<?xml version="1.0" encoding="UTF-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0" xml:lang="en">
  <teiHeader>
    <fileDesc>
      <titleStmt>
        <title type="full">
          <title xml:lang="en" type="main">The Complete Stories</title>
        </title>
        <author>Guy de Maupassant</author>
        <respStmt>
          <resp>Translated by:</resp>
          <name>Albert M. C. McMaster</name>
          <name>A. E. Henderson</name>
          <name>Mme. Quesada</name>
          <name>et al.</name>
        </respStmt>
        <respStmt>
          <resp>Encoded and typeset by</resp>
          <name>C. V. Radhakrishnan</name>
        </respStmt>
        <sponsor>Sayahna Foundation</sponsor>
        <funder>River Valley Technologies</funder>
      </titleStmt>
      <publicationStmt>
        <publisher>Sayahna Foundation</publisher>
        <pubPlace>Trivandrum, India</pubPlace>
        <date when="2021">October 18, 2021</date>
        <address>
          <addrLine>JWRA 34, Jagthy</addrLine>
          <addrLine>Trivandrum 695014</addrLine>
          <addrLine>India</addrLine>
        </address>
        <availability>
          <p>The text of the original item is in the public domain. The text encoding and
editorial notes were created and/or prepared by the Sayahna Foundation and are
licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        </availability>
      </publicationStmt>
      <sourceDesc>
        <biblFull>
          <titleStmt>
            <title type="full">
              <title xml:lang="en" type="main">The Complete Stories</title>
            </title>
            <title type="short">maupassant-stories</title>
            <author>Guy de Maupassant</author>
          </titleStmt>
          <editionStmt>
            <edition>Vol. 10</edition>
          </editionStmt>
          <extent>
            <measure unit="pages" quantity="125">125 pages of source material</measure>
          </extent>
          <publicationStmt>
            <publisher>Project Gutenberg</publisher>
            <pubPlace>London, United Kingdom</pubPlace>
            <date>2004 Jan 1</date>
          </publicationStmt>
        </biblFull>
      </sourceDesc>
    </fileDesc>
    <profileDesc>
      <langUsage>
        <language ident="en">English</language>
      </langUsage>
      <textClass>
        <keywords>
          <term>Short Stories</term>
          <term>Guy de Maupassant</term>
          <term>The Complete Stories</term>
          <term>Open Access Publishing</term>
          <term>English</term>
          <term>Sayahna Foundation</term>
          <term>Free Software</term>
          <term>TEI XML</term>
          <term>PDF</term>
          <term>HTML5</term>
          <term>TeX</term>
        </keywords>
      </textClass>
      <textDesc n="Short stories">
        <channel mode="w">digital delivery</channel>
        <constitution type="composite"/>
        <derivation type="translation"/>
        <domain type="art"/>
        <factuality type="fiction"/>
        <interaction type="complete"/>
        <preparedness type="prepared"/>
        <purpose type="inform" degree="high"/>
      </textDesc>
      <settingDesc>
        <setting>
          <name>London, United Kingdom, India</name>
          <time>2004 Jan 1</time>
        </setting>
      </settingDesc>
    </profileDesc>
  </teiHeader>
  <text>
    <front xmlns="http://www.tei-c.org/ns/1.0">
      <div xml:id="cover" type="Cover">
        <figure xml:id="cover-image" rend="fullfig">
          <graphic url="images/gdm-stories-10-cover.jpg" width="100%"/>
          <figDesc>The Elopement, a painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). </figDesc>
        </figure>
      </div>
      <titlePage xmlns="http://www.tei-c.org/ns/1.0">
        <docTitle>
          <titlePart type="main">The Complete Stories</titlePart>
        </docTitle>
        <docAuthor>
          <persName>Guy de Maupassant</persName>
        </docAuthor>
      </titlePage>
    </front>
    <body>
      <div next="10.2" type="chapter" n="10.1" xml:id="chp.10.1">
        <head type="chaphead">The Christening</head>
        <div type="lsection">
          <p style="noindent">“Well doctor, a little brandy?”
</p>
          <p style="indent">“With pleasure.”
</p>
          <p style="indent">The old ship’s surgeon, holding out his glass, watched it as it
slowly filled with the golden liquid. Then, holding it in front of his eyes, he let the
light from the lamp stream through it, smelled it, tasted a few drops and smacked
his lips with relish. Then he said:
</p>
          <p style="indent">“Ah! the charming poison! Or rather the seductive murderer,
the delightful destroyer of peoples!
