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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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        <sponsor>Sayahna Foundation</sponsor>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
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          <addrLine>Trivandrum 695014</addrLine>
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          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
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            <author>Guy de Maupassant</author>
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          <figDesc>Café-Concert, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Georges_Seurat">Georges
Seurat</ref>  (1859–1891). </figDesc>
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      <div prev="8.14" next="8.16" type="chapter" n="8.15" xml:id="chp.8.15">
        <head type="chaphead">In the Wood</head>
        <div type="lsection">
          <p style="noindent">As the mayor was about to sit down to breakfast, word was
brought to him that the rural policeman, with two prisoners, was awaiting him at
the Hotel de Ville. He went there at once and found old Hochedur standing guard
before a middle-class couple whom he was regarding with a severe expression on his
face.
</p>
          <p style="indent">The man, a fat old fellow with a red nose and white hair,
seemed utterly dejected; while the woman, a little roundabout individual with
shining cheeks, looked at the official who had arrested them, with defiant eyes.
</p>
          <p style="indent">“What is it? What is it, Hochedur?”
</p>
          <p style="indent">The rural policeman made his deposition: He had gone out
that morning at his usual time, in order to patrol his beat from the forest of
Champioux as far as the boundaries of Argenteuil. He had not noticed anything
unusual in the country except that it was a fine day, and that the wheat was doing
well, when the son of old Bredel, who was going over his vines, called out to him:
“Here, Daddy Hochedur, go and have a look at the outskirts of the wood. In the
first thicket you will find a pair of pigeons who must be a hundred and thirty years
old between them!”
</p>
          <p style="indent">He went in the direction indicated, entered the thicket, and
there he heard words which made him suspect a flagrant breach of morality.
Advancing, therefore, on his hands and knees as if to surprise a poacher, he had
arrested the couple whom he found there.
</p>
          <p style="indent">The mayor looked at the culprits in astonishment, for the man
was certainly sixty, and the woman fifty-five at least, and he began to question
them, beginning with the man, who replied in such a weak voice that he could
scarcely be heard.
</p>
          <p style="indent">“What is your name?”
</p>
          <p style="indent">“Nicholas Beaurain.”
</p>
          <p style="indent">“Your occupation?”
</p>
          <p style="indent">“Haberdasher, in the Rue des Martyrs, in Paris.”
</p>
          <p style="indent">“What were you doing in the wood?”
</p>
          <p style="indent">The haberdasher remained silent, with his eyes on his fat
paunch, and his hands hanging at his sides, and the mayor continued:
</p>
          <p style="indent">“Do you deny what the officer of the municipal authorities
states?”
</p>
          <p style="indent">“No, monsieur.”
</p>
          <p style="indent">“So you confess it?”
</p>
          <p style="indent">“Yes, monsieur.”
</p>
          <p style="indent">“What have you to say in your defence?”
</p>
          <p style="indent">“Nothing, monsieur.”
</p>
          <p style="indent">“Where did you meet the partner in your misdemeanor?”
</p>
          <p style="indent">“She is my wife, monsieur.”
</p>
          <p style="indent">“Your wife?”
</p>
          <p style="indent">“Yes, monsieur.”
</p>
          <p style="indent">“Then–then–you do not live together-in Paris?”
</p>
          <p style="indent">“I beg your pardon, monsieur, but we are living together!”
</p>
          <p style="indent">“But in that case–you must be mad, altogether mad, my dear
sir, to get caught playing lovers in the country at ten o’clock in the morning.”
</p>
          <p style="indent">The haberdasher seemed ready to cry with shame, and he
muttered: “It was she who enticed me! I told her it was very stupid, but when a
woman once gets a thing into her head–you know–you cannot get it out.”
</p>
          <p style="indent">The mayor, who liked a joke, smiled and replied: “In your
case, the contrary ought to have happened. You would not be here, if she had had
the idea only in her head.”
</p>
          <p style="indent">Then Monsieur Beauain was seized with rage and turning to
his wife, he said: “Do you see to what you have brought us with your poetry? And
now we shall have to go before the courts at our age, for a breach of morals! And we
shall have to shut up the shop, sell our good will, and go to some other
neighborhood! That’s what it has come to.”
</p>
          <p style="indent">Madame Beaurain got up, and without looking at her
husband, she explained herself without embarrassment, without useless modesty,
and almost without hesitation.
</p>
          <p style="indent">“Of course, monsieur, I know that we have made ourselves
ridiculous. Will you allow me to plead my cause like an advocate, or rather like a
poor woman? And I hope that you will be kind enough to send us home, and to
spare us the disgrace of a prosecution.
</p>
          <p style="indent">“Years ago, when I was young, I made Monsieur Beaurain’s
acquaintance one Sunday in this neighborhood. He was employed in a draper’s
shop, and I was a saleswoman in a ready-made clothing establishment. I remember
it as if it were yesterday. I used to come and spend Sundays here occasionally with
a friend of mine, Rose Leveque, with whom I lived in the Rue Pigalle, and Rose had
a sweetheart, while I had none. He used to bring us here, and one Saturday he told
me laughing that he should bring a friend with him the next day. I quite understood
what he meant, but I replied that it would be no good; for I was virtuous, monsieur.
