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          <title xml:lang="en" type="main">The Complete Stories</title>
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        <author>Guy de Maupassant</author>
        <respStmt>
          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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          <resp>Encoded and typeset by</resp>
          <name>C. V. Radhakrishnan</name>
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        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
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          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
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          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
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            <title type="short">maupassant-stories</title>
            <author>Guy de Maupassant</author>
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            <edition>Vol. 6</edition>
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            <date>2004 Jan 1</date>
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          <figDesc>Woman Strolling, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Georges_Seurat">Georges
Seurat</ref>  (1859–1891). </figDesc>
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      <div prev="6.10" next="6.12" type="chapter" n="6.11" xml:id="chp.6.11">
        <head type="chaphead">A Stroll</head>
        <div type="lsection">
          <p style="noindent">When old man leras, bookkeeper for Messieurs Labuze and
Company, left the store, he stood for a minute bewildered at the glory of the setting
sun. He had worked all day in the yellow light of a small jet of gas, far in the back
of the store, on a narrow court, as deep as a well. The little room where he had
been spending his days for forty years was so dark that even in the middle of
summer one could hardly see without gaslight from eleven until three.
</p>
          <p style="indent">It was always damp and cold, and from this hole on which his
window opened came the musty odor of a sewer.
</p>
          <p style="indent">For forty years Monsieur Leras had been arriving every
morning in this prison at eight o’clock, and he would remain there until seven at
night, bending over his books, writing with the industry of a good clerk.
</p>
          <p style="indent">He was now making three thousand francs a year, having
started at fifteen hundred. He had remained a bachelor, as his means did not allow
him the luxury of a wife, and as he had never enjoyed anything, he desired nothing.
From time to time, however, tired of this continuous and monotonous work, he
formed a platonic wish: “Gad! If I only had an income of fifteen thousand francs, I
would take life easy.”
</p>
          <p style="indent">He had never taken life easy, as he had never had anything
but his monthly salary. His life had been uneventful, without emotions, without
hopes. The faculty of dreaming with which every one is blessed had never developed
in the mediocrity of his ambitions.
</p>
          <p style="indent">When he was twenty-one he entered the employ of Messieurs
Labuze and Company. And he had never left them.
</p>
          <p style="indent">In 1856 he had lost his father and then his mother in 1859.
Since then the only incident in his life was when he moved, in 1868, because his
landlord had tried to raise his rent.
</p>
          <p style="indent">Every day his alarm clock, with a frightful noise of rattling
chains, made him spring out of bed at 6 o’clock precisely.
</p>
          <p style="indent">Twice, however, this piece of mechanism had been out of
order–once in 1866 and again in 1874; he had never been able to find out the reason
why. He would dress, make his bed, sweep his room, dust his chair and the top of
his bureau. All this took him an hour and a half.
</p>
          <p style="indent">Then he would go out, buy a roll at the Lahure Bakery, in
which he had seen eleven different owners without the name ever changing, and he
would eat this roll on the way to the office.
</p>
          <p style="indent">His entire existence had been spent in the narrow, dark office,
which was still decorated with the same wall paper. He had entered there as a
young man, as assistant to Monsieur Brument, and with the desire to replace him.
</p>
          <p style="indent">He had taken his place and wished for nothing more.
</p>
          <p style="indent">The whole harvest of memories which other men reap in their
span of years, the unexpected events, sweet or tragic loves, adventurous journeys, all
the occurrences of a free existence, all these things had remained unknown to him.
</p>
          <p style="indent">Days, weeks, months, seasons, years, all were alike to him. He
got up every day at the same hour, started out, arrived at the office, ate luncheon,
went away, had dinner and went to bed without ever interrupting the regular
monotony of similar actions, deeds and thoughts.
</p>
          <p style="indent">Formerly he used to look at his blond mustache and wavy hair
in the little round mirror left by his predecessor. Now, every evening before leaving,
he would look at his white mustache and bald head in the same mirror. Forty years
had rolled by, long and rapid, dreary as a day of sadness and as similar as the hours
of a sleepless night. Forty years of which nothing remained, not even a memory, not
even a misfortune, since the death of his parents. Nothing.
</p>
          <p style="indent">That day Monsieur Leras stood by the door, dazzled at the
brilliancy of the setting sun; and instead of returning home he decided to take a
little stroll before dinner, a thing which happened to him four or five times a year.
</p>
          <p style="indent">He reached the boulevards, where people were streaming along
under the green trees. It was a spring evening, one of those first warm and pleasant
evenings which fill the heart with the joy of life.
</p>
          <p style="indent">Monsieur Leras went along with his mincing old man’s step;
he was going along with joy in his heart, at peace with the world. He reached the
Champs-Elysees, and he continued to walk, enlivened by the sight of the young
people trotting along.
</p>
          <p style="indent">The whole sky was aflame; the Arc de Triomphe stood out
against the brilliant background of the horizon, like a giant surrounded by fire. As
he approached the immense monument, the old bookkeeper noticed that he was
hungry, and he went into a wine dealer’s for dinner.
</p>
          <p style="indent">The meal was served in front of the store, on the sidewalk. It
consisted of some mutton, salad and asparagus. It was the best dinner that
Monsieur Leras had had in a long time. He washed down his cheese with a small
bottle of burgundy, had his after-dinner cup of coffee, a thing which he rarely took,
and finally a little pony of brandy.
</p>
          <p style="indent">When he had paid he felt quite youthful, even a little moved.
And he said to himself: “What a fine evening! I will continue my stroll as far as the
entrance to the Bois de Boulogne. It will do me good.” He set out. An old tune
which one of his neighbors used to sing kept returning to his mind. He kept on
humming it over and over again. A hot, still night had fallen over Paris. Monsieur
Leras walked along the Avenue du Bois de Boulogne and watched the cabs drive by.
