what one sees in there at a glance. One guesses at domestic
scenes simply at sight of the face of a man who is roaring; one is amused on passing
by a barber’s shop, to see the barber leave his customer whose face is covered with
lather to look out in the street. One exchanges heartfelt glances with the milliners
just for fun, as one has no time to alight. Ah, how many things one sees!
</p>
          <p style="indent">“It is the drama, the real, the true, the drama of nature, seen
as the horses trot by. Heavens! I would not give my excursions in the omnibus for
all your stupid excursions in the woods.”
</p>
          <p style="indent">“Come and try it, Mongilet, come to the country once just to
see.”
</p>
          <p style="indent">“I was there once,” he replied, “twenty years ago, and you will
never catch me there again.”
</p>
          <p style="indent">“Tell us about it, Mongilet.”
</p>
          <p style="indent">“If you wish to hear it. This is how it was:
</p>
          <p style="indent">You knew Boivin, the old editorial clerk, whom we called
Boileau?”
</p>
          <p style="indent">“Yes, perfectly.”
</p>
          <p style="indent">“He was my office chum. The rascal had a house at Colombes
and always invited me to spend Sunday with him. He would say:
</p>
          <p style="indent">“‘Come along, Maculotte [he called me Maculotte for fun].
You will see what a nice excursion we will take.’
</p>
          <p style="indent">“I let myself be entrapped like an animal, and set out, one
morning by the 8 o’clock train. I arrived at a kind of town, a country town where
there is nothing to see, and I at length found my way to an old wooden door with
an iron bell, at the end of an alley between two walls.
</p>
          <p style="indent">“I rang, and waited a long time, and at last the door was
opened. What was it that opened it? I could not tell at the first glance. A woman
or an ape? The creature was old, ugly, covered with old clothes that looked dirty
and wicked. It had chicken’s feathers in its hair and looked as though it would
devour me.
</p>
          <p style="indent">“‘What do you want?’ she said.
</p>
          <p style="indent">“‘Mr. Boivin.’
</p>
          <p style="indent">“‘What do you want of him, of Mr. Boivin?’
</p>
          <p style="indent">“I felt ill at ease on being questioned by this fury. I
stammered: ‘Why-he expects me.’
</p>
          <p style="indent">“‘Ah, it is you who have come to luncheon?’
</p>
          <p style="indent">“‘Yes,’ I stammered, trembling.
</p>
          <p style="indent">“Then, turning toward the house, she cried in an angry tone:
</p>
          <p style="indent">“‘Boivin, here is your man!’
</p>
          <p style="indent">“It was my friend’s wife. Little Boivin appeared immediately
on the threshold of a sort of barrack of plaster covered with zinc, that looked like a
foot stove. He wore white duck trousers covered with stains and a dirty Panama hat.
</p>
          <p style="indent">“After shaking my hands warmly, he took me into what he
called his garden. It was at the end of another alleyway enclosed by high walls and
was a little square the size of a pocket handkerchief, surrounded by houses that were
so high that the sun, could reach it only two or three hours in the day. Pansies,
pinks, wallflowers and a few rose bushes were languishing in this well without air,
and hot as an oven from the refraction of heat from the roofs.
</p>
          <p style="indent">“‘I have no trees,’ said Boivin, ‘but the neighbors’ walls take
their place. I have as much shade as in a wood.’
</p>
          <p style="indent">“Then he took hold of a button of my coat and said in a low
tone:
</p>
          <p style="indent">“‘You can do me a service. You saw the wife. She is not
agreeable, eh? To-day, as I had invited you, she gave me clean clothes; but if I spot
them all is lost. I counted on you to water my plants.’
</p>
          <p style="indent">“I agreed. I took off my coat, rolled up my sleeves, and began
to work the handle of a kind of pump that wheezed, puffed and rattled like a
consumptive as it emitted a thread of water like a Wallace drinking fountain. It took
me ten minutes to water it and I was in a bath of perspiration. Boivin directed me:
</p>
          <p style="indent">“‘Here–this plant–a little more; enough–now this one.’
</p>
          <p style="indent">“The watering pot leaked and my feet got more water than
the flowers. The bottoms of my trousers were soaking and covered with mud. And
twenty times running I kept it up, soaking my feet afresh each time, and perspiring
anew as I worked the handle of the pump. And when I was tired out and wanted to
stop, Boivin, in a tone of entreaty, said as he put his hand on my arm:
</p>
          <p style="indent">“Just one more watering pot full–just one, and that will be all.’
</p>
          <p style="indent">“To thank me he gave me a rose, a big rose, but hardly had it
touched my button-hole than it fell to pieces, leaving only a hard little green knot as
a decoration. I was surprised, but said nothing.
</p>
          <p style="indent">“Mme. Boivin’s voice was heard in the distance:
</p>
          <p style="indent">‘Are you ever coming? When you know that luncheon is
ready!’
</p>
          <p style="indent">“We went toward the foot stove. If the garden was in the
shade, the house, on the other hand, was in the blazing sun, and the sweating room
in the Turkish bath is not as hot as was my friend’s dining room.
</p>
          <p style="indent">“Three plates at the side of which were some half-washed
forks, were placed on a table of yellow wood in the middle of which stood an
earthenware dish containing boiled beef and potatoes. We began to eat.
