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          <title xml:lang="en" type="main">The Complete Stories</title>
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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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          <name>C. V. Radhakrishnan</name>
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        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
        <address>
          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
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          <p>The text of the original item is in the public domain. The text encoding and
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            <author>Guy de Maupassant</author>
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            <edition>Vol. 4</edition>
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            <date>2004 Jan 1</date>
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          <figDesc>Stitching the Standard, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). </figDesc>
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      <div prev="4.3" next="4.5" type="chapter" n="4.4" xml:id="chp.4.4">
        <head type="chaphead">The Wreck</head>
        <div type="lsection">
          <p style="noindent">It was yesterday, the 31st of December. I had just finished
breakfast with my old friend Georges Garin when the servant handed him a letter
covered with seals and foreign stamps.
</p>
          <p style="indent">Georges said:
</p>
          <p style="indent">“Will you excuse me?”
</p>
          <p style="indent">“Certainly.”
</p>
          <p style="indent">And so he began to read the letter, which was written in a
large English handwriting, crossed and recrossed in every direction. He read them
slowly, with serious attention and the interest which we only pay to things which
touch our hearts.
</p>
          <p style="indent">Then he put the letter on the mantelpiece and said:
</p>
          <p style="indent">“That was a curious story! I’ve never told you about it, I
think. Yet it was a sentimental adventure, and it really happened to me. That was
a strange New Year’s Day, indeed! It must have been twenty years ago, for I was
then thirty and am now fifty years old.
</p>
          <p style="indent">“I was then an inspector in the Maritime Insurance Company,
of which I am now director. I had arranged to pass New Year’s Day in Paris–since it
is customary to make that day a fete–when I received a letter from the manager,
asking me to proceed at once to the island of Re, where a three- masted vessel from
Saint-Nazaire, insured by us, had just been driven ashore. It was then eight o’clock
in the morning. I arrived at the office at ten to get my advices, and that evening I
took the express, which put me down in La Rochelle the next day, the 31st of
December.
</p>
          <p style="indent">“I had two hours to wait before going aboard the boat for Re.
So I made a tour of the town. It is certainly a queer city, La Rochelle, with strong
characteristics of its own streets tangled like a labyrinth, sidewalks running under
endless arcaded galleries like those of the Rue de Rivoli, but low, mysterious, built
as if to form a suitable setting for conspirators and making a striking background
for those old-time wars, the savage heroic wars of religion. It is indeed the typical
old Huguenot city, conservative, discreet, with no fine art to show, with no
wonderful monuments, such as make Rouen; but it is remarkable for its severe,
somewhat sullen look; it is a city of obstinate fighters, a city where fanaticism might
well blossom, where the faith of the Calvinists became enthusiastic and which gave
birth to the plot of the ‘Four Sergeants.’
</p>
          <p style="indent">“After I had wandered for some time about these curious
streets, I went aboard the black, rotund little steamboat which was to take me to
the island of Re. It was called the Jean Guiton. It started with angry puffings,
passed between the two old towers which guard the harbor, crossed the roadstead
and issued from the mole built by Richelieu, the great stones of which can be seen
at the water’s edge, enclosing the town like a great necklace. Then the steamboat
turned to the right.
</p>
          <p style="indent">“It was one of those sad days which give one the blues, tighten
the heart and take away all strength and energy and force-a gray, cold day, with a
heavy mist which was as wet as rain, as cold as frost, as bad to breathe as the steam
of a wash-tub.
</p>
          <p style="indent">“Under this low sky of dismal fog the shallow, yellow, sandy
sea of all practically level beaches lay without a wrinkle, without a movement,
without life, a sea of turbid water, of greasy water, of stagnant water. The Jean
Guiton passed over it, rolling a little from habit, dividing the smooth, dark blue
water and leaving behind a few waves, a little splashing, a slight swell, which soon
calmed down.
</p>
          <p style="indent">“I began to talk to the captain, a little man with small feet, as
round as his boat and rolling in the same manner. I wanted some details of the
disaster on which I was to draw up a report. A great square-rigged three-master,
the Marie Joseph, of Saint-Nazaire, had gone ashore one night in a hurricane on the
sands of the island of Re.
</p>
          <p style="indent">“The owner wrote us that the storm had thrown the ship so
far ashore that it was impossible to float her and that they had to remove
everything which could be detached with the utmost possible haste. Nevertheless I
must examine the situation of the wreck, estimate what must have been her
condition before the disaster and decide whether all efforts had been used to get her
afloat. I came as an agent of the company in order to give contradictory testimony,
if necessary, at the trial.
