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          <title xml:lang="en" type="main">The Complete Stories</title>
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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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          <resp>Encoded and typeset by</resp>
          <name>C. V. Radhakrishnan</name>
        </respStmt>
        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
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      <publicationStmt>
        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
        <address>
          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
        </address>
        <availability>
          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
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            <title type="full">
              <title xml:lang="en" type="main">The Complete Stories</title>
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            <title type="short">maupassant-stories</title>
            <author>Guy de Maupassant</author>
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            <edition>Vol. 4</edition>
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            <date>2004 Jan 1</date>
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          <figDesc>Stitching the Standard, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). </figDesc>
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          <titlePart type="main">The Complete Stories</titlePart>
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      <div prev="4.6" next="4.8" type="chapter" n="4.7" xml:id="chp.4.7">
        <head type="chaphead">The Diamond Necklace</head>
        <div type="lsection">
          <p style="noindent">The girl was one of those pretty and charming young
creatures who sometimes are born, as if by a slip of fate, into a family of clerks. She
had no dowry, no expectations, no way of being known, understood, loved, married
by any rich and distinguished man; so she let herself be married to a little clerk of
the Ministry of Public Instruction.
</p>
          <p style="indent">She dressed plainly because she could not dress well, but she
was unhappy as if she had really fallen from a higher station; since with women
there is neither caste nor rank, for beauty, grace and charm take the place of family
and birth. Natural ingenuity, instinct for what is elegant, a supple mind are their
sole hierarchy, and often make of women of the people the equals of the very
greatest ladies.
</p>
          <p style="indent">Mathilde suffered ceaselessly, feeling herself born to enjoy all
delicacies and all luxuries. She was distressed at the poverty of her dwelling, at the
bareness of the walls, at the shabby chairs, the ugliness of the curtains. All those
things, of which another woman of her rank would never even have been conscious,
tortured her and made her angry. The sight of the little Breton peasant who did her
humble housework aroused in her despairing regrets and bewildering dreams. She
thought of silent antechambers hung with Oriental tapestry, illumined by tall bronze
candelabra, and of two great footmen in knee breeches who sleep in the big
armchairs, made drowsy by the oppressive heat of the stove. She thought of long
reception halls hung with ancient silk, of the dainty cabinets containing priceless
curiosities and of the little coquettish perfumed reception rooms made for chatting
at five o’clock with intimate friends, with men famous and sought after, whom all
women envy and whose attention they all desire.
</p>
          <p style="indent">When she sat down to dinner, before the round table covered
with a tablecloth in use three days, opposite her husband, who uncovered the soup
tureen and declared with a delighted air, “Ah, the good soup! I don’t know anything
better than that,” she thought of dainty dinners, of shining silverware, of tapestry
that peopled the walls with ancient personages and with strange birds flying in the
midst of a fairy forest; and she thought of delicious dishes served on marvellous
plates and of the whispered gallantries to which you listen with a sphinxlike smile
while you are eating the pink meat of a trout or the wings of a quail.
</p>
          <p style="indent">She had no gowns, no jewels, nothing. And she loved nothing
but that. She felt made for that. She would have liked so much to please, to be
envied, to be charming, to be sought after.
</p>
          <p style="indent">She had a friend, a former schoolmate at the convent, who was
rich, and whom she did not like to go to see any more because she felt so sad when
she came home.
</p>
          <p style="indent">But one evening her husband reached home with a triumphant
air and holding a large envelope in his hand.
</p>
          <p style="indent">“There,” said he, “there is something for you.”
</p>
          <p style="indent">She tore the paper quickly and drew out a printed card which
bore these words:
</p>
          <p style="indent">The Minister of Public Instruction and Madame Georges
Ramponneau request the honor of M. and Madame Loisel’s company at the palace
of the Ministry on Monday evening, January 18th.
</p>
          <p style="indent">Instead of being delighted, as her husband had hoped, she
threw the invitation on the table crossly, muttering:
</p>
          <p style="indent">“What do you wish me to do with that?”
</p>
          <p style="indent">“Why, my dear, I thought you would be glad. You never go
out, and this is such a fine opportunity. I had great trouble to get it. Every one
wants to go; it is very select, and they are not giving many invitations to clerks.
The whole official world will be there.”
</p>
          <p style="indent">She looked at him with an irritated glance and said
impatiently:
</p>
          <p style="indent">“And what do you wish me to put on my back?”
</p>
          <p style="indent">He had not thought of that. He stammered:
</p>
          <p style="indent">“Why, the gown you go to the theatre in. It looks very well to
me.”
</p>
          <p style="indent">He stopped, distracted, seeing that his wife was weeping. Two
great tears ran slowly from the corners of her eyes toward the corners of her mouth.
</p>
          <p style="indent">“What’s the matter? What’s the matter?” he answered.
