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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 16, 2021</date>
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          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
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          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
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            <author>Guy de Maupassant</author>
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          <figDesc>La Coiffure, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Pierre-Auguste_Renoir">PierreAuguste Renoir</ref>  (1841–1919). </figDesc>
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      <div prev="2.7" next="2.9" type="chapter" n="2.8" xml:id="chp.2.8">
        <head type="chaphead">The Blind Man</head>
        <div type="lsection">
          <p style="noindent">How is it that the sunlight gives us such joy? Why does this
radiance when it falls on the earth fill us with the joy of living? The whole sky is
blue, the fields are green, the houses all white, and our enchanted eyes drink in
those bright colors which bring delight to our souls. And then there springs up in
our hearts a desire to dance, to run, to sing, a happy lightness of thought, a sort of
enlarged tenderness; we feel a longing to embrace the sun.
</p>
          <p style="indent">The blind, as they sit in the doorways, impassive in their
eternal darkness, remain as calm as ever in the midst of this fresh gaiety, and, not
understanding what is taking place around them, they continually check their dogs
as they attempt to play.
</p>
          <p style="indent">When, at the close of the day, they are returning home on the
arm of a young brother or a little sister, if the child says: “It was a very fine day!”
the other answers: “I could notice that it was fine. Loulou wouldn’t keep quiet.”
</p>
          <p style="indent">I knew one of these men whose life was one of the most cruel
martyrdoms that could possibly be conceived.
</p>
          <p style="indent">He was a peasant, the son of a Norman farmer. As long as his
father and mother lived, he was more or less taken care of; he suffered little save
from his horrible infirmity; but as soon as the old people were gone, an atrocious life
of misery commenced for him. Dependent on a sister of his, everybody in the
farmhouse treated him as a beggar who is eating the bread of strangers. At every
meal the very food he swallowed was made a subject of reproach against him; he
was called a drone, a clown, and although his brother-in-law had taken possession of
his portion of the inheritance, he was helped grudgingly to soup, getting just
enough to save him from starving.
</p>
          <p style="indent">His face was very pale and his two big white eyes looked like
wafers. He remained unmoved at all the insults hurled at him, so reserved that one
could not tell whether he felt them.
</p>
          <p style="indent">Moreover, he had never known any tenderness, his mother
having always treated him unkindly and caring very little for him; for in country
places useless persons are considered a nuisance, and the peasants would be glad to
kill the infirm of their species, as poultry do.
</p>
          <p style="indent">As soon as he finished his soup he went and sat outside the
door in summer and in winter beside the fireside, and did not stir again all the
evening. He made no gesture, no movement; only his eyelids, quivering from some
nervous affection, fell down sometimes over his white, sightless orbs. Had he any
intellect, any thinking faculty, any consciousness of his own existence? Nobody
cared to inquire.
</p>
          <p style="indent">For some years things went on in this fashion. But his
incapacity for work as well as his impassiveness eventually exasperated his relatives,
and he became a laughingstock, a sort of butt for merriment, a prey to the inborn
ferocity, to the savage gaiety of the brutes who surrounded him.
</p>
          <p style="indent">It is easy to imagine all the cruel practical jokes inspired by
his blindness. And, in order to have some fun in return for feeding him, they now
converted his meals into hours of pleasure for the neighbors and of punishment for
the helpless creature himself.
</p>
          <p style="indent">The peasants from the nearest houses came to this
entertainment; it was talked about from door to door, and every day the kitchen of
the farmhouse was full of people. Sometimes they placed before his plate, when he
was beginning to eat his soup, some cat or dog. The animal instinctively perceived
the man’s infirmity, and, softly approaching, commenced eating noiselessly, lapping
up the soup daintily; and, when they lapped the food rather noisily, rousing the
poor fellow’s attention, they would prudently scamper away to avoid the blow of the
spoon directed at random by the blind man!
