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          <title xml:lang="en" type="main">The Complete Stories</title>
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        <author>Guy de Maupassant</author>
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          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
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          <name>C. V. Radhakrishnan</name>
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        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
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            <author>Guy de Maupassant</author>
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            <edition>Vol. 10</edition>
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            <date>2004 Jan 1</date>
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          <figDesc>The Elopement, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
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      <div prev="10.9" next="10.11" type="chapter" n="10.10" xml:id="chp.10.10">
        <head type="chaphead">That Pig of a Morin</head>
        <div type="lsection">
          <p style="noindent">“Here, my friend,” I said to Labarbe, “you have just
repeated those five words, that pig of a Morin. Why on earth do I never hear
Morin’s name mentioned without his being called a pig?”
</p>
          <p style="indent">Labarbe, who is a deputy, looked at me with his owl-like eyes
and said: “Do you mean to say that you do not know Morin’s story and you come
from La Rochelle?” I was obliged to declare that I did not know Morin’s story, so
Labarbe rubbed his hands and began his recital.
</p>
          <p style="indent">“You knew Morin, did you not, and you remember his large
linen-draper’s shop on the Quai de la Rochelle?”
</p>
          <p style="indent">“Yes, perfectly.”
</p>
          <p style="indent">“Well, then. You must know that in 1862 or ‘63 Morin went to
spend a fortnight in Paris for pleasure; or for his pleasures, but under the pretext of
renewing his stock, and you also know what a fortnight in Paris means to a country
shopkeeper; it fires his blood. The theatre every evening, women’s dresses rustling
up against you and continual excitement; one goes almost mad with it. One sees
nothing but dancers in tights, actresses in very low dresses, round legs, fat
shoulders, all nearly within reach of one’s hands, without daring, or being able, to
touch them, and one scarcely tastes food. When one leaves the city one’s heart is
still all in a flutter and one’s mind still exhilarated by a sort of longing for kisses
which tickles one’s lips.
</p>
          <p style="indent">“Morin was in that condition when he took his ticket for La
Rochelle by the eight-forty night express. As he was walking up and down the
waiting-room at the station he stopped suddenly in front of a young lady who was
kissing an old one. She had her veil up, and Morin murmured with delight: ‘By
Jove what a pretty woman!’
</p>
          <p style="indent">“When she had said ‘good-by’ to the old lady she went into
the waiting- room, and Morin followed her; then she went on the platform and
Morin still followed her; then she got into an empty carriage, and he again followed
her. There were very few travellers on the express. The engine whistled and the
train started. They were alone. Morin devoured her with his eyes. She appeared to
be about nineteen or twenty and was fair, tall, with a bold look. She wrapped a
railway rug round her and stretched herself on the seat to sleep.
</p>
          <p style="indent">“Morin asked himself: ‘I wonder who she is?’ And a thousand
conjectures, a thousand projects went through his head. He said to himself: ‘So
many adventures are told as happening on railway journeys that this may be one
that is going to present itself to me. Who knows? A piece of good luck like that
happens very suddenly, and perhaps I need only be a little venturesome. Was it not
Danton who said: “Audacity, more audacity and always audacity”? If it was not
Danton it was Mirabeau, but that does not matter. But then I have no audacity,
and that is the difficulty. Oh! If one only knew, if one could only read people’s
minds! I will bet that every day one passes by magnificent opportunities without
knowing it, though a gesture would be enough to let me know her mind.’
</p>
          <p style="indent">“Then he imagined to himself combinations which conducted
him to triumph. He pictured some chivalrous deed or merely some slight service
which he rendered her, a lively, gallant conversation which ended in a declaration.
</p>
          <p style="indent">“But he could find no opening, had no pretext, and he waited
for some fortunate circumstance, with his heart beating and his mind topsy-turvy.
The night passed and the pretty girl still slept, while Morin was meditating his own
fall. The day broke and soon the first ray of sunlight appeared in the sky, a long,
clear ray which shone on the face of the sleeping girl and woke her. She sat up,
looked at the country, then at Morin and smiled. She smiled like a happy woman,
with an engaging and bright look, and Morin trembled. Certainly that smile was
intended for him; it was discreet invitation, the signal which he was waiting for.
That smile meant to say: ‘How stupid, what a ninny, what a dolt, what a donkey
you are, to have sat there on your seat like a post all night!
</p>
          <p style="indent">“‘Just look at me, am I not charming? And you have sat like
that for the whole night, when you have been alone with a pretty woman, you great
simpleton!’