</p>
          <p style="indent">By a violent effort she conquered her grief and replied in a
calm voice, while she wiped her wet cheeks:
</p>
          <p style="indent">“Nothing. Only I have no gown, and, therefore, I can’t go to
this ball. Give your card to some colleague whose wife is better equipped than I am.”
</p>
          <p style="indent">He was in despair. He resumed:
</p>
          <p style="indent">“Come, let us see, Mathilde. How much would it cost, a
suitable gown, which you could use on other occasions–something very simple?”
</p>
          <p style="indent">She reflected several seconds, making her calculations and
wondering also what sum she could ask without drawing on herself an immediate
refusal and a frightened exclamation from the economical clerk.
</p>
          <p style="indent">Finally she replied hesitating:
</p>
          <p style="indent">“I don’t know exactly, but I think I could manage it with four
hundred francs.”
</p>
          <p style="indent">He grew a little pale, because he was laying aside just that
amount to buy a gun and treat himself to a little shooting next summer on the
plain of Nanterre, with several friends who went to shoot larks there of a Sunday.
</p>
          <p style="indent">But he said:
</p>
          <p style="indent">“Very well. I will give you four hundred francs. And try to
have a pretty gown.”
</p>
          <p style="indent">The day of the ball drew near and Madame Loisel seemed sad,
uneasy, anxious. Her frock was ready, however. Her husband said to her one
evening:
</p>
          <p style="indent">“What is the matter? Come, you have seemed very queer
these last three days.”
</p>
          <p style="indent">And she answered:
</p>
          <p style="indent">“It annoys me not to have a single piece of jewelry, not a
single ornament, nothing to put on. I shall look poverty-stricken. I would almost
rather not go at all.”
</p>
          <p style="indent">“You might wear natural flowers,” said her husband. “They’re
very stylish at this time of year. For ten francs you can get two or three magnificent
roses.”
</p>
          <p style="indent">She was not convinced.
</p>
          <p style="indent">“No; there’s nothing more humiliating than to look poor
among other women who are rich.”
</p>
          <p style="indent">“How stupid you are!” her husband cried. “Go look up your
friend, Madame Forestier, and ask her to lend you some jewels. You’re intimate
enough with her to do that.”
</p>
          <p style="indent">She uttered a cry of joy:
</p>
          <p style="indent">“True! I never thought of it.”
</p>
          <p style="indent">The next day she went to her friend and told her of her
distress.
</p>
          <p style="indent">Madame Forestier went to a wardrobe with a mirror, took out
a large jewel box, brought it back, opened it and said to Madame Loisel:
</p>
          <p style="indent">“Choose, my dear.”
</p>
          <p style="indent">She saw first some bracelets, then a pearl necklace, then a
Venetian gold cross set with precious stones, of admirable workmanship. She tried
on the ornaments before the mirror, hesitated and could not make up her mind to
part with them, to give them back. She kept asking:
</p>
          <p style="indent">“Haven’t you any more?”
</p>
          <p style="indent">“Why, yes. Look further; I don’t know what you like.”
</p>
          <p style="indent">Suddenly she discovered, in a black satin box, a superb
diamond necklace, and her heart throbbed with an immoderate desire. Her hands
trembled as she took it. She fastened it round her throat, outside her high-necked
waist, and was lost in ecstasy at her reflection in the mirror.
</p>
          <p style="indent">Then she asked, hesitating, filled with anxious doubt:
</p>
          <p style="indent">“Will you lend me this, only this?”
</p>
          <p style="indent">“Why, yes, certainly.”
</p>
          <p style="indent">She threw her arms round her friend’s neck, kissed her
passionately, then fled with her treasure.
</p>
          <p style="indent">The night of the ball arrived. Madame Loisel was a great
success. She was prettier than any other woman present, elegant, graceful, smiling
and wild with joy. All the men looked at her, asked her name, sought to be
introduced. All the attaches of the Cabinet wished to waltz with her. She was
remarked by the minister himself.
</p>
          <p style="indent">She danced with rapture, with passion, intoxicated by
pleasure, forgetting all in the triumph of her beauty, in the glory of her success, in a
sort of cloud of happiness comprised of all this homage, admiration, these awakened
desires and of that sense of triumph which is so sweet to woman’s heart.
</p>
          <p style="indent">She left the ball about four o’clock in the morning. Her
husband had been sleeping since midnight in a little deserted anteroom with three
other gentlemen whose wives were enjoying the ball.
</p>
          <p style="indent">He threw over her shoulders the wraps he had brought, the
modest wraps of common life, the poverty of which contrasted with the elegance of
the ball dress. She felt this and wished to escape so as not to be remarked by the
other women, who were enveloping themselves in costly furs.
