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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 16, 2021</date>
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          <addrLine>Trivandrum 695014</addrLine>
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            <author>Guy de Maupassant</author>
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            <date>2004 Jan 1</date>
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      <div prev="2.5" next="2.7" type="chapter" n="2.6" xml:id="chp.2.6">
        <head type="chaphead">The Question of Latin</head>
        <div type="lsection">
          <p style="noindent">This subject of latin that has been dinned into our ears for
some time past recalls to my mind a story–a story of my youth.
</p>
          <p style="indent">I was finishing my studies with a teacher, in a big central
town, at the Institution Robineau, celebrated through the entire province for the
special attention paid there to the study of Latin.
</p>
          <p style="indent">For the past ten years, the Robineau Institute beat the
imperial lycee of the town at every competitive examination, and all the colleges of
the subprefecture, and these constant successes were due, they said, to an usher, a
simple usher, M. Piquedent, or rather Pere Piquedent.
</p>
          <p style="indent">He was one of those middle-aged men quite gray, whose real
age it is impossible to tell, and whose history we can guess at first glance. Having
entered as an usher at twenty into the first institution that presented itself so that
he could proceed to take first his degree of Master of Arts and afterward the degree
of Doctor of Laws, he found himself so enmeshed in this routine that he remained
an usher all his life. But his love for Latin did not leave him and harassed him like
an unhealthy passion. He continued to read the poets, the prose writers, the
historians, to interpret them and penetrate their meaning, to comment on them
with a perseverance bordering on madness.
</p>
          <p style="indent">One day, the idea came into his head to oblige all the students
in his class to answer him in Latin only; and he persisted in this resolution until at
last they were capable of sustaining an entire conversation with him just as they
would in their mother tongue. He listened to them, as a leader of an orchestra
listens to his musicians rehearsing, and striking his desk every moment with his
ruler, he exclaimed:
</p>
          <p style="indent">“Monsieur Lefrere, Monsieur Lefrere, you are committing a
solecism! You forget the rule.
</p>
          <p style="indent">“Monsieur Plantel, your way of expressing yourself is
altogether French and in no way Latin. You must understand the genius of a
language. Look here, listen to me.”
</p>
          <p style="indent">Now, it came to pass that the pupils of the Institution
Robineau carried off, at the end of the year, all the prizes for composition,
translation, and Latin conversation.
</p>
          <p style="indent">Next year, the principal, a little man, as cunning as an ape,
whom he resembled in his grinning and grotesque appearance, had had printed on
his programmes, on his advertisements, and painted on the door of his institution:
</p>
          <p style="indent">“Latin Studies a Specialty. Five first prizes carried off in the
five classes of the lycee.
</p>
          <p style="indent">“Two honor prizes at the general examinations in competition
with all the lycees and colleges of France.”
</p>
          <p style="indent">For ten years the Institution Robineau triumphed in the same
fashion. Now my father, allured by these successes, sent me as a day pupil to
Robineau’s–or, as we called it, Robinetto or Robinettino’s–and made me take
special private lessons from Pere Piquedent at the rate of five francs per hour, out of
which the usher got two francs and the principal three francs. I was then eighteen,
and was in the philosophy class.
</p>
          <p style="indent">These private lessons were given in a little room looking out
on the street. It so happened that Pere Piquedent, instead of talking Latin to me,
as he did when teaching publicly in the institution, kept telling me his troubles in
French. Without relations, without friends, the poor man conceived an attachment
to me, and poured out his misery to me.
</p>
          <p style="indent">He had never for the last ten or fifteen years chatted
confidentially with any one.
</p>
          <p style="indent">“I am like an oak in a desert,” he said–”’sicut quercus in
solitudine’.”
</p>
          <p style="indent">The other ushers disgusted him. He knew nobody in the town,
since he had no time to devote to making acquaintances.