They kept coming with their shining lights, one behind the other, giving horn a
glimpse of the couples inside, the women in their light dresses and the men dressed
in black.
</p>
          <p style="indent">It was one long procession of lovers, riding under the warm,
starlit sky. They kept on coming in rapid succession. They passed by in the
carriages, silent, side by side, lost in their dreams, in the emotion of desire, in the
anticipation of the approaching embrace. The warm shadows seemed to be full of
floating kisses. A sensation of tenderness filled the air. All these carriages full of
tender couples, all these people intoxicated with the same idea, with the same
thought, seemed to give out a disturbing, subtle emanation.
</p>
          <p style="indent">At last Monsieur Leras grew a little tired of walking, and he
sat down on a bench to watch these carriages pass by with their burdens of love.
Almost immediately a woman walked up to him and sat down beside him.
“Good-evening, papa,” she said.
</p>
          <p style="indent">He answered: “Madame, you are mistaken.”
</p>
          <p style="indent">She slipped her arm through his, saying: “Come along, now;
don’t be foolish. Listen—-”
</p>
          <p style="indent">He arose and walked away, with sadness in his heart. A few
yards away another woman walked up to him and asked: “Won’t you sit down
beside me?” He said: “What makes you take up this life?”
</p>
          <p style="indent">She stood before him and in an altered, hoarse, angry voice
exclaimed:
</p>
          <p style="indent">“Well, it isn’t for the fun of it, anyhow!”
</p>
          <p style="indent">He insisted in a gentle voice: “Then what makes you?”
</p>
          <p style="indent">She grumbled: “I’ve got to live! Foolish question!” And she
walked away, humming.
</p>
          <p style="indent">Monsieur Leras stood there bewildered. Other women were
passing near him, speaking to him and calling to him. He felt as though he were
enveloped in darkness by something disagreeable.
</p>
          <p style="indent">He sat down again on a bench. The carriages were still rolling
by. He thought: “I should have done better not to come here; I feel all upset.” He
began to think of all this venal or passionate love, of all these kisses, sold or given,
which were passing by it front of him. Love! He scarcely knew it. In his lifetime he
had only known two or three women, his means forcing him to live a quiet life, and
he looked back at the life which he had led, so different from everybody else, so
dreary, so mournful, so empty.
</p>
          <p style="indent">Some people are really unfortunate. And suddenly, as though
a veil had been torn from his eyes, he perceived the infinite misery, the monotony of
his existence: the past, present and future misery; his last day similar to his first
one, with nothing before him, behind him or about him, nothing in his heart or any
place.
</p>
          <p style="indent">The stream of carriages was still going by. In the rapid
passage of the open carriage he still saw the two silent, loving creatures. It seemed
to him that the whole of humanity was flowing on before him, intoxicated with joy,
pleasure and happiness. He alone was looking on. To-morrow he would again be
alone, always alone, more so than any one else. He stood up, took a few steps, and
suddenly he felt as tired as though he had taken a long journey on foot, and he sat
down on the next bench.
</p>
          <p style="indent">What was he waiting for? What was he hoping for? Nothing.
He was thinking of how pleasant it must be in old age to return home and find the
little children. It is pleasant to grow old when one is surrounded by those beings
who owe their life to you, who love you, who caress you, who tell you charming and
foolish little things which warm your heart and console you for everything.
</p>
          <p style="indent">And, thinking of his empty room, clean and sad, where no one
but himself ever entered, a feeling of distress filled his soul; and the place seemed to
him more mournful even than his little office. Nobody ever came there; no one ever
spoke in it. It was dead, silent, without the echo of a human voice. It seems as
though walls retain something of the people who live within them, something of
their manner, face and voice. The very houses inhabited by happy families are gayer
than the dwellings of the unhappy. His room was as barren of memories as his life.
And the thought of returning to this place, all alone, of getting into his bed, of
again repeating all the duties and actions of every evening, this thought terrified
him. As though to escape farther from this sinister home, and from the time when
he would have to return to it, he arose and walked along a path to a wooded corner,
where he sat down on the grass.
</p>
          <p style="indent">About him, above him, everywhere, he heard a continuous,
tremendous, confused rumble, composed of countless and different noises, a vague
and throbbing pulsation of life: the life breath of Paris, breathing like a giant.
</p>
          <p style="indent">The sun was already high and shed a flood of light on the Bois
de Boulogne. A few carriages were beginning to drive about and people were
appearing on horseback.
</p>
          <p style="indent">A couple was walking through a deserted alley.
</p>
          <p style="indent">Suddenly the young woman raised her eyes and saw something
brown in the branches. Surprised and anxious, she raised her hand, exclaiming:
“Look! what is that?”
</p>
          <p style="indent">Then she shrieked and fell into the arms of her companion,
who was forced to lay her on the ground.
</p>
          <p style="indent">The policeman who had been called cut down an old man who
had hung himself with his suspenders.
</p>
          <p style="indent">Examination showed that he had died the evening before.
Papers found on him showed that he was a bookkeeper for Messieurs Labuze and
Company and that his name was Leras.
</p>
          <p style="indent">His death was attributed to suicide, the cause of which could
not be suspected. Perhaps a sudden access of madness!
</p>
        </div>
        <!--end of "section 11.0/.17"-->
      </div>
      <!--end of "chapter 6.11/0"-->
      <!--END OF CHAPTER 6.11/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 6; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Woman Strolling, a
painting by <ref target="hhttps://en.wikipedia.org/wiki/Georges_Seurat">Georges
Seurat</ref>  (1859–1891). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
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version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
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