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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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        <sponsor>Sayahna Foundation</sponsor>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 16, 2021</date>
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          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
        </address>
        <availability>
          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
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            <author>Guy de Maupassant</author>
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          <figDesc>La Coiffure, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Pierre-Auguste_Renoir">PierreAuguste Renoir</ref>  (1841–1919). </figDesc>
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      <div prev="2.6" next="2.8" type="chapter" n="2.7" xml:id="chp.2.7">
        <head type="chaphead">A Meeting</head>
        <div type="lsection">
          <p style="noindent">It was nothing but an accident, an accident pure and
simple. On that particular evening the princess’ rooms were open, and as they
appeared dark after the brilliantly lighted parlors, Baron d’Etraille, who was tired
of standing, inadvertently wandered into an empty bedroom.
</p>
          <p style="indent">He looked round for a chair in which to have a doze, as he was
sure his wife would not leave before daylight. As soon as he became accustomed to
the light of the room he distinguished the big bed with its azure-and- gold hangings,
in the middle of the great room, looking like a catafalque in which love was buried,
for the princess was no longer young. Behind it, a large bright surface looked like a
lake seen at a distance. It was a large mirror, discreetly covered with dark drapery,
that was very rarely let down, and seemed to look at the bed, which was its
accomplice. One might almost fancy that it had reminiscences, and that one might
see in it charming female forms and the gentle movement of loving arms.
</p>
          <p style="indent">The baron stood still for a moment, smiling, almost
experiencing an emotion on the threshold of this chamber dedicated to love. But
suddenly something appeared in the looking-glass, as if the phantoms which he had
evoked had risen up before him. A man and a woman who had been sitting on a low
couch concealed in the shadow had arisen, and the polished surface, reflecting their
figures, showed that they were kissing each other before separating.
</p>
          <p style="indent">Baron d’Etraille recognized his wife and the Marquis de
Cervigne. He turned and went away like a man who is fully master of himself, and
waited till it was day before taking away the baroness; but he had no longer any
thoughts of sleeping.
</p>
          <p style="indent">As soon as they were alone he said:
</p>
          <p style="indent">“Madame, I saw you just now in Princesse de Raynes’ room; I
need say no more, and I am not fond either of reproaches, acts of violence, or of
ridicule. As I wish to avoid all such things, we shall separate without any scandal.
Our lawyers will settle your position according to my orders. You will be free to live
as you please when you are no longer under my roof; but, as you will continue to
bear my name, I must warn you that should any scandal arise I shall show myself
inflexible.”
</p>
          <p style="indent">She tried to speak, but he stopped her, bowed, and left the
room.
</p>
          <p style="indent">He was more astonished and sad than unhappy. He had loved
her dearly during the first period of their married life; but his ardor had cooled, and
now he often amused himself elsewhere, either in a theatre or in society, though he
always preserved a certain liking for the baroness.
</p>
          <p style="indent">She was very young, hardly four-and-twenty, small, slight–too
slight– and very fair. She was a true Parisian doll: clever, spoiled, elegant,
coquettish, witty, with more charm than real beauty. He used to say familiarly to
his brother, when speaking of her:
</p>
          <p style="indent">“My wife is charming, attractive, but–there is nothing to lay
hold of. She is like a glass of champagne that is all froth; when you get to the wine
it is very good, but there is too little of it, unfortunately.”
</p>
          <p style="indent">He walked up and down the room in great agitation, thinking
of a thousand things. At one moment he was furious, and felt inclined to give the
marquis a good thrashing, or to slap his face publicly, in the club. But he decided
that would not do, it would not be good form; he would be laughed at, and not his
rival, and this thought wounded his vanity. So he went to bed, but could not sleep.
Paris knew in a few days that the Baron and Baroness d’Etraille had agreed to an
amicable separation on account of incompatibility of temper. No one suspected
anything, no one laughed, and no one was astonished.
</p>
          <p style="indent">The baron, however, to avoid meeting his wife, travelled for a
year, then spent the summer at the seaside, and the autumn in shooting, returning
to Paris for the winter. He did not meet the baroness once.
</p>
          <p style="indent">He did not even know what people said about her. In any
case, she took care to respect appearances, and that was all he asked for.
