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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
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          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
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          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
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            <title type="short">maupassant-stories</title>
            <author>Guy de Maupassant</author>
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            <date>2004 Jan 1</date>
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          <figDesc>Frau mit Sonnenschirm, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
Gogh</ref>  (1853–1990). </figDesc>
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      <div prev="7.2" next="7.4" type="chapter" n="7.3" xml:id="chp.7.3">
        <head type="chaphead">Yvette Samoris</head>
        <div type="lsection">
          <p style="noindent">“The Comtesse Samoris.”
</p>
          <p style="indent">“That lady in black over there?”
</p>
          <p style="indent">“The very one. She’s wearing mourning for her daughter,
whom she killed.”
</p>
          <p style="indent">“You don’t mean that seriously? How did she die?”
</p>
          <p style="indent">“Oh! it is a very simple story, without any crime in it, any
violence.”
</p>
          <p style="indent">“Then what really happened?”
</p>
          <p style="indent">“Almost nothing. Many courtesans are born to be virtuous
women, they say; and many women called virtuous are born to be courtesans–is
that not so? Now, Madame Samoris, who was born a courtesan, had a daughter
born a virtuous woman, that’s all.”
</p>
          <p style="indent">“I don’t quite understand you.”
</p>
          <p style="indent">“I’ll–explain what I mean. The comtesse is nothing but a
common, ordinary parvenue originating no one knows where. A Hungarian or
Wallachian countess or I know not what. She appeared one winter in apartments she
had taken in the Champs Elysees, that quarter for adventurers and adventuresses,
and opened her drawing-room to the first comer or to any one that turned up.
</p>
          <p style="indent">“I went there. Why? you will say. I really can’t tell you. I
went there, as every one goes to such places because the women are facile and the
men are dishonest. You know that set composed of filibusters with varied
decorations, all noble, all titled, all unknown at the embassies, with the exception of
those who are spies. All talk of their honor without the slightest occasion for doing
so, boast of their ancestors, tell you about their lives, braggarts, liars, sharpers, as
dangerous as the false cards they have up their sleeves, as delusive as their names–
in short, the aristocracy of the bagnio.
</p>
          <p style="indent">“I adore these people. They are interesting to study,
interesting to know, amusing to understand, often clever, never commonplace like
public functionaries. Their wives are always pretty, with a slight flavor of foreign
roguery, with the mystery of their existence, half of it perhaps spent in a house of
correction. They have, as a rule, magnificent eyes and incredible hair. I adore them
also.
</p>
          <p style="indent">“Madame Samoris is the type of these adventuresses, elegant,
mature and still beautiful. Charming feline creatures, you feel that they are vicious
to the marrow of their bones. You find them very amusing when you visit them;
they give card parties; they have dances and suppers; in short, they offer you all the
pleasures of social life.
</p>
          <p style="indent">“And she had a daughter–a tall, fine-looking girl, always ready
for amusement, always full of laughter and reckless gaiety–a true adventuress’
daughter–but, at the same time, an innocent, unsophisticated, artless girl, who saw
nothing, knew nothing, understood nothing of all the things that happened in her
father’s house.
</p>
          <p style="indent">“The girl was simply a puzzle to me. She was a mystery. She
lived amid those infamous surroundings with a quiet, tranquil ease that was either
terribly criminal or else the result of innocence. She sprang from the filth of that
class like a beautiful flower fed on corruption.”
</p>
          <p style="indent">“How do you know about them?”
</p>
          <p style="indent">“How do I know? That’s the funniest part of the business!
One morning there was a ring at my door, and my valet came up to tell me that M.
Joseph Bonenthal wanted to speak to me. I said directly:
</p>
          <p style="indent">‘And who is this gentleman?’ My valet replied: ‘I don’t know,
monsieur; perhaps ‘tis some one that wants employment.’ And so it was. The man
wanted me to take him as a servant. I asked him where he had been last. He
answered: ‘With the Comtesse Samoris.’ ‘Ah!’ said I, ‘but my house is not a bit like
hers.’ ‘I know that well, monsieur,’ he said, ‘and that’s the very reason I want to
take service with monsieur. I’ve had enough of these people: a man may stay a little
while with them, but he won’t remain long with them.’ I required an additional man
servant at the time and so I took him.
</p>
          <p style="indent">“A month later Mademoiselle Yvette Samoris died
mysteriously, and here are all the details of her death I could gather from Joseph,
who got them from his sweetheart, the comtesse’s chambermaid.
</p>
          <p style="indent">“It was a ball night, and two newly arrived guests were
chatting behind a door. Mademoiselle Yvette, who had just been dancing, leaned
against this door to get a little air.
</p>
          <p style="indent">“They did not see her approaching, but she heard what they
were saying. And this was what they said:
</p>
          <p style="indent">“‘But who is the father of the girl?’