</p>
          <p style="indent">“You people do not know it the way I do. You may have read
that admirable book entitled L’Assommoir, but you have not, as I have, seen
alcohol exterminate a whole tribe of savages, a little kingdom of negroes–alcohol
calmly unloaded by the barrel by red-bearded English seamen.
</p>
          <p style="indent">“Right near here, in a little village in Brittany near
Pont-l’Abbe, I once witnessed a strange and terrible tragedy caused by alcohol. I
was spending my vacation in a little country house left me by my father. You know
this flat coast where the wind whistles day and night, where one sees, standing or
prone, these giant rocks which in the olden times were regarded as guardians, and
which still retain something majestic and imposing about them. I always expect to
see them come to life and start to walk across the country with the slow and
ponderous tread of giants, or to unfold enormous granite wings and fly toward the
paradise of the Druids.
</p>
          <p style="indent">“Everywhere is the sea, always ready on the slightest
provocation to rise in its anger and shake its foamy mane at those bold enough to
brave its wrath.
</p>
          <p style="indent">“And the men who travel on this terrible sea, which, with one
motion of its green back, can overturn and swallow up their frail barks–they go out
in the little boats, day and night, hardy, weary and drunk. They are often drunk.
They have a saying which says: ‘When the bottle is full you see the reef, but when
it is empty you see it no more.’
</p>
          <p style="indent">“Go into one of their huts; you will never find the father there.
If you ask the woman what has become of her husband, she will stretch her arms
out over the dark ocean which rumbles and roars along the coast. He remained,
there one night, when he had had too much to drink; so did her oldest son. She has
four more big, strong, fair-haired boys. Soon it will be their time.
</p>
          <p style="indent">“As I said, I was living in a little house near Pont-l’Abbe. I
was there alone with my servant, an old sailor, and with a native family which took
care of the grounds in my absence. It consisted of three persons, two sisters and a
man, who had married one of them, and who attended to the garden.
</p>
          <p style="indent">“A short time before Christmas my gardener’s wife presented
him with a boy. The husband asked me to stand as god-father. I could hardly deny
the request, and so he borrowed ten francs from me for the cost of the christening,
as he said.
</p>
          <p style="indent">“The second day of January was chosen as the date of the
ceremony. For a week the earth had been covered by an enormous white carpet of
snow, which made this flat, low country seem vast and limitless. The ocean
appeared to be black in contrast with this white plain; one could see it rolling,
raging and tossing its waves as though wishing to annihilate its pale neighbor, which
appeared to be dead, it was so calm, quiet and cold.
</p>
          <p style="indent">“At nine o’clock the father, Kerandec, came to my door with
his sister- in-law, the big Kermagan, and the nurse, who carried the infant wrapped
up in a blanket. We started for the church. The weather was so cold that it seemed
to dry up the skin and crack it open. I was thinking of the poor little creature who
was being carried on ahead of us, and I said to myself that this Breton race must
surely be of iron, if their children were able, as soon as they were born, to stand
such an outing.
</p>
          <p style="indent">“We came to the church, but the door was closed; the priest
was late.
</p>
          <p style="indent">“Then the nurse sat down on one of the steps and began to
undress the child. At first I thought there must have been some slight accident, but
I saw that they were leaving the poor little fellow naked completely naked, in the
icy air. Furious at such imprudence, I protested:
</p>
          <p style="indent">“‘Why, you are crazy! You will kill the child!’
</p>
          <p style="indent">“The woman answered quietly: ‘Oh, no, sir; he must wait
naked before the Lord.’
</p>
          <p style="indent">“The father and the aunt looked on undisturbed. It was the
custom. If it were not adhered to misfortune was sure to attend the little one.
</p>
          <p style="indent">“I scolded, threatened and pleaded. I used force to try to
cover the frail creature. All was in vain. The nurse ran away from me through the
snow, and the body of the little one turned purple. I was about to leave these
brutes when I saw the priest coming across the country, followed. by the sexton and
a young boy. I ran towards him and gave vent to my indignation. He showed no
surprise nor did he quicken his pace in the least. He answered:
</p>
          <p style="indent">“‘What can you expect, sir? It’s the custom. They all do it,
and it’s of no use trying to stop them.’
</p>
          <p style="indent">“‘But at least hurry up!’ I cried.
</p>
          <p style="indent">“He answered: ‘But I can’t go any faster.’
