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          <title xml:lang="en" type="main">The Complete Stories</title>
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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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          <name>C. V. Radhakrishnan</name>
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        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
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          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
        </address>
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          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
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            <title type="short">maupassant-stories</title>
            <author>Guy de Maupassant</author>
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            <edition>Vol. 9</edition>
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            <date>2004 Jan 1</date>
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          <figDesc>Two Women in the Forest, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
Gogh</ref>  (1853–1890). </figDesc>
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      <div prev="9.11" next="9.13" type="chapter" n="9.12" xml:id="chp.9.12">
        <head type="chaphead">Friend Joseph</head>
        <div type="lsection">
          <p style="noindent">They had been great friends all winter in Paris. As is
always the case, they had lost sight of each other after leaving school, and had met
again when they were old and gray-haired. One of them had married, but the other
had remained in single blessedness.
</p>
          <p style="indent">M. de Meroul lived for six months in Paris and for six months
in his little chateau at Tourbeville. Having married the daughter of a neighboring,
squire, he had lived a good and peaceful life in the indolence of a man who has
nothing to do. Of a calm and quiet disposition, and not over-intelligent he used to
spend his time quietly regretting the past, grieving over the customs and
institutions of the day and continually repeating to his wife, who would lift her eyes,
and sometimes her hands, to heaven, as a sign of energetic assent: “Good gracious!
What a government!”
</p>
          <p style="indent">Madame de Meroul resembled her husband intellectually as
though she had been his sister. She knew, by tradition, that one should above all
respect the Pope and the King!
</p>
          <p style="indent">And she loved and respected them from the bottom of her
heart, without knowing them, with a poetic fervor, with an hereditary devotion,
with the tenderness of a wellborn woman. She was good to, the marrow of her
bones. She had had no children, and never ceased mourning the fact.
</p>
          <p style="indent">On meeting his old friend, Joseph Mouradour, at a ball, M. de
Meroul was filled with a deep and simple joy, for in their youth they had been
intimate friends.
</p>
          <p style="indent">After the first exclamations of surprise at the changes which
time had wrought in their bodies and countenances, they told each other about
their lives since they had last met.
</p>
          <p style="indent">Joseph Mouradour, who was from the south of France, had
become a government official. His manner was frank; he spoke rapidly and without
restraint, giving his opinions without any tact. He was a Republican, one of those
good fellows who do not believe in standing on ceremony, and who exercise an
almost brutal freedom of speech.
</p>
          <p style="indent">He came to his friend’s house and was immediately liked for
his easy cordiality, in spite of his radical ideas. Madame de Meroul would exclaim:
</p>
          <p style="indent">“What a shame! Such a charming man!”
</p>
          <p style="indent">Monsieur de Meroul would say to his friend in a serious and
confidential tone of voice; “You have no idea the harm that you are doing your
country.” He loved him all the same, for nothing is stronger than the ties of
childhood taken up again at a riper age. Joseph Mouradour bantered the wife and
the husband, calling them “my amiable snails,” and sometimes he would solemnly
declaim against people who were behind the times, against old prejudices and
traditions.
</p>
          <p style="indent">When he was once started on his democratic eloquence, the
couple, somewhat ill at ease, would keep silent from politeness and good- breeding;
then the husband would try to turn the conversation into some other channel in
order to avoid a clash. Joseph Mouradour was only seen in the intimacy of the
family.
</p>
          <p style="indent">Summer came. The Merouls had no greater pleasure than to
receive their friends at their country home at Tourbeville. It was a good, healthy
pleasure, the enjoyments of good people and of country proprietors. They would
meet their friends at the neighboring railroad station and would bring them back in
their carriage, always on the lookout for compliments on the country, on its natural
features, on the condition of the roads, on the cleanliness of the farm-houses, on the
size of the cattle grazing in the fields, on everything within sight.
</p>
          <p style="indent">They would call attention to the remarkable speed with which
their horse trotted, surprising for an animal that did heavy work part of the year
behind a plow; and they would anxiously await the opinion of the newcomer on
their family domain, sensitive to the least word, and thankful for the slightest good
intention.
</p>
          <p style="indent">Joseph Mouradour was invited, and he accepted the invitation.
</p>
          <p style="indent">Husband and wife had come to the train, delighted to welcome
him to their home. As soon as he saw them, Joseph Mouradour jumped from the
train with a briskness which increased their satisfaction. He shook their hands,
congratulated them, overwhelmed them with compliments.
</p>
          <p style="indent">All the way home he was charming, remarking on the height of
the trees, the goodness of the crops and the speed of the horse.
</p>
          <p style="indent">When he stepped on the porch of the house, Monsieur de
Meroul said, with a certain friendly solemnity:
</p>
          <p style="indent">“Consider yourself at home now.”
</p>
          <p style="indent">Joseph Mouradour answered:
</p>
          <p style="indent">“Thanks, my friend; I expected as much. Anyhow, I never
stand on ceremony with my friends. That’s how I understand hospitality.”
</p>
          <p style="indent">Then he went upstairs to dress as a farmer, he said, and he
came back all togged out in blue linen, with a little straw hat and yellow shoes, a
regular Parisian dressed for an outing. He also seemed to become more vulgar, more
jovial, more familiar; having put on with his country clothes a free and easy manner
which he judged suitable to the surroundings. His new manners shocked Monsieur
and Madame de Meroul a little, for they always remained serious and dignified, even
in the country, as though compelled by the two letters preceding their name to keep
up a certain formality even in the closest intimacy.
</p>
          <p style="indent">After lunch they all went out to visit the farms, and the
Parisian astounded the respectful peasants by his tone of comradeship.
