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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
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          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
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            <author>Guy de Maupassant</author>
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          <figDesc>Stitching the Standard, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). </figDesc>
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      <div prev="4.7" next="4.9" type="chapter" n="4.8" xml:id="chp.4.8">
        <head type="chaphead">The Marquis de Fumerol</head>
        <div type="lsection">
          <p style="noindent">Roger de Tourneville was whiffing a cigar and blowing out
small clouds of smoke every now and then, as he sat astride a chair amid a party of
friends. He was talking.
</p>
          <p style="indent">“We were at dinner when a letter was brought in which my
father opened. You know my father, who thinks that he is king of France ad
interim. I call him Don Quixote, because for twelve years he has been running a tilt
against the windmill of the Republic, without quite knowing whether it was in the
cause of the Bourbons or the Orleanists. At present he is bearing the lance in the
cause of the Orleanists alone, because there is no one else left. In any case, he
thinks himself the first gentleman of France, the best known, the most influential,
the head of the party; and as he is an irremovable senator, he thinks that the
thrones of the neighboring kings are very insecure.
</p>
          <p style="indent">“As for my mother, she is my father’s soul, she is the soul of
the kingdom and of religion, and the scourge of all evil-thinkers.
</p>
          <p style="indent">“Well, a letter was brought in while we were at dinner, and my
father opened and read it, and then he said to mother: ‘Your brother is dying.’ She
grew very pale. My uncle was scarcely ever mentioned in the house, and I did not
know him at all; all I knew from public talk was, that he had led, and was still
leading, a gay life. After having spent his fortune in fast living, he was now in small
apartments in the Rue des Martyrs.
</p>
          <p style="indent">“An ancient peer of France and former colonel of cavalry, it
was said that he believed in neither God nor devil. Not believing, therefore, in a
future life he had abused the present life in every way, and had become a live wound
in my mother’s heart.
</p>
          <p style="indent">“‘Give me that letter, Paul,’ she said, and when she read it, I
asked for it in my turn. Here it is:
</p>
          <p style="indent">Monsieur le Comte, I think I ought to let you know that your
brother-in-law, the Comte Fumerol, is going to die. Perhaps you would like to make
some arrangements, and do not forget I told you. Your servant, MELANIE.
</p>
          <p style="indent">“‘We must take counsel,’ papa murmured. ‘In my position, I
ought to watch over your brother’s last moments.’
</p>
          <p style="indent">“Mamma continued: ‘I will send for Abbe Poivron and ask his
advice, and then I will go to my brother with the abbe and Roger. Remain here,
Paul, for you must not compromise yourself; but a woman can, and ought to do
these things. For a politician in your position, it is another matter. It would be a
fine thing for one of your opponents to be able to bring one of your most laudable
actions up against you.’ ‘You are right,’ my father said. ‘Do as you think best, my
dear wife.’
</p>
          <p style="indent">“A quarter of an hour, later, the Abbe Poivron came into the
drawing- room, and the situation was explained to him, analyzed and discussed in
all its bearings. If the Marquis de Fumerol, one of the greatest names in France,
were to die without the ministrations of religion, it would assuredly be a terrible
blow to the nobility in general, and to the Count de Tourneville in particular, and
the freethinkers would be triumphant. The liberal newspapers would sing songs of
victory for six months; my mother’s name would be dragged through the mire and
brought into the prose of Socialistic journals, and my father’s name would be
smirched. It was impossible that such a thing should be.
</p>
          <p style="indent">“A crusade was therefore immediately decided upon, which
was to be led by the Abbe Poivron, a little, fat, clean, priest with a faint perfume
about him, a true vicar of a large church in a noble and rich quarter.
</p>
          <p style="indent">“The landau was ordered and we all three set out, my mother,
the cure and I, to administer the last sacraments to my uncle.
</p>
          <p style="indent">“It had been decided first of all we should see Madame
Melanie who had written the letter, and who was most likely the porter’s wife, or
my uncle’s servant, and I dismounted, as an advance guard, in front of a seven-story
house and went into a dark passage, where I had great difficulty in finding the
porter’s den. He looked at me distrustfully, and I said:
</p>
          <p style="indent">“‘Madame Melanie, if you please.’ ‘Don’t know her!’ ‘But I
have received a letter from her.’ ‘That may be, but I don’t know her. Are you asking
for a lodger?’ ‘No, a servant probably. She wrote me about a place.’ ‘A servant?–a
servant? Perhaps it is the marquis’. Go and see, the fifth story on the left.’
</p>
          <p style="indent">“As soon as he found I was not asking for a doubtful character
he became more friendly and came as far as the corridor with me. He was a tall,
thin man with white whiskers, the manners of a beadle and majestic gestures.