</p>
          <p style="indent">“She was still smiling as she looked at him; she even began to
laugh; and he lost his head trying to find something suitable to say, no matter what.
But he could think of nothing, nothing, and then, seized with a coward’s courage,
he said to himself:
</p>
          <p style="indent">‘So much the worse, I will risk everything,’ and suddenly,
without the slightest warning, he went toward her, his arms extended, his lips
protruding, and, seizing her in his arms, he kissed her.
</p>
          <p style="indent">“She sprang up immediately with a bound, crying out: ‘Help!
help!’ and screaming with terror; and then she opened the carriage door and waved
her arm out, mad with terror and trying to jump out, while Morin, who was almost
distracted and feeling sure that she would throw herself out, held her by the skirt
and stammered: ‘Oh, madame! oh, madame!’
</p>
          <p style="indent">“The train slackened speed and then stopped. Two guards
rushed up at the young woman’s frantic signals. She threw herself into their arms,
stammering: ‘That man wanted–wanted–to–to–’ And then she fainted.
</p>
          <p style="indent">“They were at Mauze station, and the gendarme on duty
arrested Morin. When the victim of his indiscreet admiration had regained her
consciousness, she made her charge against him, and the police drew it up. The
poor linen draper did not reach home till night, with a prosecution hanging over
him for an outrage to morals in a public place.
</p>
          <p style="indent">II
</p>
          <p style="indent">“At that time I was editor of the Fanal des Charentes, and I
used to meet Morin every day at the Cafe du Commerce, and the day after his
adventure. he came to see me, as he did not know what to do. I did not hide my
opinion from him, but said to him: ‘You are no better than a pig. No decent man
behaves like that.’
</p>
          <p style="indent">“He cried. His wife had given him a beating, and he foresaw
his trade ruined, his name dragged through the mire and dishonored, his friends
scandalized and taking no notice of him. In the end he excited my pity, and I sent
for my colleague, Rivet, a jocular but very sensible little man, to give us his advice.
</p>
          <p style="indent">“He advised me to see the public prosecutor, who was a friend
of mine, and so I sent Morin home and went to call on the magistrate. He told me
that the woman who had been insulted was a young lady, Mademoiselle Henriette
Bonnel, who had just received her certificate as governess in Paris and spent her
holidays with her uncle and aunt, who were very respectable tradespeople in Mauze.
What made Morin’s case all the more serious was that the uncle had lodged a
complaint, but the public official had consented to let the matter drop if this
complaint were withdrawn, so we must try and get him to do this.
</p>
          <p style="indent">“I went back to Morin’s and found him in bed, ill with
excitement and distress. His wife, a tall raw-boned woman with a beard, was
abusing him continually, and she showed me into the room, shouting at me: ‘So you
have come to see that pig of a Morin. Well, there he is, the darling!’ And she
planted herself in front of the bed, with her hands on her hips. I told him how
matters stood, and he begged me to go and see the girl’s uncle and aunt. It was a
delicate mission, but I undertook it, and the poor devil never ceased repeating: ‘I
assure you I did not even kiss her; no, not even that. I will take my oath to it!’
</p>
          <p style="indent">“I replied: ‘It is all the same; you are nothing but a pig.’ And
I took a thousand francs which he gave me to employ as I thought best, but as I did
not care to venture to her uncle’s house alone, I begged Rivet to go with me, which
he agreed to do on condition that we went immediately, for he had some urgent
business at La Rochelle that afternoon. So two hours later we rang at the door of a
pretty country house. An attractive girl came and opened the door to us assuredly
the young lady in question, and I said to Rivet in a low voice: ‘Confound it! I begin
to understand Morin!’
</p>
          <p style="indent">“The uncle, Monsieur Tonnelet, subscribed to the Fanal, and
was a fervent political coreligionist of ours. He received us with open arms and
congratulated us and wished us joy; he was delighted at having the two editors in
his house, and Rivet whispered to me: ‘I think we shall be able to arrange the
matter of that pig of a Morin for him.’
</p>
          <p style="indent">“The niece had left the room and I introduced the delicate
subject. I waved the spectre of scandal before his eyes; I accentuated the inevitable
depreciation which the young lady would suffer if such an affair became known, for
nobody would believe in a simple kiss, and the good man seemed undecided, but he
could not make up his mind about anything without his wife, who would not be in
until late that evening. But suddenly he uttered an exclamation of triumph: ‘Look
here, I have an excellent idea; I will keep you here to dine and sleep, and when my
wife comes home I hope we shall be able to arrange matters:
</p>
          <p style="indent">“Rivet resisted at first, but the wish to extricate that pig of a
Morin decided him, and we accepted the invitation, and the uncle got up radiant,
called his niece and proposed that we should take a stroll in his grounds, saying:
‘We will leave serious matters until the morning.’ Rivet and he began to talk
politics, while I soon found myself lagging a little behind with ‘the girl who was
really charming–charming–and with the greatest precaution I began to speak to her
about her adventure and try to make her my ally. She did not, however, appear the
least confused, and listened to me like a person who was enjoying the whole thing
very much.