</p>
          <p style="indent">Then the spectators ranged along the wall would burst out
laughing, nudge each other and stamp their feet on the floor. And he, without ever
uttering a word, would continue eating with his right hand, while stretching out his
left to protect his plate.
</p>
          <p style="indent">Another time they made him chew corks, bits of wood, leaves
or even filth, which he was unable to distinguish.
</p>
          <p style="indent">After this they got tired even of these practical jokes, and the
brother- in-law, angry at having to support him always, struck him, cuffed him
incessantly, laughing at his futile efforts to ward off or return the blows. Then came
a new pleasure–the pleasure of smacking his face. And the plough-men, the servant
girls and even every passing vagabond were every moment giving him cuffs, which
caused his eyelashes to twitch spasmodically. He did not know where to hide himself
and remained with his arms always held out to guard against people coming too
close to him.
</p>
          <p style="indent">At last he was forced to beg.
</p>
          <p style="indent">He was placed somewhere on the high-road on market-days,
and as soon as he heard the sound of footsteps or the rolling of a vehicle, he reached
out his hat, stammering:
</p>
          <p style="indent">“Charity, if you please!”
</p>
          <p style="indent">But the peasant is not lavish, and for whole weeks he did not
bring back a sou.
</p>
          <p style="indent">Then he became the victim of furious, pitiless hatred. And
this is how he died.
</p>
          <p style="indent">One winter the ground was covered with snow, and it was
freezing hard. His brother-in-law led him one morning a great distance along the
high road in order that he might solicit alms. The blind man was left there all day;
and when night came on, the brother-in-law told the people of his house that he
could find no trace of the mendicant. Then he added:
</p>
          <p style="indent">“Pooh! best not bother about him! He was cold and got
someone to take him away. Never fear! he’s not lost. He’ll turn up soon enough
tomorrow to eat the soup.”
</p>
          <p style="indent">Next day he did not come back.
</p>
          <p style="indent">After long hours of waiting, stiffened with the cold, feeling
that he was dying, the blind man began to walk. Being unable to find his way along
the road, owing to its thick coating of ice, he went on at random, falling into
ditches, getting up again, without uttering a sound, his sole object being to find
some house where he could take shelter.
</p>
          <p style="indent">But, by degrees, the descending snow made a numbness steal
over him, and his feeble limbs being incapable of carrying him farther, he sat down
in the middle of an open field. He did not get up again.
</p>
          <p style="indent">The white flakes which fell continuously buried him, so that
his body, quite stiff and stark, disappeared under the incessant accumulation of their
rapidly thickening mass, and nothing was left to indicate the place where he lay.
</p>
          <p style="indent">His relatives made a pretence of inquiring about him and
searching for him for about a week. They even made a show of weeping.
</p>
          <p style="indent">The winter was severe, and the thaw did not set in quickly.
Now, one Sunday, on their way to mass, the farmers noticed a great flight of crows,
who were whirling incessantly above the open field, and then descending like a
shower of black rain at the same spot, ever going and coming.
</p>
          <p style="indent">The following week these gloomy birds were still there. There
was a crowd of them up in the air, as if they had gathered from all corners of the
horizon, and they swooped down with a great cawing into the shining snow, which
they covered like black patches, and in which they kept pecking obstinately. A
young fellow went to see what they were doing and discovered the body of the blind
man, already half devoured, mangled. His wan eyes had disappeared, pecked out by
the long, voracious beaks.
</p>
          <p style="indent">And I can never feel the glad radiance of sunlit days without
sadly remembering and pondering over the fate of the beggar who was such an
outcast in life- that his horrible death was a relief to all who had known him.
</p>
        </div>
        <!--end of "section 8.0/.8"-->
      </div>
      <!--end of "chapter 2.8/0"-->
      <!--END OF CHAPTER 2.8/0-->
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    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 2; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 16, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  La Coiffure, a painting
by <ref target="hhttps://en.wikipedia.org/wiki/Pierre-Auguste_Renoir">PierreAuguste Renoir</ref>  (1841–1919). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
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<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
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<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
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Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-2.xml">Download
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