<?xml version="1.0" encoding="UTF-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0" xml:lang="en">
  <teiHeader>
    <fileDesc>
      <titleStmt>
        <title type="full">
          <title xml:lang="en" type="main">The Complete Stories</title>
        </title>
        <author>Guy de Maupassant</author>
        <respStmt>
          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
        </respStmt>
        <respStmt>
          <resp>Encoded and typeset by</resp>
          <name>C. V. Radhakrishnan</name>
        </respStmt>
        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
      </titleStmt>
      <publicationStmt>
        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
        <address>
          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
        </address>
        <availability>
          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        </availability>
      </publicationStmt>
      <sourceDesc>
        <biblFull>
          <titleStmt>
            <title type="full">
              <title xml:lang="en" type="main">The Complete Stories</title>
            </title>
            <title type="short">maupassant-stories</title>
            <author>Guy de Maupassant</author>
          </titleStmt>
          <editionStmt>
            <edition>Vol. 8</edition>
          </editionStmt>
          <extent>
            <measure unit="pages" quantity="165">165 pages of source material</measure>
          </extent>
          <publicationStmt>
            <publisher>Project Gutenberg</publisher>
            <pubPlace>London, United Kingdom</pubPlace>
            <date>2004 Jan 1</date>
          </publicationStmt>
        </biblFull>
      </sourceDesc>
    </fileDesc>
    <profileDesc>
      <langUsage>
        <language ident="en">English</language>
      </langUsage>
      <textClass>
        <keywords>
          <term>Short Stories</term>
          <term>Guy de Maupassant</term>
          <term>The Complete Stories</term>
          <term>Open Access Publishing</term>
          <term>English</term>
          <term>Sayahna Foundation</term>
          <term>Free Software</term>
          <term>TEI XML</term>
          <term>PDF</term>
          <term>HTML5</term>
          <term>TeX</term>
        </keywords>
      </textClass>
      <textDesc n="Short stories">
        <channel mode="w">digital delivery</channel>
        <constitution type="composite"/>
        <derivation type="translation"/>
        <domain type="art"/>
        <factuality type="fiction"/>
        <interaction type="complete"/>
        <preparedness type="prepared"/>
        <purpose type="inform" degree="high"/>
      </textDesc>
      <settingDesc>
        <setting>
          <name>London, United Kingdom, India</name>
          <time>2004 Jan 1</time>
        </setting>
      </settingDesc>
    </profileDesc>
  </teiHeader>
  <text>
    <front xmlns="http://www.tei-c.org/ns/1.0">
      <div xml:id="cover" type="Cover">
        <figure xml:id="cover-image" rend="fullfig">
          <graphic url="images/gdm-stories-8-cover.jpg" width="100%"/>
          <figDesc>Café-Concert, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Georges_Seurat">Georges
Seurat</ref>  (1859–1891). </figDesc>
        </figure>
      </div>
      <titlePage xmlns="http://www.tei-c.org/ns/1.0">
        <docTitle>
          <titlePart type="main">The Complete Stories</titlePart>
        </docTitle>
        <docAuthor>
          <persName>Guy de Maupassant</persName>
        </docAuthor>
      </titlePage>
    </front>
    <body>
      <div prev="8.8" next="8.10" type="chapter" n="8.9" xml:id="chp.8.9">
        <head type="chaphead">His Avenger</head>
        <div type="lsection">
          <p style="noindent">When m. antoine leuillet married the widow, Madame
Mathilde Souris, he had already been in love with her for ten years.
</p>
          <p style="indent">M. Souris has been his friend, his old college chum. Leuillet
was very much attached to him, but thought he was somewhat of a simpleton. He
would often remark: “That poor Souris who will never set the world on fire.”
</p>
          <p style="indent">When Souris married Miss Mathilde Duval, Leuillet was
astonished and somewhat annoyed, as he was slightly devoted to her, himself. She
was the daughter of a neighbor, a former proprietor of a draper’s establishment who
had retired with quite a small fortune. She married Souris for his money.
</p>
          <p style="indent">Then Leuillet thought he would start a flirtation with his
friend’s wife. He was a good-looking man, intelligent and also rich. He thought it
would be all plain sailing, but he was mistaken. Then he really began to admire her
with an admiration that his friendship for the husband obliged him to keep within
the bounds of discretion, making him timid and embarrassed. Madame Souris
believing that his presumptions had received a wholesome check now treated him as
a good friend. This went on for nine years.
</p>
          <p style="indent">One morning a messenger brought Leuillet a distracted note
from the poor woman. Souris had just died suddenly from the rupture of an
aneurism. He was dreadfully shocked, for they were just the same age. But almost
immediately a feeling of profound joy, of intense relief, of emancipation filled his
being. Madame Souris was free.