</p>
          <p style="indent">“I said to her: ‘Just think, mademoiselle, how unpleasant it
will be for you. You will have to appear in court, to encounter malicious looks, to
speak before everybody and to recount that unfortunate occurrence in the railway
carriage in public. Do you not think, between ourselves, that it would have been
much better for you to have put that dirty scoundrel back in his place without
calling for assistance, and merely to change your carriage?’ She began to laugh and
replied: ‘What you say is quite true, but what could I do? I was frightened, and
when one is frightened one does not stop to reason with one’s self. As soon as I
realized the situation I was very sorry, that I had called out, but then it was too
late. You must also remember that the idiot threw himself upon me like a madman,
without saying a word and looking like a lunatic. I did not even know what he
wanted of me.’
</p>
          <p style="indent">“She looked me full in the face without being nervous or
intimidated and I said to myself: ‘She is a queer sort of girl, that: I can quite see
how that pig Morin came to make a mistake,’ and I went on jokingly: ‘Come,
mademoiselle, confess that he was excusable, for, after all, a man cannot find himself
opposite such a pretty girl as you are without feeling a natural desire to kiss her.’
</p>
          <p style="indent">“She laughed more than ever and showed her teeth and said:
‘Between the desire and the act, monsieur, there is room for respect.’ It was an odd
expression to use, although it was not very clear, and I asked abruptly: ‘Well, now,
suppose I were to kiss you, what would you do?’ She stopped to look at me from
head to foot and then said calmly: ‘Oh, you? That is quite another matter.’
</p>
          <p style="indent">“I knew perfectly well, by Jove, that it was not the same thing
at all, as everybody in the neighborhood called me ‘Handsome Labarbe’–I was
thirty years old in those days–but I asked her: ‘And why, pray?’ She shrugged her
shoulders and replied: ‘Well! because you are not so stupid as he is.’ And then she
added, looking at me slyly: ‘Nor so ugly, either: And before she could make a
movement to avoid me I had implanted a hearty kiss on her cheek. She sprang
aside, but it was too late, and then she said: ‘Well, you are not very bashful, either!
But don’t do that sort of thing again.’
</p>
          <p style="indent">“I put on a humble look and said in a low voice: ‘Oh,
mademoiselle! as for me, if I long for one thing more than another it is to be
summoned before a magistrate for the same reason as Morin.’
</p>
          <p style="indent">“‘Why?’ she asked. And, looking steadily at her, I replied:
‘Because you are one of the most beautiful creatures living; because it would be an
honor and a glory for me to have wished to offer you violence, and because people
would have said, after seeing you: “Well, Labarbe has richly deserved what he has
got, but he is a lucky fellow, all the same.’”
</p>
          <p style="indent">“She began to laugh heartily again and said: ‘How funny you
are!’ And she had not finished the word ‘funny’ before I had her in my arms and
was kissing her ardently wherever I could find a place, on her forehead, on her eyes,
on her lips occasionally, on her cheeks, all over her head, some part of which she was
obliged to leave exposed, in spite of herself, to defend the others; but at last she
managed to release herself, blushing and angry. ‘You are very unmannerly,
monsieur,’ she said, ‘and I am sorry I listened to you.’
</p>
          <p style="indent">“I took her hand in some confusion and stammered out: ‘I beg
your pardon. I beg your pardon, mademoiselle. I have offended you; I have acted
like a brute! Do not be angry with me for what I have done. If you knew–’ I vainly
sought for some excuse, and in a few moments she said: ‘There is nothing for me to
know, monsieur.’ But I had found something to say, and I cried: ‘Mademoiselle, I
love you!’
</p>
          <p style="indent">“She was really surprised and raised her eyes to look at me,
and I went on: ‘Yes, mademoiselle, and pray listen to me. I do not know Morin, and
I do not care anything about him. It does not matter to me the least if he is
committed for trial and locked up meanwhile. I saw you here last year, and I was so
taken with you that the thought of you has never left me since, and it does not
matter to me whether you believe me or not. I thought you adorable, and the
remembrance of you took such a hold on me that I longed to see you again, and so I
made use of that fool Morin as a pretext, and here I am. Circumstances have made
me exceed the due limits of respect, and I can only beg you to pardon me.’