</p>
          <p style="indent">“Not even the nights, my friend, and that is the hardest thing
on me. The dream of my life is to have a room with my own furniture, my own
books, little things that belong to myself and which others may not touch. And I
have nothing of my own, nothing except my trousers and my frock-coat, nothing,
not even my mattress and my pillow! I have not four walls to shut myself up in,
except when I come to give a lesson in this room. Do you see what this means–a
man forced to spend his life without ever having the right, without ever finding the
time, to shut himself up all alone, no matter where, to think, to reflect, to work, to
dream? Ah! my dear boy, a key, the key of a door which one can lock–this is
happiness, mark you, the only happiness!
</p>
          <p style="indent">“Here, all day long, teaching all those restless rogues, and
during the night the dormitory with the same restless rogues snoring. And I have to
sleep in the bed at the end of two rows of beds occupied by these youngsters whom
I must look after. I can never be alone, never! If I go out I find the streets full of
people, and, when I am tired of walking, I go into some cafe crowded with smokers
and billiard players. I tell you what, it is the life of a galley slave.”
</p>
          <p style="indent">I said:
</p>
          <p style="indent">“Why did you not take up some other line, Monsieur
Piquedent?”
</p>
          <p style="indent">He exclaimed:
</p>
          <p style="indent">“What, my little friend? I am not a shoemaker, or a joiner, or
a hatter, or a baker, or a hairdresser. I only know Latin, and I have no diploma
which would enable me to sell my knowledge at a high price. If I were a doctor I
would sell for a hundred francs what I now sell for a hundred sous; and I would
supply it probably of an inferior quality, for my title would be enough to sustain my
reputation.”
</p>
          <p style="indent">Sometimes he would say to me:
</p>
          <p style="indent">“I have no rest in life except in the hours spent with you.
Don’t be afraid! you’ll lose nothing by that. I’ll make it up to you in the class-room
by making you speak twice as much Latin as the others.”
</p>
          <p style="indent">One day, I grew bolder, and offered him a cigarette. He stared
at me in astonishment at first, then he gave a glance toward the door.
</p>
          <p style="indent">“If any one were to come in, my dear boy?”
</p>
          <p style="indent">“Well, let us smoke at the window,” said I.
</p>
          <p style="indent">And we went and leaned our elbows on the windowsill looking
on the street, holding concealed in our hands the little rolls pf tobacco. Just
opposite to us was a laundry. Four women in loose white waists were passing hot,
heavy irons over the linen spread out before them, from which a warm steam arose.
</p>
          <p style="indent">Suddenly, another, a fifth, carrying on her arm a large basket
which made her stoop, came out to take the customers their shirts, their
handkerchiefs, and their sheets. She stopped on the threshold as if she were already
fatigued; then, she raised her eyes, smiled as she saw us smoking, flung at us, with
her left hand, which was free, the sly kiss characteristic of a free-and-easy
working-woman, and went away at a slow place, dragging her feet as she went.
</p>
          <p style="indent">She was a woman of about twenty, small, rather thin, pale,
rather pretty, with a roguish air and laughing eyes beneath her ill-combed fair hair.
</p>
          <p style="indent">Pere Piquedent, affected, began murmuring:
</p>
          <p style="indent">“What an occupation for a woman! Really a trade only fit for
a horse.”
</p>
          <p style="indent">And he spoke with emotion about the misery of the people.
He had a heart which swelled with lofty democratic sentiment, and he referred to
the fatiguing pursuits of the working class with phrases borrowed from Jean-
Jacques Rousseau, and with sobs in his throat.
</p>
          <p style="indent">Next day, as we were leaning our elbows on the same window
sill, the same woman perceived us and cried out to us:
</p>
          <p style="indent">“Good-day, scholars!” in a comical sort of tone, while she
made a contemptuous gesture with her hands.
</p>
          <p style="indent">I flung her a cigarette, which she immediately began to smoke.
And the four other ironers rushed out to the door with outstretched hands to get
cigarettes also.
</p>
          <p style="indent">And each day a friendly intercourse was established between
the working- women of the pavement and the idlers of the boarding school.
</p>
          <p style="indent">Pere Piquedent was really a comical sight. He trembled at
being noticed, for he might lose his position; and he made timid and ridiculous
gestures, quite a theatrical display of love signals, to which the women responded
with a regular fusillade of kisses.