</p>
          <p style="indent">Loisel held her back, saying: “Wait a bit. You will catch cold
outside. I will call a cab.”
</p>
          <p style="indent">But she did not listen to him and rapidly descended the stairs.
When they reached the street they could not find a carriage and began to look for
one, shouting after the cabmen passing at a distance.
</p>
          <p style="indent">They went toward the Seine in despair, shivering with cold.
At last they found on the quay one of those ancient night cabs which, as though
they were ashamed to show their shabbiness during the day, are never seen round
Paris until after dark.
</p>
          <p style="indent">It took them to their dwelling in the Rue des Martyrs, and
sadly they mounted the stairs to their flat. All was ended for her. As to him, he
reflected that he must be at the ministry at ten o’clock that morning.
</p>
          <p style="indent">She removed her wraps before the glass so as to see herself
once more in all her glory. But suddenly she uttered a cry. She no longer had the
necklace around her neck!
</p>
          <p style="indent">“What is the matter with you?” demanded her husband,
already half undressed.
</p>
          <p style="indent">She turned distractedly toward him.
</p>
          <p style="indent">“I have–I have–I’ve lost Madame Forestier’s necklace,” she
cried.
</p>
          <p style="indent">He stood up, bewildered.
</p>
          <p style="indent">“What!–how? Impossible!”
</p>
          <p style="indent">They looked among the folds of her skirt, of her cloak, in her
pockets, everywhere, but did not find it.
</p>
          <p style="indent">“You’re sure you had it on when you left the ball?” he asked.
</p>
          <p style="indent">“Yes, I felt it in the vestibule of the minister’s house.”
</p>
          <p style="indent">“But if you had lost it in the street we should have heard it
fall. It must be in the cab.”
</p>
          <p style="indent">“Yes, probably. Did you take his number?”
</p>
          <p style="indent">“No. And you–didn’t you notice it?”
</p>
          <p style="indent">“No.”
</p>
          <p style="indent">They looked, thunderstruck, at each other. At last Loisel put
on his clothes.
</p>
          <p style="indent">“I shall go back on foot,” said he, “over the whole route, to see
whether I can find it.”
</p>
          <p style="indent">He went out. She sat waiting on a chair in her ball dress,
without strength to go to bed, overwhelmed, without any fire, without a thought.
</p>
          <p style="indent">Her husband returned about seven o’clock. He had found
nothing.
</p>
          <p style="indent">He went to police headquarters, to the newspaper offices to
offer a reward; he went to the cab companies–everywhere, in fact, whither he was
urged by the least spark of hope.
</p>
          <p style="indent">She waited all day, in the same condition of mad fear before
this terrible calamity.
</p>
          <p style="indent">Loisel returned at night with a hollow, pale face. He had
discovered nothing.
</p>
          <p style="indent">“You must write to your friend,” said he, “that you have
broken the clasp of her necklace and that you are having it mended. That will give
us time to turn round.”
</p>
          <p style="indent">She wrote at his dictation.
</p>
          <p style="indent">At the end of a week they had lost all hope. Loisel, who had
aged five years, declared:
</p>
          <p style="indent">“We must consider how to replace that ornament.”
</p>
          <p style="indent">The next day they took the box that had contained it and
went to the jeweler whose name was found within. He consulted his books.
</p>
          <p style="indent">“It was not I, madame, who sold that necklace; I must simply
have furnished the case.”
</p>
          <p style="indent">Then they went from jeweler to jeweler, searching for a
necklace like the other, trying to recall it, both sick with chagrin and grief.
</p>
          <p style="indent">They found, in a shop at the Palais Royal, a string of
diamonds that seemed to them exactly like the one they had lost. It was worth forty
thousand francs. They could have it for thirty-six.
</p>
          <p style="indent">So they begged the jeweler not to sell it for three days yet.
And they made a bargain that he should buy it back for thirty-four thousand
francs, in case they should find the lost necklace before the end of February.
</p>
          <p style="indent">Loisel possessed eighteen thousand francs which his father had
left him. He would borrow the rest.
</p>
          <p style="indent">He did borrow, asking a thousand francs of one, five hundred
of another, five louis here, three louis there. He gave notes, took up ruinous
obligations, dealt with usurers and all the race of lenders. He compromised all the
rest of his life, risked signing a note without even knowing whether he could meet it;
and, frightened by the trouble yet to come, by the black misery that was about to
fall upon him, by the prospect of all the physical privations and moral tortures that
he was to suffer, he went to get the new necklace, laying upon the jeweler’s counter
thirty-six thousand francs.
</p>
          <p style="indent">When Madame Loisel took back the necklace Madame
Forestier said to her with a chilly manner:
</p>
          <p style="indent">“You should have returned it sooner; I might have needed it.”