</p>
          <p style="indent">He became dreadfully bored, travelled again, restored his old
castle of Villebosc, which took him two years; then for over a year he entertained
friends there, till at last, tired of all these so-called pleasures, he returned to his
mansion in the Rue de Lille, just six years after the separation.
</p>
          <p style="indent">He was now forty-five, with a good crop of gray hair, rather
stout, and with that melancholy look characteristic of those who have been
handsome, sought after, and liked, but who are deteriorating, daily.
</p>
          <p style="indent">A month after his return to Paris, he took cold on coming out
of his club, and had such a bad cough that his medical man ordered him to Nice for
the rest of the winter.
</p>
          <p style="indent">He reached the station only a few minutes before the
departure of the train on Monday evening, and had barely time to get into a
carriage, with only one other occupant, who was sitting in a corner so wrapped in
furs and cloaks that he could not even make out whether it was a man or a woman,
as nothing of the figure could be seen. When he perceived that he could not find
out, he put on his travelling cap, rolled himself up in his rugs, and stretched out
comfortably to sleep.
</p>
          <p style="indent">He did not wake until the day was breaking, and looked at
once at his fellow-traveller, who had not stirred all night, and seemed still to be
sound asleep.
</p>
          <p style="indent">M. d’Etraille made use of the opportunity to brush his hair
and his beard, and to try to freshen himself up a little generally, for a night’s travel
does not improve one’s appearance when one has attained a certain age.
</p>
          <p style="indent">A great poet has said:
</p>
          <p style="indent">“When we are young, our mornings are triumphant!”
</p>
          <p style="indent">Then we wake up with a cool skin, a bright eye, and glossy
hair.
</p>
          <p style="indent">As one grows older one wakes up in a very different condition.
Dull eyes, red, swollen cheeks, dry lips, hair and beard disarranged, impart an old,
fatigued, worn-out look to the face.
</p>
          <p style="indent">The baron opened his travelling case, and improved his looks
as much as possible.
</p>
          <p style="indent">The engine whistled, the train stopped, and his neighbor
moved. No doubt he was awake. They started off again, and then a slanting ray of
sunlight shone into the carriage and on the sleeper, who moved again, shook
himself, and then his face could be seen.
</p>
          <p style="indent">It was a young, fair, pretty, plump woman, and the baron
looked at her in amazement. He did not know what to think. He could really have
sworn that it was his wife, but wonderfully changed for the better: stouter– why she
had grown as stout as he was, only it suited her much better than it did him.
</p>
          <p style="indent">She looked at him calmly, did not seem to recognize him, and
then slowly laid aside her wraps. She had that quiet assurance of a woman who is
sure of herself, who feels that on awaking she is in her full beauty and freshness.
</p>
          <p style="indent">The baron was really bewildered. Was it his wife, or else as
like her as any sister could be? Not having seen her for six years, he might be
mistaken.
</p>
          <p style="indent">She yawned, and this gesture betrayed her. She turned and
looked at him again, calmly, indifferently, as if she scarcely saw him, and then
looked out of the window again.
</p>
          <p style="indent">He was upset and dreadfully perplexed, and kept looking at
her sideways.
</p>
          <p style="indent">Yes; it was surely his wife. How could he possibly have
doubted it? There could certainly not be two noses like that, and a thousand
recollections flashed through his mind. He felt the old feeling of the intoxication of
love stealing over him, and he called to mind the sweet odor of her skin, her smile
when she put her arms on to his shoulders, the soft intonations of her voice, all her
graceful, coaxing ways.
</p>
          <p style="indent">But how she had changed and improved! It was she and yet
not she. She seemed riper, more developed, more of a woman, more seductive, more
desirable, adorably desirable.
</p>
          <p style="indent">And this strange, unknown woman, whom he had accidentally
met in a railway carriage, belonged to him; he had only to say to her:
</p>
          <p style="indent">“I insist upon it.”
</p>
          <p style="indent">He had formerly slept in her arms, existed only in her love,
and now he had found her again certainly, but so changed that he scarcely knew
her. It was another, and yet it was she herself. It was some one who had been born
and had formed and grown since he had left her. It was she, indeed; she whom he
had loved, but who was now altered, with a more assured smile and greater
self-possession. There were two women in one, mingling a great part of what was
new and unknown with many sweet recollections of the past. There was something
singular, disturbing, exciting about it –a kind of mystery of love in which there
floated a delicious confusion. It was his wife in a new body and in new flesh which
lips had never pressed.