</p>
          <p style="indent">“He entered the vestry, while we remained outside on the
church steps. I was suffering. But what about the poor little creature who was
howling from the effects of the biting cold.
</p>
          <p style="indent">“At last the door opened. He went into the church. But the
poor child had to remain naked throughout the ceremony. It was interminable. The
priest stammered over the Latin words and mispronounced them horribly. He
walked slowly and with a ponderous tread. His white surplice chilled my heart. It
seemed as though, in the name of a pitiless and barbarous god, he had wrapped
himself in another kind of snow in order to torture this little piece of humanity that
suffered so from the cold.
</p>
          <p style="indent">“Finally the christening was finished according to the rites and
I saw the nurse once more take the frozen, moaning child and wrap it up in the
blanket.
</p>
          <p style="indent">“The priest said to me: ‘Do you wish to sign the register?’
</p>
          <p style="indent">“Turning to my gardener, I said: “Hurry up and get home
quickly so that you can warm that child.’ I gave him some advice so as to ward off,
if not too late, a bad attack of pneumonia. He promised to follow my instructions
and left with his sister-in-law and the nurse. I followed the priest into the vestry,
and when I had signed he demanded five francs for expenses.
</p>
          <p style="indent">“As I had already given the father ten francs, I refused to pay
twice. The priest threatened to destroy the paper and to annul the ceremony. I, in
turn, threatened him with the district attorney. The dispute was long, and I finally
paid five francs.
</p>
          <p style="indent">“As soon as I reached home I went down to Kerandec’s to find
out whether everything was all right. Neither father, nor sister-in-law, nor nurse
had yet returned. The mother, who had remained alone, was in bed, shivering with
cold and starving, for she had had nothing to eat since the day before.
</p>
          <p style="indent">“‘Where the deuce can they have gone?’ I asked. She
answered without surprise or anger, ‘They’re going to drink something to celebrate:
It was the custom. Then I thought, of my ten francs which were to pay the church
and would doubtless pay for the alcohol.
</p>
          <p style="indent">“I sent some broth to the mother and ordered a good fire to be
built in the room. I was uneasy and furious and promised myself to drive out these
brutes, wondering with terror what was going to happen to the poor infant.
</p>
          <p style="indent">“It was already six, and they had not yet returned. I told my
servant to wait for them and I went to bed. I soon fell asleep and slept like a top.
At daybreak I was awakened by my servant, who was bringing me my hot water.
</p>
          <p style="indent">“As soon as my eyes were open I asked: ‘How about
Kerandec?’
</p>
          <p style="indent">“The man hesitated and then stammered: ‘Oh! he came back,
all right, after midnight, and so drunk that he couldn’t walk, and so were Kermagan
and the nurse. I guess they must have slept in a ditch, for the little one died and
they never even noticed it.’
</p>
          <p style="indent">“I jumped up out of bed, crying:
</p>
          <p style="indent">“‘What! The child is dead?’
</p>
          <p style="indent">“‘Yes, sir. They brought it back to Mother Kerandec. When
she saw it she began to cry, and now they are making her drink to console her.’
</p>
          <p style="indent">“‘What’s that? They are making her drink!’
</p>
          <p style="indent">“‘Yes, sir. I only found it out this morning. As Kerandec had
no more brandy or money, he took some wood alcohol, which monsieur gave him for
the lamp, and all four of them are now drinking that. The mother is feeling pretty
sick now.’
</p>
          <p style="indent">“I had hastily put on some clothes, and seizing a stick, with
the intention of applying it to the backs of these human beasts, I hastened towards
the gardener’s house.
</p>
          <p style="indent">“The mother was raving drunk beside the blue body of her
dead baby. Kerandec, the nurse, and the Kermagan woman were snoring on the
floor. I had to take care of the mother, who died towards noon.”
</p>
          <p style="indent">The old doctor was silent. He took up the brandy-bottle and
poured out another glass. He held it up to the lamp, and the light streaming
through it imparted to the liquid the amber color of molten topaz. With one gulp
he swallowed the treacherous drink.