</p>
          <p style="indent">She did not open the case, as her friend had so much feared. If
she had detected the substitution, what would she have thought, what would she
have said? Would she not have taken Madame Loisel for a thief?
</p>
          <p style="indent">Thereafter Madame Loisel knew the horrible existence of the
needy. She bore her part, however, with sudden heroism. That dreadful debt must
be paid. She would pay it. They dismissed their servant; they changed their
lodgings; they rented a garret under the roof.
</p>
          <p style="indent">She came to know what heavy housework meant and the
odious cares of the kitchen. She washed the dishes, using her dainty fingers and rosy
nails on greasy pots and pans. She washed the soiled linen, the shirts and the
dishcloths, which she dried upon a line; she carried the slops down to the street
every morning and carried up the water, stopping for breath at every landing. And
dressed like a woman of the people, she went to the fruiterer, the grocer, the
butcher, a basket on her arm, bargaining, meeting with impertinence, defending her
miserable money, sou by sou.
</p>
          <p style="indent">Every month they had to meet some notes, renew others,
obtain more time.
</p>
          <p style="indent">Her husband worked evenings, making up a tradesman’s
accounts, and late at night he often copied manuscript for five sous a page.
</p>
          <p style="indent">This life lasted ten years.
</p>
          <p style="indent">At the end of ten years they had paid everything, everything,
with the rates of usury and the accumulations of the compound interest.
</p>
          <p style="indent">Madame Loisel looked old now. She had become the woman of
impoverished households–strong and hard and rough. With frowsy hair, skirts
askew and red hands, she talked loud while washing the floor with great swishes of
water. But sometimes, when her husband was at the office, she sat down near the
window and she thought of that gay evening of long ago, of that ball where she had
been so beautiful and so admired.
</p>
          <p style="indent">What would have happened if she had not lost that necklace?
Who knows? who knows? How strange and changeful is life! How small a thing is
needed to make or ruin us!
</p>
          <p style="indent">But one Sunday, having gone to take a walk in the Champs
Elysees to refresh herself after the labors of the week, she suddenly perceived a
woman who was leading a child. It was Madame Forestier, still young, still
beautiful, still charming.
</p>
          <p style="indent">Madame Loisel felt moved. Should she speak to her? Yes,
certainly. And now that she had paid, she would tell her all about it. Why not?
</p>
          <p style="indent">She went up.
</p>
          <p style="indent">“Good-day, Jeanne.”
</p>
          <p style="indent">The other, astonished to be familiarly addressed by this plain
good-wife, did not recognize her at all and stammered:
</p>
          <p style="indent">“But–madame!–I do not know—- You must have mistaken.”
</p>
          <p style="indent">“No. I am Mathilde Loisel.”
</p>
          <p style="indent">Her friend uttered a cry.
</p>
          <p style="indent">“Oh, my poor Mathilde! How you are changed!”
</p>
          <p style="indent">“Yes, I have had a pretty hard life, since I last saw you, and
great poverty–and that because of you!”
</p>
          <p style="indent">“Of me! How so?”
</p>
          <p style="indent">“Do you remember that diamond necklace you lent me to wear
at the ministerial ball?”
</p>
          <p style="indent">“Yes. Well?”
</p>
          <p style="indent">“Well, I lost it.”
</p>
          <p style="indent">“What do you mean? You brought it back.”
</p>
          <p style="indent">“I brought you back another exactly like it. And it has taken
us ten years to pay for it. You can understand that it was not easy for us, for us
who had nothing. At last it is ended, and I am very glad.”
</p>
          <p style="indent">Madame Forestier had stopped.
</p>
          <p style="indent">“You say that you bought a necklace of diamonds to replace
mine?”
</p>
          <p style="indent">“Yes. You never noticed it, then! They were very similar.”
</p>
          <p style="indent">And she smiled with a joy that was at once proud and
ingenuous.
</p>
          <p style="indent">Madame Forestier, deeply moved, took her hands.
</p>
          <p style="indent">“Oh, my poor Mathilde! Why, my necklace was paste! It was
worth at most only five hundred francs!”
</p>
        </div>
        <!--end of "section 7.0/.11"-->
      </div>
      <!--end of "chapter 4.7/0"-->
      <!--END OF CHAPTER 4.7/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 4; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Stitching the Standard,
a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
Garamond</ref>  developed by
<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
headings are with
<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
<hi rend="sc">sc</hi> </ref>; the catchline and the footer make use of
<ref target="https://fonts.google.com/specimen/Cormorant+Upright#about">Cormorant
Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-4.xml">Download
document sources in <hi rend="sc">tei</hi> encoded <hi rend="sc">xml</hi>
format</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/en/pdf/maupassant-stories-4.pdf">Download
standard <hi rend="sc">pdf</hi> document</ref>.</p>
      </div>
    </back>
  </text>
</TEI>