</p>
          <p style="indent">A perfidious idea came into my mind. One day, on entering
our room, I said to the old usher in a low tone:
</p>
          <p style="indent">“You would not believe it, Monsieur Piquedent, I met the
little washerwoman! You know the one I mean, the woman who had the basket, and
I spoke to her!”
</p>
          <p style="indent">He asked, rather worried at my manner:
</p>
          <p style="indent">“What did she say to you?”
</p>
          <p style="indent">“She said to me–why, she said she thought you were very nice.
The fact of the matter is, I believe, I believe, that she is a little in love with you.” I
saw that he was growing pale.
</p>
          <p style="indent">“She is laughing at me, of course. These things don’t happen
at my age,” he replied.
</p>
          <p style="indent">I said gravely:
</p>
          <p style="indent">“How is that? You are all right.”
</p>
          <p style="indent">As I felt that my trick had produced its effect on him, I did
not press the matter.
</p>
          <p style="indent">But every day I pretended that I had met the little laundress
and that I had spoken to her about him, so that in the end he believed me, and sent
her ardent and earnest kisses.
</p>
          <p style="indent">Now it happened that one morning, on my way to the
boarding school, I really came across her. I accosted her without hesitation, as if I
had known her for the last ten years.
</p>
          <p style="indent">“Good-day, mademoiselle. Are you quite well?”
</p>
          <p style="indent">“Very well, monsieur, thank you.”
</p>
          <p style="indent">“Will you have a cigarette?”
</p>
          <p style="indent">“Oh! not in the street.”
</p>
          <p style="indent">“You can smoke it at home.”
</p>
          <p style="indent">“In that case, I will.”
</p>
          <p style="indent">“Let me tell you, mademoiselle, there’s something you don’t
know.”
</p>
          <p style="indent">“What is that, monsieur?”
</p>
          <p style="indent">“The old gentleman–my old professor, I mean–”
</p>
          <p style="indent">“Pere Piquedent?”
</p>
          <p style="indent">“Yes, Pere Piquedent. So you know his name?”
</p>
          <p style="indent">“Faith, I do! What of that?”
</p>
          <p style="indent">“Well, he is in love with you!”
</p>
          <p style="indent">She burst out laughing wildly, and exclaimed:
</p>
          <p style="indent">“You are only fooling.”
</p>
          <p style="indent">“Oh! no, I am not fooling! He keeps talking of you all through
the lesson. I bet that he’ll marry you!
</p>
          <p style="indent">She ceased laughing. The idea of marriage makes every girl
serious. Then she repeated, with an incredulous air:
</p>
          <p style="indent">“This is humbug!”
</p>
          <p style="indent">“I swear to you, it’s true.”
</p>
          <p style="indent">She picked up her basket which she had laid down at her feet.
</p>
          <p style="indent">“Well, we’ll see,” she said. And she went away.
</p>
          <p style="indent">Presently when I had reached the boarding school, I took Pere
Piquedent aside, and said:
</p>
          <p style="indent">“You must write to her; she is infatuated with you.”
</p>
          <p style="indent">And he wrote a long letter, tenderly affectionate, full of
phrases and circumlocutions, metaphors and similes, philosophy and academic
gallantry; and I took on myself the responsibility of delivering it to the young
woman.
</p>
          <p style="indent">She read it with gravity, with emotion; then she murmured:
</p>
          <p style="indent">“How well he writes! It is easy to see he has got education!
Does he really mean to marry me?”
</p>
          <p style="indent">I replied intrepidly: “Faith, he has lost his head about you!”
</p>
          <p style="indent">“Then he must invite me to dinner on Sunday at the Ile des
Fleurs.”
</p>
          <p style="indent">I promised that she should be invited.
</p>
          <p style="indent">Pere Piquedent was much touched by everything I told him
about her.
</p>
          <p style="indent">I added:
</p>
          <p style="indent">“She loves you, Monsieur Piquedent, and I believe her to be a
decent girl. It is not right to lead her on and then abandon her.”