</p>
          <p style="indent">And he thought that in a few years nearly every thing changes
in us; only the outline can be recognized, and sometimes even that disappears.
</p>
          <p style="indent">The blood, the hair, the skin, all changes and is renewed, and
when people have not seen each other for a long time, when they meet they find each
other totally different beings, although they are the same and bear the same name.
</p>
          <p style="indent">And the heart also can change. Ideas may be modified and
renewed, so that in forty years of life we may, by gradual and constant
transformations, become four or five totally new and different beings.
</p>
          <p style="indent">He dwelt on this thought till it troubled him; it had first taken
possession of him when he surprised her in the princess’ room. He was not the least
angry; it was not the same woman that he was looking at– that thin, excitable little
doll of those days.
</p>
          <p style="indent">What was he to do? How should he address her? and what
could he say to her? Had she recognized him?
</p>
          <p style="indent">The train stopped again. He got up, bowed, and ,said:
“Bertha, do you want anything I could bring you?”
</p>
          <p style="indent">She looked at him from head to foot, and answered, without
showing the slightest surprise, or confusion, or anger, but with the most perfect
indifference:
</p>
          <p style="indent">“I do not want anything—thank you.”
</p>
          <p style="indent">He got out and walked up and down the platform a little in
order to recover himself, and, as it were, to recover his senses after a fall. What
should he do now? If he got into another carriage it would look as if he were
running away. Should he be polite or importunate? That would look as if he were
asking for forgiveness. Should he speak as if he were her master? He would look like
a fool, and, besides, he really had no right to do so.
</p>
          <p style="indent">He got in again and took his place.
</p>
          <p style="indent">During his absence she had hastily arranged her dress and
hair, and was now lying stretched out on the seat, radiant, and without showing any
emotion.
</p>
          <p style="indent">He turned to her, and said: “My dear Bertha, since this
singular chance has brought up together after a separation of six years–a quite
friendly separation–are we to continue to look upon each other as irreconcilable
enemies? We are shut up together, tete-d-tete, which is so much the better or so
much the worse. I am not going to get into another carriage, so don’t you think it is
preferable to talk as friends till the end of our journey?”
</p>
          <p style="indent">She answered, quite calmly again:
</p>
          <p style="indent">“Just as you please.”
</p>
          <p style="indent">Then he suddenly stopped, really not knowing what to say;
but as he had plenty of assurance, he sat down on the middle seat, and said:
</p>
          <p style="indent">“Well, I see I must pay my court to you; so much the better.
It is, however, really a pleasure, for you are charming. You cannot imagine how you
have improved in the last six years. I do not know any woman who could give me
that delightful sensation which I experienced just now when you emerged from your
wraps. I really could not have thought such a change possible.”
</p>
          <p style="indent">Without moving her head or looking at him, she said: “I
cannot say the same with regard to you; you have certainly deteriorated a great
deal.”
</p>
          <p style="indent">He got red and confused, and then, with a smile of
resignation, he said:
</p>
          <p style="indent">“You are rather hard.”
</p>
          <p style="indent">“Why?” was her reply. “I am only stating facts. I don’t
suppose you intend to offer me your love? It must, therefore, be a matter of perfect
indifference to you what I think about you. But I see it is a painful subject, so let
us talk of something else. What have you been doing since I last saw you?”
</p>
          <p style="indent">He felt rather out of countenance, and stammered:
</p>
          <p style="indent">“I? I have travelled, done some shooting, and grown old, as
you see. And you?”
</p>
          <p style="indent">She said, quite calmly: “I have taken care of appearances, as
you ordered me.”
</p>
          <p style="indent">He was very nearly saying something brutal, but he checked
himself; and kissed his wife’s hand:
</p>
          <p style="indent">“And I thank you,” he said.
</p>
          <p style="indent">She was surprised. He was indeed diplomatic, and always
master of himself.
</p>
          <p style="indent">He went on: “As you have acceded to my first request, shall
we now talk without any bitterness?”
</p>
          <p style="indent">She made a little movement of surprise.