</p>
          <p style="indent">“On receipt of my report, the manager would take what
measures he might think necessary to protect our interests.
</p>
          <p style="indent">“The captain of the Jean Guiton knew all about the affair,
having been summoned with his boat to assist in the attempts at salvage.
</p>
          <p style="indent">“He told me the story of the disaster. The Marie Joseph,
driven by a furious gale lost her bearings completely in the night, and steering by
chance over a heavy foaming sea–’a milk-soup sea,’ said the captain–had gone
ashore on those immense sand banks which make the coasts of this country look like
limitless Saharas when the tide is low.
</p>
          <p style="indent">“While talking I looked around and ahead. Between the ocean
and the lowering sky lay an open space where the eye could see into the distance.
We were following a coast. I asked:
</p>
          <p style="indent">“‘Is that the island of Re?’
</p>
          <p style="indent">“‘Yes, sir.’
</p>
          <p style="indent">“And suddenly the captain stretched his right hand out before
us, pointed to something almost imperceptible in the open sea, and said:
</p>
          <p style="indent">“‘There’s your ship!’
</p>
          <p style="indent">“‘The Marie Joseph!’
</p>
          <p style="indent">“‘Yes.’
</p>
          <p style="indent">“I was amazed. This black, almost imperceptible speck, which
looked to me like a rock, seemed at least three miles from land.
</p>
          <p style="indent">“I continued:
</p>
          <p style="indent">“‘But, captain, there must be a hundred fathoms of water in
that place.’
</p>
          <p style="indent">“He began to laugh.
</p>
          <p style="indent">“‘A hundred fathoms, my child! Well, I should say about two!’
</p>
          <p style="indent">“He was from Bordeaux. He continued:
</p>
          <p style="indent">“‘It’s now nine-forty, just high tide. Go down along the beach
with your hands in your pockets after you’ve had lunch at the Hotel du Dauphin,
and I’ll wager that at ten minutes to three, or three o’clock, you’ll reach the wreck
without wetting your feet, and have from an hour and three- quarters to two hours
aboard of her; but not more, or you’ll be caught. The faster the sea goes out the
faster it comes back. This coast is as flat as a turtle! But start away at ten minutes
to five, as I tell you, and at half-past seven you will be again aboard of the Jean
Guiton, which will put you down this same evening on the quay at La Rochelle.’
</p>
          <p style="indent">“I thanked the captain and I went and sat down in the bow of
the steamer to get a good look at the little city of Saint-Martin, which we were now
rapidly approaching.
</p>
          <p style="indent">“It was just like all small seaports which serve as capitals of
the barren islands scattered along the coast–a large fishing village, one foot on sea
and one on shore, subsisting on fish and wild fowl, vegetables and shell-fish, radishes
and mussels. The island is very low and little cultivated, yet it seems to be thickly
populated. However, I did not penetrate into the interior.
</p>
          <p style="indent">“After breakfast I climbed across a little promontory, and
then, as the tide was rapidly falling, I started out across the sands toward a kind of
black rock which I could just perceive above the surface of the water, out a
considerable distance.
</p>
          <p style="indent">“I walked quickly over the yellow plain. It was elastic, like
flesh and seemed to sweat beneath my tread. The sea had been there very lately.
Now I perceived it at a distance, escaping out of sight, and I no longer could
distinguish the line which separated the sands from ocean. I felt as though I were
looking at a gigantic supernatural work of enchantment. The Atlantic had just now
been before me, then it had disappeared into the sands, just as scenery disappears
through a trap; and I was now walking in the midst of a desert. Only the feeling,
the breath of the salt-water, remained in me. I perceived the smell of the wrack, the
smell of the sea, the good strong smell of sea coasts. I walked fast; I was no longer
cold. I looked at the stranded wreck, which grew in size as I approached, and came
now to resemble an enormous shipwrecked whale.
</p>
          <p style="indent">“It seemed fairly to rise out of the ground, and on that great,
flat, yellow stretch of sand assumed wonderful proportions. After an hour’s walk I at
last reached it. It lay upon its side, ruined and shattered, its broken bones showing
as though it were an animal, its bones of tarred wood pierced with great bolts. The
sand had already invaded it, entering it by all the crannies, and held it and refused
to let it go. It seemed to have taken root in it. The bow had entered deep into this
soft, treacherous beach, while the stern, high in air, seemed to cast at heaven, like a
cry of despairing appeal, the two white words on the black planking, Marie Joseph.
</p>
          <p style="indent">“I climbed upon this carcass of a ship by the lowest side; then,
having reached the deck, I went below. The daylight, which entered by the stove-in
hatches and the cracks in the sides, showed me dimly long dark cavities full of
demolished woodwork. They contained nothing but sand, which served as foot-soil
in this cavern of planks.