</p>
          <p style="indent">He replied in a firm tone:
</p>
          <p style="indent">“I hope I, too, am a decent man, my friend.”
</p>
          <p style="indent">I confess I had at the time no plan. I was playing a practical
joke a schoolboy joke, nothing more. I had been aware of the simplicity of the old
usher, his innocence and his weakness. I amused myself without asking myself how
it would turn out. I was eighteen, and I had been for a long time looked upon at the
lycee as a sly practical joker.
</p>
          <p style="indent">So it was agreed that Pere Piquedent and I should set out in a
hack for the ferry of Queue de Vache, that we should there pick up Angele, and that
I should take them into my boat, for in those days I was fond of boating. I would
then bring them to the Ile des Fleurs, where the three of us would dine. I had
inflicted myself on them, the better to enjoy my triumph, and the usher, consenting
to my arrangement, proved clearly that he was losing his head by thus risking the
loss of his position.
</p>
          <p style="indent">When we arrived at the ferry, where my boat had been
moored since morning, I saw in the grass, or rather above the tall weeds of the
bank, an enormous red parasol, resembling a monstrous wild poppy. Beneath the
parasol was the little laundress in her Sunday clothes. I was surprised. She was
really pretty, though pale; and graceful, though with a rather suburban grace.
</p>
          <p style="indent">Pere Piquedent raised his hat and bowed. She put out her
hand toward him, and they stared at one another without uttering a word. Then
they stepped into my boat, and I took the oars. They were seated side by side near
the stern.
</p>
          <p style="indent">The usher was the first to speak.
</p>
          <p style="indent">“This is nice weather for a row in a boat.”
</p>
          <p style="indent">She murmured:
</p>
          <p style="indent">“Oh! yes.”
</p>
          <p style="indent">She dipped her hand into the water, skimming the surface,
making a thin, transparent film like a sheet of glass, which made a soft plashing
along the side of the boat.
</p>
          <p style="indent">When they were in the restaurant, she took it on herself to
speak, and ordered dinner, fried fish, a chicken, and salad; then she led us on toward
the isle, which she knew perfectly.
</p>
          <p style="indent">After this, she was gay, romping, and even rather tantalizing.
</p>
          <p style="indent">Until dessert, no question of love arose. I had treated them to
champagne, and Pere Piquedent was tipsy. Herself slightly the worse, she called out
to him:
</p>
          <p style="indent">“Monsieur Piquenez.”
</p>
          <p style="indent">He said abruptly:
</p>
          <p style="indent">“Mademoiselle, Monsieur Raoul has communicated my
sentiments to you.”
</p>
          <p style="indent">She became as serious as a judge.
</p>
          <p style="indent">“Yes, monsieur.”
</p>
          <p style="indent">“What is your reply?”
</p>
          <p style="indent">“We never reply to these questions!”
</p>
          <p style="indent">He puffed with emotion, and went on:
</p>
          <p style="indent">“Well, will the day ever come that you will like me?”
</p>
          <p style="indent">She smiled.
</p>
          <p style="indent">“You big stupid! You are very nice.”
</p>
          <p style="indent">“In short, mademoiselle, do you think that, later on, we
might–”
</p>
          <p style="indent">She hesitated a second; then in a trembling voice she said:
</p>
          <p style="indent">“Do you mean to marry me when you say that? For on no
other condition, you know.”
</p>
          <p style="indent">“Yes, mademoiselle!”
</p>
          <p style="indent">“Well, that’s all right, Monsieur Piquedent!”
</p>
          <p style="indent">It was thus that these two silly creatures promised marriage to
each other through the trick of a young scamp. But I did not believe that it was
serious, nor, indeed, did they, perhaps.
</p>
          <p style="indent">“You know, I have nothing, not four sous„” she said.
</p>
          <p style="indent">He stammered, for he was as drunk as Silenus:
</p>
          <p style="indent">“I have saved five thousand francs.”
</p>
          <p style="indent">She exclaimed triumphantly:
</p>
          <p style="indent">“Then we can set up in business?”