</p>
          <p style="indent">In the evening the priest came to dinner, an old, fat priest,
accustomed to dining there on Sundays, but who had been especially invited this
day in honor of the new guest.
</p>
          <p style="indent">Joseph, on seeing him, made a wry face. Then he observed
him with surprise, as though he were a creature of some peculiar race, which he had
never been able to observe at close quarters. During the meal he told some rather
free stories, allowable in the intimacy of the family, but which seemed to the
Merouls a little out of place in the presence of a minister of the Church. He did not
say, “Monsieur l’abbe,” but simply, “Monsieur.” He embarrassed the priest greatly
by philosophical discussions about diverse superstitions current all over the world.
He said: “Your God, monsieur, is of those who should be respected, but also one of
those who should be discussed. Mine is called Reason; he has always been the
enemy of yours.”
</p>
          <p style="indent">The Merouls, distressed, tried to turn the trend of the
conversation. The priest left very early.
</p>
          <p style="indent">Then the husband said, very quietly:
</p>
          <p style="indent">“Perhaps you went a little bit too far with the priest.”
</p>
          <p style="indent">But Joseph immediately exclaimed:
</p>
          <p style="indent">“Well, that’s pretty good! As if I would be on my guard with
a shaveling! And say, do me the pleasure of not imposing him on me any more at
meals. You can both make use of him as much as you wish, but don’t serve him up
to your friends, hang it!”
</p>
          <p style="indent">“But, my friends, think of his holy–”
</p>
          <p style="indent">Joseph Mouradour interrupted him:
</p>
          <p style="indent">“Yes, I know; they have to be treated like ‘rosieres.’ But let
them respect my convictions, and I will respect theirs!”
</p>
          <p style="indent">That was all for that day.
</p>
          <p style="indent">As soon as Madame de Meroul entered the parlor, the next
morning, she noticed in the middle of the table three newspapers which made her
start the Voltaire, the Republique-Francaise and the Justice. Immediately Joseph
Mouradour, still in blue, appeared on the threshold, attentively reading the
Intransigeant. He cried:
</p>
          <p style="indent">“There’s a great article in this by Rochefort. That fellow is a
wonder!”
</p>
          <p style="indent">He read it aloud, emphasizing the parts which especially
pleased him, so carried away by enthusiasm that he did not notice his friend’s
entrance. Monsieur de Meroul was holding in his hand the Gaulois for himself, the
Clarion for his wife.
</p>
          <p style="indent">The fiery prose of the master writer who overthrew the
empire, spouted with violence, sung in the southern accent, rang throughout the
peaceful parsons seemed to spatter the walls and century-old furniture with a hail of
bold, ironical and destructive words.
</p>
          <p style="indent">The man and the woman, one standing, the other sitting, were
listening with astonishment, so shocked that they could not move.
</p>
          <p style="indent">In a burst of eloquence Mouradour finished the last paragraph,
then exclaimed triumphantly:
</p>
          <p style="indent">“Well! that’s pretty strong!”
</p>
          <p style="indent">Then, suddenly, he noticed the two sheets which his friend was
carrying, and he, in turn, stood speechless from surprise. Quickly walking toward
him he demanded angrily:
</p>
          <p style="indent">“What are you doing with those papers?”
</p>
          <p style="indent">Monsieur de Meroul answered hesitatingly:
</p>
          <p style="indent">“Why–those–those are my papers!”
</p>
          <p style="indent">“Your papers! What are you doing–making fun of me? You
will do me the pleasure of reading mine; they will limber up your ideas, and as for
yours–there! that’s what I do with them.”
</p>
          <p style="indent">And before his astonished host could stop him, he had seized
the two newspapers and thrown them out of the window. Then he solemnly handed
the Justice to Madame de Meroul, the Voltaire to her husband, while he sank down
into an arm-chair to finish reading the Intransigeant.
</p>
          <p style="indent">The couple, through delicacy, made a pretense of reading a
little, they then handed him back the Republican sheets, which they handled
gingerly, as though they might be poisoned.
</p>
          <p style="indent">He laughed and declared:
</p>
          <p style="indent">“One week of this regime and I will have you converted to my
ideas.”
</p>
          <p style="indent">In truth, at the end of a week he ruled the house. He had
closed the door against the priest, whom Madame de Meroul had to visit secretly;
he had forbidden the Gaulois and the Clarion to be brought into the house, so that
a servant had to go mysteriously to the post-office to get them, and as soon as he
entered they would be hidden under sofa cushions; he arranged everything to suit
himself–always charming, always good- natured, a jovial and all-powerful tyrant.
</p>
          <p style="indent">Other friends were expected, pious and conservative friends.
The unhappy couple saw the impossibility of having them there then, and, not
knowing what to do, one evening they announced to Joseph Mouradour that they
would be obliged to absent themselves for a few days, on business, and they begged
him to stay on alone. He did not appear disturbed, and answered:
</p>
          <p style="indent">“Very well, I don’t mind! I will wait here as long as you wish.
I have already said that there should be no formality between friends. You are
perfectly right-go ahead and attend to your business. It will not offend me in the
least; quite the contrary, it will make me feel much more completely one of the
family. Go ahead, my friends, I will wait for you!”
</p>
          <p style="indent">Monsieur and Madame de Meroul left the following day.
</p>
          <p style="indent">He is still waiting for them.
</p>
        </div>
        <!--end of "section 12.0/.17"-->
      </div>
      <!--end of "chapter 9.12/0"-->
      <!--END OF CHAPTER 9.12/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 9; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Two Women in the
Forest, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
Gogh</ref>  (1853–1890). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
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