</p>
          <p style="indent">“‘A Russian, it appears; Count Rouvaloff. He never comes
near the mother now.’
</p>
          <p style="indent">“‘And who is the reigning prince to-day?’
</p>
          <p style="indent">“‘That English prince standing near the window; Madame
Samoris adores him. But her adoration of any one never lasts longer than a month
or six weeks. Nevertheless, as you see, she has a large circle of admirers. All are
called–and nearly all are chosen. That kind of thing costs a good deal, but–hang it,
what can you expect?’
</p>
          <p style="indent">“‘And where did she get this name of Samoris?’
</p>
          <p style="indent">“‘From the only man perhaps that she ever loved–a Jewish
banker from Berlin who goes by the name of Samuel Morris.’
</p>
          <p style="indent">“‘Good. Thanks. Now that I know what kind of woman she is
and have seen her, I’m off!’
</p>
          <p style="indent">“What a shock this was to the mind of a young girl endowed
with all the instincts of a virtuous woman! What despair overwhelmed that simple
soul! What mental tortures quenched her unbounded gaiety, her delightful laughter,
her exultant satisfaction with life! What a conflict took place in that youthful heart
up to the moment when the last guest had left! Those were things that Joseph
could not tell me. But, the same night, Yvette abruptly entered her mother’s room
just as the comtesse was getting into bed, sent out the lady’s maid, who was close to
the door, and, standing erect and pale and with great staring eyes, she said:
</p>
          <p style="indent">“‘Mamma, listen to what I heard a little while ago during the
ball.’
</p>
          <p style="indent">“And she repeated word for word the conversation just as I
told it to you.
</p>
          <p style="indent">“The comtesse was so stunned that she did not know what to
say in reply at first. When she recovered her self-possession she denied everything
and called God to witness that there was no truth in the story.
</p>
          <p style="indent">“The young girl went away, distracted but not convinced. And
she began to watch her mother.
</p>
          <p style="indent">“I remember distinctly the strange alteration that then took
place in her. She became grave and melancholy. She would fix on us her great
earnest eyes as if she wanted to read what was at the bottom of our hearts. We did
not know what to think of her and used to imagine that she was looking out for a
husband.
</p>
          <p style="indent">“One evening she overheard her mother talking to her admirer
and later saw them together, and her doubts were confirmed. She was heartbroken,
and after telling her mother what she had seen, she said coldly, like a man of
business laying down the terms of an agreement:
</p>
          <p style="indent">“‘Here is what I have determined to do, mamma: We will both
go away to some little town, or rather into the country. We will live there quietly as
well as we can. Your jewelry alone may be called a fortune. If you wish to marry
some honest man, so much the better; still better will it be if I can find one. If you
don’t consent to do this, I will kill myself.’
</p>
          <p style="indent">“This time the comtesse ordered her daughter to go to bed
and never to speak again in this manner, so unbecoming in the mouth of a child
toward her mother.
</p>
          <p style="indent">“Yvette’s answer to this was: ‘I give you a month to reflect. If,
at the end of that month, we have not changed our way of living, I will kill myself,
since there is no other honorable issue left to my life.’
</p>
          <p style="indent">“And she left the room.
</p>
          <p style="indent">“At the end of a month the Comtesse Samoris had resumed her
usual entertainments, as though nothing had occurred. One day, under the pretext
that she had a bad toothache, Yvette purchased a few drops of chloroform from a
neighboring chemist. The next day she purchased more, and every time she went
out she managed to procure small doses of the narcotic. She filled a bottle with it.
</p>
          <p style="indent">“One morning she was found in bed, lifeless and already quite
cold, with a cotton mask soaked in chloroform over her face.
</p>
          <p style="indent">“Her coffin was covered with flowers, the church was hung in
white. There was a large crowd at the funeral ceremony.
</p>
          <p style="indent">“Ah! well, if I had known–but you never can know–I would
have married that girl, for she was infernally pretty.”
</p>
          <p style="indent">“And what became of the mother?”
</p>
          <p style="indent">“Oh! she shed a lot of tears over it. She has only begun to
receive visits again for the past week.”
</p>
          <p style="indent">“And what explanation is given of the girl’s death?”
</p>
          <p style="indent">“Oh! they pretended that it was an accident caused by a new
stove, the mechanism of which got out of order. As a good many such accidents
have occurred, the thing seemed probable enough.”
</p>
        </div>
        <!--end of "section 3.0/.3"-->
      </div>
      <!--end of "chapter 7.3/0"-->
      <!--END OF CHAPTER 7.3/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 7; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Frau mit Sonnenschirm,
a painting by <ref target="hhttps://en.wikipedia.org/wiki/Vincent_van_Gogh">Vincent van
Gogh</ref>  (1853–1990). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
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