</p>
          <p style="indent">“Bitterness? I don’t feel any; you are a complete stranger to
me; I am only trying to keep up a difficult conversation.”
</p>
          <p style="indent">He was still looking at her, fascinated in spite of her
harshness, and he felt seized with a brutal Beside, the desire of the master.
</p>
          <p style="indent">Perceiving that she had hurt his feelings, she said:
</p>
          <p style="indent">“How old are you now? I thought you were younger than you
look.”
</p>
          <p style="indent">“I am forty-five”; and then he added: “I forgot to ask after
Princesse de Raynes. Are you still intimate with her?”
</p>
          <p style="indent">She looked at him as if she hated him:
</p>
          <p style="indent">“Yes, I certainly am. She is very well, thank you.”
</p>
          <p style="indent">They remained sitting side by side, agitated and irritated.
Suddenly he said:
</p>
          <p style="indent">“My dear Bertha, I have changed my mind. You are my wife,
and I expect you to come with me to-day. You have, I think, improved both morally
and physically, and I am going to take you back again. I am your husband, and it is
my right to do so.”
</p>
          <p style="indent">She was stupefied, and looked at him, trying to divine his
thoughts; but his face was resolute and impenetrable.
</p>
          <p style="indent">“I am very sorry,” she said, “but I have made other
engagements.”
</p>
          <p style="indent">“So much the worse for you,” was his reply. “The law gives me
the power, and I mean to use it.”
</p>
          <p style="indent">They were nearing Marseilles, and the train whistled and
slackened speed. The baroness rose, carefully rolled up her wraps, and then, turning
to her husband, said:
</p>
          <p style="indent">“My dear Raymond, do not make a bad use of this tete-a tete
which I had carefully prepared. I wished to take precautions, according to your
advice, so that I might have nothing to fear from you or from other people,
whatever might happen. You are going to Nice, are you not?”
</p>
          <p style="indent">“I shall go wherever you go.”
</p>
          <p style="indent">“Not at all; just listen to me, and I am sure that you will leave
me in peace. In a few moments, when we get to the station, you will see the
Princesse de Raynes and Comtesse Henriot waiting for me with their husbands. I
wished them to see as, and to know that we had spent the night together in the
railway carriage. Don’t be alarmed; they will tell it everywhere as a most surprising
fact.
</p>
          <p style="indent">“I told you just now that I had most carefully followed your
advice and saved appearances. Anything else does not matter, does it? Well, in
order to do so, I wished to be seen with you. You told me carefully to avoid any
scandal, and I am avoiding it, for, I am afraid–I am afraid–”
</p>
          <p style="indent">She waited till the train had quite stopped, and as her friends
ran up to open the carriage door, she said:
</p>
          <p style="indent">“I am afraid”–hesitating–”that there is another reason–je suis
enceinte.”
</p>
          <p style="indent">The princess stretched out her arms to embrace her,–and the
baroness said, painting to the baron, who was dumb with astonishment, and was
trying to get at the truth:
</p>
          <p style="indent">“You do not recognize Raymond? He has certainly changed a
good deal, and he agreed to come with me so that I might not travel alone. We take
little trips like this occasionally, like good friends who cannot live together. We are
going to separate here; he has had enough of me already.”
</p>
          <p style="indent">She put out her hand, which he took mechanically, and then
she jumped out on to the platform among her friends, who were waiting for her.
</p>
          <p style="indent">The baron hastily shut the carriage door, for he was too much
disturbed to say a word or come to any determination. He heard his wife’s voice
and their merry laughter as they went away.
</p>
          <p style="indent">He never saw her again, nor did he ever discover whether she
had told him a lie or was speaking the truth.
</p>
        </div>
        <!--end of "section 7.0/.7"-->
      </div>
      <!--end of "chapter 2.7/0"-->
      <!--END OF CHAPTER 2.7/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 2; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 16, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  La Coiffure, a painting
by <ref target="hhttps://en.wikipedia.org/wiki/Pierre-Auguste_Renoir">PierreAuguste Renoir</ref>  (1841–1919). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
Garamond</ref>  developed by
<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
headings are with
<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
<hi rend="sc">sc</hi> </ref>; the catchline and the footer make use of
<ref target="https://fonts.google.com/specimen/Cormorant+Upright#about">Cormorant
Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
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