</p>
          <p style="indent">He became restless.
</p>
          <p style="indent">“In what business?”
</p>
          <p style="indent">“What do I know? We shall see. With five thousand francs we
could do many things. You don’t want me to go and live in your boarding school,
do you?”
</p>
          <p style="indent">He had not looked forward so far as this, and he stammered in
great perplexity:
</p>
          <p style="indent">“What business could we set up in? That would not do, for all
I know is Latin!”
</p>
          <p style="indent">She reflected in her turn, passing in review all her business
ambitions.
</p>
          <p style="indent">“You could not be a doctor?”
</p>
          <p style="indent">“No, I have no diploma.”
</p>
          <p style="indent">“Or a chemist?”
</p>
          <p style="indent">“No more than the other.”
</p>
          <p style="indent">She uttered a cry of joy. She had discovered it.
</p>
          <p style="indent">“Then we’ll buy a grocer’s shop! Oh! what luck! we’ll buy a
grocer’s shop. Not on a big scale, of course; with five thousand francs one does not
go far.”
</p>
          <p style="indent">He was shocked at the suggestion.
</p>
          <p style="indent">“No, I can’t be a grocer. I am–I am–too well known: I only
know Latin, that is all I know.”
</p>
          <p style="indent">But she poured a glass of champagne down his throat. He
drank it and was silent.
</p>
          <p style="indent">We got back into the boat. The night was dark, very dark. I
saw clearly, however, that he had caught her by the waist, and that they were
hugging each other again and again.
</p>
          <p style="indent">It was a frightful catastrophe. Our escapade was discovered,
with the result that Pere Piquedent was dismissed. And my father, in a fit of anger,
sent me to finish my course of philosophy at Ribaudet’s school.
</p>
          <p style="indent">Six months later I took my degree of Bachelor of Arts. Then I
went to study law in Paris, and did not return to my native town till two years later.
</p>
          <p style="indent">At the corner of the Rue de Serpent a shop caught my eye.
Over the door were the words: “Colonial Products–Piquedent” ; then underneath,
so as to enlighten the most ignorant: “Grocery.”
</p>
          <p style="indent">I exclaimed:
</p>
          <p style="indent">“‘Quantum mutatus ab illo!’”
</p>
          <p style="indent">Piquedent raised his head, left his female customer, and
rushed toward me with outstretched hands.
</p>
          <p style="indent">“Ah! my young friend, my young friend, here you are! What
luck! what luck!”
</p>
          <p style="indent">A beautiful woman, very plump, abruptly left the cashier’s
desk and flung herself on my breast. I had some difficulty in recognizing her, she
had grown so stout.
</p>
          <p style="indent">I asked:
</p>
          <p style="indent">“So then you’re doing well?”
</p>
          <p style="indent">Piquedent had gone back to weigh the groceries.
</p>
          <p style="indent">“Oh! very well, very well, very well. I have made three
thousand francs clear this year!”
</p>
          <p style="indent">“And what about Latin, Monsieur Piquedent?”
</p>
          <p style="indent">“Oh, good heavens! Latin, Latin, Latin–you see it does not
keep the pot boiling!”
</p>
        </div>
        <!--end of "section 6.0/.6"-->
      </div>
      <!--end of "chapter 2.6/0"-->
      <!--END OF CHAPTER 2.6/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 2; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 16, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  La Coiffure, a painting
by <ref target="hhttps://en.wikipedia.org/wiki/Pierre-Auguste_Renoir">PierreAuguste Renoir</ref>  (1841–1919). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
Garamond</ref>  developed by
<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
headings are with
<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
<hi rend="sc">sc</hi> </ref>; the catchline and the footer make use of
<ref target="https://fonts.google.com/specimen/Cormorant+Upright#about">Cormorant
Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-2.xml">Download
document sources in <hi rend="sc">tei</hi> encoded <hi rend="sc">xml</hi>
format</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/en/pdf/maupassant-stories-2.pdf">Download
standard <hi rend="sc">pdf</hi> document</ref>.</p>
      </div>
    </back>
  </text>
</TEI>