</p>
          <p style="indent">“I began to take some notes about the condition of the ship. I
was seated on a broken empty cask, writing by the light of a great crack, through
which I could perceive the boundless stretch of the strand. A strange shivering of
cold and loneliness ran over my skin from time to time, and I would often stop
writing for a moment to listen to the mysterious noises in the derelict: the noise of
crabs scratching the planking with their crooked claws; the noise of a thousand little
creatures of the sea already crawling over this dead body or else boring into the
wood.
</p>
          <p style="indent">“Suddenly, very near me, I heard human voices. I started as
though I had seen a ghost. For a second I really thought I was about to see drowned
men rise from the sinister depths of the hold, who would tell me about their death.
At any rate, it did not take me long to swing myself on deck. There, standing by
the bows, was a tall Englishman with three young misses. Certainly they were a
good deal more frightened at seeing this sudden apparition on the abandoned
three-master than I was at seeing them. The youngest girl turned and ran, the two
others threw their arms round their father. As for him, he opened his mouth–that
was the only sign of emotion which he showed.
</p>
          <p style="indent">“Then, after several seconds, he spoke:
</p>
          <p style="indent">“‘Mosieu, are you the owner of this ship.?’
</p>
          <p style="indent">“‘I am.’
</p>
          <p style="indent">“‘May I go over it?’
</p>
          <p style="indent">“‘You may.’
</p>
          <p style="indent">“Then he uttered a long sentence in English, in which I only
distinguished the word ‘gracious,’ repeated several times.
</p>
          <p style="indent">“As he was looking for a place to climb up I showed him the
easiest way, and gave him a hand. He climbed up. Then we helped up the three
girls, who had now quite recovered their composure. They were charming, especially
the oldest, a blonde of eighteen, fresh as a flower, and very dainty and pretty! Ah,
yes! the pretty Englishwomen have indeed the look of tender sea fruit. One would
have said of this one that she had just risen out of the sands and that her hair had
kept their tint. They all, with their exquisite freshness, make you think of the
delicate colors of pink sea-shells and of shining pearls hidden in the unknown depths
of the ocean.
</p>
          <p style="indent">“She spoke French a little better than her father and acted as
interpreter. I had to tell all about the shipwreck, and I romanced as though I had
been present at the catastrophe. Then the whole family descended into the interior
of the wreck. As soon as they had penetrated into this sombre, dimly lit cavity they
uttered cries of astonishment and admiration. Suddenly the father and his three
daughters were holding sketch-books in their hands, which they had doubtless
carried hidden somewhere in their heavy weather-proof clothes, and were all
beginning at once to make pencil sketches of this melancholy and weird place.
</p>
          <p style="indent">“They had seated themselves side by side on a projecting
beam, and the four sketch-books on the eight knees were being rapidly covered with
little black lines which were intended to represent the half-opened hulk of the Marie
Joseph.
</p>
          <p style="indent">“I continued to inspect the skeleton of the ship, and the oldest
girl talked to me while she worked.
</p>
          <p style="indent">“They had none of the usual English arrogance; they were
simple honest hearts of that class of continuous travellers with which England
covers the globe. The father was long and thin, with a red face framed in white
whiskers, and looking like a living sandwich, a piece of ham carved like a face
between two wads of hair. The daughters, who had long legs like young storks, were
also thin-except the oldest. All three were pretty, especially the tallest.
</p>
          <p style="indent">“She had such a droll way of speaking, of laughing, of
understanding and of not understanding, of raising her eyes to ask a question (eyes
blue as the deep ocean), of stopping her drawing a moment to make a guess at what
you meant, of returning once more to work, of saying ‘yes’ or ‘no’–that I could have
listened and looked indefinitely.
</p>
          <p style="indent">“Suddenly she murmured:
</p>
          <p style="indent">“‘I hear a little sound on this boat.’
</p>
          <p style="indent">“I listened and I immediately distinguished a low, steady,
curious sound. I rose and looked out of the crack and gave a scream. The sea had
come up to us; it would soon surround us!
</p>
          <p style="indent">“We were on deck in an instant. It was too late. The water
circled us about and was running toward the coast at tremendous speed. No, it did
not run, it glided, crept, spread like an immense, limitless blot. The water was
barely a few centimeters deep, but the rising flood had gone so far that we no longer
saw the vanishing line of the imperceptible tide. “The Englishman wanted to jump.
I held him back. Flight was impossible because of the deep places which we had
been obliged to go round on our way out and into which we should fall on our
return.