</p>
          <p style="indent">“She looked at me to see if I was in earnest and was ready to
smile again. Then she murmured: ‘You humbug!’ But I raised my hand and said in
a sincere voice (and I really believe that I was sincere): ‘I swear to you that I am
speaking the truth,’ and she replied quite simply: ‘Don’t talk nonsense!’
</p>
          <p style="indent">“We were alone, quite alone, as Rivet and her uncle had
disappeared down a sidewalk, and I made her a real declaration of love, while I
squeezed and kissed her hands, and she listened to it as to something new and
agreeable, without exactly knowing how much of it she was to believe, while in the
end I felt agitated, and at last really myself believed what I said. I was pale,
anxious and trembling, and I gently put my arm round her waist and spoke to her
softly, whispering into the little curls over her ears. She seemed in a trance, so
absorbed in thought was she.
</p>
          <p style="indent">“Then her hand touched mine, and she pressed it, and I gently
squeezed her waist with a trembling, and gradually firmer, grasp. She did not move
now, and I touched her cheek with my lips, and suddenly without seeking them my
lips met hers. It was a long, long kiss, and it would have lasted longer still if I had
not heard a hm! hm! just behind me, at which she made her escape through the
bushes, and turning round I saw Rivet coming toward me, and, standing in the
middle of the path, he said without even smiling: ‘So that is the way you settle the
affair of that pig of a Morin.’ And I replied conceitedly: ‘One does what one can,
my dear fellow. But what about the uncle? How have you got on with him? I will
answer for the niece.’ ‘I have not been so fortunate with him,’ he replied.
</p>
          <p style="indent">“Whereupon I took his arm and we went indoors,
</p>
          <p style="indent">III
</p>
          <p style="indent">“Dinner made me lose my head altogether. I sat beside her,
and my hand continually met hers under the tablecloth, my foot touched hers and
our glances met.
</p>
          <p style="indent">“After dinner we took a walk by moonlight, and I whispered
all the tender things I could think of to her. I held her close to me, kissed her every
moment, while her uncle and Rivet were arguing as they walked in front of us. They
went in, and soon a messenger brought a telegram from her aunt, saying that she
would not return until the next morning at seven o’clock by the first train.
</p>
          <p style="indent">“‘Very well, Henriette,’ her uncle said, ‘go and show the
gentlemen their rooms.’ She showed Rivet his first, and he whispered to me: ‘There
was no danger of her taking us into yours first.’ Then she took me to my room, and
as soon as she was alone with me I took her in my arms again and tried to arouse
her emotion, but when she saw the danger she escaped out of the room, and I
retired very much put out and excited and feeling rather foolish, for I knew that I
should not sleep much, and I was wondering how I could have committed such a
mistake, when there was a gentle knock at my door, and on my asking who was
there a low voice replied: ‘I’
</p>
          <p style="indent">“I dressed myself quickly and opened the door, and she came
in. ‘I forgot to ask you what you take in the morning,’ she said; ‘chocolate, tea or
coffee?’ I put my arms round her impetuously and said, devouring her with kisses:
‘I will take–I will take–’
</p>
          <p style="indent">“But she freed herself from my arms, blew out my candle and
disappeared and left me alone in the dark, furious, trying to find some matches, and
not able to do so. At last I got some and I went into the passage, feeling half mad,
with my candlestick in my hand.
</p>
          <p style="indent">“What was I about to do? I did not stop to reason, I only
wanted to find her, and I would. I went a few steps without reflecting, but then I
suddenly thought: ‘Suppose I should walk into the uncle’s room what should I say?’
And I stood still, with my head a void and my heart beating. But in a few moments
I thought of an answer: ‘Of course, I shall say that I was looking for Rivet’s room to
speak to him about an important matter,’ and I began to inspect all the doors,
trying to find hers, and at last I took hold of a handle at a venture, turned it and
went in. There was Henriette, sitting on her bed and looking at me in tears. So I
gently turned the key, and going up to her on tiptoe I said: ‘I forgot to ask you for
something to read, mademoiselle.’
</p>
          <p style="indent">“I was stealthily returning to my room when a rough hand
seized me and a voice–it was Rivet’s -whispered in my ear: ‘So you have not yet
quite settled that affair of Morin’s?’