</p>
          <p style="indent">“I climbed up a long spiral staircase, the railing of which I did
not venture to touch, and I gave three discreet knocks at the left-hand door on the
fifth story. It opened immediately, and an enormous dirty woman appeared before
me. She barred the entrance with her extended arms which she placed against the
two doorposts, and growled:
</p>
          <p style="indent">“‘What do you want?’ ‘Are you Madame Melanie?’ ‘Yes.’ ‘I
am the Visconte de Tourneville.’ ‘Ah! All right! Come in.’ ‘Well, the fact is, my
mother is downstairs with a priest.’ ‘Oh! All right; go and bring them up; but be
careful of the porter.’
</p>
          <p style="indent">“I went downstairs and came up again with my mother, who
was followed by the abbe, and I fancied that I heard other footsteps behind us. As
soon as we were in the kitchen, Melanie offered us chairs, and we all four sat down
to deliberate.
</p>
          <p style="indent">“‘Is he very ill?’ my mother asked. ‘Oh! yes, madame; he will
not be here long.’ ‘Does he seem disposed to receive a visit from a priest?’ ‘Oh! I do
not think so.’ ‘Can I see him?’ ‘Well–yes madame–only– only–those young ladies are
with him.’ ‘What young ladies?’ ‘Why–why –his lady friends, of course.’ ‘Oh!’
Mamma had grown scarlet, and the Abbe Poivron had lowered his eyes.
</p>
          <p style="indent">“The affair began to amuse me, and I said: ‘Suppose I go in
first? I shall see how he receives me, and perhaps I shall be able to prepare him to
receive you.’
</p>
          <p style="indent">“My mother, who did not suspect any trick, replied: ‘Yes, go,
my dear.’ But a woman’s voice cried out: ‘Melanie!’
</p>
          <p style="indent">“The servant ran out and said: ‘What do you want,
Mademoiselle Claire?’ ‘The omelette; quickly.’ ‘In a minute, mademoiselle.’ And
coming back to us, she explained this summons.
</p>
          <p style="indent">“They had ordered a cheese omelette at two o’clock as a slight
collation. And she at once began to break the eggs into a salad bowl, and to whip
them vigorously, while I went out on the landing and pulled the bell, so as to
formally announce my arrival. Melanie opened the door to me, and made me sit
down in an ante-room, while she went to tell my uncle that I had come; then she
came back and asked me to go in, while the abbe hid behind the door, so that he
might appear at the first signal.
</p>
          <p style="indent">“I was certainly very much surprised at the sight of my uncle,
for he was very handsome, very solemn and very elegant, the old rake.
</p>
          <p style="indent">“Sitting, almost lying, in a large armchair, his legs wrapped in
blankets, his hands, his long, white hands, over the arms of the chair, he was
waiting for death with the dignity of a patriarch. His white beard fell on his chest,
and his hair, which was also white, mingled with it on his cheeks.
</p>
          <p style="indent">“Standing behind his armchair, as if to defend him against me,
were two young women, who looked at me with bold eyes. In their petticoats and
morning wrappers, with bare arms, with coal black hair twisted in a knot on the
nape of their neck, with embroidered, Oriental slippers, which showed their ankles
and silk stockings, they looked like the figures in some symbolical painting, by the
side of the dying man. Between the easy-chair and the bed, there was a table
covered with a white cloth, on which two plates, two glasses, two forks and two
knives, were waiting for the cheese omelette which had been ordered some time
before of Melanie.
</p>
          <p style="indent">“My uncle said in a weak, almost breathless, but clear voice:
</p>
          <p style="indent">‘Good-morning, my child; it is rather late in the day to come
and see me; our acquaintanceship will not last long.’ I stammered out, ‘It was not
my fault, uncle:’ ‘No; I know that,’ he replied. ‘It is your father and mother’s fault
more than yours. How are they?’ ‘Pretty well, thank you. When they heard that
you were ill, they sent me to ask after you.’ ‘Ah! Why did they not come
themselves?’
</p>
          <p style="indent">“I looked up at the two girls and said gently: ‘It is not their
fault if they could not come, uncle. But it would be difficult for my father, and
impossible for my mother to come in here.’ The old man did not reply, but raised
his hand toward mine, and I took the pale, cold hand and held it in my own.
</p>
          <p style="indent">“The door opened, Melanie came in with the omelette and put
it on the table, and the two girls immediately sat down at the table, and began to
eat without taking their eyes off me. Then I said: ‘Uncle, it would give great
pleasure to my mother to embrace you.’ ‘I also,’ he murmured, ‘should like—-’ He
said no more, and I could think of nothing to propose to him, and there was silence
except for the noise of the plates and that vague sound of eating.
</p>
          <p style="indent">“Now, the abbe, who was listening behind the door, seeing our
embarrassment, and thinking we had won the game, thought the time had come to
interpose, and showed himself. My uncle was so stupefied at sight of him that at
first he remained motionless; and then he opened his mouth as if he meant to
swallow up the priest, and shouted to him in a strong, deep, furious voice: ‘What
are you doing here?’