</p>
          <p style="indent">“There was a minute of horrible anguish in our hearts. Then
the little English girl began to smile and murmured:
</p>
          <p style="indent">“‘It is we who are shipwrecked.’
</p>
          <p style="indent">“I tried to laugh, but fear held me, a fear which was cowardly
and horrid and base and treacherous like the tide. All the danger which we ran
appeared to me at once. I wanted to shriek: ‘Help!’ But to whom?
</p>
          <p style="indent">“The two younger girls were clinging to their father, who
looked in consternation at the measureless sea which hedged us round about.
</p>
          <p style="indent">“The night fell as swiftly as the ocean rose–a lowering, wet, icy
night.
</p>
          <p style="indent">“I said:
</p>
          <p style="indent">“‘There’s nothing to do but to stay on the ship:
</p>
          <p style="indent">“The Englishman answered:
</p>
          <p style="indent">“‘Oh, yes!’
</p>
          <p style="indent">“And we waited there a quarter of an hour, half an hour,
indeed I don’t know how long, watching that creeping water growing deeper as it
swirled around us, as though it were playing on the beach, which it had regained.
</p>
          <p style="indent">“One of the young girls was cold, and we went below to shelter
ourselves from the light but freezing wind that made our skins tingle.
</p>
          <p style="indent">“I leaned over the hatchway. The ship was full of water. So we
had to cower against the stern planking, which shielded us a little.
</p>
          <p style="indent">“Darkness was now coming on, and we remained huddled
together. I felt the shoulder of the little English girl trembling against mine, her
teeth chattering from time to time. But I also felt the gentle warmth of her body
through her ulster, and that warmth was as delicious to me as a kiss. We no longer
spoke; we sat motionless, mute, cowering down like animals in a ditch when a
hurricane is raging. And, nevertheless, despite the night, despite the terrible and
increasing danger, I began to feel happy that I was there, glad of the cold and the
peril, glad of the long hours of darkness and anguish that I must pass on this plank
so near this dainty, pretty little girl.
</p>
          <p style="indent">“I asked myself, ‘Why this strange sensation of well-being and
of joy?’ “Why! Does one know? Because she was there? Who? She, a little
unknown English girl? I did not love her, I did not even know her. And for all that,
I was touched and conquered. I wanted to save her, to sacrifice myself for her, to
commit a thousand follies! Strange thing! How does it happen that the presence of
a woman overwhelms us so? Is it the power of her grace which enfolds us? Is it the
seduction of her beauty and youth, which intoxicates one like wine?
</p>
          <p style="indent">“Is it not rather the touch of Love, of Love the Mysterious,
who seeks constantly to unite two beings, who tries his strength the instant he has
put a man and a woman face to face?
</p>
          <p style="indent">“The silence of the darkness became terrible, the stillness of
the sky dreadful, because we could hear vaguely about us a slight, continuous
sound, the sound of the rising tide and the monotonous plashing of the water
against the ship.
</p>
          <p style="indent">“Suddenly I heard the sound of sobs. The youngest of the girls
was crying. Her father tried to console her, and they began to talk in their own
tongue, which I did not understand. I guessed that he was reassuring her and that
she was still afraid.
</p>
          <p style="indent">“I asked my neighbor:
</p>
          <p style="indent">“‘You are not too cold, are you, mademoiselle?’
</p>
          <p style="indent">“‘Oh, yes. I am very cold.’
</p>
          <p style="indent">“I offered to give her my cloak; she refused it.
</p>
          <p style="indent">But I had taken it off and I covered her with it against her
will. In the short struggle her hand touched mine. It made a delicious thrill run
through my body.
</p>
          <p style="indent">“For some minutes the air had been growing brisker, the
dashing of the water stronger against the flanks of the ship. I raised myself; a great
gust of wind blew in my face. The wind was rising!
</p>
          <p style="indent">“The Englishman perceived this at the same time that I did
and said simply:
</p>
          <p style="indent">“‘This is bad for us, this—-’
</p>
          <p style="indent">“Of course it was bad, it was certain death if any breakers,
however feeble, should attack and shake the wreck, which was already so shattered
and disconnected that the first big sea would carry it off.
</p>
          <p style="indent">“So our anguish increased momentarily as the squalls grew
stronger and stronger. Now the sea broke a little, and I saw in the darkness white
lines appearing and disappearing, lines of foam, while each wave struck the Marie
Joseph and shook her with a short quiver which went to our hearts.
</p>
          <p style="indent">“The English girl was trembling. I felt her shiver against me.
And I had a wild desire to take her in my arms.