</p>
          <p style="indent">“At seven o’clock the next morning Henriette herself brought
me a cup of chocolate. I never have drunk anything like it, soft, velvety, perfumed,
delicious. I could hardly take away my lips from the cup, and she had hardly left
the room when Rivet came in. He seemed nervous and irritable, like a man who had
not slept, and he said to me crossly:
</p>
          <p style="indent">‘If you go on like this you will end by spoiling the affair of that
pig of a Morin!’
</p>
          <p style="indent">“At eight o’clock the aunt arrived. Our discussion was very
short, for they withdrew their complaint, and I left five hundred francs for the poor
of the town. They wanted to keep us for the day, and they arranged an excursion to
go and see some ruins. Henriette made signs to me to stay, behind her parents’
back, and I accepted, but Rivet was determined to go, and though I took him aside
and begged and prayed him to do this for me, he appeared quite exasperated and
kept saying to me: ‘I have had enough of that pig of a Morin’s affair, do you hear?’
</p>
          <p style="indent">“Of course I was obliged to leave also, and it was one of the
hardest moments of my life. I could have gone on arranging that business as long as
I lived, and when we were in the railway carriage, after shaking hands with her in
silence, I said to Rivet: ‘You are a mere brute!’ And he replied: ‘My dear fellow,
you were beginning to annoy me confoundedly.’
</p>
          <p style="indent">“On getting to the Fanal office, I saw a crowd waiting for us,
and as soon as they saw us they all exclaimed: ‘Well, have you settled the affair of
that pig of a Morin?’ All La Rochelle was excited about it, and Rivet, who had got
over his ill-humor on the journey, had great difficulty in keeping himself from
laughing as he said: ‘Yes, we have managed it, thanks to Labarbe: And we went to
Morin’s.
</p>
          <p style="indent">“He was sitting in an easy-chair with mustard plasters on his
legs and cold bandages on his head, nearly dead with misery. He was coughing with
the short cough of a dying man, without any one knowing how he had caught it,
and his wife looked at him like a tigress ready to eat him, and as soon as he saw us
he trembled so violently as to make his hands and knees shake, so I said to him
immediately: ‘It is all settled, you dirty scamp, but don’t do such a thing again.’
</p>
          <p style="indent">“He got up, choking, took my hands and kissed them as if
they had belonged to a prince, cried, nearly fainted, embraced Rivet and even kissed
Madame Morin, who gave him such a push as to send him staggering back into his
chair; but he never got over the blow; his mind had been too much upset. In all the
country round, moreover, he was called nothing but ‘that pig of a Morin,’ and that
epithet went through him like a sword-thrust every time he heard it. When a street
boy called after him ‘Pig!’ he turned his head instinctively. His friends also
overwhelmed him with horrible jokes and used to ask him, whenever they were
eating ham, ‘Is it a bit of yourself?’ He died two years later.
</p>
          <p style="indent">“As for myself, when I was a candidate for the Chamber of
Deputies in 1875, I called on the new notary at Fousserre, Monsieur Belloncle, to
solicit his vote, and a tall, handsome and evidently wealthy lady received me. ‘You
do not know me again?’ she said. And I stammered out: ‘Why–no–madame.’
‘Henriette Bonnel.’ ‘Ah!’ And I felt myself turning pale, while she seemed perfectly
at her ease and looked at me with a smile.
</p>
          <p style="indent">“As soon as she had left me alone with her husband he took
both my hands, and, squeezing them as if he meant to crush them, he said: ‘I have
been intending to go and see you for a long time, my dear sir, for my wife has very
often talked to me about you. I know–yes, I know under what painful circumstances
you made her acquaintance, and I know also how perfectly you behaved, how full of
delicacy, tact and devotion you showed yourself in the affair–’ He hesitated and then
said in a lower tone, as if he had been saying something low and coarse, ‘in the
affair of that pig of a Morin.’”
</p>
        </div>
        <!--end of "section 10.0/.10"-->
      </div>
      <!--end of "chapter 10.10/0"-->
      <!--END OF CHAPTER 10.10/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 10; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  The Elopement, a
painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
Garamond</ref>  developed by
<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
headings are with
<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
<hi rend="sc">sc</hi> </ref>; the catchline and the footer make use of
<ref target="https://fonts.google.com/specimen/Cormorant+Upright#about">Cormorant
Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-10.xml">Download
document sources in <hi rend="sc">tei</hi> encoded <hi rend="sc">xml</hi>
format</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/en/pdf/maupassant-stories-10.pdf">Download
standard <hi rend="sc">pdf</hi> document</ref>.</p>
      </div>
    </back>
  </text>
</TEI>