</p>
          <p style="indent">He managed, however, to assume the sad, sympathetic
expression that was appropriate, waited the required time, observed all social
appearances. At the end of fifteen months he married the widow.
</p>
          <p style="indent">This was considered to be a very natural, and even a generous
action. It was the act of a good friend of an upright man.
</p>
          <p style="indent">He was happy at last, perfectly happy.
</p>
          <p style="indent">They lived in the most cordial intimacy, having understood
and appreciated each other from the first. They had no secrets from one another
and even confided to each other their most secret thoughts. Leuillet loved his wife
now with a quiet and trustful affection; he loved her as a tender, devoted companion
who is an equal and a confidante. But there lingered in his mind a strange and
inexplicable bitterness towards the defunct Souris, who had first been the husband
of this woman, who had had the flower of her youth and of her soul, and had even
robbed her of some of her poetry. The memory of the dead husband marred the
happiness of the living husband, and this posthumous jealousy tormented his heart
by day and by night.
</p>
          <p style="indent">The consequence was he talked incessantly of Souris, asked
about a thousand personal and secret minutia, wanted to know all about his habits
and his person. And he sneered at him even in his grave, recalling with
self-satisfaction his whims, ridiculing his absurdities, dwelling on his faults.
</p>
          <p style="indent">He would call to his wife all over the house:
</p>
          <p style="indent">“Hallo, Mathilde!”
</p>
          <p style="indent">“Here I am, dear.”
</p>
          <p style="indent">“Come here a moment.”
</p>
          <p style="indent">She would come, always smiling, knowing well that he would
say something about Souris and ready to flatter her new husband’s inoffensive
mania.
</p>
          <p style="indent">“Tell me, do you remember one day how Souris insisted on
explaining to me that little men always commanded more affection than big men?”
</p>
          <p style="indent">And he made some remarks that were disparaging to the
deceased, who was a small man, and decidedly flattering to himself, Leuillet, who
was a tall man.
</p>
          <p style="indent">Mme. Leuillet allowed him to think he was right, quite right,
and she laughed heartily, gently ridiculing her former husband for the sake of
pleasing the present one, who always ended by saying:
</p>
          <p style="indent">“All the same, what a ninny that Souris was!”
</p>
          <p style="indent">They were happy, quite happy, and Leuillet never ceased to
show his devotion to his wife.
</p>
          <p style="indent">One night, however, as they lay awake, Leuillet said as he
kissed his wife:
</p>
          <p style="indent">“See here, dearie.”
</p>
          <p style="indent">“Well?”
</p>
          <p style="indent">“Was Souris–I don’t exactly know how to say it–was Souris
very loving?”
</p>
          <p style="indent">She gave him a kiss for reply and murmured “Not as loving as
you are, mon chat.”
</p>
          <p style="indent">He was flattered in his self-love and continued:
</p>
          <p style="indent">“He must have been–a ninny–was he not?”
</p>
          <p style="indent">She did not reply. She only smiled slyly and hid her face in
her husband’s neck.
</p>
          <p style="indent">“He must have been a ninny and not–not–not smart?”
</p>
          <p style="indent">She shook her head slightly to imply, “No–not at all smart.”
</p>
          <p style="indent">He continued:
</p>
          <p style="indent">“He must have been an awful nuisance, eh?”
</p>
          <p style="indent">This time she was frank and replied:
</p>
          <p style="indent">“Oh yes!”
</p>
          <p style="indent">He kissed her again for this avowal and said:
</p>
          <p style="indent">“What a brute he was! You were not happy with him?”
</p>
          <p style="indent">“No,” she replied. “It was not always pleasant.”
</p>
          <p style="indent">Leuillet was delighted, forming in his mind a comparison,
much in his own favor, between his wife’s former and present position. He was silent
for a time, and then with a burst of laughter he asked:
</p>
          <p style="indent">“Tell me?”
</p>
          <p style="indent">“What?”
</p>
          <p style="indent">“Will you be frank, very frank with me?”
</p>
          <p style="indent">“Why yes, my dear.”
</p>
          <p style="indent">“Well then, tell me truly did you never feel tempted to–to–to
deceive that imbecile Souris?”
</p>
          <p style="indent">Mme. Leuillet said: “Oh!” pretending to be shocked and hid
her face again on her husband’s shoulder. But he saw that she was laughing.
</p>
          <p style="indent">“Come now, own up,” he persisted. “He looked like a ninny,
that creature! It would be funny, so funny! Good old Souris! Come, come, dearie,
you do not mind telling me, me, of all people.”