</p>
          <p style="indent">“Down there, before and behind us, to the left and right,
lighthouses were shining along the shore–lighthouses white, yellow and red,
revolving like the enormous eyes of giants who were watching us, waiting eagerly for
us to disappear. One of them in especial irritated me. It went out every thirty
seconds and it lit up again immediately. It was indeed an eye, that one, with its lid
incessantly lowered over its fiery glance.
</p>
          <p style="indent">“From time to time the Englishman struck a match to see the
hour; then he put his watch back in his pocket. Suddenly he said to me, over the
heads of his daughters, with tremendous gravity:
</p>
          <p style="indent">“‘I wish you a happy New Year, Mosieu.’
</p>
          <p style="indent">“It was midnight. I held out my hand, which he pressed. Then
he said something in English, and suddenly he and his daughters began to sing ‘God
Save the Queen,’ which rose through the black and silent air and vanished into
space.
</p>
          <p style="indent">“At first I felt a desire to laugh; then I was seized by a
powerful, strange emotion.
</p>
          <p style="indent">“It was something sinister and superb, this chant of the
shipwrecked, the condemned, something like a prayer and also like something
grander, something comparable to the ancient ‘Ave Caesar morituri te salutant.’
</p>
          <p style="indent">“When they had finished I asked my neighbor to sing a ballad
alone, anything she liked, to make us forget our terrors. She consented, and
immediately her clear young voice rang out into the night. She sang something
which was doubtless sad, because the notes were long drawn out and hovered, like
wounded birds, above the waves.
</p>
          <p style="indent">“The sea was rising now and beating upon our wreck. As for
me, I thought only of that voice. And I thought also of the sirens. If a ship had
passed near by us what would the sailors have said? My troubled spirit lost itself in
the dream! A siren! Was she not really a siren, this daughter of the sea, who had
kept me on this worm-eaten ship and who was soon about to go down with me deep
into the waters?
</p>
          <p style="indent">“But suddenly we were all five rolling on the deck, because the
Marie Joseph had sunk on her right side. The English girl had fallen upon me, and
before I knew what I was doing, thinking that my last moment was come, I had
caught her in my arms and kissed her cheek, her temple and her hair.
</p>
          <p style="indent">“The ship did not move again, and we, we also, remained
motionless.
</p>
          <p style="indent">“The father said, ‘Kate!’ The one whom I was holding
answered ‘Yes’ and made a movement to free herself. And at that moment I should
have wished the ship to split in two and let me fall with her into the sea.
</p>
          <p style="indent">“The Englishman continued:
</p>
          <p style="indent">“‘A little rocking; it’s nothing. I have my three daughters safe.’
</p>
          <p style="indent">“Not having seen the oldest, he had thought she was lost
overboard!
</p>
          <p style="indent">“I rose slowly, and suddenly I made out a light on the sea
quite close to us. I shouted; they answered. It was a boat sent out in search of us by
the hotelkeeper, who had guessed at our imprudence.
</p>
          <p style="indent">“We were saved. I was in despair. They picked us up off our
raft and they brought us back to Saint-Martin.
</p>
          <p style="indent">“The Englishman began to rub his hand and murmur:
</p>
          <p style="indent">“‘A good supper! A good supper!’
</p>
          <p style="indent">“We did sup. I was not gay. I regretted the Marie Joseph.
</p>
          <p style="indent">“We had to separate the next day after much handshaking and
many promises to write. They departed for Biarritz. I wanted to follow them.
</p>
          <p style="indent">“I was hard hit. I wanted to ask this little girl to marry me. If
we had passed eight days together, I should have done so! How weak and
incomprehensible a man sometimes is!
</p>
          <p style="indent">“Two years passed without my hearing a word from them.
Then I received a letter from New York. She was married and wrote to tell me. And
since then we write to each other every year, on New Year’s Day. She tells me about
her life, talks of her children, her sisters, never of her husband! Why? Ah! why?
And as for me, I only talk of the Marie Joseph. That was perhaps the only woman I
have ever loved–no–that I ever should have loved. Ah, well! who can tell?
Circumstances rule one. And then–and then–all passes. She must be old now; I
should not know her. Ah! she of the bygone time, she of the wreck! What a
creature! Divine! She writes me her hair is white. That caused me terrible pain.
Ah! her yellow hair. No, my English girl exists no longer. How sad it all is!”
</p>
        </div>
        <!--end of "section 4.0/.8"-->
      </div>
      <!--end of "chapter 4.4/0"-->
      <!--END OF CHAPTER 4.4/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 4; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  Stitching the Standard,
a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
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<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
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Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-4.xml">Download
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standard <hi rend="sc">pdf</hi> document</ref>.</p>
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