</p>
          <p style="indent">“The next day we met Monsieur Beaurain at the railway
station, and in those days he was good-looking, but I had made up my mind not to
encourage him, and I did not. Well, we arrived at Bezons. It was a lovely day, the
sort of day that touches your heart. When it is fine even now, just as it used to be
formerly, I grow quite foolish, and when I am in the country I utterly lose my head.
The green grass, the swallows flying so swiftly, the smell of the grass, the scarlet
poppies, the daisies, all that makes me crazy. It is like champagne when one is not
accustomed to it!
</p>
          <p style="indent">“Well, it was lovely weather, warm and bright, and it seemed
to penetrate your body through your eyes when you looked and through your
mouth when you breathed. Rose and Simon hugged and kissed each other every
minute, and that gave me a queer feeling! Monsieur Beaurain and I walked behind
them, without speaking much, for when people do not know each other, they do not
find anything to talk about. He looked timid, and I liked to see his embarrassment.
At last we got to the little wood; it was as cool as in a bath there, and we four sat
down. Rose and her lover teased me because I looked rather stern, but you will
understand that I could not be otherwise. And then they began to kiss and hug
again, without putting any more restraint upon themselves than if we had not been
there; and then they whispered together, and got up and went off among the trees,
without saying a word. You may fancy what I looked like, alone with this young
fellow whom I saw for the first time. I felt so confused at seeing them go that it
gave me courage, and I began to talk. I asked him what his business was, and he
said he was a linen draper’s assistant, as I told you just now. We talked for a few
minutes, and that made him bold, and he wanted to take liberties with me, but I
told him sharply to keep his place. Is not that true, Monsieur Beaurain?”
</p>
          <p style="indent">Monsieur Beaurain, who was looking at his feet in confusion,
did not reply, and she continued: “Then he saw that I was virtuous, and he began
to make love to me nicely, like an honorable man, and from that time he came every
Sunday, for he was very much in love with me. I was very fond of him also, very
fond of him! He was a good-looking fellow, formerly, and in short he married me the
next September, and we started in business in the Rue des Martyrs.
</p>
          <p style="indent">“It was a hard struggle for some years, monsieur. Business did
not prosper, and we could not afford many country excursions, and, besides, we had
got out of the way of them. One has other things in one’s head, and thinks more of
the cash box than of pretty speeches, when one is in business. We were growing old
by degrees without perceiving it, like quiet people who do not think much about
love. One does not regret anything as long as one does not notice what one has lost.
</p>
          <p style="indent">“And then, monsieur, business became better, and we were
tranquil as to the future! Then, you see, I do not exactly know what went on in my
mind, no, I really do not know, but I began to dream like a little boarding-school
girl. The sight of the little carts full of flowers which are drawn about the streets
made me cry; the smell of violets sought me out in my easy-chair, behind my cash
box, and made my heart beat! Then I would get up and go out on the doorstep to
look at the blue sky between the roofs. When one looks up at the sky from the
street, it looks like a river which is descending on Paris, winding as it flows, and the
swallows pass to and fro in it like fish. These ideas are very stupid at my age! But
how can one help it, monsieur, when one has worked all one’s life? A moment comes
in which one perceives that one could have done something else, and that one
regrets, oh! yes, one feels intense regret! Just think, for twenty years I might have
gone and had kisses in the woods, like other women. I used to think how delightful
it would be to lie under the trees and be in love with some one! And I thought of it
every day and every night! I dreamed of the moonlight on the water, until I felt
inclined to drown myself.
</p>
          <p style="indent">“I did not venture to speak to Monsieur Beaurain about this
at first. I knew that he would make fun of me, and send me back to sell my needles
and cotton! And then, to speak the truth, Monsieur Beaurain never said much to
me, but when I looked in the glass, I also understood quite well that I no longer
appealed to any one!
</p>
          <p style="indent">“Well, I made up my mind, and I proposed to him an
excursion into the country, to the place where we had first become acquainted. He
agreed without mistrusting anything, and we arrived here this morning, about nine
o’clock.
</p>
          <p style="indent">“I felt quite young again when I got among the wheat, for a
woman’s heart never grows old! And really, I no longer saw my husband as he is at
present, but just as he was formerly! That I will swear to you, monsieur. As true as
I am standing here I was crazy. I began to kiss him, and he was more surprised than
if I had tried to murder him. He kept saying to me: ‘Why, you must be mad! You
are mad this morning! What is the matter with you?’ I did not listen to him, I only
listened to my own heart, and I made him come into the wood with me. That is all.
I have spoken the truth, Monsieur le Maire, the whole truth.”
</p>
          <p style="indent">The mayor was a sensible man. He rose from his chair, smiled,
and said: “Go in peace, madame, and when you again visit our forests, be more
discreet.”
</p>
        </div>
        <!--end of "section 15.0/.15"-->
      </div>
      <!--end of "chapter 8.15/0"-->
      <!--END OF CHAPTER 8.15/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 8; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Café-Concert, a painting
by <ref target="hhttps://en.wikipedia.org/wiki/Georges_Seurat">Georges
Seurat</ref>  (1859–1891). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
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