</p>
        </div>
        <!--end of "section 1.0/.1"-->
      </div>
      <!--end of "chapter 10.1/0"-->
      <!--END OF CHAPTER 10.1/0-->
    </body>
    <back>
      <div xml:id="colo">
        <head type="colophon">Colophon</head>
        <p style="hang"><hi rend="bold">Title:</hi>  The Complete
Stories.</p>
        <p style="hang"><hi rend="bold">Author(s):</hi>  Guy de
Maupassant.</p>
        <p style="hang"><hi rend="bold">First publication details:</hi>
 Project Gutenberg; London, United Kingdom; Vol. 10; 2004 Jan 1. </p>
        <p style="hang"><hi rend="bold">Deafult language:</hi>  en,
English.</p>
        <p style="hang"><hi rend="bold">Keywords:</hi>  Short Stories, Guy
de Maupassant, The Complete Stories, Open Access Publishing, English, Sayahna
Foundation, Free Software, TEI XML, PDF, HTML5, TeX.</p>
        <p style="hang"><hi rend="bold">Digital Publisher:</hi>  Sayahna
Foundation; JWRA 34, Jagthy; Trivandrum 695014; India.</p>
        <p style="hang"><hi rend="bold">Date:</hi>  October 18, 2021.</p>
        <p style="hang"><hi rend="bold">Credits:</hi>  The text of the
original item is in the public domain. The text encoding and editorial notes were
created and/or prepared by the Sayahna Foundation and are licensed under a <ref target="https://creativecommons.org/licenses/by-sa/4.0/">Creative
Commons Attribution By ShareAlike 4.0 International License</ref>  <hi rend="sc">(cc by-sa 4.0)</hi>. Any reuse of the material should credit the
Sayahna Foundation and must be shared under the same terms.</p>
        <p style="hang"><hi rend="bold">Cover:</hi>  The Elopement, a
painting by <ref target="hhttps://en.wikipedia.org/wiki/Edmund_Leighton">Edmund
Leighton</ref>  (1852–1922). The image is taken from <ref target="https://commons.wikimedia.org">Wikimedia Commons</ref>
 and is gratefully acknowledged.</p>
        <p style="hang"><hi rend="bold">Production history:</hi>  <hi rend="bold">Translated by::</hi>  Albert M. C. McMaster, A. E.
Henderson, Mme. Quesada, et al.; <hi rend="bold">Encoded and
typeset by:</hi>  C. V. Radhakrishnan.</p>
        <p style="hang" xml:id="less" n="1"><hi rend="bold">Production
notes:</hi>  The entire document processing has been done in a computer
running <hi rend="sc">gnu/linux</hi> operating system and TeX and friends.
The <hi rend="sc">pdf</hi> has been generated using XeLaTeX from TeXLive
distribution 2021 using <ref target="https://ithal.io">Ithal</ref>, an online
framework for text formatting. The <ref target="https://tei-c.org"><hi rend="sc">tei</hi></ref>  <hi rend="sc">(p5)</hi> encoded <hi rend="sc">xml</hi> has been generated from the same LaTeX sources using <ref target="https://luatex.org">LuaLaTeX</ref>. <hi rend="sc">html</hi>
version has been generated from the <hi rend="sc">xml</hi> using <hi rend="sc">xslt</hi> stylesheet (en-tei-html.xsl) developed by <ref target="http://cvr.cc">CV Radhakrkishnan</ref> in combination with the free
home edition of <ref target="https://saxonica.com">Saxon processor for <hi rend="sc">xslt</hi> </ref> v. 10.5.</p>
        <p style="hang"><hi rend="bold">Fonts:</hi>  The basefont used in
<hi rend="sc">pdf</hi> and <hi rend="sc">html</hi> versions is
<ref target="https://fonts.google.com/specimen/Cormorant#about">Cormorant
Garamond</ref>  developed by
<ref target="http://www.github.com/CatharsisFonts/Cormorant">Christian
Thalmann</ref>, a type designer based in Zurich, Switzerland. The title and
headings are with
<ref target="https://fonts.google.com/specimen/Cormorant+SC#about">Cormorant
<hi rend="sc">sc</hi> </ref>; the catchline and the footer make use of
<ref target="https://fonts.google.com/specimen/Cormorant+Upright#about">Cormorant
Upright</ref> developed by the same designer.</p>
        <p style="hang"><hi rend="bold">Web site:</hi>  Maintained by
<ref target="https://rajeeshknambiar.wordpress.com">KV
Rajeesh</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/xml/maupassant-stories-10.xml">Download
document sources in <hi rend="sc">tei</hi> encoded <hi rend="sc">xml</hi>
format</ref>.</p>
        <p style="hang"><ref target="https://en.books.sayahna.org/en/pdf/maupassant-stories-10.pdf">Download
standard <hi rend="sc">pdf</hi> document</ref>.</p>
      </div>
    </back>
  </text>
</TEI>