</p>
          <p style="indent">“A large water bottle full of water lightly colored with wine
attracted my attention. Boivin, embarrassed, said to his wife:
</p>
          <p style="indent">“‘See here, my dear, just on a special occasion, are you not
going to give us some plain wine?’
</p>
          <p style="indent">“She looked at him furiously.
</p>
          <p style="indent">“‘So that you may both get tipsy, is that it, and stay here
gabbing all day? A fig for your special occasion!’
</p>
          <p style="indent">“He said no more. After the stew she brought in another dish
of potatoes cooked with bacon. When this dish was finished, still in silence, she
announced:
</p>
          <p style="indent">“‘That is all! Now get out!’
</p>
          <p style="indent">“Boivin looked at her in astonishment.
</p>
          <p style="indent">“‘But the pigeon–the pigeon you plucked this morning?’
</p>
          <p style="indent">“She put her hands on her hips:
</p>
          <p style="indent">“‘Perhaps you have not had enough? Because you bring
people here is no reason why we should devour all that there is in the house. What
is there for me to eat this evening?’
</p>
          <p style="indent">“We rose. Solvin whispered
</p>
          <p style="indent">“‘Wait for me a second, and we will skip.’
</p>
          <p style="indent">“He went into the kitchen where his wife had gone, and I
overheard him say:
</p>
          <p style="indent">“‘Give me twenty sous, my dear.’
</p>
          <p style="indent">“‘What do you want with twenty sons?’
</p>
          <p style="indent">“‘Why, one does not know what may happen. It is always
better to have some money.’
</p>
          <p style="indent">“She yelled so that I should hear:
</p>
          <p style="indent">“‘No, I will not give it to you! As the man has had luncheon
here, the least he can do is to pay your expenses for the day.’
</p>
          <p style="indent">“Boivin came back to fetch me. As I wished to be polite I
bowed to the mistress of the house, stammering:
</p>
          <p style="indent">“‘Madame–many thanks–kind welcome.’
</p>
          <p style="indent">“‘That’s all right,’ she replied. ‘But do not bring him back
drunk, for you will have to answer to me, you know!’
</p>
          <p style="indent">“We set out. We had to cross a perfectly bare plain under the
burning sun. I attempted to gather a flower along the road and gave a cry of pain.
It had hurt my hand frightfully. They call these plants nettles. And, everywhere,
there was a smell of manure, enough to turn your stomach.
</p>
          <p style="indent">“Boivin said, ‘Have a little patience and we will reach the river
bank.’
</p>
          <p style="indent">“We reached the river. Here there was an odor of mud and
dirty water, and the sun blazed down on the water so that it burned my eyes. I
begged Boivin to go under cover somewhere. He took me into a kind of shanty filled
with men, a river boatmen’s tavern.
</p>
          <p style="indent">“He said:
</p>
          <p style="indent">“‘This does not look very grand, but it is very comfortable.’
</p>
          <p style="indent">“I was hungry. I ordered an omelet. But to and behold, at the
second glass of wine, that beggar, Boivin, lost his head, and I understand why his
wife gave him water diluted.
</p>
          <p style="indent">“He got up, declaimed, wanted to show his strength, interfered
in a quarrel between two drunken men who were fighting, and, but for the landlord,
who came to the rescue, we should both have been killed.
</p>
          <p style="indent">“I dragged him away, holding him up until we reached the first
bush where I deposited him. I lay down beside him and, it seems, I fell asleep. We
must certainly have slept a long time, for it was dark when I awoke. Boivin was
snoring at my side. I shook him; he rose but he was still drunk, though a little less
so.
</p>
          <p style="indent">“We set out through the darkness across the plain. Boivin said
he knew the way. He made me turn to the left, then to the right, then to the left.
We could see neither sky nor earth, and found ourselves lost in the midst of a kind
of forest of wooden stakes, that came as high as our noses. It was a vineyard and
these were the supports. There was not a single light on the horizon. We wandered
about in this vineyard for about an hour or two, hesitating, reaching out our arms
without finding any limit, for we kept retracing our steps.
</p>
          <p style="indent">“At length Boivin fell against a stake that tore his cheek and
he remained in a sitting posture on the ground, uttering with all his might long and
resounding hallos, while I screamed ‘Help! Help!’ as loud as I could, lighting
candle-matches to show the way to our rescuers, and also to keep up my courage.
</p>
          <p style="indent">“At last a belated peasant heard us and put us on our right
road. I took Boivin to his home, but as I was leaving him on the threshold of his
garden, the door opened suddenly and his wife appeared, a candle in her hand. She
frightened me horribly.
</p>
          <p style="indent">“As soon as she saw her husband, whom she must have been
waiting for since dark, she screamed, as she darted toward me:
</p>
          <p style="indent">“‘Ah, scoundrel, I knew you would bring him back drunk!’
</p>
          <p style="indent">“My, how I made my escape, running all the way to the
station, and as I thought the fury was pursuing me I shut myself in an inner room
as the train was not due for half an hour.
</p>
          <p style="indent">“That is why I never married, and why I never go out of Paris.”
</p>
        </div>
        <!--end of "section 5.0/.5"-->
      </div>
      <!--end of "chapter 9.5/0"-->
      <!--END OF CHAPTER 9.5/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 9; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Two Women in the
Forest, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
Gogh</ref>  (1853–1890). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
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<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
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        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-9.xml">Download
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