</p>
          <p style="indent">“The abbe, who was used to difficult situations, came forward
into the room, murmuring: ‘I have come in your sister’s name, Monsieur le Marquis;
she has sent me. She would be happy, monsieur–’
</p>
          <p style="indent">“But the marquis was not listening. Raising one hand, he
pointed to the door with a proud, tragic gesture, and said angrily and breathing
hard: ‘Leave this room–go out–robber of souls. Go out from here, you violator of
consciences. Go out from here, you pick-lock of dying men’s doors!’
</p>
          <p style="indent">“The abbe retreated, and I also went to the door, beating a
retreat with the priest; the two young women, who had the best of it, got up,
leaving their omelette only half eaten, and went and stood on either side of my
uncle’s easy-chair, putting their hands on his arms to calm him, and to protect him
against the criminal enterprises of the Family, and of Religion.
</p>
          <p style="indent">“The abbe and I rejoined my mother in the kitchen, and
Melanie again offered us chairs. ‘I knew quite well that this method would not
work; we must try some other means, otherwise he will escape us.’ And they began
deliberating afresh, my mother being of one opinion and the abbe of another, while
I held a third.
</p>
          <p style="indent">“We had been discussing the matter in a low voice for half an
hour, perhaps, when a great noise of furniture being moved and of cries uttered by
my uncle, more vehement and terrible even than the former had been, made us all
four jump up.
</p>
          <p style="indent">“Through the doors and walls we could hear him shouting:
‘Go out–out– rascals–humbugs, get out, scoundrels–get out–get out!’
</p>
          <p style="indent">“Melanie rushed in, but came back immediately to call me to
help her, and I hastened in. Opposite to my uncle, who was terribly excited by
anger, almost standing up and vociferating, stood two men, one behind the other,
who seemed to be waiting till he should be dead with rage.
</p>
          <p style="indent">“By his ridiculous long coat, his long English shoes, his
manners of a tutor out of a position, his high collar, white necktie and straight hair,
his humble face of a false priest of a bastard religion, I immediately recognized the
first as a Protestant minister.
</p>
          <p style="indent">“The second was the porter of the house, who belonged to the
reformed religion and had followed us, and having seen our defeat, had gone to fetch
his own pastor, in hopes that he might meet a better reception. My uncle seemed
mad with rage! If the sight of the Catholic priest, of the priest of his ancestors, had
irritated the Marquis de Fumerol, who had become a freethinker, the sight of his
porter’s minister made him altogether beside himself. I therefore took the two men
by the arm and threw them out of the room so roughly that they bumped against
each other twice, between the two doors which led to the staircase; and then I
disappeared in my turn and returned to the kitchen, which was our headquarters in
order to take counsel with my mother and the abbe.
</p>
          <p style="indent">“But Melanie came back in terror, sobbing out:
</p>
          <p style="indent">‘He is dying–he is dying–come immediately–he is dying.’
</p>
          <p style="indent">“My mother rushed out. My uncle had fallen to the ground,
and lay full length along the floor, without moving. I fancy he was already dead.
My mother was superb at that moment! She went straight up to the two girls who
were kneeling by the body and trying to raise it up, and pointing to the door with
irresistible authority, dignity and majesty, she said: ‘Now it is time for you to leave
the room.’
</p>
          <p style="indent">“And they went out without a word of protest. I must add,
that I was getting ready to turn them out as unceremoniously as I had done the
parson and the porter.
</p>
          <p style="indent">“Then the Abbe Poivron administered the last sacraments to
my uncle with all the customary prayers, and remitted all his sins, while my mother
sobbed as she knelt near her brother. Suddenly, however, she exclaimed: ‘He
recognized me; he pressed my hand; I am sure he recognized me!!!–and that he
thanked me! Oh, God, what happiness!’
</p>
          <p style="indent">“Poor mamma! If she had known or guessed for whom those
thanks were intended!
</p>
          <p style="indent">“They laid my uncle on his bed; he was certainly dead this
time.
</p>
          <p style="indent">“‘Madame,’ Melanie said, ‘we have no sheets to bury him in;
all the linen belongs to these two young ladies,’ and when I looked at the omelette
which they had not finished, I felt inclined to laugh and to cry at the same time.
There are some humorous moments and some humorous situations in life,
occasionally!
</p>
          <p style="indent">“We gave my uncle a magnificent fungal, with five speeches at
the grave. Baron de Croiselles, the senator, showed in admirable terms that God
always returns victorious into well-born souls which have temporarily been led into
error. All the members of the Royalist and Catholic party followed the funeral
procession with the enthusiasm of victors, as they spoke of that beautiful death
after a somewhat troublous life.”
</p>
          <p style="indent">Viscount Roger ceased speaking; his audience was laughing.
Then somebody said: “Bah! That is the story of all conversions in extremis.”
</p>
        </div>
        <!--end of "section 8.0/.12"-->
      </div>
      <!--end of "chapter 4.8/0"-->
      <!--END OF CHAPTER 4.8/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 4; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Stitching the Standard,
a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
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