</p>
          <p style="indent">He insisted on the “me” thinking that if she had wished to
deceive Souris she would have chosen him, and he was trembling in anticipation of
her avowal, sure that if she had not been a virtuous woman she would have
encouraged his own attentions.
</p>
          <p style="indent">But she did not answer, laughing still, as at the recollection of
something exceedingly comical.
</p>
          <p style="indent">Leuillet, in his turn began to laugh, thinking he might have
been the lucky man, and he muttered amid his mirth: “That poor Souris, that poor
Souris, oh, yes, he looked like a fool!”
</p>
          <p style="indent">Mme. Leuillet was almost in spasms of laughter.
</p>
          <p style="indent">“Come, confess, be frank. You know I will not mind.”
</p>
          <p style="indent">Then she stammered out, almost choking with laughter: “Yes,
yes.”
</p>
          <p style="indent">“Yes, what?” insisted her husband. “Come, tell all.”
</p>
          <p style="indent">She was quieter now and putting her mouth to her husband’s
ear, she whispered: “Yes, I did deceive him.”
</p>
          <p style="indent">He felt a chill run down his back and to his very bones, and he
stammered out, dumfounded: “You–you–deceived him–criminally?”
</p>
          <p style="indent">She still thought he was amused and replied: “Yes–yes,
absolutely.”
</p>
          <p style="indent">He was obliged to sit up to recover his breath, he was so
shocked and upset at what he had heard.
</p>
          <p style="indent">She had become serious, understanding too late what she had
done.
</p>
          <p style="indent">“With whom?” said Leuillet at length.
</p>
          <p style="indent">She was silent seeking some excuse.
</p>
          <p style="indent">“A young man,” she replied at length.
</p>
          <p style="indent">He turned suddenly toward her and said drily:
</p>
          <p style="indent">“I did not suppose it was the cook. I want to know what
young man, do you hear?”
</p>
          <p style="indent">She did not answer.
</p>
          <p style="indent">He snatched the covers from her face, repeating:
</p>
          <p style="indent">“I want to know what young man, do you hear?”
</p>
          <p style="indent">Then she said sorrowfully: “I was only in fun.” But he was
trembling with rage. “What? How? You were only in fun? You were making fun of
me, then? But I am not satisfied, do you hear? I want the name of the young man!”
</p>
          <p style="indent">She did not reply, but lay there motionless.
</p>
          <p style="indent">He took her by the arm and squeezed it, saying: “Do you
understand me, finally? I wish you to reply when I speak to you.”
</p>
          <p style="indent">“I think you are going crazy,” she said nervously, “let me
alone!”
</p>
          <p style="indent">He was wild with rage, not knowing what to say, exasperated,
and he shook her with all his might, repeating:
</p>
          <p style="indent">“Do you hear me, do you hear me?”
</p>
          <p style="indent">She made an abrupt effort to disengage herself and the tips of
her fingers touched her husband’s nose. He was furious, thinking she had tried to
hit him, and he sprang upon her holding her down; and boxing her ears with all his
might, he cried: “Take that, and that, there, there, wretch!”
</p>
          <p style="indent">When he was out of breath and exhausted, he rose and went
toward the dressing table to prepare a glass of eau sucree with orange flower, for he
felt as if he should faint.
</p>
          <p style="indent">She was weeping in bed, sobbing bitterly, for she felt as if her
happiness was over, through her own fault.
</p>
          <p style="indent">Then, amidst her tears, she stammered out:
</p>
          <p style="indent">“Listen, Antoine, come here, I told you a lie, you will
understand, listen.”
</p>
          <p style="indent">And prepared to defend herself now, armed with excuses and
artifice, she raised her disheveled head with its nightcap all awry.
</p>
          <p style="indent">Turning toward her, he approached, ashamed of having struck
her, but feeling in the bottom of his heart as a husband, a relentless hatred toward
this woman who had deceived the former husband, Souris.
</p>
        </div>
        <!--end of "section 9.0/.9"-->
      </div>
      <!--end of "chapter 8.9/0"-->
      <!--END OF CHAPTER 8.9/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 8; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Café-Concert, a painting
by <ref target="hhttps://en.wikipedia.org/wiki/Georges_Seurat">Georges
Seurat</ref>  (1859–1891). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
Garamond</ref>  developed by
<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
headings are with
<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
<hi rend="sc">sc</hi> </ref>; the catchline and the footer make use of
<ref target="https://fonts.google.com/specimen/Cormorant+Upright#about">Cormorant
Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-8.xml">Download
document sources in <hi rend="sc">tei</hi> encoded <hi rend="sc">xml</hi>
format</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/en/pdf/maupassant-stories-8.pdf">Download
standard <hi rend="sc">pdf</hi> document</ref>.</p>
      </div>
    </back>
  </text>
</TEI>
